Whitney Rydbeck | Through the Shattered Lens

In the year 1979, a young Steven Spielberg attempted to conquer comedy in the same way that he previously conquered horror with Jaws and science fiction with Close Encounters of The Third Kind. Working from a script written by Robert Zemeckis and Bob Gale, Spielberg made a film about the days immediately following Japan’s attack on Pearl Harbor. The name of the film was 1941 and it remains Steven Spielberg’s only attempt to direct a full-out comedy. There’s a reason for that.

The film follows a large group of characters over the course of one day and night in 1941. It’s been six days since Pearl Harbor was attacked and the streets of Los Angeles are full of young men who are preparing to ship out and older man who are paranoid about when the next attack is going to come. However, Major General Joseph Stilwell (Robert Stack) just wants to see Dumbo at the local theater. Meanwhile, his womanizing aide (Tim Matheson, giving the same performance here that he did in National Lampoon’s Animal House) just wants to get Stillwell’s aviation-lusting secretary (Nancy Allen) into an airplane.

Elsewhere, Ward Douglas (Ned Beatty) is happy to allow Sgt. Tree (Dan Aykroyd) and his men (including John Candy) to set up on an anti-aircraft gun in his front yard. Ward’s daughter, Betty (Dianne Kay), is only concerned about entering a dance contest with her friend, Maxine (Wendie Jo Sperber). Cpl. Sitarski (Treat Williams) and dishwasher Wally Stephens (Bobby D iCicco) both hope to be Betty’s partner and their rivalry leads to a massive (and seemingly never-ending) brawl.

While Ward deals with the gun in his front yard, another concerned citizen — Claude Crumm (Murray Hamilton) — keeps watch from atop of Ferris wheel, along with amateur ventriloquist Herbie Kazlminsky (Eddie Deezen).

But that’s not all! Susan Backilinie recreates her role from a previous Spielberg film, skinny dipping while the Jaws theme plays in the background and running straight into a submarine that is commanded by Commander Akiro Mitamura (Toshiro Mifune, trying to maintain his dignity). Mifune decides to attack Hollywood but no one on the submarine is sure where that is. Christopher Lee appears as an arrogant German who is along for the ride. Slim Pickens shows up as a lumberjack who is temporarily captured by the Japanese. John Belushi plays Wild Bill Kelso, who flies his airplane through Los Angeles. Warren Oates yells and laughs. Dick Miller, Elijah Cook Jr. and Lionel Stander show up in small roles.

“Since when is Steven funny?” According to Peter Biskind’s Easy Riders, Raging Bulls, this was the reaction that most of Spielberg’s friends had when he announced that his next film would be a screwball comedy set during World War II. Watching the film, one gets their point. The majority of the film’s humor comes from people looking at the camera and screaming. There’s a lot physical comedy, which would undoubtedly work in small amounts but which grows rather tiring when it’s dragged out to the extent that Spielberg’s drags it out. (A brawl at a USO show seems like it should be funny but Spielberg allows it to go on for too long and the careful choreography takes away any element of spontaneity.) The film attempts to duplicate the style of Animal House (and it’s probably not a coincidence that Matheson, Belushi, and director John Landis all have roles in the film) but Spielberg often seems as if he’s trying too hard. There’s nothing subversive about the humor. It’s more antic than funny.

A huge problem is that there really isn’t much of a story here. Spielberg, who is normally one of Hollywood’s best storytellers, attempts to do a loose, Altman-style ensemble film and the result is that none of the characters feel alive and there’s never any sense of narrative momentum. There are a few performers who manage to make an impression amongst all the explosions and the yelling. John Belushi has the advantage of not having to share the majority of his scenes with anyone else. Warren Oates’s manic energy is more than welcome. Wendie Jo Sperber deserved more screentime. Murray Hamilton and Eddie Deezen frequently made me laugh. There’s a wonderful moment where Robert Stack’s intense general cries while watching Dumbo. But, for the most part, the film never comes together.

That said, 1941 is definitely a Steven Spielberg film. It received three Academy Award nominations, for Cinematography, Sound, and Visual Effects. (All three of those categories, not surprisingly, are more associated with spectacle than with comedy.) The film looks great! Spielberg’s attention to detail is there in the production design and the costumes. Watching 1941, you can see Spielberg’s talent while also seeing why he never directed another comedy.

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Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Jonathan meets a man who is desperate for money.

Episode 3.20 “The Hero”

(Dir by Michael Landon, originally aired on February 18th, 1987)

In desperate need of dental work that the VA refuses to pay for, disabled Vietnam veteran Joe Mason (James Stacy) considers stealing money from work and spends his time getting drunk and getting into fights in parking lots. Luckily, Jonathan is his new coworker and is able to show Joe that he truly deserve to be called a hero.

This was a standard Highway to Heaven episode but some people will find it interesting just because it features James Stacy. Stacy was the former star of the western series Lancer, the one that played a central role in Quentin Tarantino’s Once Upon A Time In Hollywood. (In that film, Stacy is played by Timothy Olyphant.) In real life, Stacy lost both his left arm and his left leg when he was hit by a drunk driver while he was riding his motorcycle. (Stacy’s girlfriend at the time was killed.) Stacy continued to act, appearing in roles, like this one, that were specifically written to include his disability. Stacy was nominated for a few Emmy Awards after his accident and he gives a good performance in this episode.

Unfortunately, James Stacy’s career did not have a happy ending, as he struggled with alcoholism after the accident. He retired from acting in 1991 and four years later, he pled “no contest” to inappropriately touching an 11 year-old girl. (I’ve come across a lot of different version of what happened, with some saying it was a misunderstanding and others saying that it definitely wasn’t. What everyone does seem to agree on is that Stacy was drunk at the time.) Due in court in California, Stacy instead fled to Hawaii where he attempted to commit suicide by jumping off a cliff, just for the wind to slam him into a ledge below. Stacy, who had been looking at probation, was instead sent to prison for six years. After his release, Stacy lives in seclusion until his 2016 death.

Stacy’s appearance on this episode is another example of Highway to Heaven giving work to veteran actors who were not necessarily working on a regular basis. In many ways, this show was like The Love Boat or Fantasy Island, in that its guest cast leaned heavy on nostalgia. Landon was a Hollywood veteran himself and one gets the feeling that one of his main motivations for doing this show was to help out his friends and acquaintances, the ones who weren’t necessarily at the top of Hollywood’s casting list anymore. The use of so many veteran actors, even someone who eventually became rather problematic like James Stacy, just adds to the earnestness that was this show’s defining characteristic.