Here Are The 2025 Spirit Nominations


The Independent Spirit Nominations were announced earlier today.  As always, one should take the Spirit Awards with a grain of salt as a lot of the current Oscar contenders — like One Battle After Another and Hamnet — are not eligible for the Spirit Awards.  That said, Train Dreams is an Oscar contender that is eligible for the Spirit Awards and it had a fairly nice showing today.  I should also note that Peter Hujar’s Day received the most film nominations, with five.

Film Categories

BEST FEATURE (Award given to the producer)

Peter Hujar’s Day
Producers: Jonah Disend, Jordan Drake

The Plague
Producers: Derek Dauchy, Joel Edgerton, Roy Lee, Lucy McKendrick, Steven Schneider, Lizzie Shapiro

Sorry, Baby
Producers: Mark Ceryak, Barry Jenkins, Adele Romanski

Train Dreams
Producers: Michael Heimler, Will Janowitz, Marissa McMahon, Ashley Schlaifer, Teddy Schwarzman

Twinless
Producers: David Permut, James Sweeney

BEST FIRST FEATURE (Award given to director and producer)

Blue Sun Palace
Director: Constance Tsang
Producers: Sally Sujin Oh, Eli Raskin, Tony Yang

Dust Bunny
Director/Producer: Bryan Fuller
Producers: Basil Iwanyk, Erica Lee

East of Wall
Director/Producer: Kate Beecroft
Producers: Shannon Moss, Melanie Ramsayer, Lila Yacoub

Lurker
Director: Alex Russell
Producers: Galen Core, Archie Madekwe, Marc Marrie, Charlie McDowell, Francesco Melzi D’Eril, Duncan Montgomery, Alex Orlovsky, Olmo Schnabel, Jack Selby

One of Them Days
Director: Lawrence Lamont
Producers: Deniese Davis, Poppy Hanks, James Lopez, Issa Rae, Sara Rastogi

JOHN CASSAVETES AWARD – Given to the best feature made for under $1,000,000 (Award given to the writer, director and producer)

The Baltimorons
Director/Writer/Producer: Jay Duplass
Writer/Producer: Michael Strassner
Producers: David Bonnett Jr., Drew Langer

Boys Go to Jupiter
Director/Writer: Julian Glander

Eephus
Director/Writer/Producer: Carson Lund
Writer/Producer: Michael Basta
Writer: Nate Fisher
Producers: David Entin, Tyler Taormina

Esta Isla (This Island)
Directors/Writers/Producers: Cristian Carretero, Lorraine Jones Molina
Writer: Kisha Tikina Burgos

Familiar Touch
Director/Writer/Producer: Sarah Friedland
Producers: Alexandra Byer, Matthew Thurm

BEST DIRECTOR

Clint Bentley
Train Dreams

Mary Bronstein
If I Had Legs I’d Kick You

Lloyd Lee Choi
Lucky Lu

Ira Sachs
Peter Hujar’s Day

Eva Victor
Sorry, Baby

BEST SCREENPLAY

Michael Angelo Covino, Kyle Marvin
Splitsville

Angus MacLachlan
A Little Prayer

James Sweeney
Twinless

Christian Swegal
Sovereign

Eva Victor
Sorry, Baby

BEST FIRST SCREENPLAY

Andrew DeYoung
Friendship

Elena Oxman
Outerlands

Alex Russell
Lurker

Syreeta Singleton
One of Them Days

Constance Tsang
Blue Sun Palace

BEST LEAD PERFORMANCE

Everett Blunck
The Plague

Rose Byrne
If I Had Legs I’d Kick You

Kathleen Chalfant
Familiar Touch

Chang Chen
Lucky Lu

Joel Edgerton
Train Dreams

Dylan O’Brien
Twinless

Keke Palmer
One of Them Days

Théodore Pellerin
Lurker

Tessa Thompson
Hedda

Ben Whishaw
Peter Hujar’s Day

BEST SUPPORTING PERFORMANCE

Naomi Ackie
Sorry, Baby

Zoey Deutch
Nouvelle Vague

Kirsten Dunst
Roofman

Rebecca Hall
Peter Hujar’s Day

Nina Hoss
Hedda

Jane Levy
A Little Prayer

Archie Madekwe
Lurker

Kali Reis
Rebuilding

Jacob Tremblay
Sovereign

Haipeng Xu
Blue Sun Palace

BEST BREAKTHROUGH PERFORMANCE

Liz Larsen
The Baltimorons

Misha Osherovich
She’s the He

Kayo Martin
The Plague

SZA
One of Them Days

Tabatha Zimiga
East of Wall

BEST CINEMATOGRAPHY

Alex Ashe
Peter Hujar’s Day

Norm Li
Blue Sun Palace

David J. Thompson
Warfare

Adolpho Veloso
Train Dreams

Nicole Hirsch Whitaker
Dust Bunny

BEST EDITING

Ben Leonberg
Good Boy

Carson Lund
Eephus

Fin Oates
Warfare

Sara Shaw
Splitsville

Sofía Subercaseaux
The Testament of Ann Lee

ROBERT ALTMAN AWARD – Given to one film’s director, casting director and ensemble cast

The Long Walk
Director: Francis Lawrence
Casting Director: Rich Delia
Ensemble Cast: Judy Greer, Mark Hamill, Cooper Hoffman, David Jonsson, Tut Nyuot, Joshua Odjick, Charlie Plummer, Ben Wang, Garrett Wareing

BEST DOCUMENTARY (Award given to the director and producer)

Come See Me in the Good Light
Director/Producer: Ryan White
Producers: Jessica Hargrave, Tig Notaro, Stef Willen

Endless Cookie
Director: Peter Scriver
Director/Producer: Seth Scriver
Producers: Dan Bekerman, Alex Ordanis, Jason Ryle, Chris Yurkovich

My Undesirable Friends: Part I – Last Air in Moscow
Director/Producer: Julia Loktev

The Perfect Neighbor
Director/Producer: Geeta Gandbhir
Producers: Sam Bisbee, Nikon Kwantu, Alisa Payne

The Tale of Silyan
Director/Producer: Tamara Kotevska
Producers: Jean Dakar, Anna Hashmi, Jordanco Petkovski

BEST INTERNATIONAL FILM (Award given to the director)

All That’s Left of You
Palestine, Jordan, Germany, Cyprus
Director: Cherien Dabis

On Becoming a Guinea Fowl
Zambia, UK, Ireland
Director: Rungano Nyoni

A Poet
Colombia
Director: Simón Mesa Soto

The Secret Agent
Brazil
Director: Kleber Mendonça Filho

Sirāt
Spain
Director: Oliver Laxe

Emerging Filmmaker Awards

PRODUCERS AWARD – The Producers Award, now in its 29th year, honors an emerging producer who, despite highly limited resources, demonstrates the creativity, tenacity and vision required to produce quality independent films. This award includes a $25,000 unrestricted grant.

Emma Hannaway

Luca Intili

Tony Yang

SOMEONE TO WATCH AWARD – The Someone to Watch Award, now in its 32nd year, recognizes a talented filmmaker of singular vision who has not yet received appropriate recognition. This award includes a $25,000 unrestricted grant.

Tatti Ribeiro
Director of Valentina

Neo Sora
Director of Happyend

Annapurna Sriram
Director of Fucktoys

TRUER THAN FICTION AWARD – The Truer Than Fiction Award, now in its 31st year, is presented to an emerging director of non-fiction features who has not yet received significant recognition. This award includes a $25,000 unrestricted grant.

Tony Benna
Director of André is an Idiot

Rajee Samarasinghe
Director of Your Touch Makes Others Invisible

Brittany Shyne
Director of Seeds

JUROR #2 (2024) – Another Gift from Clint Eastwood


I’ve really been looking forward to seeing JUROR #2, Clint Eastwood’s most recent directorial effort, since I first read about it a year or two ago. Any film from the aging icon is a gift to his fans at this point, so it seems appropriate that I watched it for the first time on Christmas Eve. I still don’t understand the release strategy for the film, considering it was released in a few theaters and then pushed out to streaming platforms a little over a month later. That seems strange for a movie with this kind of pedigree, but I guess that doesn’t really matter at this point. 

The plot revolves around Justin Kemp (Nicholas Hoult), a seemingly nice guy who’s going to be a dad any day now. I know that because his wife Allison (Zoey Deutch) looks like she could pop at any moment. He tries to use that pregnancy to get out of jury duty, but to no avail. Of course he gets selected to serve. As District Attorney Faith Killebrew (Toni Collette) begins laying out the facts of a horrific murder case against James Michael Sythe (Gabriel Basso), Justin begins to immediately realize that the wrong guy may have been arrested for the crime. How does he know they’ve got the wrong guy? Because Justin now thinks that he may be the one responsible for an accidental hit and run killing of the victim, Kendall Carter (Francesca Eastwood). The remainder of the film deals with Justin’s moral dilemma as he attempts to serve on the jury, protect his own freedom, and not send an innocent man to jail. This plot does require a pretty big suspension of disbelief, but if you’ll just go along with it, the movie does present some interesting ideas.

I’ll say right off the bat that I like JUROR #2. This was a relief to me because as much as I wanted to like Eastwood’s prior film CRY MACHO, at the end of the day it just wasn’t a very good movie. I’ve always enjoyed courtroom thrillers, and it doesn’t seem we get to see many of them anymore. Our main character Justin Kemp has a troubled past, but he’s truly turned his life around. The fact that he now finds himself in a seemingly impossible moral position is a strong hook that pulled me in. Director Eastwood takes his time here and tightens the grip on Justin, leaving him with few options, as he tries to figure out what to do. I’ve never served on a jury, and I’ve never really wanted to. I’m not sure I want the responsibility of deciding a person’s guilt or innocence. Eastwood’s film doesn’t change my mind in this area. It shows us some jurors who have made up their minds based on pre-conceived notions, regardless of the evidence. It shows us other jurors who want to convict just so the trial can be over and they can get on with their lives. It shows us witnesses who are willing to identity people just to please the prosecution. Considering what we know as the audience, these are glaring but realistic weaknesses of our nation’s system of justice. 

Eastwood assembled a good cast with Nicholas Hoult, Toni Collette, J.K. Simmons, and Kiefer Sutherland, actors that I always find worth watching. Hoult and Collette do most of the heavy lifting. JUROR #2 is set in Georgia, and I appreciate that Hoult, who’s from England, and Collette, who’s from Australia, don’t overdo the southern accents. J.K. Simmons is very impressive as an ex-cop who’s serving on the jury who is convinced of the defendant’s innocence. Unfortunately, his character exits the film fairly early, and he’s sorely missed. I’ve been a big fan of Kiefer Sutherland since I was a teenager, and I consider “24” one of my all time favorite shows. His role is pretty small here. He’s good, but from what I’ve read, he really just wanted to work with Eastwood. I also enjoyed seeing Gabriel Basso (Hillbilly Elegy) and Francesca Eastwood (Clint’s daughter) in the film. 

Clint Eastwood amazes me. In his legendary six decade career, he has been a part of some of the best films of all time. DIRTY HARRY, THE OUTLAW JOSEY WALES, and UNFORGIVEN are included in my list of all-time favorites. JUROR #2 is not in their league, and it’s certainly not a perfect film. But it is an entertaining film that tells an interesting story and even makes you think a little bit. And with that I say, thanks for another gift, Clint! 

Film Review: Before I Fall (dir by Ry Russo-Young)


One of my favorite films of 2017 was Before I Fall, which was kind of a combination of Mean Girls, Groudhog Day, and Happy Death Day.  Two years later, it remains one of my favorite movies, even if I do end up crying whenever I watch it.

The film begins with an ordinary teenager named Samantha Kingston (Zooey Deutsch) waking up on February 12th.  We follow her throughout her day and watch her deal with family, friends, teachers, and all the drama that goes along with all of that.  We meet her boyfriend, Rob (Kian Lawley) and we automatically know that she needs to dump his jock ass.  (Whenever we hear him glibly say, “Love ya,” it’s like nails on a chalkboard.)  We all know that Sam should be with Kent (Logan Miller), who is sweet and sensitive and gives her a white rose for Cupid’s Day.  We also meet and get to know her friends, Allie (Cynthia Wu), Elody (Medalion Rahimi), and especially Lindsay (Halston Sage).  While being a close friend to Sam, Lindsay is still the stereotypical popular, mean girl, the one who decides who is accepted and who is destined to forever to be an outsider.  Sam, on the other hand, is not a mean girl (or, at the very least, she’s a not-as-mean girl).  Instead, she’s the girl who simply goes along with what everyone else is doing.  She may not instigate any bullying but she doesn’t do anything to stop it either.

February 12th was the night that Sam had been planning on losing her virginity to Rob but Rob pretty much ruins that by getting drunk and acting like an asshole.  Instead, at a party at Kent’s house, Sam watches as Lindsay humiliates an outsider named Juliet (Elena Kampouris).  After leaving the party, Sam, Lindsay, Elody, and Allie drive down a dark road.  They listen to music.  They talk about how stupid everyone at the party was.  And, eventually, the car crashes and….

Suddenly, Sam’s waking up in her bedroom!  And it’s February 12th all over again!  That’s right, Sam is in a time loop, destined to continually relive the final day of her life until she makes things right.  In the 2010 novel that this film is based on, author Lindsay Olivier makes it pretty clear that each time Sam relives her day, she’s going through another stage of grief, moving from denial to acceptance.  While the film doesn’t make that point quite as clearly as the book, it does do a good job of showing us how, each time that Sam is forced to relive that day, she comes out of it as a changed person.  She discovers that Rob wasn’t worthy of her love and that Kent was.  She discovers that her family wasn’t as terrible as she assumed.  And, perhaps most importantly, she learns that being a friend does not mean excusing casual cruelty.

Watching Before I Fall is always an emotional experience for me.  A lot of it is because I can relate to Sam.  In many ways, back in high school, I was Sam.  But, even beyond that, the theme of Before I Fall is universal.  It doesn’t matter how old you are or what your background may be.  It doesn’t matter if you were popular in high school or if you were one of the outsiders.  Everyone — every single one of us — has done something that they regret.  All of us have one day that we wish we could travel back to and do things differently.

Well-directed by Ry Russo-Young and featuring a lot of beautiful Canadian scenery (the film was shot in British Columbia and Vancouver), Before I Fall is a poignant and touching film.  Zooey Deutch, Halston Sage, Cynthia Wu, and Medalion Rahimi are all believable as longtime friends and, to the film’s credit, no one — not even Lindsay — can be reduced to a mere stereotype.  Before I Fall is a film about regret, denial, anger, acceptance, and finally, peace.  No wonder it makes me cry.

Back to School Part II #56: Everybody Wants Some!! (dir by Richard Linklater)


(For the past three weeks, Lisa Marie has been in the process of reviewing 56 back to school films!  She’s promised the rest of the TSL staff that this project will finally wrap up by the end of today, so that she can devote her time to helping to prepare the site for its annual October horrorthon!  Will she make it or will she fail, lose her administrator privileges, and end up writing listicles for Buzzfeed?  Keep reading the site to find out!)

everybody_wants_some_poster

Well, here we are!  It’s taken nearly four weeks but we have reached the conclusion of Back to School Part II!  I started this series by taking a look at Teenage Devil Dolls.  Along the way, I’ve reviewed everything from Andy Warhol’s Vinyl, A Clockwork Orange, Animal House, and Can’t Hardly Wait to Hollywood High and Keith.  I’ve even found an excuse to review four different Degrassi films!  I’ve had a lot of fun but, with October approaching, I’m happy to be finishing up this series of reviews so that I can concentrate on the TSL’s annual horrorthon!

So, without further ado, let’s take a look at Richard Linklater’s Everybody Wants Some!!

Everbody Wants Some!! generated a small flurry of excitement when it was first released back in March.  Not only was it Linklater’s first narrative film since the critically acclaimed Boyhood but it was also advertised as being a spiritual sequel to Dazed and Confused.  Like Dazed and Confused, Everybody Wants Some!! was a period piece that would follow an ensemble of Texas teenagers over the course of one long weekend, the big difference being that Everybody Wants Some!! would take place in 1980 (as opposed to 1976) and it would deal with college freshmen (instead of high school juniors).  There were even a few articles that pointed out that several of the actors in Everybody Wants Some!! physically resembled some of the actors in Dazed and Confused.

(Seriously, Glen Powell looks like he could be Matthew McConaughey’s younger brother.)

The film was well-reviewed by critics, even though few of the reviews were as rapturous as the reviews that greeted previous Linklater films like Boyhood and Before Midnight.  As for the audience reaction … well, Everybody Wants Some!! was not exactly embraced by audiences.  I saw it at the Alamo Drafthouse and the theater was nearly deserted.  (Considering that the Alamo’s audience prides itself on embracing independent film, a near-empty theater for a showing of a Linklater film is not a good sign.)  The few people in the theater seemed to feel that the film went on for too long and that it needed a stronger plot.  That’s a complaint that I’ve heard a lot of people make against Everybody Wants Some!!

It’s not a complaint that I agree with.  Those who complained that Everybody Wants Some!! was essentially plotless obviously haven’t seen many Richard Linklater films.  Though Linklater has made his share of commercial films, his more personal work — like Everybody Wants Some!! — is often plotless.  That’s actually one the keys to Linklater’s aesthetic.  He’s more interested in recreating a specific time and place and observing how different characters react to their environment than he is in telling conventional stories.  A film like Everybody Wants Some!! is less about telling a story with a definite beginning and end and more about capturing a very specific experience.

And, on that level, the film definitely succeeds.  Watching Everybody Wants Some!!, you literally do feel as if you’ve stepped into a time machine and you’ve been transported to the past.  Jake (Blake Jenner), a college freshman who is attending fictional Southeast Texas College on a scholarship, may be the main character but, ultimately, he’s not that important.  More important is seeing how people lived, interacted, and thought in 1980.  Everybody Wants Some!! is a time capsule film.

(Apparently, it’s a bit of an autobiographical film as well.  Cinema snobs like me tend to forget that, before he became a filmmaker, Linklater was a jock who, like Jake, attended college on a baseball scholarship.  As much as we may not want to admit it, not all artistic geniuses spent high school writing angsty poetry about eating disorders.  Some of them played sports.)

Everybody Wants Some!! follows Jake and his fellow baseball players over the course of the weekend before classes begin.  One night, they end up in a redneck bar.  Another night, they end up at a punk club.  They go to a drama department party.  They practice baseball.  They all drink.  Some of them smoke weed.  Some of them get laid.  And, at the end of the weekend, two of them sit down in their first class of the semester and promptly fall asleep.

One problem that I did have with Everybody Wants Some!! is that, as good as job as it does of creating a time and place, it didn’t necessarily convince me that it was a time in which I would want to live in.  As I stated earlier, Everybody Wants Some!! was promoted as being a spiritual sequel to Dazed and Confused.  However, Dazed and Confused featured a greater variety of characters.  Practically everyone of note in Everybody Wants Some!! is a member of the school’s baseball team.  True, some of them are smarter than others.  Some of them smoke weed.  Some of them are ultra religious.  But, ultimately, they’re all jocks and they’re all frat boys.  How much you enjoy hanging out with these characters will depend on how much tolerance you have for jocks, frat boys, and their hyper-masculine rituals.  Whenever I’ve seen Dazed and Confused, I’ve thought to myself that if I had been alive and in high school in 1976, I would have wanted to be friends with at least a few of the characters.  On the other hand, if I had been alive and in college in 1980, I would have gone out of my way to avoid that baseball team.

(And, as a result, I probably would have missed a chance to meet Richard Linklater!  There’s a lesson to be learned there.)

Ultimately, though, Everybody Wants Some!! succeeds because, even if the characters aren’t particularly likable, the film itself does capture the feeling and the excitement of having your entire future ahead of you.  Admittedly, there’s a hint of melancholy running through the film.  One character is revealed to be a 30-something imposter who regularly uses a false identity to enroll in different colleges because he loves to play baseball but he knows that he’ll never succeed in the major leagues.  Throughout the film, there are hints that none of these baseball players are ever going to be as successful as they are during that one particular weekend.  But, ultimately, the film tells us that the future doesn’t matter.  What matters is that, for that one weekend, they had their entire future ahead of them and it seemed like anything was possible.

Everybody Wants Some!! may not be Linklater’s best but it definitely deserves to be seen!

(And that concludes Back to School!  Thank you everyone for reading!  Love you!)