Late Night Retro Television Review: Highway to Heaven 2.5 “The Devil and Jonathan Smith”

Posted on April 11, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week …. it’s Halloween!

Episode 2.5 “The Devil and Jonathan Smith”

(Dir by Michael Landon, originally aired on October 30th, 1985)

It’s Halloween and Mark Gordon has got himself in some trouble.

Left alone while Jonathan helps a guy learn that gambling is never a good idea, Mark accidentally runs over a kid. The child is taken to the hospital in critical condition. Though Mark is told that the accident was not his fault, he still feels guilty and remarks to one doctor (Anthony Zerbe) that he would even give up his own soul for the child to get better. And wouldn’t you know yet — suddenly, the child gets better!

It turns out that the doctor wasn’t a doctor at all. He was Jabez Stone, a bookstore owner who works for the Devil (played, with two horns on his head, by Michael Berryman). Jabez explains that unless Mark holds up his end of the bargain, the child will die. He gives Mark a contract to sign, stating that he will give his soul to the Devil at the end of Halloween. Without Jonathan around to advise him, Mark signs the contract.

When Jonathan does finally return from his mission, he’s not happy to hear about what Mark has done. Jonathan explains that he can’t just order Jabez to destroy the contract. Instead, he’s going to have to somehow convince Jabez to give him the contract. In short, Jonathan is going to have to pull a con job. Since he’s an angel, Jonathan is not allowed to lie or steal. But there is a con artist named CJ Barabbas (Conrad Janis) who might be willing to help.

Or, CJ might be planning on tricking Jonathan into surrendering his own soul to Devil! As CJ tells Jabez, he would be willing to do anything to make sure he got a cushy office job if he should happen to end up in Hell. Is CJ planning on betraying Jonathan or is it just another part of the con?

Well, you can guess the answer. We’re only in the second season of a five-season show and, if Jonathan lost his soul, that would make the rest of the series kind of awkward. There’s never any doubt that CJ is playing a long con on Jabez and the Devil and it’s actually pretty easy to guess just how exactly he’s going to pull it off. This isn’t The Sting. It’s Highway to Heaven.

That said, this was a fun episode. Michael Berryman and Anthony Zerbe both seemed to be having a ball playing such cartoonishly evil characters and Conrad Janis was actually rather charming in the role of CJ Barabbas. Season 2 has gotten off to an uneven start but this episode was both humorous and, in its way, kind of touching. Landon and French were close friends in real life and that friendship comes through as Jonathan tries to keep Mark from spending an eternity in Hell.

Next week, Jonathan teaches a bunch of factory workers a lesson about pollution!

Late Night Retro Television Review: Highway to Heaven 2.4 “Cindy”

Posted on April 4, 2024 by Lisa Marie Bowman

This week, Jonathan and Mark travel to Hollywood …. again.

Episode 2.4 “Cindy”

(Dir by Michael Landon, originally aired on October 23rd, 1985)

Vincent DeGeralimo (Bill Macy) is a fast-talking, good-hearted talent agent who is still trying to sell acts that were out-of-style during Vaudeville. He wants to get a booking for a lion tamer but Jonathan appears to him and says that Vincent’s main concern should be helping out his daughter.

Cindy DeGeralimo (Hallie Todd) is an aspiring actress who is currently working as a waitress in a diner. Her evil boss (Alice Ghostley) has three untalented daughters who all want to be actresses as well. Cindy’s newest coworker, Mark Gordon, just wants to meet a movie star.

Pretending to work in the mailroom of a major Hollywood studio, Jonathan convinces producer Maxim Prince (Kip Gilman) that the best way to find a star for his new picture would be to hold a ball and invite every aspiring actress in town to attend.

Can you see where this is going? Yep, it’s a remake of Cinderella, except this time Cinderella has a pushy father who keeps trying to change her before she goes to the ball. Cindy finally gets fed up and says that she wants to be a star but she also doesn’t want to be some sort of Hollywood phony. Vincent accepts Cindy’s feelings and everything works out in the end.

Usually, I’m pretty lenient when it comes to reviewing this show but this episode just annoyed me. Even by the standards of Highway to Heaven, it was overly sentimental and heavy-handed. Bill Macy gave such a frantic performance as Vincent that it was hard to watch him. As well, Mark was so excited about being in Hollywood that I found myself wondering if he forgot about all the time he spent in Hollywood during the first season.

Indeed, this is not the first episode of Highway to Heaven to feature Jonathan dealing with the entertainment industry and I imagine it won’t be the last. Considering how much control Michael Landon had over this show, I always get the feeling that the Hollywood episodes were personal for him, especially as they always seemed to deal with parents regretting the fact that they put work ahead of their families. That said, the portrayal of Hollywood in this episode was so old-fashioned and idealized that I get the feeling that it was Landon’s way of showing what he wished Hollywood was like as opposed to what it actually was. Landon’s Hollywood is a town where anyone can be a star and anyone can find a happiness.

As for this episode, it was a bit too corny for its own good. Next week, though, Jonathan battles the Devil for Mark’s soul! That should be fun.

Late Night Retro Television Review: Highway to Heaven 2.3 “Bless The Boys In Blue”

Posted on March 28, 2024 by Lisa Marie Bowman

This week, Jonathan and Mark become cops!

Episode 2.3 “Bless The Boys In Blue”

(Dir by Victor French, originally aired on October 2nd, 1985)

Well, here’s an episode that would never be made today.

While driving through Los Angeles, Mark talks about a story that has been in the news. A police sergeant shot a young black teenager outside of a crack house. The teenager was holding a gun but it was subsequently discovered that the gun was unloaded. The policeman has been suspended from the force. Mark, a former cop, is on the sergeant’s side. Jonathan argues that the sergeant could have tried to talk to the teenager instead of shooting him. Mark claims that Jonathan has no idea what it’s like to be a cop because he’s an angel. Mark makes the mistake of saying that he wishes Jonathan could experience what it’s actually like to be a cop.

God — or “The Boss” as the show calls him — hears Mark’s wish and makes it come true. Mark and Jonathan’s assignment is to become cops and, just to make things interesting, God takes away Jonathan’s special powers. Jonathan becomes human, once again. If Jonathan gets shot, he’ll actually get wounded. One gets the feeling that Jonathan is being punished for his pride, though the show never comes out and says it.

On the first day on the job, Jonathan tries to talk a burglar into putting down his gun and it doesn’t go well. If not for Mark surprising the burglar, Jonathan probably would have gotten shot. Having learned his lesson, Jonathan is given back his powers so that he can convince the dead teenager’s father to forgive the cop who shot him….

If any show aired an episode like this today, it would be greeted with howls of protest and those howls wouldn’t necessarily be unjustified. The episode is unabashedly pro-cop, to the extent that it doesn’t even seem to consider the countless number of police shootings that have been ruled unjustified over the years. As well, asking the teenager’s father to forgive the man who shot his son so that the man himself can work through his guilt feels incredibly selfish on the part of Jonathan.

Then again, the police that we see in this 1985 show have little in common with the police we see in 2024. For the most part, the cops in this episode walk a beat or drive around in their squad cars. They’re normal, blue collar folks who are doing their job and who do their best to be polite to everyone. There’s no body armor. No one looks like they’ve spent weeks in the gym. There’s no shaved heads or terse military-style lingo. There’s no dismissive talk of “bad guys” and “good guys.” There are no tanks rolling down the city streets. In many way, this episode feels like it’s taking place in a different reality and, to an extent, I guess it is. This episode is 39 years old but it feels like a work of ancient lore.

Late Night Retro Television Review: Highway to Heaven 2.1 and 2.2 “A Song For Jason”

Posted on March 21, 2024 by Lisa Marie Bowman

This week, Highway to Heaven begins its second season with a two-part episode.

Episodes 2.1 and 2.2 “A Song For Jason”

(Dir by Michael Landon, originally aired on September 18th and September 25th, 1985)

Well, this is certainly a tear jerker.

The two-part second season opener of Highway to Heaven finds Jonathan and Mark assigned to work at Camp Good Times, an actual summer camp for children who have cancer. And while Jonathan is, as usual, enthusiastic about the assignment, Mark responds by begging to be allowed to sit this one out. Jonathan’s response is to tell Mark to stop feeling sorry for himself and to help the kids. Mark starts to walk away from his friendship with Jonathan until he runs into one of the kids, Jason (Joshua John Miller, whose best-known work as an actor might be as the scary child vampire in Near Dark). Jason basically repeats the same thing that Jonathan said, telling Mark that he needs to stop feeling sorry for himself. Mark realizes that if a kid like Jason can be brave in the face of cancer then the least Mark can do is spend a summer as a camp counselor.

(Adding a bit of poignance to all this is that both Victor French and Michael Landon would die of cancer five years after this episode aired.)

Jason is the son of rock star Miki Winner (Barry Williams — yes, Greg Brady). Miki is always finding excuse not to spend any time with his sick son. Maybe Jonathan can change his mind.

But that’s not all!

Curtis (played by a ten year-old Giovanni Ribisi in his acting debut) is scared to death to go outside, a result of his overprotective mother (Robin Riker) constantly harping on the fact that he could die at any minute. Can Jonathan help Curtis have fun while encouraging his mom to let Curtis be a kid?

Teenage jock Gary (Brian Lane Green) has bone cancer and might lose his leg. Can he got over his bitterness and get a date with camp counselor Trish (Jill Carroll)?

And will Mark finally realize that there is hope to be found in even the most dire of situations?

(The answer to all of that is yes but you probably already guessed that.)

Even by the standards of Highway to Heaven, this episode was a bit heavy-handed, without a subtle moment to be found. Barry Williams is as unconvincing a rock star here as he was on The Brady Bunch Variety Hour. Some of the kids were better actors than others. It’s also hard not to feel that the story could have been told in just one episode. The first part, especially, feels a bit padded. That said, it all still brought tears to my mismatched eyes because, seriously, how couldn’t it? This is one of those episodes where the show’s earnestness and sincerity really worked to its advantage. The episode is so heartfelt that it feels rather churlish to be too nit-picky about it. In the end, flaws and all, the episode works.

Add to that, if you can’t enjoy the scene where Jonathan disguises himself as a barber and shaves a bully’s head, I don’t know what to tell you.

Late Night Retro Television Review: Highway to Heaven 1.24 & 1.25 “Thoroughbreds”

Posted on March 14, 2024 by Lisa Marie Bowman

This week, season one concludes with a two-part episode.

Episodes 1.24 and 1.25 “Thoroughbreds”

(Dir by Michael Landon, originally aired on May 1st and 8th, 1985)

For their last assignment of the first season, Jonathan and Mark are sent to work at a stable owned by the wealthy Mr. Armstong (Stephen Elliott). Lizzy MacGill (a young Helen Hunt) is the daughter of one of Amrstrong’s employees (Noble Willingham) and has practically grown up at the stables. She loves horses and, as the first episode progresses, she also falls in love with Mr. Armstrong’s spoiled son, Garth (John Hammond).

Garth falls in love with Lizzie as well, learning how to be both a better horseman and just a better man from his interactions with her. Despite his father’s threat to disown him, Garth breaks off his engagement to Ms. Richy McSnobby Snob (that may not have been her actual name) and he elopes with Lizzie.

Yay!

Except …. Lizzie has cancer and she doesn’t know it! The test comes back on the exact same day that she runs off with Garth. Part one ends with two fathers in tears, though each for different reasons.

At the start of Part Two, Jonathan tracks down Lizzie and informs her of her diagnosis. Without telling Garth what’s going on, she returns home and is informed that 1) she must start chemotherapy immediately and 2) she’s pregnant. Her doctor (Richard Bull) tells Lizzie that she’ll have to have an abortion if she wants to start treatment. Lizzie runs from the hospital.

As for Garth, he naturally wants to know what’s going on. Lizzie lies to him and tells him that she only wanted him for his father’s money and since he’s now cut-off, they might as well just call off the marriage as well. Heart-broken, Garth decides to marry RIchy McSnobby Snob.

Worst ending ever, right? Well, don’t worry, it’s not over yet. Jonathan and Mark crash the wedding (and Jonathan tells a lie to get into the church, which I thought was a no-no for angels) and Jonathan causes A FIRE TO BREAK OUT IN THE CHURCH’S BASEMENT! Again, this does not seem like good angel behavior. Anyway, all the smoke gives Garth time to realize that he actually does love Lizzie and, after Mark informs him about why Lizzie actually left him, Garth rushes back to Lizzie and they go to the local Justice of the Peace to get married. Fortunately, Jonathan is able to convince Mr. Elliott to come to that wedding as well.

The episode ends with a flashforward, in which we see Lizzie and Garth’s toddler son playing outside while an apparently healthy Lizzie watches.

Yay!

It’s not a bad way to end the first season, though I do think the story could have just as easily been told in one episode as opposed to two. (The first episode especially feels padded out.) Helen Hunt and John Hammond made for a perfectly adorable couple and their chemistry ensured that the show’s signature mix of sentimentality and melodrama never felt too cloying. All in all, this was a good ending to a fairly strong first season.

Next week, season 2 begins!

Late Night Retro Television Review: Highway to Heaven 1.23 “The Right Thing”

Posted on February 29, 2024 by Lisa Marie Bowman

This week, Jonathan encourages an elderly man not to give up.

Episode 1.23 “The Right Thing”

(Dir by Victor French, originally aired on March 27th, 1985)

Elderly Harry Haynes (Lew Ayres) lives with his son (Michael Durrell), his daughter-in-law (Marcia Rodd), and his grandson, Matt (Matthew Labyorteaux). When Harry wets the bed one too many times, his daughter-in-law demands that he be moved to a nursing home. (I suppose it’s a sign of the time that, too modern ears, that may sound like the set up for a tasteless joke but it’s actually how the episode begins and Lew Ayres does such a good job portraying Harry’s shame and panic that your heart just breaks for him.) Harry isn’t happy about going to the nursing home and he’s on the verge of giving up on life. Fortunately, the new orderly is Jonathan Smith and Harry is the week’s mission. Jonathan isn’t just in the nursing home to pass out magazines and books. He’s also there to encourage Harry not to give up hope.

This episode is the epitome of what most people would probably come up with if they were asked to describe a typical episode of Highway to Heaven. It’s sentimental, emotional, and so achingly sincere that it’s hard not to get caught up in it, regardless of how heavy-handed and occasionally simplistic the storytelling may be. With Jonathan’s encouragement, Harry starts to run with his grandson. Harry and Matt enters a grandparent/grandson relay race together. Harry’s son says that, if Harry wins, he’ll be allowed to move back home. Harry does win but it turns out that no one told his daughter-in-law about the deal. To the show’s credit, Harry’s daughter-in-law is not monster. She’s just exhausted from having to take care of the house, her teenage son, and an elderly man. Harry realizes that it wouldn’t be fair to her for him to move back in so, instead, he announces that he’s going to travel and see as much of the world as he can in the time he has left.

There was nothing subtle about the plot of this episode but Lew Ayres gives a sensitive and honest performance as Harry and Matthew Labyorteaux matches him as Harry’s grandson. (Lew Ayres was an excellent actor whose career began in the early days of Hollywood. He starred in the Oscar-winning All Quiet on The Western Front but his own pacifist beliefs led to him being temporarily blacklisted when he registered as a conscientious objector. He later made a comeback, appearing in films like Johnny Belinda and Advise and Consent but never receiving an Oscar nomination, due to the controversy over his beliefs.) This is a sweet episode, even if it is perhaps a bit simplistic with its message that old age can be held off by simply not giving up. Sad to say but aging is going to get us all eventually.

Late Night Retro Television Reviews: Highway to Heaven 1.22 “An Investment In Caring”

Posted on February 22, 2024 by Lisa Marie Bowman

This week, Jonathan encourages everyone to violate federal law.

Episode 1.22 “An Investment In Caring”

(Dir by Michael Landon, originally aired on March 13th, 1985)

Helen Spencer (Eileen Heckart) is an annoying old busy body who lives in one of those charming city neighborhoods that are only found on shows like Highway to Heaven. Even since her husband died, she has kept herself active by working as a cleaning lady at the Halstead Corporation, which is the same company that wants to not only tear down her neighborhood but also turn the local cemetery into a condo subdivision.

Fortunately, Helen’s new boarders just happen to be Jonathan Smith and Mark Gordon. Jonathan encourages Helen to rally the neighbors to take a stand against Halstead. He also encourages Paul Tarsten (Dane Clark), who was recently laid off from Halstead for being too old, to help Helen out. With Jonathan’s guidance, Helen goes through the trash at Halstead, finds some stock reports that really should have been put through a shredder, and then use that insider information to buy and sell a bunch of stock until soon, she and her friends are the majority stockholders.

“Only in America,” Ms. Zabenko (Elsa Raven) exclaims not once but five times, just in case you were wondering how heavy-handed this episode was.

Helen is able to save her neighborhood, save the cemetery where her husband is buried, and also take over the company. She also finds hints of romance with Paul, who is himself a widower. Their mission accomplished, Jonathan and Mark leave town….

…. which is good because I don’t see anyway that Paul, Helen, and Ms. Zabenko aren’t eventually going to end up in federal prison. Just about every piece of advice that Jonathan gave Helen led to her doing something illegal, from insider trading to corporate espionage to stealing from the office. Only in America, Ms. Zabenko? In America, we have laws against stock market manipulation.

This episode just irked me. Whenever people talk about Highway to Heaven being an unrealistic and cheesy show, this is the type of episode that they’re thinking of. It takes a lot to make a heartless corporation sympathetic but the overacted and rather smug neighborhood activists in this episode managed to do just that. In previous episodes, Jonathan and Mark have appealed to businessmen to get them to change their ways. In this episode, the head of Halstead isn’t given that opportunity. Instead, Jonathan — acting on authority from GOD — encourages a bunch of people with no business experience and no way of knowing any better to commit a bunch of federal crimes. Helen takes over the company but what does Helen know about running a company? When Halstead goes bankrupt, a lot of people who had nothing to do with the former CEO’s plans will end up losing their jobs. Way to go, God.

Finally, I should note that this episode begins with Helen’s former boarder telling her that he’s moving out because a voice in his head told him to move to Alaska. It’s only because he leaves that Helen has the room to rent to Jonathan and Mark. So, basically, promoting insider trading wasn’t enough for Jonathan. He also had to ruin some poor schmuck’s life by telling him to move to a state that he knows nothing about. Not since the Book of Enoch has an angel behaved so unethically.

Late Night Retro Television Review: Highway to Heaven 1.21 “The Brightest Star”

Posted on February 15, 2024 by Lisa Marie Bowman

Jonathan and Mark are once again in Hollywood, bringing yet another family together.

Episode 1.21 “The Brightest Star”

(Dir by Victor French, originally aired on March 6th, 1985)

Despite the fact that Mark was hoping to finally have a vacation from work, the Boss has other ideas. Jonathan and Mark end up picking up a hitchhiking little girl who claims that she’s escaped from an abusive orphanage. It doesn’t take long for Jonathan and Mark to figure out that she’s lying. She’s actually Laurie Parks (Carrie Wells), one of the most in-demand child actresses working in Hollywood.

Hired to do some carpentry at the Parks home, Jonathan and Mark soon start offering advice to the family and indeed, this family needs a lot of help. The family is totally dependent on Laurie’s salary and Laurie deals with the pressure of being the main provider by acting like a monstrous brat. Her alcoholic father (Gerald S. O’Loughlin) wants to return to his previous life of driving a cab. Her mother (Trish Van Devere) spends all of her time watching out for Carrie’s career. The daughter (Laura Jacoby) of the family’s loyal maid (Mary Armstrong) is the selfless angel that Laurie is not and, with Jonathan’s help, she begins her own acting career. Unfortunately, her success comes at Laurie’s expense.

As I watched this episode, I was struck by how familiar it felt. Eventually, I realized that it was reminding me of an earlier episode from season 1, in which a father was the one who neglected his family until his son was cast opposite of him in a movie that was he was shooting. Both of these episodes present Hollywood as being a shallow place, where family is often put second and people are corrupted by the pressures of stardom. Both episodes were critical of Hollywood but ultimately ended with the classic Hollywood story of a new star being discovered from out of nowhere. One gets the feeling that Michael Landon, as the show’s guiding force, was dealing with his own issues of trying balance his career with his family. Highway to Heaven both loves and criticizes the entertainment industry with equal abandon.

As for the episode itself, it wasn’t particularly memorable and it struggled to balance moments of sentimental drama with moments of comedy. One could understand the father’s unhappiness with his situation without necessarily thinking that the solution would be for him to move out of the house and start driving a cab again. In the end, Laurie was such a monster that it was difficult to care about what happened to her one way or the other.

Next week, Jonathan and Mark go up against another heartless corporation!

Late Night Retro Television Reviews: Highway to Heaven 1.20 “The Banker and the Bum”

Posted on February 8, 2024 by Lisa Marie Bowman

This week, Ned Beatty is not one but two characters!

Episode 1.20 “The Banker and the Bum”

(Dir by Michael Landon, originally aired on February 27th, 1985)

Wally the Waver (Ned Beatty) is an eccentric but beloved homeless man who usually spends his time sitting in and sleeping in a park. He smiles and waves at passing people and sometimes, he’ll get a newspaper out of the trash and read up on the upcoming mayoral election. What Wally does not know is that he only has 24 hours to live and that Jonathan and Mark have been sent to grant him his last wish.

Wally’s wish is that local businessman and politician J. Melvin Rich (also played by Ned Beatty) could discover what it’s like to struggle from day-to-day. Melvin is running for mayor and a huge part of his platform calls for bulldozing the park and turning the land over to developers. Jonathan grants his wish. Suddenly, Melvin is in Wally’s body and Wally is in Melvin’s body. While Melvin learns what its like to not have a place to sleep or a guaranteed nightly meal, Wally makes it a point to be kind to Melvin’s servants and his wife (Eve Roberts). Wally also attends a mayoral debate (as Melvin) and announces that everyone should vote for Melvin’s opponent.

Melvin, needless to say, is not happy about any of this but his experiences getting kicked out of various establishments and being told that there’s no room for him at the shelter leads to Melvin starting to sympathize a bit with the plight with the underprivileged. Then, as night falls, he once again switches bodies with Wally. Now in his right body, Melvin discovers that he’s now considered to be a hero for endorsing his opponent and his previously estranged wife loves him again. Wally, meanwhile, dies peacefully in the park, secure in the knowledge that he has saved it from being destroyed. A jump forward reveals that Melvin goes on to become a beloved philanthropist who protects the park that Wally called home.

If this episode proves anything, it’s that Ned Beatty was a national treasure. The story is heavy-handed and a lot of the humor is a bit too cartoonish for its own good. Naming the greedy businessman J. Melvin Rich is a choice that is a bit too cutesy to really work. Actually, Wally the Waver is concept that is almost too cutesy to work. But Beatty makes both characters work, playing up Wally’s gentle eccentricity and Melvin’s genuine happiness at discovering that he’s suddenly a well-liked man. This is an episode that would have been way too silly if not for Ned Beatty’s presence keeping things grounded. Just as Melvin saves the park, Beatty saves the story.

Late Night Retro Television Reviews: Highway to Heaven 1.19 “A Match Made In Heaven”

Posted on February 1, 2024 by Lisa Marie Bowman

This week, Jonathan and Mark visit their friend, Scotty.

Episode 1.19 “A Match Made In Heaven”

(Dir by Michael Landon, originally aired on February 20th, 1985)

Jonathan and Mark pay a visit to both Mark’s cousin, Diane (Margie Impert), and their friend, Scotty (James Troesch), a quadriplegic attorney. (Scotty previously appeared in the One Fresh Batch of Lemonade double-parter.) Mark is shocked and a little concerned when he discovers that Scotty is also their latest assignment.

However, it turns out that the assignment also involves Diane. Diane, an outspoken architect who quits her job when her chauvinist boss refuses to give her credit for her work, meets and falls in love with Scotty. When Scotty asks her to marry him, she says yes. Mark is concerned that Scotty, as a quadriplegic, won’t be able to take care of his cousin. It’s a concern that Scotty comes to share after they have a car accident and Scotty can only wait helplessly for someone to discover him and Diane.

Fortunately, Jonathan is a bit more open-minded than Mark and he has more confidence in Scotty than Scotty has in himself. Jonathan introduces Scotty to another quadriplegic, one who is married and has a wonderful family as a result. Scotty realizes that it would be foolish for him to give up on his dreams and Mark realizes that Scotty is stronger than he realized.

This was an extremely earnest and well-intentioned episode of Highway to Heaven. You can’t doubt the sincerity of the message, even if the message is often delivered in the most heavy-handed fashion possible. James Troesch was a writer on the show and he and his wife co-wrote this episode’s script with Michael Landon. Troesch was a bit of a stiff actor but you still can’t help but be happy for Scotty at the end of the episode.