A Movie A Day #141: Breakheart Pass (1975, directed by Tom Gries)


California.  The 1870s.  Sheriff Pearce (Ben Johnson) boards a train with his prisoner, an alleged outlaw named John Deakin (Charles Bronson).  The train is mostly full of soldiers, under the command of Major Claremont (Ed Lauter), who are on their way to Fort Humboldt.  The fort has suffered a diphtheria epidemic and the soldiers are supposedly transporting medical supplies.

However, it’s not just soldiers on the train.  There’s also Gov. Fairchild (Richard Crenna) of Nevada, his fiancée (Jill Ireland), the Reverend Peabody (Bill McKinney), and a conductor named O’Brien (Charles Durning).  As the train continues on its journey, it becomes obvious that all is not as it seems.  People start to disappear.  A man is thrown from the train.  Two cars full of soldiers are separated from the train and plunge over a cliff.  There is also more to Deakin than anyone first realized and soon, he is the only person who can bring the murderers to justice.

In both real life and the movies, Charles Bronson was the epitome of a tough guy, so it’s always interesting to see him playing a more cerebral character than usual.  There are some exciting and surprisingly brutal action scenes, including a scene where Bronson fights a cook (played by former professional boxer Archie Moore) on top of the speeding train, but Breakheart Pass is more of a murder mystery than a typical action film.  If Louis L’Amour and Agatha Christie had collaborated on a story, the end result would be much like Breakheart Pass.  Bronson spends as much time investigating as he does swinging his fists or shooting a gun.  It’s not a typical Bronson role but he does a good job, showing that he could think as convincingly as he could kill.  Acting opposite some of the best character actors around in the 70s, Bronson more than holds his own.

Apparently, back in 1975, audiences were not interesting in watching Bronson think so Breakheart Pass was a disappointment at the box office and it is still not as well known as Bronson’s other films.  However, even if you’re not already a fan of the great Bronson, Breakheart Pass is worth discovering.

Embracing the Melodrama #28: The Towering Inferno (dir by John Guillermin)


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I have a weakness for the old, all-star disaster movies of the 1970s.  It could be because those movies remind me of how fragile life really is and encourage me to make the most of every minute.  Or maybe it’s because I have my phobias and, by watching those movies, I can confront my fears without having to deal with a real-life tornado, hurricane, tidal wave, avalanche, or fire.

Or maybe I just have a weakness of glitz, glamour, and melodrama — especially when it involves a huge cast of stars and character actors.  Yes that’s probably the reason right there.

Case in point: the 1974 best picture nominee, The Towering Inferno. 

As is the case with most of the classic disaster films, The Towering Inferno is a long and big movie but it has a very simple plot.  The world’s tallest building — known as the Glass Tower — has been built in San Francisco.  On the night of the grand opening, a fire breaks out, trapping all the rich and famous guests on the 135th floor.  Now, it’s up to the fire department to put out the fire while the trapped guests simply try to survive long enough to be rescued.  Some will live, some will die but one thing is certain — every member of the all-star cast will get at least 15 minutes of screen time and at least one chance to scream in the face of the film’s still effective special effects.

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As for the people trapped by the towering inferno, we don’t really get to know them or their motivations.  (Add to that, once the fire breaks out, everyone pretty much only has one motivation and that’s to not die.)  As a result, we don’t so much react to them as characters as we do to personas of the actors who are playing them.

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For instance, we know that Fire Chief O’Halloran is a fearless badass and a natural leader because he’s played by Steve McQueen.  McQueen brings a certain blue collar arrogance to this role and it’s a lot of fun to watch as he gets progressively more and more annoyed with the rich people that he’s been tasked with rescuing.

We know that architect Doug Roberts is a good guy because he’s played by Paul Newman.  Reportedly, Newman and McQueen were very competitive and, in this movie, we literally get to see them go-head-to-head.  And, as charismatic as Newman is, McQueen pretty much wins the movie.  That’s because there’s never a moment that O’Halloran isn’t in charge.  Doug, meanwhile, spends most of the movie begging everyone else in the tower to exercise the common sense necessary to not die.  (Unfortunately, despite the fact that he looks and sounds just like Paul Newman, nobody in the tower feels like listening to Doug.  If Towering Inferno proves anything, it’s that most people are too stupid to survive a disaster.)

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The tower’s owner, James Duncan, is played by William Holden so we know that Duncan may be a ruthless businessman but that ultimately he’s one of the good guys.  Holden gets one of the best scenes in the film when, after being told that people in the building are catching on fire, he replies, “I think you’re overreacting.”

Roger Simmons is Duncan’s son-in-law and we know that he’s ultimately to blame for the fire because he’s played by Richard Chamberlain.  Roger might as well have a sign on his back that reads “Doomed.”  The same can be said of publicity executive Dan (Robert Wagner) and his girlfriend, Lorrie (Susan Flannery).

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Faye Dunway is Susan.  She is Doug’s fiancée and she really doesn’t do much but she does get to wear a really pretty dress.  The same can be said of Susan Blakely, who plays Roger’s dissatisfied wife, and Jennifer Jones, who plays a recluse.  And good for them because if you’re going to be stuck in an inferno without much to do, you can at least take some comfort in looking good.

Then there’s Fred Astaire, who does not dance in this film.  Instead, he plays a kind-hearted con artist who ends up falling in love with Jennifer Jones.  Fred Astaire received his only Oscar nomination for his brief but likable performance in The Towering Inferno.

And finally, there’s the building’s head of security, Jernigan.  We know that he’s a murderer because he’s played by O.J. Simpson and … oh wait.  Jernigan is actually probably the second nicest guy in the whole film.  The only person nicer than Jernigan is Carlos, the bartender played by Gregory Sierra.

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The real star of the film, of course, is the fire.  In the 40 years since The Towering Inferno was produced, there’s been a lot of advances in CGI and I imagine that if the film was made today, we’d be watching the fire in 3D and it would be so realistic that we’d probably feel the heat in the theater.  That said, the fire effects in The Towering Inferno are still pretty effective.  Now, I have to admit that I have a phobia (and frequent nightmares) about being trapped in a fire so, obviously, this is a film that’s specifically designed to work itself into my subconscious.  But that said, the scenes with various extras thrashing about in the flames are still difficult to watch.  There’s a scene where Robert Wagner and Susan Flannery find themselves trapped in a blazing reception area and it is pure nightmare fuel.

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The Towering Inferno is an undeniably effective disaster film.  At the same time, when one looks at the 1974 Oscar nominees, it’s odd to see The Towering Inferno nominated for best picture along with The Godfather Part II, Chinatown, and The Conversation.  Unlike those three, The Towering Inferno is hardly a great film.

But it is definitely an entertaining one.

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