Brad reviews JACK REED: A SEARCH FOR JUSTICE (1994), starring Brian Dennehy!


Brian Dennehy directed, co-wrote and starred in this made-for-TV movie about Chicago homicide detective Jack Reed. This is the third TV movie based on Reed’s exploits, following 1992’s DEADLY MATRIMONY, and 1993’s BADGE OF HONOR. In A SEARCH FOR JUSTICE, Jack Reed (Brian Dennehy) investigates the murder of pregnant stripper Lorelei Bradley (Marjorie Monaghan), who also happens to love children, even running a daycare center in the trailer park she lives in. Reed’s investigation quickly identifies the politically connected businessman and strip club owner, Win Carter (Miguel Ferrer), as the prime suspect. As if trying to solve the murder isn’t tough enough, Reed must also deal with corrupt superiors within his own department and train his new boss Charles Silvera (Charles S. Dutton), the latest in a long line of men to be promoted over him. No matter what obstacles Reed encounters, he remains determined to bring the killer to justice!

JACK REED: A SEARCH FOR JUSTICE, is my first “Jack Reed” film, and I enjoyed it. The character of Jack Reed is based on real life Cook County, Illinois Sheriff John “Jack” Reed, with each of the different movies loosely based on cases that Reed investigated throughout his career. As you might imagine, Brian Dennehy is excellent in the lead role as the tough, principled cop who will stop at nothing to catch criminals. The Chicago backdrop adds a nice wrinkle to the proceedings with its strong reputation for corruption, something that plays strongly into this installment and makes Reed’s job that much harder. I also really like Charles S. Dutton’s character, Lieutenant Charles Silvera. Initially promoted due to the color of his skin, and as a way to stick it to Reed, Silvera turns out to be an incorruptible lawman who develops a great working relationship with Reed. I’ve always been a fan of Dutton as an actor, mainly because of his ability to project decency and integrity on screen, and I’m looking forward to seeing them work together in future installments. Miguel Ferrer is also a good villain. He doesn’t go over the top here, rather he plays the part as low key, politically connected, amoral, and ultimately, very dangerous. It’s a good choice.

The fact that JACK REED: A SEARCH FOR JUSTICE is based on real life cases helps bring a little more realism than you might get in most TV movie cop movies of the time. As an example, our cops are more concerned about putting together solid evidence and getting a conviction over anything else. There is some action, but after watching this installment, I realize that these movies are just as likely to end with lawyers cutting a deal than with a big shootout. On the flip side, there are elements of the story that don’t seem realistic at all, such as Reed’s wife Arlene (Susan Ruttan) doing her own undercover work at one point, and our victim’s unlikely dual life as a stripper and daycare operator. What can I say, it’s not a perfect movie, but if you enjoy 90’s TV cop dramas like I do, you should enjoy this film and this series. The cast is good, and the characters are men of integrity trying to bring justice to a corrupt world. That’s a recipe for enjoyment as far as I’m concerned, and I’m looking forward to watching the rest of the film series! 

October True Crime: The Grim Sleeper (dir by Stanley M. Brooks)


It’s not known, for sure, how many people Lonnie David Franklin killed.

A residenct of Los Angeles and a former enlistee of the U.S. Army who was given a dishonorable discharge after doing time in prison for taking part in the gang-rape of a 17 year-old girl in Germany, Franklin was convicted of 10 murders but he was suspected of much more.  His earliest known murder was committed in 1984 and he was apparently very active up until 1988.  Then, much like the BTK Killer, Franklin appears to have taken a break for nearly two decades before returning to his murderous ways in 2002.  (It could be just as likely that Franklin was still killing but his victims were either not discovered or he was never linked to the crimes.)  Franklin’s murders didn’t get much attention, with the police not acknowledging that they were dealing with a serial killer until 2007.  Some of that can be blamed on the fact that many of Franklin’s murders were committed before DNA testing became a commonplace thing.  However, it has also been acknowledged that Franklin escaped detection because he targeted black women and tended to prey on sex workers, neither one of whom were a priority for the LAPD in the 80s.

2014’s The Grim Sleeper stars Dreama Walker as Christine Pelisek, the journalist who first reported on the existence of the Grim Sleeper and Ernie Hudson and Michael O’Neill as the detectives who investigated the murders and ultimately arrested Lonnie Franklin.  Franklin (played by James R. Baylis) only appears briefly in the film.  As The Grim Sleeper was made before Franklin had actually been convicted and sentenced to death for his crimes, the film does not actually state that the police arrested the right man.  Indeed, the film discusses very little about the man who was arrested for the crimes.

Instead, the film focuses on Pelisek and her attempts to get someone to take her seriously when she argues that there’s a serial killer on the loose and that the public has a right to know.  At first, everyone is skeptical of her claims.  Her editor tells her that she doesn’t have enough for a story.  The police tell her to mind her own business.  Her fellow reporters order her to get coffee.  The only people who really support Pelisek’s attempts to uncover the truth are the families of the victims, some of whom have spent over twenty years waiting for someone to tell them what happened to their loved ones.

The film is at its best when it focuses on the pain of the families, all of whom feel that they have been ignored and forgotten by the people who are supposed to be protecting them.  It’s at its least interesting when it focuses on Pelisek and her efforts to be taken seriously.  (Deama Walker has given good performances in films like Compliance and Once Upon A Time In Hollywood but she’s miscast here.)  Though flawed, the film honors the memories of those victimized by the Grim Sleeper and it reminds viewers that no one should be forgotten.

As for the real Grim Sleeper, he died suddenly while on Death Row.  The cause of death has never been released but he died in March of 2020, around the same time that COVID was spreading throughout the nation’s prisons and I’ve always assumed that he was an early fatality.  Regardless of the cause, the Sleeper met the Reaper and will never awaken again.

 

Retro Television Reviews: Under the Influence (Dir by Thomas Carter)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1986’s Under the Influence!  It  can be viewed on YouTube!

Noah Talbot (Andy Griffith) is an upstanding member of the community.  He owns a hardware store.  He has a large family.  He’s known as a gruff but folky storyteller.  He’s a deacon in his church and helps to collect the offering every Sunday.

He’s also a drunk and a bit of a bully.  His family walks on eggshells around him, fearful of setting him off on one of his benders.  He occasionally spends the night in jail, arrested for trying to drive drunk.  Even when he gets bailed out, his first instinct is to go back to the bar.  The folks at the bar love him, don’t you know.  The people at the bar are always happy to see him and never bother him about whether he’s had too much.  The people at the bar never let him down the way that he feels his family has left him down.

The members of his family each cope in their own individual way.  Noah’s wife (Joyce Van Patten) is in denial and spends a lot of her time popping pills.  His oldest daughter, Ann (Season Hubley), is driven to succeed at work and spends all of her time both hating her father and desperately hoping for his approval.  (When she tells him that she got a raise at work, he berates her for only getting a 6% increase in her salary.  “That’s just a cost of living increase!” he snaps at her.)  His eldest son, Stephen (Paul Provenza), fled to Los Angeles and is trying to make a career as stand-up comedian.  (“You’re no David Letterman,” Noah tells him.)  His youngest daughter, Terri (Dana Anderson), secretly replaces Noah’s liquor with water and food-coloring.  And his youngest son, Eddie (Keanu Reeves), is becoming an alcoholic himself.

Having read all that, you may be wondering just how exactly Keanu Reeves could be the son of Andy Griffith and it’s a fair question.  This was one Keanu Reeves’s first acting roles and he does a pretty good job in the role of Eddie.  That said, he looks so totally different from both Andy Griffith and Joyce Van Patten and the actors playing his siblings that I was half-expecting someone to mention that Eddie had been adopted.  Then again, Paul Provenza doesn’t really bear much of a resemblance to the actors playing his parents either.  Dana Anderson and Season Hubley do, at least, look like sisters.

Lack of family-resemblance aside, all of the actors in Under the Influence do a good job of inhabiting their characters.  For those who are used to seeing Andy Griffith playing friendly Southerners in reruns of The Andy Griffith Show and Matlock, it’s shocking and a little disturbing to see him playing an abusive, alcoholic jerk in Under the Influence.  Noah is someone who would not only destroy his own family to get a drink but who would then blame them for it happening in the first place.  Noah may be under the influence of alcohol but the entire family is suffering because they’re under the influence of Noah.  By the time Noah is spitting up blood and demanding that his youngest son sneak liquor into his hospital room, the viewer knows there is no hope for Noah but hopefully, his family will escape.

It doesn’t make for a particularly happy movie but, speaking as someone who grew up in an alcoholic household, I can attest that it does make for an honest portrayal of what addiction does not just to the addict but also to the people around the addict.  I cringed in sympathy through nearly the entire film, especially as I watched three of the four children react in the same ways that I did.  (Unlike Eddie, I never became much of a drinker and instead developed an aversion to alcohol in general.)  It’s a film that feels real and one’s heart aches for the entire family.  If it could happen to Andy Griffith, it could happen to anyone.