Horror Film Review: Evils of the Night (dir by Mardi Rustam)


How dumb can one movie be without becoming unwatchable?

1985’s Evils of the Night is here to answer that question!

Three space alien vampires (John Carradine, Julie Newmar, and Tina Louise) have led an expedition to Earth.  They’ve taken over a hospital and they’re stealing the blood of their patients so that it can be sent back to their dying planet.  They especially want young blood, which is why they specifically came to a college town.  Unfortunately, their intelligence was faulty and they arrived during the summer, when the campus was closed.  (I guess this is one of those rare colleges that don’t offer a summer term.)  There’s actually a very lengthy scene in which Carradine explains the faulty intelligence to Newmar and Louise and then Newmar complains about how the alien intelligence service just isn’t that good.  What makes this scene so special is that Carradine delivers his lines with a straight face and Newmar actually seems to be sincerely annoyed.  Aliens — they’re just like us!

Just because college is out of session, that doesn’t mean that there aren’t any young people hanging out down at the lake.  There’s actually quite a few, though all of them look to be a little bit too old for high school or college or whatever they’re supposed to be attending.  Several of them are played by veterans of the adult film industry, including Amber Lynn and Jerry Butler.  Everyone wants to get laid down at the lake, which is probably the most realistic thing about Evils of the Night.  However, John Carradine needs their blood so he has Julie Newmar hire two slovenly mechanics, Kurt (Neville Brand) and Fred (Aldo Ray), and sends them out to kidnap any young people that they find.  Kurt and Fred are very good at their job.  Newman pays them and mocks them for caring so much about coins.  Little do the mechanics realize that the aliens are planning on shooting them with their space laser as soon as they leave the planet.

Evils of the Night is a good example of a bad movie that is oddly watchable just because the viewer finds themselves curious as to just how stupid things can get.  The answer here is very stupid and very nonsensical  It never seems to occur to anyone just go to a different lake or maybe just do their skinny dipping in a pool somewhere.  The plot has a “make it up as you along” feel to it and that, at the very least, keeps things vaguely interesting.  The actors playing the “teen” victims are enthusiastic without being particularly good while most of the veterans in the cast are all obviously just there for the paycheck.

That said, John Carradine.  Wow.  What a career.  A trained Shakespearean actor who made his stage debut in 1925 and went on to appear in a countless number of movie, Carradine was a favorite of both John Ford and Fred Olen Ray.  Carradine appeared in hundreds of a theatrical films.  In fact, his final film was released seven years after Carradine’s death.  Carradine was one of the great actors, with that deep voice and that commanding stare.  But he was also one of those actors who was apparently willing to appear in just about anything and that’s one reason why he’s still such a beloved icon.  Playing an outer space vampire-turned-doctor was definitely not the strangest role that Carradine ever played.  Carradine handles his scenes like a pro!

Evils of the Night is dumb but I dare you to look away.

Late Night Retro Television Review: CHiPs 4.5 and 4.6 “The Great 5K Star Race and Boulder Wrap Party”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, we have a two-hour episode of CHiPs!

Episodes 4.5 and 4.6 “The Great 5K Star Race and Boulder Wrap Party”

(Dir by Gordon Hessler, originally aired on December 7th, 1980)

There’s a big boulder sitting on a mountain and it’s threatening to roll down onto the highway, where it could not only damage cars but also destroy the home of comedian Milton Berle.  Berle calls the cops and generally gets annoyed with everyone who comes by his house.  They all want to make jokes while the boulder hangs over him like death from above.  I would be annoyed as well!

Ponch and Baker arrange for a demolition crew to come in and try to destroy the boulder.  As Ponch is also in charge of the annual CHP charity fundraiser, Ponch recruits Berle to be a part of it.  Ponch wants a bunch of celebs to take part in a bicycle race.  Berle motions with his cigar and says he’ll play touch football instead.

This two-part episode attempts to recapture the fun of the previous season’s Roller Disco.  A lot of celebrities show up for the fundraiser and Harlan provides a breathless commentary that basically amounts to continually repeating, “There’s George Peppard talking to Johnnie Ray!  Nancy Kulp’s standing in a doorway!  There’s Robert Mandan!  Conrad Bain’s wearing an ascot!  Look at Todd Bridges get down!”  It’s not as much fun this time because there’s no roller skating and there’s no disco music.  Instead, it’s celebs playing the type of dreary games that high schools and church youth groups have used for years to build up team work.  You know that terrible game where people try to move an orange down a line without using their hands?  They play that game.  (My speech and debate coach had us play the game at a sleepover and I’ll just say that having an orange fall into your cleavage is not as much fun as it sounds, especially when you’re the only girl standing in the line.)  An ascot-wearing Conrad Bain runs around in circles while balancing a wine bottle on a tray.  The crowd loves it but I think it would be kind of boring to watch.  There’s also a dunking booth so that the celebrities can send the members of the CHP into a tub of water.  Baker does not participate but Ponch does and you better believe he flashes the biggest smile in the world after he goes down.

There are some other storylines going on, of course.  Alex Rocco and Ken Berry are two racers who supplement their income by robbing homes and trucks.  There’s a freeway pileup that features some slow motion car jumps.  Hey, that truck has “EXPLOSIVES” written on it!  Do you think it will explode!?  Baker helps a kid who needs better parents.  It’s typical CHiPs stuff but the majority of the episode is just a collection of television actors participating in silly games.  “There’s Marcia Wallace talking to Chuck Woolery, having a good time!”  It needed more disco.

 

Late Night Retro Television Review: Monsters 3.21 “Talk Nice To Me”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, someone won’t stop calling!

Episode 3.21 “Talk Nice To Me”

(Dir by Ernest Farino, originally aired on February 17th, 1991)

A sexist newspaper columnist named Martin (Ed Marinaro) starts receiving phone calls from a woman (Tina Louise) with a sultry voice.  She continually calls him, leaving message after message.  She refuses to reveal her name or how she got Martin’s unlisted “private” number.  (This episode aired during the landline era, before you could block numbers.)  Martin tries everything to get her to stop calling.  He disconnects his phone for two days but, as soon as he reconnects, she calls again.  Martin can’t work.  He can’t write.  When he invites Linda (Teri Ann Lind) over to his apartment, his paranoia prove to be a real turn-off.  He becomes convinced that the stalker has somehow entered his apartment.  The truth is even more twisted….

This episode had potential but it was let down by a rather cartoonish performance by Ed Marinaro.  I could buy Marinaro as a misogynist.  I could even buy Marinaro as a womanizer.  I couldn’t buy him as a successful newspaper columnist and, as a result, the whole “you’re going to lose your column!” subplot fell flat for me.  That said, Martin’s apartment was an appropriately claustrophobic location and the idea of the nonstop caller was suitably creepy.  This was not necessarily bad episode.  It’s just an episode that could have been better than it was.

Only three more episode to go and we will have finished up with Monsters.  Though uneven, the third season has still been a marked improvement over the first two.  Even the third season episodes that don’t work quite as well as they should, like this one, are watchable.

Late Night Retro Television Review: CHiPs 3.1 and 3.2 “Roller Disco”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, season three begins with a classic episode!

Episode 3.1 and 3.2 “Roller Disco”

(Dir by Don Weis, originally aired on September 22nd, 1979)

It’s the roller disco episode!

From the moment that I first announced that I would be watching and reviewing CHiPs for this feature, people have been telling me about the legendary roller disco episode.  Having finally reached it, I can say that it lived up to the hype.  You’re not likely to see anything more 70s than the third season premiere of CHiPs.

Now, this was a two-hour episode so there were actually quite a few subplot going on, all of which were typical CHiPs storylines.  In no particular order:

  1. A kid named Mark (Bobby Rolofson) is roller skating around the beach and idolizing three criminals.  Can Baker show him that the good guys always win?
  2. The three criminals are Lita (Helena Kallianiotes), Ty (Fred Williamson), and Romo (Jim Brown).  Lita sets up the targets.  Ty and Romo steal their purses and their wallets and then escape on roller skates.  Ty and Romo are tired of breaking the law.  Lita demands that they continue to steal.  Eventually, it falls to Baker and Ponch to arrest them.
  3. Carlin (Larry Linville) and Franco (Larry Storch) continually cause accidents on the highway.
  4. Rock star Jimmy Tyler (Leif Garrett) is so tired that he sleeps through one of those accidents.  Looking to break free from his well-meaning but overbearing manager (Bill Daily), Jimmy decides to manage his own affairs while staying at Jon Baker’s apartment.

There’s a lot going on but the main plotline is Ponch trying to find celebrities to take part in the annual highway patrol fund raiser.  Even with his big smile, Ponch struggles to charm the celebs.  He pulls over Ed McMahon at one point but fails to recognize him until McMahon drives off.  Gatraer tells Ponch that police work comes first but also tells him that he has to find celebrities.  Gatraer’s been giving Ponch a hard time ever since the first season.  Some things never change.

Fortunately, Jimmy feels guilty for overstaying his welcome at Baker’s apartment and he makes it up to Baker and Ponch by asking his celebrity friends to take part in the fund raiser.  It’s time for a roller disco with the stars!

It all leads to this classic scene:

I recognized a few of the stars, though certainly not all of them.  I recognized Victor French because I’ve been reviewing Highway to Heaven.  I’ve also seen enough old sitcoms that I immediately recognized Robert Mandan, who was apparently the best roller skater in Hollywood.  Melissa Sue Anderson, I knew from Happy Birthday To Me.  Cindy Williams, who got two shout-outs, I knew from American Graffiti.  Is it just me or did Nancy Kulp look kind of lost?  Neither Melissa Sue Anderson nor Cindy Williams seemed to want to talk to her.

The roller disco actually goes on for fifteen minutes, which I appreciated.  The show promised a roller disco and it delivered.  It was like stepping into a time machine and traveling to the 70s.  It was a great way to start season three!

Because of the holidays, this is going to be my final CHiPs review of 2024.  My reviews of this show will return on January 6th!

Retro Television Reviews: Fantasy Island 3.15 “Unholy Wedlock/Elizabeth”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

This week, David Cassidy gets married and Tina Louise meets the Blood Countess!

Episode 3.15 “Unholy Wedlock/Elizabeth”

(Dir by Rod Holcomb, originally aired on January 12th, 1980)

Danny Collier (David Cassidy) has come to the Island with his best friend, Ken Jason (Eddie Mekka).  Danny’s fantasy is to finally marry his fiancée over the weekend.  As he explains to Tattoo and Mr. Roarke, he’s tried to get married several times in the past and, every time, something happened that kept him from getting to the ceremony.  This weekend, though, he’s going to get married on the island and Tattoo is going to throw him a wonderful bachelor party!  When Mr. Roarke questions whether Danny really loves his wife-to-be, Danny explains that his fiancée is rich!

The main problem with this fantasy is that, from the start, Danny comes across as being a total jerk.  David Cassidy plays the entire role with this bizarre intensity that makes him come across as being an entitled frat boy.  I didn’t care about Danny and his wedding and, as a result, I really didn’t care when Danny woke up to discover that he had married Christie (Misty Rowe), the dancer from his bachelor party.  Danny was desperate to get the marriage annulled, even though it had already been consummated.  Unfortunately, Tattoo was of little help.  When Christie suddenly disappeared, Danny was arrested for her murder!

Wow, that took a turn.

Not to worry, though.  Danny escapes from jail, goes to a Fantasy Island dive bar, and discovers that Christie faked her own death so Danny could marry the woman that he has been pretending to love.  But then Danny realizes that Christie is who he loves so he stays married to her.  I felt bad for Christie since Danny came across as if he was destined to be bitter and washed-up by the time he hit 30.

You may have noticed that I said Tattoo was the one who explained to Danny that his marriage could not be annulled.  That’s because Mr. Roarke had a mission of his own to deal with in this episode.  When Lisa Corday (Tina Louise) came to the Island, her fantasy was one that caused Mr. Roarke much concern.  Haunted by nightmares, Lisa wanted to visit the castle that she frequently saw in her dreams.  Roarke immediately knew that the castle was the home of the infamous Elizabeth Bathory, the Hungarian noblewoman who was convicted of and executed for bathing in the blood of virgins.  Apparently, Mr. Roarke played a role in trapping Elizabeth Bathory’s evil spirit inside of her castle and Elizabeth was using Lisa to get revenge on Roarke!  (It should not be overlooked that, as a name, Lisa started out as a shortened version of Elizabeth.  Then, everyone realized how pretty the name was on its own that Lisa soon became more popular than Elizabeth.)  Roarke accompanied Lisa to the castle and, when Elizabeth’s spirit possessed Lisa, Roarke was there to battle Elizabeth, rescue Lisa, and banish Elizabeth back to Hell.

Wow, that’s pretty intense for Fantasy Island!

The Elizabeth Bathory storyline was so well-done and energetically acted by both Tina Louise and Ricardo Montalban that it more than made up for all the nonsense with David Cassidy.  The castle was wonderfully creepy and Tina Louise portrayed demonic possession with the best of them.  The whole storyline was wonderfully melodramatic and over the top.  It also took advantage of the fact that, after three seasons, we’re still not quite sure who Mr. Roarke is.  This episode suggests that Roarke has been around for a very long time and that he’s even more powerful than previously hinted.

Thanks to the evil efforts of Elizabeth Bathory, this was one of better episodes of Fantasy Island’s third season.  Not even David Cassidy could bring it down.

Retro Television Reviews: The Love Boat 2.15 “My Sister, Irene / The ‘Now’ Marriage / Second Time Around”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, The Love Boat becomes …. THE DIVORCE BOAT!

Episode 2.15 “My Sister, Irene / The ‘Now’ Marriage / Second Time Around”

(Dir by Roger Duchowny, originally aired on January 13th, 1979)

Dr. Todd Gardiner (Peter Marshall) is the author of a best-selling book that advocates for open marriage but he’s never had one himself.  He’s determined to finally have an affair while sailing on The Love Boat and, just to prove that he’s not a hypocrite, he’s brought along his wife, Eleanor (Barbara Rush), and he’s encouraging her to have an affair as well!  Initially, Eleanor is not particularly enthusiastic about the idea of cheating on her husband, with or without his permission.  But then she meets Captain Stubing!

The Captain and Eleanor have a very chaste shipboard romance.  He gives her a tour of Puerto Vallarta but that’s it.  As the Captain explains it, he’s a traditionalist at heart and, even though he’s fallen in love with Eleaonor, he’s not the type to take part in an adulterous affair.  Eleanor realizes that the same is true for her.  And, of course, Todd realizes that he doesn’t want an open marriage either!

However, it’s too late for Todd.  Both Eleanor and Todd’s cruise girlfriend, Nancy Bishop (Phyllis Davis), reject him.  Eleanor announces that she’s going to file for divorce.  Since that was The Love Boat, I was expecting Eleanor to suddenly change her mind but the episode ended with Todd alone and Eleanor promising that she would see the Captain again in the future.

I believe this is the first episode of The Love Boat to end with a breakup instead of a romance.  This episode also came out very much against open marriage, which isn’t surprising.  For all the innuendos and the jokes about people hooking up during each cruise, The Love Boat was a pretty conservative show at heart.  If you hooked up on the boat, you were expected to get married on shore.

Speaking of marriage and divorce, another passenger on this cruise was Doc Bricker’s ex-wife, Betty (Tina Louise).  Doc Bricker found himself falling once again for Betty, which was a problem as Betty was traveling with her fiancé, Lance (Lyle Waggoner).   Except, of course, Lance was just an actor that Betty hired to make Doc jealous.  But then Lance and Betty fell in love for real and decided to get married.  It was incredibly silly but Lyle Waggoner’s dumb-but-earnest actor schtick did make me laugh.

Finally, Irene Austin (Martha Raye) boarded the ship with plans to reunite with her old college classmate, Andy (Ray Bolger).  However, upon discovering that Andy was still as spry and funny as he was in college, Irene panicked and introduced herself as being her own sister.  Andy saw through the ruse and he and Irene left the ship as a couple, which was sweet.  I mean, it was another silly story but the old school, showbiz veteran charm of Raye and Bolger carried the story.

All in all, it was a good cruise this week.

Ho Daddy! Surf’s Up!: FOR THOSE WHO THINK YOUNG (United Artists 1964)


gary loggins's avatarcracked rear viewer

Kowabunga! The success of 1963’s BEACH PARTY begat a deluge of Teen Beach Flicks, loaded with sand, sun, and surf, not to mention babes in bikinis, sturdy, studly boys, and rock’n’roll music. And while the Frankie & Annette/AIP sequels have a charm of their own, most of the imitators ranged from fairly okay (IT’S A BIKINI WORLD) to pretty mediocre (CATALINA CAPER) to downright bad (WILD ON THE BEACH) . FOR THOSE WHO THINK YOUNG falls into the first category, thanks to a lively cast headed by heartthrobs James Darren and Pamela Tiffin, and a slew of Familiar Faces from movies and TV.

Just don’t expect Shakespeare or anything like that, because FOR THOSE WHO THINK YOUNG is as harmless a piece of movie fluff as you’ll ever come across! The plot is so simple even could’ve come up with it: all the sorority girls are going ga-ga over…

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The Daily Grindhouse: The Town That Dreaded Sundown (dir. by Charles B. Pierce)


Down here in Texas, we love our legends and the Phantom Killer is one of the most haunting.  In 1946, as American soldiers were returning from World War II and the country was looking forward to a future of peace and prosperity, an unknown killer stalked the moonlit streets of my former hometown of Texarkana, Texas.  (Technically, of course, Texarkana is located in both Texas and Arkansas.  In Texas, it’s usually assumed that the killer had to be from the Arkansas half of the town.)  From February until May, he attacked 8 people and killed 5 of them.  He stalked lovers who were parking at night and those that survived said that he hid his face underneath a white mask.  Despite the best efforts of both the Texas Rangers and the Texarkana police, the Phantom Killer was never captured and his reign of violence ended just as mysteriously as it began.

(My personal theory is that he ended up moving to California where he later became the Zodiac killer because, seriously, the two cases are so disturbingly similar.  Eventually, he left California and moved to Ohio and, living under a false name, he killed himself in 2002. )

When you read the facts of the Phantom Killer’s murder spree (not to mention all of the rumors and urban legends that have sprung up around the case), the main thing that jumps out at you is just how much it all truly does sound like a low-budget horror film.  Therefore, it’s not surprising to discover that, in 1976, the case served as the basis for just that.  What is surprising is just how effective The Town The Dreaded Sundown is.

The film was directed by Charles B. Pierce, an independent filmmaker who was based in Arkansas.  Pierce had previously directed The Legend of Boggy Creek, a “documentary” that was about the mysterious Bigfoot-like creature who is rumored to live in Fouke, Arkansas.  (Fouke, incidentally, is a town that my family briefly called home though none of us ever saw or heard any Bigfoots wandering about.)  Using the money that he made off of the Boggy Creek film, Pierce wrote, directed, and produced The Town The Dreaded Sundown.

Using the same technique that made The Legend of Boggy Creek such a success, Pierce filmed The Town That Dreaded Sundown on location in Texarkana and, along with established actors like Ben Johnson, Andrew Prine, and Tina Louise Dawn Welles, Pierce cast the film with local citizens.  When seen on screen, it’s obvious that these citizens are not professional actors.  However, what they may lack in talent they make up for authenticity.  (If nothing else, The Town That Dreaded Sundown is a rare Texas-set film in that it doesn’t feature any yankees butchering the dialect.)  The fact that the film is narrated by a grim-sounding narrator only adds to the film’s documentary-like feel.

Admittedly, the film does take some liberties with the story of the Phantom Killer but what’s important is that it’s accurate when it matters.  The film gets the basic facts correct and even the most outlandish of embellishments (such as a scene where the killer uses a trombone to kill one of his victims) don’t detract from the film’s power to frighten and disturb.  If nothing else, these feel like the type of details that one might spontaneously mention while telling an old ghost story.  Unlike a lot of “true crime” films, The Town The Dreaded Sundown never devotes too much time to trying to figure out the killer’s motives or drop hints as to his identity.  Instead, the film emphasizes the fact that the Phantom Killer could never be understood and was never stopped.  He simply existed, a malevolent force of evil.  This makes the film far more effective than it would have been if Pierce had spent the movie trying to explain that which can not be explained.

Unfortunately, The Town That Dreaded Sundown has never been released on DVD but it does show up occasionally on TCM.  Keep an eye out for it!