Retro Television Review: Miami Vice 4.16 “Honor Among Thieves”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, a man kills for his dolls.

Episode 4.16 “Honor Among Thieves?”

(Dir by Jim Johnston, originally aired on March 4th, 1988)

A serial killer named Paul Delgado (John Bowman and no, we’re not related as far as I know) is killing girls in Miami.  He believes that he’s being ordered to kill by his collection of dolls and, when he’s speaking as a doll, he uses a high-pitched voice.  He picks women up at carnivals or on the beach and he kills them by injecting them with 100% pure cocaine.  He poses their bodies with a doll beside them.

Because of the cocaine connection, homicide detective Jarrell (Dylan Baker) approaches Castillo.  Castillo explains that his best men are working deep undercover, trying to take down a drug lord named Palmo (Ramy Zada).  That’s right, this is yet another episode where Crockett pretends to be Burnett and Tubbs pretends to be Cooper and somehow, they’re able to get away with it despite the fact that their cover has been blown in almost every previous episode.

Delgado works for Palmo and things get even more complicated when it turns out that Delgado is Crockett and Tubbs’s connection inside Palmo’s operation.  When Palmo discovers that Delgado is the killer, he puts Delgado on trial.  The jury is made up of other drug dealers.  Since Crockett is pretending to be a lawyer, he’s assigned to serve as Delgado’s defense counsel.  Palmo tells Crockett that, unless he’s acquitted by the drug dealer jury, he’ll reveal that Crockett and Tubbs are working undercover….

This was a weird episode,  It didn’t really work because Delgado was a bit too cartoonish to be taken seriously.  Perhaps if the show had just made him a serial killer who killed women with cocaine, it would have worked.  But the show had to go the extra step and have him talk to his dolls in a high-pitched voice.  As well, this was yet another episode where we were forced to wonder if people in the Miami underworld just don’t communicate with each other.  After all the drug lords that have been busted by Crockett and Tubbs, you would think that word would eventually get out about “Burnett” and “Cooper.”  I mean, their cover gets blown in nearly every episode.  Frank Zappa put a bounty on Crockett’s head in season 2!  And yet somehow, Crockett and Tubbs are still able to walk into a drug lord’s mansion, introduce themselves as Burnett and Cooper, and not automatically get shot.

There were some definite problems with this episode but it was weird enough to at least hold one’s attention.  As opposed to the episodes with the aliens and the bull semen, this episode didn’t seem like it was trying too hard to be weird.  Instead, it just was genuinely weird.  It was watchable and, as far as the fourth season of Miami Vice is concerned, that definitely counts as an accomplishment.

Porky’s (1981, directed by Bob Clark)


Porky’s.

On the one hand, it’s a crude, juvenile, and raunchy sex comedy where a bunch of teenagers in 1960s Florida think that it’s a hoot and not at all problematic to spy on the girls shower and to hire a black man to scare all of their (white) friends.

On the other hand, it’s a heartfelt plea for tolerance where Tim (Cyril O’Reilly) finally stands up to his abusive father (Wayne Maunder) and makes friends with Brian Schwartz (Scott Colomby), who is apparently the only Jewish person living in Angel Beach, Florida.

What’s strange about Porky’s is that everyone knows it for being the template for almost every bad high school film that followed, with tons of nudity, jokes about sex, and characters with names like Pee Wee, Miss Honeywell, Cherry Forever, and Porky.  But, when you sit down and watch the movie, you discover that, for all the raunchiness, it actually devotes even more time to Brian Schwartz dealing with the local bigots than it does to any of the things that it’s known for.  Everyone remembers the shower scene but it’s obvious the film’s heart is with Brian and his attempts to make the world a better place.  Porky’s is a sex comedy with a conscience.

Porky’s is an episodic film about a group of teenage boys trying to get laid and also trying to get revenge on the owner of the local brothel.  There’s a lot of characters but I’d dare anyone to tell me the difference between Billy, Tommy, and Mickey.  I went through the entire movie thinking that Billy was Mickey until I turned on the subtitles and discovered who was who.  Porky’s has a reputation for being a terrible movie but it’s actually a pretty accurate depiction of the way that most men like to imagine how their high school years went.  It captures the atmosphere of good-spirited teenage hijinks if not the reality.

One of the interesting things about Porky’s is that Bob Clark went from directing this to directing A Christmas Story.  The innocence of A Christmas Story might seem like it has nothing in common with raunchiness of Porky’s but, actually, they’re both nostalgic films that are set in an idealized past.  (If you still think A Christmas Story has nothing in common with Porky’s, just remember that Ralphie didn’t actually say “fudge.”)  Of course, A Christmas Story struggled at the box office and only became a hit when it was released on video while Porky’s is still the most successful Canadian film to ever be released in the U.S.  Sex sells.  As cool as it was to see Brian Schwartz stand up for himself, I doubt the people who made Porky’s a monster hit were buying their tickets because they had heard the film struck a blow against anti-Semitism.  They were going because they knew there was a shower scene.

Porky’s deserves its reputation for being a not-so great movie but I would be lying if I said that I didn’t laugh more than once while watching it.  (Of course, I still didn’t laugh as much as the characters in the films laughed.  I’ve never seen a cast that was as apparently amused with themselves as the cast of Porky’s.)  There’s a lot of bad moments but it’s hard not to crack a smile when Miss Honeywell demonstrates why she’s known as Lassie or when one of the coaches suggests that wanted posters can be hung around the school to help catch the shower voyeur.  Plus, everyone learns an important lesson about tolerance and how to destroy a brothel.  As bad as it is, it’s hard to really dislike Porky’s.