10 Horror Movies For The Week (10/26/25)


Halloween approaches!  I’ll be posting another list of movies in a few days but here’s ten horror movie recommendations for between now and Wednesday!

Vampire Circus (1972) is a gloriously macabre film that I recommend to everyone.  This British film takes place in a Serbian village that a vampire curses with his dying breath.  Twenty years later, the village is ravaged by the plague and blockaded by other towns.  With the inhabitants basically prisoners in their own home, they are easily tempted by the arrival of a circus.  The circus, of course, is not what it seems.  This is a stylish film, full of quirky characters, disturbing imagery, and a lot of blood.  It’s perfect for Halloween.  You can view it on Prime.

Speaking of vampires, Count Yorga, Vampire (1970) features Robert Quarry as a vampire in 1970s California.  Apparently, the film was originally envisioned as being a soft-core film that would feature a few horror elements but Quarry insisted that the script be rewritten to emphasize the count’s vampirism.  That was probably a good idea as Quarry turned Yorga into one of the most memorable movie vampires not named Dracula.  Serious actor Michael Murphy appears in this film as well.  It’s interesting to note that Murphy went from battling a vampire to working with Robert Altman and Woody Allen and appearing in some of the best films of the 70s.  You can view Yorga here.

In Magic (1978), Anthony Hopkins plays a ventriloquist who is basically at the mercy of his foul-mouthed, foul-tempted, all together foul dummy.  This is one of the best examples of a creepy ventriloquist dummy film.  Hopkins’s neurotic performance is brilliant and actually far more interesting than his best-known work as Hannibal Lecter.  Burgess Meredith and Ann-Margaret offer strong support.  Hopefully, the dummy was used for kindling after this film was shot because seriously ….. agck!  Magic is on Prime.

Prime also has some of Vincent Price’s classic collaborations with Roger Corman.  The Fall of the House of Usher (1961), The Pit and The Pendulum (1961), and The Raven (1963) are available for your Halloween viewing and I recommend them all.  It’s not really Halloween without a generous amount of Vince Price, is it?  The Fall Of the House of Usher, The Pit and The Pendulum, and The Raven can all be found on Prime.

The Witchfinder General (1968) stars Vincent Price and was released as The Conqueror Worm in the United States but it should not be mistaken for one of Corman’s Poe adaptation.  Instead, The Witchfinder General is a visually stunning and intense film that features Price is one of his best villainous roles.  There’s very little camp or intentional humor to be found in this film.  Instead, it’s just Price giving a genuinely frightening performance.  Under its American Title of The Conqueror Worm, The Witchfinder General can be found on Prime.

Earlier, I mentioned that Robert Quarry’s Count Yorga was one of the most interesting not named Dracula.  I should also mention that William Marshall made for an equally interesting vampire in 1972’s Blacula.  The film may have been a bit campy but William Marshall gave a strong and dignified performance as Count Mamuwalde, who is transformed into a vampire by Dracula (who is not just a bloodsucker but a racist as well) and later finds himself in 1970s America.  Blacula was followed by a sequel, 1973’s Scream, Blacula, Scream.  The sequel is a mess but worth watching for the teaming of William Marshall and Pam Grier.  Blacula and Scream, Blacula, Scream are both on Tubi.

Finally, I have to mention that Bruno Mattei’s 1984 masterpiece, Rats: Night of Terror can now be viewed on Tubi.  The film may seem ludicrous but you’ll never get that final shot out of your head!  It can be viewed on Tubi.

Click here for last week’s movie suggestions!

4 Shots From 4 Horror Films: The 1960s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we start the 1960s!

4 Shots From 4 Horror Films

Psycho (1960, dir by Alfred Hitchcock)

Psycho (1960, dir by Alfred Hitchcock)

THe Pit and the Pendulum (1961, dir by Roger Corman)

The Pit and the Pendulum (1961, dir by Roger Corman)

The Awful Dr. Orlof (1962, dir by Jesus Franco)

The Awful Dr. Orlof (1962, dir by Jesus Franco)

Black Sabbath (1963, dir by Mario Bava)

Black Sabbath (1963, dir by Mario Bava)

4 Shots From 4 Films: Special Stuart Gordon Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

78 years ago on this date, director Stuart Gordon was born in Chicago, Illinois.  Gordon went from experimental theater to feature films and was responsible for some of the most visually memorable horror films of the past century.  Perhaps no other American director was a strong interpreter of the work of H.P. Lovecraft than Stuart Gordon.

Today, we honor Stuart Gordon with….

4 Shots From 4 Stuart Gordon Films

Re-Animator (1985, dir by Stuart Gordon, DP: Marc Ahlberg)

Dolls (1987, dir by Stuart Gordon, DP: Marc Ahlberg)

The Pit and the Pendulum (1991, dir by Stuart Gordon. DP: Adolfo Bartoli)

Castle Freak (1994, dir by Stuart Gordon, DP: Mario Vulpiani)

4 Shots From 4 Films: Special Edgar Allan Poe Edition


by Debbie Hughes

4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

216 years ago today, Edgar Allan Poe was born in Boston, Massachusetts.  From his humble beginnings as the son of two struggling actors, Poe would go on to become one of the first great American writers.  (It’s been said that, when Charles Dickens first traveled to the United States in 1842, he specifically wanted to meet Edgar Allan Poe.  Unfortunately, it appears that popular story my not be true but it’s still a good story.)  Poe was controversial in life and even his death generated more questions than answers but no one can deny his strength as a poet and as a prose writer.  Both the detective and the horror genres owe a huge debt to Edgar Allan Poe.

Today, in honor of Edgar Allan Poe’s legacy, TSL presents 4 shots from 4 films that were inspired by the work of Edgar Allan Poe!

4 Shots From 4 Films

The Fall of the House of Usher (1960, dir by Roger Corman, DP: Floyd Crosby)

The Raven (1963, dir by Roger Corman, DP: Floyd Crosby)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)

The Pit and the Pendulum (1990, dir by Stuart Gordon, DP: Adolfo Bartoli)

Horror Film Review: The Pit and the Pendulum (dir by Roger Corman)


The second of Roger Corman’s Edgar Allan Poe adaptations, 1961’s The Pit and The Pendulum opens in much the same way as The Fall of the House of Usher.  A young Englishman (played by John Kerr) rides a horse across a colorful but desolate landscape.  A castle sits in the distance.

Of course, as opposed to  the 19th Century British setting of The Fall of the House of Usher, The Pit and the Pendulum takes place in 16th Century Spain, at a time when the country was still scarred by the horrors of the Inquisition.  And Francis Barnard is not traveling to the castle to see his fiancée but instead, he’s searching for information about the disappearance of his sister, Elizabeth (played by the one and only, Barbara Steele).  At the castle, Francis meets Elizabeth’s husband, Nicholas (Vincent Price) and Nicholas’s sister, Catherine (Luana Anders).  Nicholas explains that Elizabeth died under mysterious circumstances, while suffering from a rare blood disorder that seemed to quickly sap away her will to live.  Nicholas’s best friend, Dr. Leon (Anthony Carbone), explains that Elizabeth died of fright after she locked herself in one of the iron maidens in the castle’s torture chamber….

Oh yes, the castle has a torture chamber.  Nicholas’s father was a leader of the Inquisition and he used the castle as a place to conduct his business.  Nicholas’s father was a madman who suspected that his wife was cheating on him.  One day, while young Nicholas was exploring the torture chamber, he witnessed his father murder both his wife and his brother.  Nicholas watched as his mother was entombed alive and ever since, he’s been terrified of the idea of premature burial.  In fact, his fear that he may have buried alive Elizabeth while she was still alive is driving him mad.  The sudden arrival of the suspicious Francis doesn’t help matters….

The Pit and the Pendulum opens with splashes of color spreading across the screen, a sign that Corman was once again in a pop art state of mind when he directed this film.  The Pit and The Pendulum takes everything that worked (and didn’t work) about The Fall of the House of Usher and it turns it all up by a notch or two.  The castle is even more gothic.  Vincent Price’s Nicholas is even more mentally fragile than his Roderick Usher, though Nicholas is also a quite a bit more sympathetic.  If Roderick was a control freak who used his family’s curse as an excuse to embrace his own authoritarian tendencies, Nicholas is just a frail man suffering from PTSD.  He’s definitely more of a victim than a victimizer … or, at least, he is at first.  Much like Mark Damon is The Fall of the House of the Usher, John Kerr is a bit of a stiff in the role of Francis but it doesn’t matter.  Vincent Price is the main attraction here and Corman’s direction shows that he understood that.

And then there’s the Pendulum.  It takes a while for the Pendulum and its swinging blade to make an appearance but when it does, it lives up to the hype.  The Pendulum swings and Corman goes all out, zooming into Price’s crazed eyes while the Pendulum comes closer and closer to its latest victim.  The images are tinted red and green and the Pendulum itself seems to swing in a slow motion, the cinematic equivalent of a nightmare come to life.

The Pit and the Pendulum is a wonderful work of gothic pop art.  Featuring Vincent Price at his most wonderfully unhinged, this is a film we should all watch this Halloween.

Pit and the Pendulum (1961, dir by Roger Corman, DP: Floyd Crosby)

 

4 Shots From 4 Horror Films: Special Stuart Gordon Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: Stuart Gordon!

4 Shots From 4 Stuart Gordon Films

Re-animator (1985, dir by Stuart Gordon, DP: Marc Ahlberg)

From Beyond (1981, dir by Stuart Gordon, DP: Marc Ahlberg)

The Pit and the Pendulum (1990, dir by Stuart Gordon, DP: Adolfo Bartoli)

Castle Freak (1995, dir by Stuart Gordon, DP: Mario Vulpiani)

Horror Film Review: The Pit and the Pendulum (dir by Stuart Gordon)


AGCK!

That was my reaction when I watched the 1991 film, The Pit and the Pendulum.  Based very narrowly on several Edgar Allan Poe short stories, The Pit and the Pendulum takes place at the height of the Spanish inquisition.  Despite the objections of the Pope, Grand Inquisitor Torquemada (Lance Henriksen) is leading a reign of terror though 15th Century Spain.  In his torture chambers, Torquemada forces confessions from accused witches and other criminals.  The dirty prison cells are full of starving and beaten partners.  Witches are burned at the stake and explode while the crazed citizenry calls for blood and Torquemada tests out new torture devices.

Torquemada presents himself as being a grim and emotionless man, someone who is above all sin and who is allowed to sit in judgment of the people who are brought before him.  However, Torquemada is hardly the sinless figure that he portrays himself as being.  His actions are fueled by his repressed lust and his anger.  Maria (Rona De Ricci) has been brought before him, accused of being a witch and Torquemada is determined to get her to confess.  Maria’s refusal to be broken by Torquemada only increases Toquemada’s anger but, at the same time, Torquemada has also decided that he’s in love with Maria.  While Maria waits in the prison and takes advice from the witch Esmerelda (Frances Bay), Maria’s husband, Antonio (Jonathan Fuller), attempts to break Maria out of prison.  When Antonio is captured, Torquemada decides to try out his latest device, a swinging and sharpened pendulum that hangs in a pit….

The Pit and the Pendulum is not always an easy movie to watch.  I have to admit that I spent the majority of the movie with my hands over my eyes, not wanting to watch the extremely graphic torture scenes.  Like many of director Stuart Gordon’s film, The Pit and the Pendulum is gripped by an atmosphere of pervasive corruption and the movie captures the feeling of not being able to escape from the worst place on Earth.  Poor Maria spends a good deal of the movie naked and chained to various devices but Rona De Ricci gives such a strong and such a committed performance as Maria that, instead of being offended by the obvious exploitation element of the scenes, you instead find yourself admiring Maria and her strength.

It’s probably not a coincidence that Oliver Reed shows up in the film as a Cardinal because The Pit and the Pendulum, with its portrayal of blood frenzy and hypocrisy, is definitely influenced by Ken Russell’s The Devils.  The imagery is graphic and often disturbing but the most memorable thing about the film is Lance Henriksen’s intense performance as the evil Torquemada.  Henriksen plays Torquemada as being a hateful and self-loathing figure, a man who deals with his own demons by bringing his fury down on the innocent.  It’s a truly frightening villainous performance, one that carries shades of Vincent Price’s excellent performance in The Witchfinder General.

The Pit and the Pendulum is not an easy film to watch and I doubt I’ll watch it a second time.  In the end, it’s a disturbing film but one that definitely leaves an impression.

4 Shots From 4 Films: Special Stuart Gordon Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

76 years ago on this date, director Stuart Gordon was born in Chicago, Illinois.  Gordon went from experimental theater to feature films and was responsible for some of the most visually memorable horror films of the past century.  Perhaps no other American director was a strong interpreter of the work of H.P. Lovecraft than Stuart Gordon.

Today, we honor Stuart Gordon with….

4 Shots From 4 Stuart Gordon Films

Re-Animator (1985, dir by Stuart Gordon, DP: Marc Ahlberg)

Dolls (1987, dir by Stuart Gordon, DP: Marc Ahlberg)

The Pit and the Pendulum (1991, dir by Stuart Gordon. DP: Adolfo Bartoli)

Castle Freak (1994, dir by Stuart Gordon, DP: Mario Vulpiani)

4 Shots From 4 Roger Corman Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the legendary director and producer, Roger Corman!  It’s time for….

4 Shots From 4 Roger Corman Films

It Conquered The World (1956, dir by Roger Corman, DP: Fred E. West)

Not Of This Earth (1957, dir by Roger Corman, DP: John J. Mescall)

Pit and the Pendulum (1961, dir by Roger Corman, DP: Floyd Crosby)

The Masque of the Red Death (1964, dir by Roger Corman, DP: Nicolas Roeg)