Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewingthe Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988. The entire show is currently streaming on Tubi!
Check It Out is a show that I recently came across on Tubi. It’s a Canadian sitcom from the late 80s, one that took place in grocery store. Don Adams starred as Howard Bannister, the store’s manager. Dinah Christie played Edna, who was Howard’s girlfriend and secretary. Kathleen Laskey, Aaron Schwartz, and Tonya Williams played cashiers. Jeff Pustil played the assistant manager. The security guard was played by Henry Beckman and Simon Reynolds played a teenage bagboy. Since I had never heard of this show before, I figured why not review it? What’s the worst that could happen?
Besides, check out the totally funky theme song!
Episode 1.1 “No Security In Security”
(Dir by Ari Dikijian, originally aired on October 2nd, 1985)
Welcome to Cobb’s, perhaps the most depressing location that I’ve ever seen for a Canadian sitcom. Cobb’s is a grocery store and, interestingly enough, it actually looks like a grocery store, with cheap displays, bored employees, and floors that you can tell are probably sticky. Usually, most sitcoms — especially sitcoms that aired in the 80s — go out of their way to try to look inviting. From the minute we see Cobb’s, the show seems to be telling us, “Run away! Shop elsewhere!”
As the pilot opens, store manager Howard Bannister (Don Adams) watches as a security specialist named Vicker (Gordon Clapp) installs several new security cameras. Howard asks what channels the cameras get. Vicker replies that you can watch produce, you can watch the front doors, and you can watch the registers. Howard weakly tries to explain that he was making a joke. It goes over Vicker’s head.
You know what isn’t a joke? The fact that Mrs. Cobb (Barbara Hamilton), the fearsome owner of the store, now expects Howard to fire Alf (Henry Beckham), the ancient security guard who has been working at Cobb’s for his entire life. Howard is reluctant to fire an old man, despite the fact that everyone keeps talking about the fact that Alf is not that good at his job. The assistant manager, Jack Christian (Jeff Pustil), volunteers to do the firing but Howard says that it’s the type of the thing that should be done by the manager. After getting an angry visit from Mrs. Cobb, Howard takes Alf outside and fires him. Alf responds by punching Howard in the stomach.
Well, I guess it’s a good thing that they fired Alf! Seriously, violence is never the answer! Still, Howard feels so guilty that he can’t perform sexually with his girlfriend and secretary, Edna Moseley (Dinah Christie). But, don’t worry! Alf calls in a bomb threat and gets his job back….
Seriously, that’s the plot of the first episode. It’s a plot that had some potential. One of The Office‘s best episodes was the Halloween episode where Michael was forced to fire Devin. On The Office, the story was more about Michael’s fear of being the bad guy than the actual firing. Michael knows that he has to fire someone but he’s just scared to death of getting anyone mad at him. Things are a bit less complicated on Check it Out. Alf is terrible at his job but Howard doesn’t want to fire him because he’s old. Fortunately, all it takes is a fake bomb threat to get Alf’s job back.
It was a bit of a forgettable episode, though it introduced the characters and that’s what a pilot is supposed to do. The main problem is that, with the exception of Gordon Clapp’s performance as Vicker, the episode itself just wasn’t that funny.
Maybe the second episode was an improvement! We’ll find out next week!
This has been an exhausting week. Getting sick with the flu during the last week of September set me behind as far as my Horrorthon plans were concerned and this week has been extra busy as a result. I’ve been working very hard and it’s been very emotionally rewarding but still, I’ve been pretty busy over the past eight days or so. So, I didn’t want much television this week but still, here are some thoughts on what I did watch!
The Amazing Race (Wednesday Night, CBS)
My favorite reality show has been back for two weeks now and I have yet to get to really sit down and focus on it. The first week, I was sick with the flu and I could barely focus on what was going on. Then, this week, a huge storm came up while the show was airing and, as a result, the local weather people interrupted the show and then refused to leave. It was very frustrating! I know the show is on Paramount Plus. Hopefully, I’ll get a chance to rewatch both episodes on Sunday.
I came across this old Canadian sitcom about a supermarket on Tubi. I watched the first episode earlier today and my review will be dropping here in about two hours.
Dr. Phil (YouTube)
I watched an episode on Monday that featured a former high school guidance counselor who, after having emergency surgery to remove her gall bladder, fell into paranoia and drug addiction and ended up living in her RV. At the end of the episode, she agreed to get some help but, to be honest, she seemed kind of beyond saving.
I continued to watch and pick episodes of The Hitchhiker for this year’s horrorthon. You can find the episodes that I selected on this site, under “Horror on TV.” My favorite thing about this show is, without a doubt, the extremely melodramatic monologues of Page Fletcher’s hitchhiker.
On Friday night, I watched an episode of Night Flight that was about music videos with science fiction themes. I followed this with another episode that dealt with the top “new music of 1985.”
This week, the Prime Minister had to make serious budget cuts, which worried Sir Humphrey as it could have possibly led to the Civil Service not getting their usual pay raise. Fortunately, Sir Humphrey was able to trick Jim into giving him what he wanted. As always, the episodes where Sir Humphrey is the one doing the tricking and the manipulating are the best.
On tonight’s episode of The Hitchhiker, Michael Woods plays a cocky gigolo who spends the weekend at a cabin with an alcoholic director (Jerry Orbach) and his sultry wife (Season Hubley). When Hubley suggests that Woods murder her husband, it seems like a standard noir-situation but it become obvious that Orbach is not quite as clueless as Woods assumed. Who is playing which game?
This is an enjoyable episode, largely due to the performance of the wonderful Jerry Orbach. This episode originally aired on May 12th, 1987.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!
This week is all about love and punishment!
Episode 2.13 “A Love Story”
(Dir by James Komack & Gary Shimokawa, originally aired on December 30th, 1976)
Gabe tells Julie about his Uncle Pete and Aunt Priscilla and how they won “a lot of money in the sweepstakes.”
In class, Gabe is teaching about the Spanish-American War when Freddie comes in doing the “She Loves Me/She Loves Me Not” routine with a daisy. Freddie is followed by a new student named Carmen (Lisa Mordente), who hands Gabe a note.
“Dear Mr. Kotter,” it reads, “please excuse my daughter’s violent temper. Don’t get her mad and she won’t have to deck you. Signed, Epstein’s Sister’s Mother.”
That’s right, Carmen is Epstein’s sister! When Epstein says, “What’s my baby sister doing in this class!?,” Carmen attacks him and throws him on top of Gabe’s desk.
After Gabe seperates the siblings, he introduces her to the class. Epstein can only watch in horror as Barbarino says, “You really filled out,” and Horshack says, “I want you have your children.”
Fortunately, the bell rings and school ends. Horshack stays after class to tell Kotter that he’s now in love with Carmen Epstein. Gabe encorages him to have confidence and ask out anyone that he wants to ask out.
Meanwhile, Epstein goes to the principal’s office with Carmen so that he can ask his best friend, Principal Lazarus, to transfer Carmen out of the Sweathogs. While Epstein talks to Lazarus, Horshack enters the office and approaches Carmen. When Horshack sees that Carmen is carrying a trumpet, Horshack says that he love the trumpet. Carmen plays a terrible version of Three Blind Mice for him. Horshack asks Carmen to go out with him but Barbarino walks into the office and asks Carmen to come with him. As anyone would, Carmen abandons Horshack for Barbarino. “I might even let you ask me out on Saturday,” Barbarino tells Carmen. Awwwwwww! Barbrino!
Gabe steps into the office and, as Horshack tells Gabe about what happened, Freddie steps into the room and reads a poem that he’s written for his new love. Epstein comes out of Lazarus’s office at the same time that Woodman is coming out of his office. Epstein warns Woodman that Lazarus doesn’t like him. This leads to a vintage Woodman meltdown as he points out that not only is his office smaller than Lazarus’s but his American flag only has 13 stars. “I’m plotting a mutiny,” Woodman says, “You can join, Kotter!” As Woodman plots to take over the school, Freddie mentions that he saw Barbarino heading down to the boardwalk with Carmen. Epstein announces that he’s going to kill Barbarino.
In the very next scene, Epstein has been chained to a locker and Horshack is still talking about how he just wants to devote his life to Carmen. Freddie suggests that maybe Epstein should give Horshack his blessings to date Carmen to keep Carmen away from Barbarino. Epstein agrees because he figures that Horshack won’t “try anything” with his sister. However, as soon as Horshack starts to rehearse what he’s going to say to Carmen, Epstein starts to shout, “STAY AWAY FROM MY SISTER! STAY AWAY FROM MY SISTER!”
The next day, in class, Gabe announces that they’re going to use the last few minutes of class to talk about love. He asks Vinny to explain what love means to him.
“Love,” Barbarino says, “mean never having to hear I’m pregnant.”
Epstein flies into a rage telling Barbarino to stop hitting on Carmen. Barbarino replies, “I’ve got a disease!” No, not that type of disease. It’s a disaease that Barbarino calls “Girlitis” and it requires him to hit on every girl he sees. Horshack then starts yelling at Barbarino, saying that Barbarino that he has no idea what it’s like to be alone. Carmen announces that Horshack has guts and “I like a man with guts!” Carmen then shows that she can take care of herself by beating up her brother.
Horshack literally picks up Carmen in his arms and announces that he wants to show her his shell collection under the boardwalk.
“YOU’RE GOING TO DIE, ARNOLD!” Epstein yells.
Back at the apartment, Gabe tells Julie that Carmen Epstein has transferred out of his class. Oh, okay. I guess that takes care of that plotline. Gabe tells Julie a joke about the time his sister Eileen lost a tooth and figured out that Gabe was the tooth fairy.
This is another one of those episodes that worked because it largely focused on how the four main Sweathogs related to each other. Robert Hegyes, Lawrence Hilton-Jacobs, and John Travolta all had a tremendous amount of chemistry and it’s always fun to watch them play off of each other. Ron Palillo occasionally went bit overboard but, with a character like Horshack, I imagine it was probably impossible not to. That said, Palillo more than held his own in this episode and his awkward flirting with Carmen was actually rather sweet. I still would have gone for Barbarino.
Episode 2.14 “Caruso’s Way”
(Dir by Bob LaHendro, originally aired on January 6th, 1977)
Gabe tells Julie about his uncle who was an inventor and who invented a deodorant called Invisible because, when it was worn, no one would want to acknowledge you. This leads to usual pity laughs from Julie.
At school, Gabe tries to teach about the War of 1812. (“When did it start?” Horshack asks.) Gabe notices that Barbarino is not in class and asks if anyone has seen him. Epstein says that Barbarino was fooling around in gym class and doing his “Ba-Baa-Baaa-Barbarino” dance and Coach Caruso ordered him to stay after class.
When Barbarino finally arrives at Gabe’s class, everyone wants to know what happened but a visibly shaken Barbarino insists that nothing happened and asks Gabe to resume teaching about the War of 1812. (Even Gabe is shocked.) When Epstein says he’d rather here about the “war between Vinny and Caruso,” Gabe announces that it’s Barbarino’s business and they’re not going to discuss what happened between Barbarino and Caruso.
On cue, Woodman enters the classroom and he says that he needs to discuss what happened between Barbarino and Caruso. Woodman says that he’s hearing rumors that Caruso hit Barbarino in front of the Girls Gym Class. “There are rules againt hitting students, even Sweathogs,” Woodman says, “I don’t know why.” Barbarino denies that Caruso hit him and Woodman leaves.
However, after the bell rings, Barbarino tells Gabe, Freddie, Epstein, and Horshack that Caruso did hit him but that he’s got a plan to get revenge but he can’t reveal it. Gabe suggests that Barbarino “cool down about it” before doing anything foolish.
Later, Barbarino drops in on Gabe and Julie at their apartment and you can literally see Julie (or maybe just Marcia Strassman) light up at the idea of sharing a scene with John Travolta as opposed to just with Gabe Kaplan.
Barbarino asks them if they watched the news and if they saw any reports on what happened between him and Caruso. Gabe jokes that they broke into “Bowling for Dentures” to report on it. “Really?” Barbarino asks. Awwwwwwww! Poor Barbarino!
Gabe and Julie try to dissuade Barbarino from hitting Caruso back. Barbarino says that he’s thinking of borrowing his uncle’s cement truck and using it to drive over Caruso. Gabe tells Barbarino a story about what happened when Gabe’s friend Bonzo Moretti was slapped by Caruso. Bonzo went to his parents but Barbarino says that telling his parents would just lead to his mother praying for something bad to happen to Caruso. After suggesting that Julie stock the kitchen with Danish and root beer for anyone who might drop by, Barbarino leaves.
The next day, Gabe talks to Woodman and asks Woodman would he would do if “two of your teachers had a confrontation.”
“Fire you,” Woodman replies.
Coach Caruso (played by veteran tough guy actor, Scott Brady) steps into Gabe’s classroom and, after Woodman leaves, they discuss the Barbarino situation. In a very well-acted scene (seriously, this episode features Gabe Kaplan at his most sincere), Gabe tells Caruso that, when he was a student, it bothered him when he heard about Caruso hitting kids. “Now that I’m a teacher, it bothers me even more.” Gabe explains that Caruso took away Barbarino’s pride and asks Caruso to apologize to him. Caruso refuses, saying that he his own pride to think of. Gabe convinces Caruso to come back to the classroom in the afternoon, so that Barbarino can apologize to him and Caruso can apologize back and they can both retain their pride.
However, when Caruso shows up in class and Barbarino apologizes, Caruso refuses to return the apology. (What a jerk!) Instead, Caruso challenges Barbarino to an arm wrestling contest.
“How macho!” Horshack exclaims.
Barbarino wins the arm wrestling contest! Yay! Caruso warmly congratulates Barbarino and leaves. In the hallways, Caruso confesses to letting Barbarino beat him. “When you went to school here,” Caruso says, “I taught you. Today, you taught me.” Awwwwwwww!
Back at the apartment, Gabe tells Julie about the time his Uncle Moe went to Miami Beach and jumped into a pool that he had been told was lukewarm, just to discover it was freezing. “How could you say that water was lukewarm!?” Moe demanded of another vacatinor. “I don’t know, look warm to me .”
This was a great episode, featuring the young John Travolta at his sensitive best and also giving Gabe Kaplan a chance to show off that he actually could act. Barbarino regained his pride, Coach Caruso learned how to be a better teacher, and Woodman continued to be Woodman.
Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1988 to 1990. The show can be found on YouTube!
Despite the name of the series and the fact that producer Frank Mancuso was responsible for both the films and the show, Friday the 13th: The Series did not involve Camp Crystal Lake or Jason Voorhees. Instead, it was a supernatural-themed show about two cousins, Micki (Robey, who has red hair like me!) and Ryan (John D. LeMay), who inherited a cursed antique shop from their uncle, Lewis. When they discovered that Lewis spent the last few years of his mortal life selling cursed antiques, they realized that it was up to them to track down the evil items before they could cause too much harm to the world. Working with them was Lewis’s former partner, Jack Marshak (Chris Wiggins).
Episode 1.1 “The Inheritance”
(Dir by William Fruet, originally aired on October 3rd, 1987)
On a rainy night, antique store owner Lewis Vandredi (R.G. Armstrong) is literally dragged into the depths of Hell, the result of a long-ago deal that he made with the devil. The store is inherited by Lewis’s niece and nephew, Micki Foster (Robey) and Ryan Dallion (John D. LeMay).
Micki and Ryan, at first, don’t seem to have much in common. Ryan is a practical joker whose first reaction upon entering the store is to put on a rubber mask and wait for his cousin to show up so that he can startle her. The much more responsible Micki just wants to sell off whatever is in the store so that she can return home to her fiancé, an attorney who really doesn’t understand why she has to waste her time with any family stuff at all. The only thing that Micki and Ryan have in common is that neither one of them knows that their uncle made a deal with the devil to sell cursed antiques. That changes when Lewis’s former business partner, Jack Marshak (Chris Wiggins), shows up and not only tells them about Lewis’s supernatural activities but also finds the ledger where Lewis recorded all of his sales.
Uh-oh, it turns out that Micki herself has sold something from the shop. She sold an extremely ugly doll to Mr. Simms (Michael Fletcher), who in turn gave it to his bratty daughter, Mary (played by a 7 year-old Sarah Polley). Yes, the doll is cursed and yes, Mary is already using it to get revenge on anyone who annoys her. First, she uses the doll to kill her stepmother. Then, she uses the doll to kill the sweet babysitter who asked Mary to be polite about asking for snacks. When Micki and Ryan show up to retrieve the doll, Micki chases Mary to playground, where Mary uses the doll to make a statue breathe fire and a merry-go-round to spin dangerously fast. Fortunately, while Mary is tormenting Micki, Ryan walks up and snatches the doll away from her….
…. and that’s it!
Seriously, it’s kind of an anti-climatic ending but I get it. This was the first episode and, obviously, it was more important to establish why Micki and Ryan were the new owners of an antique store than to really offer up a complicated story of the supernatural. This was a pilot and it got the important part of the job done, introducing the premise and the characters. Robey and John D. LeMay were instantly likable as Micki and Ryan and the antique store was an intriguing location. The story with the doll may not have been anything special but the pilot did leave me looking forward to next week’s episode. And personally, I kind of liked how simple the solution was this week. Mary was an awful brat so there was something really satisfying about Ryan just snatching that doll away from her. Take that!
On tonight’s episode of The Hitchhiker, Dean Paul Martin (son of Dean) plays a vitamin salesman who discovers that competition can be deadly! This episode features a wonderfully sleazy turn from Dean Paul Martin and enjoyably macabre ending. Sadly, this would be one of Dean Paul Martin’s final appearances before his death in a 1987 aviation accident.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, Mr. T plays the game!
Episode 1.17 “The Game”
(Dir by Robert Malenfant, originally aired on May 2nd, 1988)
“In this episode,” Mr. T explains, “Amy and I disagree on tactics as I try to bring an end to a very dangerous game.”
Pam Richards (Cynthia Preston) and her boyfriend Nash Weaver (David Orth) are two spoiled rich kids, playing a dangerous game. Nash steals some expensive dishes and silverwear from the home of his father (who is judge, no less) and, with Pam’s help, puts it in the locker of one of their shy classmates, Greg Walker (Victor Erdos). Nash then calls the police, gives them an anonymous tip, and Greg is arrested. Greg is only 14 but it appears that he’s going to be tried as an adult! Canada is going to make an example out of him!
Fortunately, Greg’s attorney is Amy Taler and that means that T.S. Turner is on the case! It doesn’t take T.S. long to figure out what happened.
“The way I see it,” he tells Amy, “the girl played decoy so they could plant stuff in Greg’s locker! These are the type of games these kids are into. I’m going to see if I can play too.”
T.S. stakes out Pam’s house. Nash orders a pizza for him. “I don’t eat while on duty,” T.S. growls.
That night, Nash and Pamela leave Nash’s house and break into a neighbor’s house. T.S. follows them, just to discover that they’ve already left the house. In the kitchen, T.S. finds a balloon that looks like an eyeball. The balloon pops, revealing a note that reads, “We’re watching you too.” Suddenly, the cops show up and arrest T.S!
Waiting outside the house, Nash tells T.S. to “give my regards to the boys in blue.”
“Give it to them yourself,” T.S. replies.
Nash and Pam claim that they were just going in the house to water the plants and T.S. is not charged with breaking and entering. Detective Jones assures T.S. that he doesn’t like Nash much either, saying that the kid has been in trouble before but he’s never been charged.
“Why?” T.S. snarls, “Because his father’s a judge?”
T.S. returns to staking out Nash’s house. (He’s eventually joined by Greg, who simply cannot believe that Pam would frame him.) “These kids are not playing kid games!” T.S. says. Eventually, Nash and Pam drive off to small warehouse. When T.S. follows them, Nash pulls a gun on them.
“You want to go to prison?” T.S. demands, “You know what prison’s like? Being locked up in the small cell, 24 hours! After you shoot me, who is next? Is it Pam? How about your father …. BECAUSE HE’S A JUDGE!”
(T.S. is really hung up on that.)
Nash points the gun at his own head.
“It’s not worth it, brother!” T.S. shouts.
A sobbing Nash surrenders himself.
Later, T.S. tells Amy, “Nash was just a little frightened kid, reaching out for love and attention.”
Here’s the thing — this all happened over the course of 30 minutes running time. As a result, Nash’s surrender seemed to come out of nowhere. This is an episode that would have benefitted from a full hour. As it is, this episode ends on a jarringly abrupt note and therefore, Nash’s surrender is neither as effective nor satisfying as it should have been.
Episode 1.18 “A Victim of Fashion”
(Dir by Don McCutcheon, originally aired on May 9th, 1988)
“In this episode,” Mr. T tells us, “the world of fashion loses its glamour as threats and murder come into play.”
“I’m not going to hire no tux and go to no bourgeois fashion show and that’s that!” T.S. Turner tells Amy when she informs him that he has no choice but to accompany her to an uptown fashion show. This leads to a genuinely amusing scene in which Amy leads T.S. onto an elevator, where T.S. is suddenly grabbed by two men who proceed to …. get his measurements so they can rent him a tuxedo.
Fashion designer John Merrick (Richard Monette) has hired Amy and T.S. because he was mailed a slashed up picture of his top model, Anita (Tonya Williams). Anita doesn’t know that she’s being stalked and Merrick wants T.S. to be her bodyguard without explaining why. Tonya, for her part, is just happy to be famous enough to require a bodyguard.
“Please,” T.S. tells her, “call me T.S.”
“Okay,” Anita replies, “if you’ll tell me what it stands for.”
“Tree Surgeon.”
Who could the stalker be? Could it be the long-haired man wandering around with a camera? Of course it is! This is only a 30 minute show so it’s not like there’s time to develop a lot of suspects. However, it turns out that Lonzo (Patrick Brymer) was not really stalking Anita as much as he was demanding that Merrick admit to stealing Lonzo’s designs. When Merrick tries to murder Lonzo, T.S. is there to save the day! Yay!
Again, just as with the other episode I looked at this week, this is an episode that would have been considerably more effective with a 60-minute running time. With only 30 minutes to tell the story, it felt rushed. There was a lot of comedic potential to the idea letting Mr. T loose in the fashion world but sadly, there was enough time to get to any of it.
Next week — T.S. quips his way through another case! Evildoers beware!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!
Highway to Heaven is one of those old shows that, decades after its final episode, still always seems to either be airing or streaming somewhere. The show’s premise was a simple one. Jonathan Smith (Michael Landon) was an angel who had been sent to Earth to help people. Working with him was a retired cop named Mark Gordon (Victor French). Together, they drove across the country and met a different guest star every week.
Though the show aired its final episode over 30 years ago and both of the stars have since passed on, Highway to Heaven remains popular in both syndication and streaming. From the few episodes that I’ve seen, it appears that the show’s main appeal was just how unabashedly sentimental it was. For people living in a cynical age, the show is a throwback to a simpler time. Of course, I imagine that some people also find it to be a fairly campy show. There’s nothing subtle about the messaging of Highway to Heaven.
Anyway, it seems like a good show to review for Retro Television Reviews, so here we are. Let’s head down that highway!
Episode 1.1 “Highway to Heaven: Part One”
(Dir by Michael Landon, originally aired on September 19th, 1984)
In a small town in Arizona, there’s a retirement community that is full of people who are in need.
For instance, Estelle Wicks (Helen Hayes) hasn’t left her room in years. She’s convinced that her daughter is going to come to get her at any minute, even though everyone else at the community tries to get her to understand that her daughter hasn’t been by to see her in years. That said, at least Estelle still has some hope. Everyone else in the community appears to be resigned to spending all of their time indoors, watching television and waiting for the end.
Mr. Haskins (John O’Leary), the owner of the community, is struggling to pay the bills and is thinking of selling the retirement home to a group of land developers. Mr. Haskins rarely smiles and hardly ever interacts with the people living at the community. He doesn’t want them going outside or doing any special activities because he’s worried about potential lawsuits. He’s not willing to spend the money necessary to even make the community look like an inviting place to live.
Mr. Haskins’s assistant, Leslie Gordon (Mary McCusker), is a lonely woman who lives in an apartment with her brother, Mark (Victor French). Mark is a former cop who refuses to trust anyone and who can’t hold down a job. He’s developing quite a drinking problem and spends most of his time either watching television and having a beer or going down to the local bar and having even more beer.
No one, and I mean no one, in this town appears to be happy. But then a mysterious drifter named Jonathan Smith (Michael Landon) hitchhikes into town and applies for a job as a maintenance worker at the retirement community. As he explains to Mr. Haskins, he doesn’t have any references but he’s willing to work without a salary for a month in order to prove that he can handle the job. Mr. Haskins hires Jonathan, who immediately plants a flower garden and gets to know the residents at the retirement community. He even gets Estelle to agree to take care of a puppy.
With Jonathan’s gentle encouragement, even Leslie starts to enjoy life a little bit more. When Jonathan shows up one morning with a bicycle, Leslie rides it to work. When Leslie asks Jonathan how he could afford the bike, he says that a friend gave it to him. When she asks how Jonathan could afford to plant all of the flowers for the retirement home, he says that a friend helped out. For a drifter who just came to town, Jonathan certainly seems to have a lot of friends!
This raises the concern of Mark, who thinks that Jonathan must be a conman of some sort. He sets out to investigate just exactly who Jonathan is. He first stop is the local bicycle shop, where the owner says that he’s never met a Jonathan Smith. And then — the episode ends! “TO BE CONTINUED” reads the title card.
It’s a rather abrupt ending, undoubtedly the result of the pilot originally being aired as a two-hour movie. As often happens, the pilot was split into two parts for syndication. Of course, the viewer already knows that Jonathan is an angel who has been sent to Earth to help people but the first episode of the series ends with Mark still convinced that Jonathan is just a con man. I assume he’ll find out the truth next week.
As far as first episodes go, this one is hard to judge because it’s obviously incomplete. That said, the pilot’s unapologetic earnestness is definitely its strongest trait. Early on, Jonathan says, “Kindness doesn’t cost a thing,” and Michael Landon delivers the line with such sincerity that he makes it work despite the fact that it’s also a cliché.
Anyway, next week, we’ll finish up the pilot and see if Mr. Haskins will ever learn how to run a retirement community. Hopefully, Estelle will finally come out of her room as well. And, most importantly, we’ll see how Mark went from thinking Jonathan was a con artist to traveling around the country with him.
“What does it take to light a madman’s fuse? Just a twinkle in a young girl’s eye?” The Hitchhiker (Page Fletcher) asks us. “If the hunger for love can drive a man to murder, well… that’s when a fellow really needs a friend.”
Tonight, on The Hitchhiker, two dangerous men form a combustible friendship. Trout (Bill Paxton) is wild and loud and rambunctious. Wax (Bud Cort) is a nerdy and mild-mannered serial killer. Trout and Wax bond and become unlikely friends but that friendship is threatened when they pick up a sex worker named Sunny (Jonelle Allen).
This episode, featuring excellent performances from Bill Paxton and Bud Cort, originally aired on April 14th, 1987.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Jennifer Slept Here, which aired on NBC in 1983 and 1984. The entire show is currently streaming on YouTube!
Since it is October, I figured why not take a look at short-lived sitcom about a ghost? What’s the worst that could happen? (Heh heh….)
Episode 1.1 “Pilot”
(Dir by Charles S. Dubin, originally aired on October 21st, 1983)
Jennifer Farrell was, at one time, the world’s biggest movie star but then, in a tragic accident, an ice cream truck backed over here and she lost her life. Three years later, her former lawyer, George Elliott (Brandon Maggart, the father of Fiona Apple), has decided to move into her Hollywood home. Accompanying him is his wife, Susan Elliott (Georgia Engel), his 8 year-old daughter Marilyn (Mya Akerlin), and his teenage son, Joey (John P. Navin, Jr.)
Joey is not particularly happy about having moved from New York to California. First off, he left behind his girlfriend, Elizabeth. Secondly, a Hollywood tour bus keeps driving by and announcing that his new home is the former home of Jennifer Farrell. Finally, Jennifer’s ghost (Ann Jillian) is living in his bedroom, which is something that Joey discovers when he tries to close the window.
Jennifer, it turns out, likes to keep the window open so she can hear the tour bus announce her name.
Joey refuses to accept that Jennifer is a ghost but then his father enters the bedroom and says that he can’t see the woman that Joey claims is standing at the window. Then, after his father leaves, Joey tries to grab Jennifer and his hand goes through her shoulder.
Remarkably, it doesn’t take Joey that long to accept that his house is haunted by a ghost that only he can see. Perhaps that’s because Joey isn’t planning on sticking around the house for long. He’s planning on running away from home and catching the next flight back to New York City. Fortunately, Jennifer is there to grab the suitcase from his hand (and yes, we get a shot of the suitcase floating up the staircase with the wires barely visible) and explain to him that everything that he needs is in the house, with his family. She also encourages Joey to flirt with the girl who lives next door. Problem solved!
It’s a remarkably simple pilot. In fact, it’s a bit too simple for its own good. Joey is a bit too quick to accept that ghosts are real but, even more importantly, his parents and his best friend, Marc (Glenn Scarpelli), are surprisingly quick to ignore the fact that Joey keeps talking to himself and yelling at someone who they can’t even see. As well, it’s never really explained why George decided to move his family into Jennifer’s home, especially since George continually refers to Jennifer as being both his worst client and as being a “tramp.” That said, the pilot did what a pilot was supposed to do. It introduced the characters and it spread the seeds for future storylines. The majority of the cast seemed a bit lost but Ann Jillian delivered her lines with just the right amount of ghostly sassiness. The main problem with the pilot is that it wasn’t particularly funny but traditionally, pilots are usually the weakest episode of any sitcom. So, let’s see how things go over the next few weeks!
Through the Shattered Lens 