Horror On TV: Beyond Belief: Fact or Fiction Episode 13


Beyond Belief: Fact or Fiction aired off-and-on for about five years on the Fox network.  A sign of just how randomly this show was scheduled can be found in the fact that season 3 started in 2000 while season 4 didn’t start until 2002.  Reruns of the show currently air on the Chiller Network which is where I recently discovered it.

Hosted by Jonathan Frakes, each episode would present the viewers with five different stories.  Each story would appear to defy logic and then, at the end of the episode, Frakes would reveal which of the stories were fact and which were fiction.  The show was often incredibly silly and yet, it occasionally had an odd charm to it.  A lot of this was due to Jonathan Frakes, who always seemed to be rather amused with it all.

Even more importantly, as bad as this show often was, it’s the perfect type of show to watch in October.  It’s the television equivalent of a scary story being told around a campfire.

Episode 13 aired during the show’s 2nd season.  Can you guess what’s fact and what’s fiction?

Horror On TV: Twilight Zone 3.7 “The Grave”


This is another fun one.

In The Grave, old west outlaw Pinto Sykes is gunned down by a group of townspeople and buried in a lonely grave.  However, before Sykes dies, he swears that if the bounty hunter Miller (Lee Marvin) ever comes near his grave, he’ll reach out of the ground and grab him.  Needless to say, it’s not long before Miller is challenged to put Sykes’s dying words to the test.

This episode of The Twilight Zone was written and directed by Montgomery Pittman.  It originally aired on October 27th, 1961.  Classic western fans will immediately recognize the majority of the cast.

Horror On TV: Twilight Zone 5.25 “The Masks”


In “The Masks,” a group of greedy relatives gather at the New Orleans home of Jason Foster (Robert Keith).  Foster is on the verge of death and the relatives are eagerly waiting their chance to claim their inheritance.  However, as Foster informs them, they will only get paid if they wear masks that are meant to reflect their inner natures…

This episode of the Twilight Zone first aired on March 20th, 1964.  As written by Rod Serling and directed by Ida Lupino (making her the only woman to direct an episode of the original Twilight Zone), this episode is full of gothic Southern atmosphere and it’s a perfect addition for any Halloween viewing marathon.

Add to that, the masks are really creepy!

Horror On TV: Twilight Zone 5.19 “Night Call”


In this poignantly haunting episode of the Twilight Zone, Gladys Cooper plays a lonely widow who starts to receive mysterious phone calls from a stranger.

This episode was written by Richard Matheson (and based on his short story Long Distance  Call) and it was directed by Jacques Tourneur.  Tourneur is probably best known for directing moody horror films like Cat People and Curse of the Demon and he brings a similar atmosphere to Night Call.

Night Call originally aired on February 7, 1964.

Horror On TV: Hammer House of Horror Ep. 3 “Rude Awakening”


Originally broadcast in the UK on September 27th, 1980, this episode of Hammer House Of Horror deals with a sleazy real estate agent (played by Denholm Elliot) who finds himself besieged by dreams about seducing his assistant Lolly (Lucy Gutteridge) and murdering his wife Emily (Pat Heywood).

Featuring an outstanding lead performance from Elliot and strong direction from Peter Sasdy, this is a good one.

Horror On TV: Hammer House of Horror Episode 7 “The Silent Scream”


Today’s episode of televised horror is The Silent Scream, the seventh episode of Hammer House of Horror.  It was originally broadcast in the UK on October 25th, 1980.

This episode features an odd pet shop, a youngish Brian Cox playing an ex-con, and — best of all — the iconic Hammer horror star Peter Cushing!

Seriously, how can you do a horror month without featuring at least one appearance from Peter Cushing?

Horror on TV: Twilight Zone — “The Howling Man”


Tonight’s offering of Horror on TV is another episode of The Twilight Zone.

In The Howling Man, H.M. Wynant plays a rational man who, during a walk across Europe, finds himself in an isolated monastery.  Wynant discovers a bearded prisoner (played by Robin Hughes) who explains that he’s being held prisoner because he was caught kissing his girlfriend in public.  However, Brother Jerome (played by the legendary John Carradine) claims that Hughes is the devil himself!  It’s left up to Wynant whether to set the man free or to leave him imprisoned…

Written by Charles Beaumont and directed by Douglas Heyes, The Howling Man is a favorite of mine.  Not only does the show establish and maintain an atmosphere of palpable menace but it also features a brilliant ending.

Enjoy The Howling Man.

 

Horror On TV: The Twilight Zone 3.12 “The Jungle”


Along with starting each day of October with a horror film here at the Shattered Lens, we’re going to end each day with a horror-themed television show.

While  I had previously caught a few episodes of the Twilight Zone during one of the annual holiday marathons on SyFy, I didn’t truly appreciate the show until I first exchanged e-mails with my friend in Australia, Mark.  Among other things, Mark expressed a very eloquent appreciation for The Twilight Zone and that inspired me to watch quite a few episodes that have been uploaded to YouTube.  Along with being an essential piece of television history, the best episodes of the Twilight Zone remain watchable and entertaining 50 years after they were first broadcast.

Considering the esteemed place that the Twilight Zone continues to occupy in American culture, it seems appropriate to feature it during Horror Month here at the Shattered Lens.

The episode below is called The Jungle and it first aired on December 1st, 1961.  It was written by Charles Beaumont and directed by William Claxton.  John Dehner plays an engineer who, having recently returned from overseeing a project in Africa, foolishly believes that he’ll be safe from a tribal curse just because he’s in New York.  This is an effectively creepy 23 minutes of television and the ending is a classic.

Review: Marvel’s Agents of S.H.I.E.L.D. 1.1 “Pilot” (dir by Joss Whedon)


SHIELD-cast

It would not be an exaggeration to say that Marvel’s Agents of SHIELD has been the most eagerly anticipated new series of the 2013 television season.

Ever since the show was first announced, fans of both Joss Whedon and the Marvel cinematic universe have been waiting to see whether the show would live up to its impressive pedigree.  Every casting announcement has been analyzed and every clip on Youtube has been viewed and debated.

Questions were asked: how would Phil Coulson (played by the wonderful Clark Gregg) manage to be the main character in this series when his death was a major plot point in The Avengers?  Who was the man who was seen jumping out of a burning building and landing without a scratch on his body?  Would Marvel’s Agents Of SHIELD be a prequel or a sequel to The Avengers?  Would the TV show even acknowledge the films from which it spawned?  Would Samuel L. Jackson show up to utter a few badass quips on network television?

But the most important question of all was this: Would Marvel’s Agents of SHIELD live up to all the hype or would it be another case of a show being smothered by the weight of high expectations?

Having just watched the first episode of Marvel’s Agents of SHIELD, I can now answer some of those questions.

How is Phil Coulson still alive?  Well, it turns out that he never died in the first place.  As he explains to newly recruited S.H.I.E.L.D. agent Grant Ward (Brett Dalton), he nearly died when he was attacked by Loki but ultimately, he survived.  Nick Fury told the Avengers that Coulson had died because he understood that Coulson’s “death” would cause the heroes to bond together.

After the end of The Avengers (or, as the show puts it, “the Battle of New York,”), Coulson spent a while recuperating on a beach and “reading Travis McGee novels.”  Now Coulson’s back and he’s in charge of the highly secretive Level 7.  (The Avengers, we’re told, are only Level 6.)  Level 7 investigates “special and strange” cases involving super powered individuals.

Who was the man that we saw jumping out of the burning building?  A lot of people online assumed that he was Luke Cage but instead, he turned out to be Mike Peterson (J. August Richards).  Mike is the show’s first “case,” a decent man who has recently lost his job and is struggling to deal with suddenly being super powered.  In a neat twist, the more powerful Mike becomes, the more easy it is for him to rationalize being destructive.

Coulson and Level 7 track Mike down with the help of Skye (Chloe Bennet), a forcefully recruited hacker and anti-government activist.  At the end of the episode, once Mike has been subdued through a combination of Coulson’s humanity and a tranquilizer dart fired by Grant, Skye is recruited into Level 7.

How direct a sequel is this show to the Marvel films?  It’s such a direct sequel that it would probably be unintelligible to anyone who hasn’t seen the films.  Not only is Mike’s origins story indirectly related to Capt. America’s (both of them owe their powers to a form of the super soldier formula) but the entire series takes place in a world that has been massively changed by the events of The Avengers.  Agents of SHIELD takes place in a world that now knows that there are super powered beings walking among us.

The show is also full of little comments and throw-away references to the characters and events of the films.  Those references are a nice gift to those who have seen all of the films that have seen all of the films that led up to Agents of SHIELD.  At the same time,  I have to admit that pretty much all of my knowledge of the Marvel universe comes from watching the films in the Avengers and X-Men franchises.  My boyfriend, however, grew up reading Marvel comics.  He assures me that, for every film reference that I picked up on, there were dozens of other references that would only be significant to those who have read the comic books.  If nothing else, this shows that Whedon and the show’s other writers respect their audience.  As a result, Agents of SHIELD invites its viewers to join the exclusive club of people who understand the importance of tweeting, “COULSON LIVES!”

No, Samuel L. Jackson does not show up but Cobie Smulders reprises her role from The Avengers, interviewing Grant and introducing him to Agent Coulson.  However, guest star power isn’t necessary because Clark Gregg is such a compelling and likable actor that he perfectly anchors the show.  Gregg brings a much-needed everyman quality to the role of Agent Coulson and, as such, he serves as the perfect guide through the world of super powered flamboyance.

Finally, did the pilot of Agents of SHIELD live up to all the anticipation?

In a word — yes.

Now, I should admit that I am a long-time fan of Joss Whedon’s and a good deal of my positive response to Agents of SHIELD has to do with the fact that it’s clearly a Whedon show.  Not only is the show populated by characters that’ll be familiar to any Whedonite but the self-aware and relentlessly quippy dialogue suggests that, on some level, they are all aware that they are characters on a television show along with being agents of S.H.I.E.L.D.  Along with Clark Gregg, the cast superstar so far is Chloe Bennet, who has a way with a one-liner and, on the basis of the pilot, an appealing chemistry with Brett Dalton.  Personally, I’m hoping that we’ll learn more about the appealingly eccentric Agents Fitz and Simmons (played by Ian De Caestecker and Elizabeth Henstridge).  I’m also hoping that J. August Richards will return in a future episode.  He generated a lot of empathy for the character of Mike and, as the result, prevented Agents of SHIELD from turning into an elaborate inside joke that would appeal only to us Whedonites.

Pilots are strange things.  Not only does a pilot have to introduce all the characters and justify the show’s existence, it also has to find the time to tell a fairly compelling story that will hopefully inspire people to tune in the following week.  Agents of SHIELD succeeded in doing all of that and I look forward to seeing in which direction the show ultimately heads.

What Lisa Watched Last Night #90: Hostages Episode 1 “Pilot”


Last night, after I got back from dance class, I watched the first episode of the new CBS series, Hostages.

hostages-toni-collette-tate-donovan-cbs

Why Was I Watching It?

I spent the last three months watching and reviewing Big Brother for the Big Brother Blog.  During every episode of Big Brother, CBS would show at least one commercial for Hostages.  It was obvious that CBS was obsessed with the idea of making Hostages into the show that the entire nation would be watching and debating, a bit like a network TV version of Homeland or Breaking Bad.

The commercials, for the most part, all featured Dylan McDermott looking grim while Toni Collette frowned and, occasionally, some old white guy would tell Collette that she was the only doctor he trusted to operate on her and she would reply, “Thank you, Mr. President.”  In short, the commercials made the show look terrible.  The only question was whether or not Hostages would be intentionally bad or unintentionally awful.

Last night, I got my answer.

What Was It About?

President Paul Kinkaid (James Naughton) needs to have surgery and, of course, only one doctor can perform the operation.  That doctor is Ellen Saunders (Toni Collette).  Ellen is so concerned with the President’s health that she doesn’t realize that her husband (Tate Donovan) is having an affair, her son is selling weed, and her daughter is pregnant.

Meanwhile, Duncan Carlisle (Dylan McDermott) is a FBI hostage negotiator.  When we first see him, he’s gunning down a bank robber and smirking while he does it.  It turns out that Duncan needs money to take care of his sick wife.

Eventually, Duncan and a team of other black-clad operatives end up inside the Saunders home where they take the entire family hostage.  They tell Ellen that, if she wants to save her family, she must assassinate the President…

What Worked?

The show turned out to be just as bad as I was expecting it to be!  Whenever I saw the commercials for Hostages, I would think to myself: “That looks like it’s going to be a really boring, tedious series.”  Judging from the pilot, I was right.  It always feels good to be right.

That said, I do have to say that, alone among the cast, Dylan McDermott seems to understand that he’s playing a ludicrous character in a silly show and — much as he did in American Horror Story — he responds by giving an appropriately melodramatic performance.  While the rest of the cast appeared to be convinced that they were appearing in the next Homeland, McDermott seemed to be enjoying a joke that only he and the viewing audience could understand.

What Did Not Work?

If there’s even been a show that would obviously benefit from an over-the-top, melodramatic approach, it would be Hostages.  So, why did the pilot appear to be taking itself so damn seriously?  As I watched last night’s episode, I found myself wondering if anyone involved in the show (other than Dylan McDermott) understood just how silly this all was.  Instead, the show moved at an almost somber pace and all of the actors (again, with the notable exception of McDermott) delivered their lines with the type of gravity that one would usually associate with Jeff Daniels delivering one of Aaron Sorkin’s pompous polemical speeches on The Newsroom.  Considering all of the melodramatic potential of this show’s plot, Hostages really has no excuse to be as boring and predictable as it was last night.

Toni Collette is one of my favorite actresses so it was kind of sad to see her give such a boring performance in the lead role of Ellen Saunders.  Then again, as written, Ellen Saunders is a pretty boring character.  It’s as if the show’s producers and writers were so proud of creating a professional woman that they didn’t notice that they neglected to give her a personality.

Finally, the President is just some boring old white guy.  What’s up with that?

“Oh my God!  Just like me!” Moments

I was tempted to say that, like the family in Hostages, I would totally freak out if a bunch of people appeared in the house, pointed their guns at me, and announced that they were holding me hostage.  However, it then occurred to me that nobody in Hostages really freaked out about being held hostage.  They were certainly annoyed and occasionally, they even attempted to be defiant.  But they never really freaked out.

Nor could I really see much of myself in the character of Ellen Saunders or her daughter.  Since neither one of them came across as being anything more than a two-dimensional plot device, neither one of them was capable of inspiring any “just like me” moments.

I tried to relate to Sandrine Holt, who plays Maria, the only female hostage taker.  However, Maria spent most of the episode carrying around a gun and, while I’m totally into the 2nd amendment, I’m not really into guns.

Then I remembered that, early on in the episode, Ellen’s daughter talks to her best friend.  The friend takes one look at her and says, “Your eyes are puffy,” which is the exact same thing that I would say if one of my friends had puffy eyes.

So, that was my “Oh my God!  Just like me!” moment.

Lessons Learned

Sometimes, commercials don’t lie.