Scenes I Love: The Phantom of the Opera (Part 1)


Think of Me

Stage productions, especially musicals, have always drawn me. I think it goes back to my time in my final two years in high school when, on a lark, I decided to join the Drama production as part of my after-school activities. For a teenager whose never really had any experience watching musicals prior to joining one I was surprised as any to have fallen in love with the art when exposed to it.

Musicals range from classic Sondheim-style productions to the Andrew Lloyd Webber rock opera epics right up to the Matt Stone and Trey Parker comedy musicals. I love them all. One musical production that I was literally obsessed with during those late high school years was Andrew Lloyd Webber’s rock opera production of The Phantom of the Opera.

I knew the songs by heart and, even now, I still remember those final years of high school fondly because of this particular musical. So, finding out that they were going to make a film adaptation of the musical had me feeling both excited and hesitant.

How could a stage musical translate to film if they cast more for acting and less for singing?

My trepidation ended up being unfounded once I finally saw the film and was satisfied that all involved were more than up to the task of performing the iconic roles in the musical.

This first of three of my favorite scenes from The Phantom of the Opera comes early in the film as Emmy Rossum’s understudy, Christine Daaé, gets a chance to show just how much she has learned from her mysterious tutor. “Think of Me” is the one of the signature solos in the musical (the other being the Phantom’s own) and Emmy Rossum nails the scene and song. The expression on the skeptical managers in the beginning quickly turns to surprise as does the rest of the cast and crew who never realized they had a genuine ingenue in their midst.

While I will admit that the song and the scene has been pulled off better on stage, Emmy Rossum’s own experience singing as a member of the Metropolitan Opera as a child leading up to being chosen for the role of Christine Daaé more than makes her hold her own against those who came before her.

Horror On The Lens: The Phantom of the Opera (dir by Rupert Julian)


The_Phantom_of_the_Opera_(1925_film)Today’s horror movie on the Shattered Lens is both a classic of silent era and one of the most influential horror films ever made.

First released in 1925, The Phantom of the Opera is today best known for both Lon Chaney’s theatrical but empathetic performance as the Phantom and the iconic scene where Mary Philbin unmasks him.  However, the film is also a perfect example of early screen spectacle.  The Phantom of the Opera was released during that period of time, between Birth of the Nation and the introduction of sound, when audiences expected films to provide a visual feast and Phantom of the Opera certainly accomplishes that.  Indeed, after watching this film and reading Gaston Leroux’s original novel, it’s obvious that the musical was inspired more by the opulence of this film than by the book.

This film is also historically significant in that it was one of the first films to be massively reworked as the result of a poor test screening.  The film’s ending was originally faithful to the end of the novel.  However, audiences demanded something a little more dramatic and that’s what they got.

6 Trailers In The Basket


Hi there and welcome to the Easter edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers!

1) Bunnyman (2009)

Just in time for Easter, it’s Bunnyman!

2) Deathmaster (1972)

Much like Twilight, Deathmaster combines the true life crimes of Charles Manson with vampires.  In this one, the Manson character is played by Robert Quarry.  Speaking of which, did anyone see those pictures of the modern-day, incarcerated Manson that were released last week?  I took one look at those and I went, “Santa Claus is really letting himself go.”

3) The Last Horror Film (1984)

Speaking of maniacs, this film reunited the two stars of the infamous movie of the same name, Caroline Munro and Joe Spinell.

4)  Hercules (1983)

For the past month and a half, I’ve been watching Lou Ferrigno on The Celebrity Apprentice and, even though I’m rooting for Aubrey O’Day, it’s impossible not to like Lou.  Here’s Lou starring as Hercules in a film from the infamous Luigi Cozzi.  (I wanted to also include the trailer for Hercules In New York, the 1970 debut of Arnold Schwarzenegger but every single Hercules in New York YouTube video is embedding disabled.  Bleh!)

5) Ironmaster (1983)

Yes, it’s yet another history lesson from the Joel Schumacher of Italian exploitation, Umberto Lenzi.

6) The Phantom of the Opera (1998)

Since it’s the holidays, let’s end with some Argento.