6 Shots From 6 Films is just what it says it is, 6 shots from 6 of our favorite films. As opposed to the reviews and recaps that we usually post, 6 Shots From 6 Films lets the visuals do the talking!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
This October, we’re using 4 Shots From 4 Films to look at some of the best years that horror has to offer!
4 Shots From 4 1995 Horror Films
Castle Freak (1995, dir by Stuart Gordon)
Lord of Illusions (1995, dir by Clive Barker)
Species (1995, dir by Roger Donaldson)
Village of the Damned (1995, dir by John Carpenter)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order! That’s right, we’re going from Argento to Zombie in one month!
Originally released in 1996, Castle Freak is a film that I watched a few years ago and seriously, it totally freaked me out! Seriously, this is one truly creepy, scary, and disturbing film. I imagine that I’m not alone in having nightmares after watching Castle Freak.
Castle Freak takes place in Italy and yes, the main setting is a castle. (One the reasons why Castle Freak was so effective in freaking me out is because I have actually been to Italy and I have stepped inside castles much like the one featured in this film.) The castle belonged to a duchess who has recently passed away. The duchess’s son, Giorgio, is still alive. The duchess it seems was a bit insane and, after being abandoned by her husband, she was so angry that she had Giorgio chained up in the basement. After being trapped for years, Giorgio has reverted to a feral state, speaking in grunts and growls. Horribly disfigured, Giorgio is served a meal a day by a frightened maid. When Giorgio finally escapes (via breaking off his own thumb so he can slip out of his manacles), he is looking for revenge against humanity.
Giorgio is probably one of the most frightening monsters in cinematic history but yet, like all great monsters, he is as much a victim as a villain. One reason why the film works is that, even though you’re terrified of Giorgio, you can’t blame him for being angry. Indeed, one of the film’s strongest moments come when Giorgio sees his reflection for the first time and wails at the sight. Jonathan Fuller gives a great performance as Giorgio.
Just as Giorgio escape, the duchess’s last remaining descendants move into the castle. John Reilly (Jeffrey Combs) is a recovering alcoholic. Years ago, a drunk John had an automobile accident, which led to the death of his son and the blinding of his teenage daughter, Rebecca (Jessica Dollarhide). His wife, Susan (Barbara Crampton), cannot bring herself to forgive John for the accident.
Though neither is initially aware of the other’s existence, there’s an obvious bond between John and Giorgio. Much as the duchess never forgave Giorgio, Susan will never forgive John. Giorigio was held prisoner by chains while John was held prisoner by both his own guilt and Susan’s anger. Both of them are capable of monstrous acts with the only difference being that John has yet to totally surrender his humanity to his rage. It’s somewhat appropriate that, after John picks up a prostitute from town, it’s Giorgio who ends up killing her because Giorgio really is John’s id unleashed. And now, John’s entire family is in danger to falling victim to that id.
Castle Freak is a frightening movie, one that mixes shocking gore with other more subtle scares. Director Stuart Gordon makes good use of the castle’s ominous atmosphere and he also gets wonderful performances from his entire cast, with Jeffrey Combs as the stand-out. This is a scary and gory film that was truly made for intelligent adults.
And finally, that scene where the blind Rebecca talks about her hopes and dreams while Giorgio stands unseen beside her?
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
This edition of 4 Shots From 4 Films is dedicated to H.P. Lovecraft, on the occasion of his 125th birthday.
4 Shots From 4 Films
The Dunwich Horror (1970, directed by Daniel Haller)
Dagon (2001, directed by Stuart Gordon)
The Call of Cthulhu (2005, directed by Andrew Leman)
The Whisperer in Darkness (2011, directed by Sean Branney)
“Who’s going to believe a talking head? Get a job in a sideshow.” — Herbert West
When discussing horror films of the 1980s, the conversation almost always turns to whether one has seen a particular cult classic. One such film is Re-Animator, Stuart Gordon’s 1985 adaptation of a little-known H.P. Lovecraft short story originally serialized from 1921 to 1922. While the story itself isn’t considered one of Lovecraft’s best, it inspired Gordon to create his own grisly take on the classic “Frankenstein monster” tale—with a unique blend of horror, humor, and gore.
The film follows Herbert West, a young, promising medical student obsessed with bringing the dead back to life. After being expelled from a Swiss university for his unorthodox experiments, West relocates to Miskatonic University in Arkham, Massachusetts, to continue his research in secret. He soon gains an unlikely partner in Dan Cain, a fellow medical student and landlord, who discovers West’s glowing green reagent and the terrifying results it produces.
Re-Animator plays out much like an over-the-top EC comic from the 1950s and early ’60s, full of lurid visuals and melodramatic dialogue. It’s a pulp horror film with a sci-fi twist, reveling in slapstick gore as the zombie-like corpses injected with West’s reagent come violently back to life. Unlike the flesh-eating zombies popularized by George A. Romero, these reanimated corpses are unique in their behavior, making the film stand out from typical zombie fare.
If the blood and gore weren’t enough, Re-Animator etched its place in exploitation horror history with one of the most infamous scenes ever: Megan (played by Barbara Crampton) and the severed reanimated head of West’s nemesis (played by David Gale) in a tense and chaotic encounter. This scene remains one of the most widely discussed moments in horror film history.
Gordon’s attempt to create his own “Frankenstein movie” was a huge success within the horror community, leading to two sequels. Jeffrey Combs continued to portray Herbert West in the follow-ups, though they never quite reached the original’s cult status. Still, Re-Animator firmly put both Stuart Gordon and Jeffrey Combs on the horror map—and horror fans everywhere are thankful they did.