Guilty Pleasure No. 108: Interspecies Reviewers (Ishuzoku Rebyuāzu)

Posted on March 20, 2026 by Arleigh

What really nudges Interspecies Reviewers into “guilty pleasure” territory is the production’s split personality. On one hand, it’s shamelessly explicit for a late‑night TV anime; on the other, it’s structurally tight and surprisingly imaginative with its worldbuilding. The fantasy ecosystem is treated almost like a handbook of interspecies compatibility: differences in mana, lifespan, physiology, and even perception of age all factor into how each reviewer scores their night out. You’ll get a gag about the dragon girl’s overwhelming presence right next to a mini‑lecture on why fairies have extremely strict size limitations for their patrons. That blend of horny premise and nerdy specificity makes it feel like your group chat’s “what if” jokes got adapted into a full production.

There’s also the whole meta layer: Interspecies Reviewers was so out there that major distributors and broadcasters backed away from it, dropping or canceling its run because of how far it pushed explicit content for television. For a modern TV anime to get pulled partway through its broadcast is rare, and that notoriety quickly became part of the show’s identity. Just knowing that multiple networks balked at it adds to the sense that you’re watching something you’re not “supposed” to be watching—always a potent ingredient in guilty pleasure status.

The humor, crucially, is broader than just “look, boobs.” A lot of the jokes revolve around how absurdly bureaucratic and normalized sex work is in this world, from porter guilds hauling review sheets across the land to rival reviewers trying to torpedo or inflate ratings. There’s even an incubus critic who takes offense at the main crew’s negative scores and starts leaving his own glowing reviews, only for his swagger to be cut short by a vengeful lover. Moments like that reframe the series as a raunchy workplace comedy disguised as fantasy porn: everyone has opinions, everyone’s hustling, and nobody’s as objective as they pretend.

None of this magically elevates Interspecies Reviewers into high art, but it does make the show a lot more watchable than its reputation suggests. The episodic structure gives it a breezy, “one more episode” pacing; you always want to see what weird race or gimmick they’ll tackle next. The scoring boards at the end of each brothel visit become their own running joke, with wildly varying ratings, petty commentary, and the occasional self‑own when a character realizes their kink is not shared by anyone else in the party. It’s almost like a fantasy version of Anthony Bourdain crossed with late‑night cable: travel to a new spot, experience the local flavor, then sit around and compare notes over drinks.

All that said, this is exactly the sort of series most people will feel weird admitting they enjoyed. The explicit content isn’t a light garnish; it’s the central axis of every single episode. There’s no serious emotional through‑line to hide behind, no grand plot twist, no lofty theme you can trot out to justify the time investment. It’s just well‑executed trash: unapologetically focused on sex, gleefully juvenile in its punchlines, and willing to go places that many “edgy” shows only flirt with. Even fans who praise it often do so with qualifiers, acknowledging that it’s “kind of weird” while admitting it’s hot, funny, or unexpectedly creative.

That tension—between embarrassment and enjoyment—is the core of why Interspecies Reviewers works as a guilty pleasure. One side of you rolls your eyes at how lowbrow the premise is, yet the other side recognizes that the show is actually doing some clever things with subjectivity, fantasy biology, and the review culture we live in. You can’t really defend it in polite company, and you probably won’t see it on anyone’s “Top 10 Must‑Watch Anime for Beginners” list, but you also might find yourself remembering specific gags, species breakdowns, or character reactions long after you’ve finished it.

So, is Interspecies Reviewers good? In a conventional sense, maybe not. In the “I had more fun with this than with half the safe, respectable shows in its season” sense, absolutely. It’s crude, controversial, and brazenly fixated on its own niche, but it’s also surprisingly consistent, inventive with its setups, and genuinely funny if you’re on its wavelength. That combination of shame and amusement, of “I really shouldn’t be enjoying this” tangled up with “but I kind of am,” is exactly what makes Interspecies Reviewers one of anime’s purest modern guilty pleasures.

Previous Guilty Pleasures

Highschool of the Dead: Episode 4 – First Impressions

Posted on August 1, 2010 by Arleigh

We’re now an third into the first season of Madhouse’s anime adaptation of the Highschool of the Dead manga. The first three episodes have been used mostly as a set-up to lay out the basic premise of the anime series in addition to introducing the main players. The third episode also sets-up conflict between two groups of survivors as our students (plus one ditzy school nurse) must contend with another teacher (Shido-san) who seems to have some ulterior motives in trying to proclaim himself the appointed leader of the surviving students and faculty in the school bus which just escaped from zombie-infested school.

So far, the series has followed closely the storyline from the manga. There’s been some minute changes to character backstory and certain scenes have been extended or given more time to develop unlike their original manga. Still the writers for the anime look comfortable enough in following the manga with some fidelity instead of venturing on a different path or switching the order of story-arcs around like how some anime adaptation of manga series in the past.

If there’s one thing to take away from this fourth episode it is that the Anime Network’s simulcast of the series definitely has censored the more ecchi scenes to make them more acceptable to North American audiences. I like to point out specifically the sequence at the gas station between Takashi, Rei and the crazed human who holds Rei hostage. In the manga this scene definitely remains uncensored (though it remains to be seen whether Yen Press will keep it that way when they bring the manga over to the North American market), but in the simulcast the scene has some of the details blurred out, but not enough that the audience cannot figure out what is going on.

I definitely think that the more blatant use of fan-service deeper into the series will get the same treatment. This definitely will mean the dvd set when its released better have these scenes uncensored or there will be much declarations of shenanigans sent Sentai’s way. But now that censoring of these scenes have been established further use of it in upcoming episodes shouldn’t come as surprise so I shall keep my complaints to this recap and leave it at that. Other than that the episode was good just like the previous three and I don’t see the series doing nothing but continue to be very good as it moves forward.

Highschool of the Dead manga has been licensed

Posted on July 24, 2010 by Arleigh

The relatively successful airing of the anime adaptation of the very popular manga title Highschool of the Dead seems to have had a major consequence. The original manga has now been announced as having been licensed from Monthly Dragon Age (title’s original Japanese publisher) by North American manga publisher Yen Press. This is great news for the new fans of the anime (still just 3 episodes in but having impressed with those so far) and for the veteran manga readers who have been relegated to reading fan-translated versions of the series.

Yen Press has licensed some very solid titles from Japan and they’ve actually done a good job at bringing over these titles with as little censoring and changes to the artwork and dialogue as possible unlike some other NA publishers. I hope they do the same for Highschool of the Dead once they start releasing the first couple volumes over here in the US and Canada.

Highschool of the Dead has gore and violence aplenty which should appeal to the teenage and young men demographic the title has been targetting from the onset. The title also happens to be quite ecchi (fan-service) which makes American publishers of licensed manga nervous of late. It’s interesting to note that these very ecchi images wouldn’t be seen as too much of a problem over in Japan but here in NA where there are more puritanical groups lobbying to censor or outright ban these kind of titles then manga such as Highschool of the Dead will always have a harder time of coming over to these shores unedited.

Here’s to hoping that Yen Press does a very hands-off approach in their handling of this popular title. It would be a shame for the title to finally be licensed but only to get the Tenjho Tenge treatment which would definitely get the title’s fans in an uproar. Hopefully, Yen Press saw what happened when CMX did that with Tenjho Tenge and just leave things well enough alone.

Source: Anime News Network