Icarus File No. 24: Express to Terror (dir by Dan Curtis)


The year was 1979 and Fred Silverman, the president of NBC, had an idea.

How about a television series in which each week’s episode would depict a different group of passengers going on a trip?  The passengers would all be dealing with their own stories, some of which would be dramatic and some of which would be humorous.  With any luck, some of them might even fall in love over the course of their journey!

To keep the audience interested, the show would also feature a cast of regular characters, the crew.  Edward Andrews would play the captain, a sensible and by-the-book type.  Robert Alda played Doc, the doctor who was also a bon vivant.  Patrick Collins was the goofy purser.  Nita Talbot played Rose, the perky director of entertainment.  Michael DeLano was the bartender who always had the best advice for the passengers….

Does this sound familiar?

If you think that it sounds like Fred Silverman just ripped off The Love Boat …. well, you’re wrong.  The Love Boat took place on a boat.  Supertrain took place on a train.

At the time that Supertrain went into production, it was the most expensive television production of all time.  Before the pilot film was even shot, NBC had spent ten million dollars on the Supertrain sets.  Not only was a fake train built but two models were also constructed for the shots of the train moving through the countryside.  At the time, the assumption was that the costs would be easily covered by the money that NBC stood to make from broadcasting the 1980 Summer Olympics.  Unfortunately, Jimmy Carter decided that the U.S. would be boycotting the Olympics as a way to protest Russia’s invasion of Afghanistan.  The only thing that kept NBC from going bankrupt was that the BBC was apparently run by someone even more incompetent than Fred Silverman.  The BBC paid $25,oo per episode for the rights to air Supertrain in the UK.  Supertrain proved to be such a disaster that the BBC never actually aired the episodes that they had purchased.

1979’s Express to Terror was the pilot to Supertrain.  (It was later released in some territories as a stand-alone film.)  Directed by horror impresario Dan Curtis (who was also brought in to produce the series), Express to Terror opens with an apparently drunk Keenan Wynn playing the role of railway baron Winfield Root.   Winfield loudly announces to a group of nervous investors that he has created ” an atom-powered steam turbine machine capable of crossing this country in 36 hours!”  A few months later, Supertrain sets off from New York to Los Angeles.

The main thing that one notices about the train is that it’s incredibly tacky.  For all the money that Winfield Root (not to mention NBC) poured into the thing, it looks awful.  The cabins are bland and also seem to be constantly shaking as the train rumbles over its tracks.  Whereas The Love Boat featured glorious shots of passengers enjoying themselves on an open-air deck, Express to Terror features a lot of shots of passengers trying to squeeze their way through narrow and crowded hallways.  There’s a disco car, which sounds like fun but actually looks like a prom being held in a locker room.  There’s a swimming pool but you can’t really lay out by it because it’s on a train.  Winfield is among the passengers and he continually refers to the train as being “Supertrain” in conversation, which just sounds dumb.  “The next person who stops Supertrain,” he announces “will be walking to L.A!”

The main drama features Steve Lawrence as Mike Post, a Hollywood agent with a gambling problem who thinks that someone on the train is trying to kill him.  Actually, the assassin is after a different Mike Post (Don Stroud) but that Mike Post is a criminal who, after entering the witness protection program, changed his name to Jack Fisk.  The criminal Post is hoping that the agent Post will be killed by mistake.  The criminal Mike Post has a girlfriend named Cindy (Char Fontane) who falls in love with the agent Mike Post.  Fred Williamson appears as a football player-turned-assassin.  George Hamilton plays a Hollywood executive.  Don Meredith is the alcoholic best friend of the agent Mike Post.  Stella Stevens is on the train as a diva.  So is Vicki Lawrence, playing a naive innocent.

Express to Terror tries to mix comedy and drama but it doesn’t really work because the “Good” Mike Post doesn’t really seem to be worth all the trouble.  Steve Lawrence gives a mind-numbingly bad performance in the role and, as a result, “Good” Mike Post really isn’t any more sympathetic than “Bad” Mike Post.  The main problem is that “Good” Mike Post comes across as being a coward and there’s only so much time that you can watch a coward act cowardly before you lose sympathy for him.  Being scared is one thing.  Being so dumb that accidentally gets your fingerprints on a knife that’s just been used to kill a man is another thing.

As for the members of the crew — the captain, the doctor, the bartender, and such, they take a back seat to the drama of the two Mike Posts.  It’s a bit odd because no one on the train — not even Winfield Root — seems to be that upset by the fact that one of their passengers is murdered while the train is going through a tunnel.  You would think that everyone would be worried about the future of Supertrain at that point.  A murder is not good for publicity but Winfield Root is oddly unconcerned about it.  I swear, light rail people are almost as heartless as bicyclists!

Of course, the worst thing about Express to Terror is that it promises terror but it doesn’t deliver.  When I see a the word “terror” in a film directed by Dan Curtis, I expect a little terror!  Other than Steve Lawrence’s overacting, there really wasn’t anything particularly terrifying about Express to Terror.

As for Supertrain, it ran for nine episodes and was promptly canceled.  Fred Silverman left NBC and spent the rest of his career as an independent producer.  Supertrain’s tracks got too close to the sun and they nearly took down a network.

Previous Icarus Files:

  1. Cloud Atlas
  2. Maximum Overdrive
  3. Glass
  4. Captive State
  5. Mother!
  6. The Man Who Killed Don Quixote
  7. Last Days
  8. Plan 9 From Outer Space
  9. The Last Movie
  10. 88
  11. The Bonfire of the Vanities
  12. Birdemic
  13. Birdemic 2: The Resurrection 
  14. Last Exit To Brooklyn
  15. Glen or Glenda
  16. The Assassination of Trotsky
  17. Che!
  18. Brewster McCloud
  19. American Traitor: The Trial of Axis Sally
  20. Tough Guys Don’t Dance
  21. Reach Me
  22. Revolution
  23. The Last Tycoon

Retro Television Review: Fantasy Island 5.17 “Funny Man/Tattoo, The Matchmaker”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

Smiles, everyone!  Smiles!

Episode 5.17 “Funny Man/Tattoo, The Matchmaker”

(Dir by George W. Brooks, originally aired on February 20th, 1982)

For the second week in a row, Julie only appears in the stock footage at the start of the episode.  And again, for the second week in a row, no mention is made of her.  Mr. Roarke doesn’t say anything about why she’s not greeting the guests at the docks.  Tattoo doesn’t seem to care.

This is actually a big episode for Tattoo.  It turns out that Tattoo has a side hustle going.  He’s running a computer dating service!  (This isn’t surprising.  During the early seasons of the show, Tattoo always had some sort of extra money-making scheme going on.)  He’s invited both Harriet Wilson (Laurie Walters) and Claudette Mills (Misty Rowe) to the Island so that they can be set up with the perfect future husband.  Usually, Roarke isn’t happy when Tattoo invites people to the Island on his own but this time, he doesn’t seem to be too upset about it.  He tells Tattoo that the two women and their fantasies will be his responsibility.  At one point, Roarke even mentions that Tattoo is in charge of overseeing all of the weddings that occur on Fantasy Island.  Does that include Mr. Roarke’s wedding from a few seasons ago?

However, there’s a problem.  Tattoo’s big computer has decided that both Harriet and Claudette should marry Mr. Roarke.  Tattoo and his business partner, Ambrose Tuttle (Skip Stephenson), think that the computer must be malfunctioning but Tattoo did promise the women that he would set them up with the most charming man on the Island and what better description is there for Mr. Roarke?

Mr. Roarke is not particularly amused to discover that he is now expected to marry two women who he doesn’t even know.  Considering the tragic ending of Mr. Roarke’s previous marriage, this isn’t a huge shock.  Roarke tells Tattoo that he has to find other husbands for both Harriet and Claudia.  Fortunately, Amrbose Tuttle is single and a former football player (Russ Francis) has also come to the Island.  Can Tattoo pull it off and help all four of these people fall in love?  To quote Mr. Roarke, “Indeed, he can.”  This is Fantasy Island!

Along with learning about Tattoo’s computer dating operation, we also learn about Tattoo’s favorite comedian.  Beau Gillette (Jimmy Dean) has built a successful career telling jokes about his redneck family.  What he’s never told anyone, including his fiancée (Vicki Lawrence), is that his family is imaginary.  Beau grew up in an orphanage and created his family in his head so he wouldn’t be lonely.  Beau’s fantasy is for his family to exist, just so he can introduce them to his fiancée.  Mr. Roarke suggests that it might be a better idea for Beau to just tell the truth but Beau’s like, “Nah, let’s just bring imaginary people to life.”

While Beau’s performing his act, Uncle Jack (Morgan Woodward), grandma (Jeanette Nolan), and cousin Lindy (Linda Thompson Jenner) all come to life.  The only problem is that they all know that they’re really imaginary and they’re not happy that Beau’s been thinking less about them and more about his fiancée.  They decide that Lindy should break up Beau’s engagement by seducing him.  And if they doesn’t work, they can just kill Beau’s fiancée….

Wow, that got dark!

Actually, this isn’t a very dark fantasy at all.  Both fantasies are played largely for laughs.  Beau, realizing that his imaginary family has been a crutch that he’s been using for too long, confesses that they don’t really exist and, as a result, they all fade away.  Beau’s free to get married and I guess come up with new act.  Yay!

Much like last week, this episode felt like a throwback to the early seasons of Fantasy Island.  Tattoo got a storyline and Mr. Roarke was heavily involved in the fantasies, as opposed to just being a bystander.  Both Herve Villechaize and Ricardo Montalban appeared to be having fun in this episode and, as a result, it was fun to watch, even if it was hard to buy into the idea the Beau Gillette’s rather anodyne jokes about his redneck family would have made him into a star.  Largely due to Tattoo and his computer dating service, this was an enjoyable trip to the Island.

Retro Television Review: The Love Boat 4.24 “That Old Gang of Mine/Love with a Skinny Stranger/Vicki and the Gambler”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Vicki learns how to gamble.

Episode 4.24 “That Old Gang of Mine/Love with a Skinny Stranger/Vicki and the Gambler”

(Dir by Richard Kinon, originally aired on April 11th, 1981)

It’s an anniversary cruise!

Captain Stubing and Vicki are celebrating the anniversary of Vicki coming to live on the boat with her father.  Captain Stubing has already picked out the gift that he’s going to give Vicki, a beautiful and valuable pearl necklace.  As for Vicki, there’s a watch in the boat’s gift shop that she would love to give her father but she can’t afford it.  Then again, Vicki is the Captain’s daughter.  Can’t she just take whatever she wants?  I mean, who is going to snitch on the Captain’s daughter?  Add to that, it was only two weeks ago that the manager of the gift shop was juggling three lovers on one cuise.  Who is she to judge anything Vicki might do?

Admirably, Vicki is an honest person and does not want to just steal something for her father.  But when her father’s old friend, Wade Hubbard (Gene Barry), boards the ship, he shows Vicki that she can easily make enough money to buy the watch by betting on a horse race!  Wade, it turns out, is a compulsive gambler and Vicki soon falls under his influence.  Captain Stubing is not happy about that so Wade pretends to lose all of his money (and Vicki’s necklace!) in order to trick Vicki into not only hating him but also hating gambling.

You know, Wade and Captain Stubing could have just told Vicki not to gamble anymore.  Vicki seems like she’s pretty smart and level-headed so I’m sure she would have listened if Wade and the Captain had just told her that they didn’t want her placing bets as a minor.  Instead, Wade created an elaborate lie and basically traumatized Vicki for life.  That seems a bit extreme to me but, then again, I don’t have a gambling problem.

As for the other passengers, Patty Beller (Vicki Lawrence) is stunned when she discovers that her long-distance boyfriend, Phil Manning (Charles Siebert), has spent the last month at a fat farm and is now totally athletic and handsome.  Patty always took it for granted that Phil would only have eyes for her but suddenly, every other woman on the cruise appears to be trying to get his attention.  This story would have perhaps worked better if Patty hadn’t come across as being so self-centered.  Phil explains that he lost the weight because he was worried about his health and tired of people making fun of him.  To me, it seems like Phil should be applauded for his self-discipline and his desire to make a better life for himself.  Instead, Patty gets upset that Phil is taking care of himself.  Seriously, Phil — you can do better!

Finally, three old-time crooks (Jack Gilford, Jesse White, and Kaye Ballard) board the cruise and make plans to rob the safe.  That shouldn’t be too hard since Gopher is the person in charge of watching the safe.  However, the crooks are all elderly and out-of-touch with life in the swinging 80s.  The safecracker has gone deaf and needs someone else to listen as he turns the dial.  It’s all a bit silly but it was kind of a sweet story, largely due to the performances of Gilford, White, and Ballard.

The safecracker’s story aside, this episode of The Love Boat was a bit of a sour ride.  Between Wade lying to Vicki and Patty wishing that her boyfriend was at risk for heart disease, this just wasn’t a very likable cruise.  Hopefully, next week will be a bit more fashionable.  Considering that the upcoming episode guest stars Glorida Vanderbilt, Bob Mackie, and Halston, I imagine it will be.

Retro Television Reviews: The Love Boat 3.20 “Rent a Romeo/Matchmaker, Matchmaker/Y’ Gotta Have Heart”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Pacific Princess continues to be a lawsuit waiting to happen.

Episode 3.20 “Rent a Romeo/Matchmaker, Matchmaker/Y’ Gotta Have Heart”

(Dir by Roger Duchowny, originally aired on January 26th, 1980)

It’s time for another cruise on the Love Boat and once again, Doc Bricker is trying to get laid.

As I’ve often said in the past, The Pacific Princess really was a floating HR nightmare and that’s especially clear in any episode that opens with Doc bragging about how his latest girlfriend is about to board the ship.  This time, Doc is excited because he’s going to be joined by Sherry Holtham (Misty Rowe), who apparently took an acting class with Doc.  Imagine Doc’s surprise when Sherry boards the ship with her sister, the insecure and recently dumped Carol (Vicki Lawrence)!

Doc desperately wants some alone time with Sherry but, in order for that to happen, he’s going to have to find someone to show Carol a good time.  Gopher turns Doc down.  The Captain turns Doc down.  Fortunately, however, there is a legendary swinger on the boat.  Rod Baylor (football star Joe Namath) is on the boat and he’s always looking for a good time!  Gopher lies and tells Rod that Carol is notorious for being wild.  Rod takes a shot….

….and gets turned down because he came on too strong.  Gopher suggests that Rod open up to her about his insecurities.  Rod doesn’t have any insecurities but he lies to Carol and tells her that he’s actually very shy and reserved.  Carol is sympathetic and gives Rod her therapist’s card.

I guess the important thing here is that Sherry and Doc got to spend some time together.  They even get to wear matching red kimonos!  At the end of the cruise, Doc says a cheerful goodbye to Sherry but Rod is stuck with Carol and he looks absolutely miserable about it so …. wow, that was kind of a mean-spirited story, to be honest.

Speaking of sex, Sarah Conkle (Brett Somers) refuses to have sex with her husband, Harvey (Phil Harris), because she’s worried he’ll have another heart attack and die.  In fact, she spends almost the entire cruise telling Harvey not to do anything because she doesn’t think he’s healthy enough.  Finally, Harvey takes two bottle of champagne down to the cabin and he and Sarah not only have sex (off-screen, of course) but Harvey lives!  Sarah is so impressed that she lets Harvey carry their suitcases off the boat.  I’m going to guess that Harvey probably died a few days later.

Finally, young Jimmy Hopkins (Mark James) boards the ship with his amicably divorced parents, Evelyn (Ja’net DuBois) and Andrew (Cleavon Little).  Jimmy hopes that he can bring his parents back together (awwww!) and Vicki decides to help Jimmy come up with a plan.  That plan is to basically lie to every single man on the ship about Evelyn being married to a scary football player so that they’ll all stay away from her.  Jimmy also helps out by telling one of Evelyn’s suitors that he can’t wait for him to be his new stepfather.  (That guy is never seen again.)  Eventually, Evelyn and Andrew tell Jimmy that, though their marriage didn’t work, they will always love each other and that they will always be a part of his life.  Awwwww!

This was a mixed bag of an episode.  The storyline about Jimmy and his parents was sweet (even if it did involve a lot of lying) and featured good performances from DuBois and Little.  The storyline about the old couple was, if you’ll forgive the expression, dead in the water.  As for the Namath/Lawrence/Rowe storyline, it was pretty silly.  To be honest, any story that features Doc successfully seducing someone while wearing his red kimono is pretty silly.  Vicki Lawrence’s character didn’t go to do much, other than cry and complain.  Joe Namath, while hardly an actor of great range, had a goofy likability to him.  This episode was a breezy way to pass the time, even if it’s not one of the more memorable episodes of the series.

Retro Television Reviews: The Love Boat 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, things get awkward as we set sail on The Love Boat!

Episode 1.17 “Winner Take Love / The Congressman Was Indiscreet / Isaac’s History Lesson”

(Dir by Jack Arnold, originally aired on January 28th, 1978)

It’s the most awkward cruise ever!

A beauty contest is being held on the ship!  The winner becomes Ms. Pacific Princess and, along with getting a lot of money, she also sacrifices a year of her life so that she can go on free cruises and promote the Pacific Princess line.  Along with being beautiful, the winner is also expected to be “virtuous.”  Of course, judging from The Love Boat, the cruise line seems to specifically cater to people who are desperately looking to get laid so the rules seem to be a bit hypocritical.

The head of the contest, Waldo Linden (Graham Jarvis), recruits Captain Stubing to act as host.  Unfortunately, after Stubing gets a few laughs from the jokes that Waldo has written for him, the Captain turns into a prima donna.  He starts punching up the script on his own.  Waldo, however, has even more to worry about than the captain.  Suzy (Maureen McCormick), one of the contestants, is secretly traveling with her boyfriend, Rick (Bobby Sherman).  When Waldo tries to disqualify Suzy for not being “virtuous,” another contestant, the klutzy Jeanette (Priscilla Barnes), asks that Waldo help her zip up her dress and, after Waldo kisses her, she points out that Waldo hasn’t been living up to his own standards.  Due to Jeanette’s blackmail, Suzy is allowed to compete and she wins!  But then she refuses the crown so that she can marry Rick and, as a result, Jeanette becomes Miss Pacific Princess.

While that’s going on, scandal-plagued Congressman John Whitcomb (Dick Van Patten) falls in love with Robin Brandt (Vickie Lawrence).  What the Congressman doesn’t know is that Robin works for a tabloid newspaper and Robin’s editor expects Robin to report on whether or not allegations of an affair are going to led to Whitcomb resigning his seat. 

All of that is certainly awkward but it’s nothing compared to the third storyline.  Almost everyone loves passenger Virgil Gibson (played by the engaging Scatman Crothers), who is always the life of the party and who loves to make people laugh.  The only person who doesn’t like him is Prof. Stephanie Hayden (Vernee Watson), who is on the cruise to work on a study about African-American history.  Hayden feels the Virgil is acting like a fool and playing into all of the demeaning stereotypes that white people have about black people.  Hayden encourages Isaac to learn more about his background and soon, Isaac is being rude to Virgil and telling him not to call people “boss.”

Captain Stubing notices this.  He approaches Isaac — while Isaac is working — and says, “I notice you’ve been reading a lot of black history.”

AGCK!  As soon as the very white Captain Stubing says those words to Isaac, the cringing begins.

Stubing goes on to explain that Virgil was a pitcher in the Negro Baseball Leagues and that, if not for him, blacks would never have made it into the major leagues.  “And I wouldn’t be serving drinks on this cruise,” a remorseful Isaac says.  “And I wouldn’t be teaching,” Stephanie agrees.  Stubing goes on to explain that Virgil is acting the way he acts because that’s the way blacks were expected to behave when Virgil was a young man.  After being chastised by the ship’s white authority figure, Isaac and Stephanie agree that they were wrong to judge Virgil.

And, in many ways, Captain Stubing does have a point about judging people and Isaac and Stephanie were being a bit harsh in their dismissal of Virgil.  But that doesn’t change the fact that this episode features the extremely white Captain Stubing explaining black history to not only the ship’s only black employee but also a black college professor who has spent her entire academic career researching and writing about black history.  Stubing is essentially telling two black people how they should interpret and feel about black history.  It’s incredibly weird to watch and one has to wonder why the writers thought that Stubing — as opposed to Virgil himself — was the correct character to explain Virgil’s past and Virgil’s character.  It just doesn’t feel right, at all.

That said, there was a lot to like about this episode.  Scatman Crothers shows the same charm here that he showed in The Shining.  As cringey as Captain Stubing is when he lectures on black history, the plotline of him turning into a diva was actually pretty funny and Gavin MacLeod seemed to be having fun playing up the pompous side of the character.  The beauty pageant subplot was dumb but Maureen McCormick actually gave a pretty good performance as Suzy.  This episode had its moments though, in the end, it will always be defined by the awkwardness.