Scenes that I Love: Walter Matthau Talks To Robert Shaw in The Taking of Pelham One Two Three


100 years ago, on this date, Joseph Sargent was born in New Jersey.  Sargent would go on to become one of the busiest directors of the 70s, 80s, and 90s, working in both film and television.  Though he would never receive the type of critical attention as some of his contemporaries, Sargent was a skilled director who specialized in making entertaining, no-nonsense films.  Though his reputation was tarnished a bit by the fourth Jaws film, it should be remembered that Sargent was also responsible for films like Colossus: The Forbin Project, Tribes, Nightmares, and The Taking of Pelham One Two Three.

1974’s The Taking of Pelham One Two Three has come to be recognized as a genre classic.  It’s certainly one of my favorite films about how New Yorkers will be rude to anyone in any circumstances.  You can see an example of this in today’s scene that I love.  Having hijacked a train, Robert Shaw calls in his last of demands and gets a very New York response.

Scenes That I Love: Everything’s Alright from Norman Jewison’s Jesus Christ Superstar


In honor of the late Norman Jewison, today’s scene that I love comes from my favorite film to have been directed by him.

In this scene from 1973’s Jesus Christ Superstar, Mary Magdalene (Yvonne Elliman) attempts to comfort Jesus (Ted Neeley) while Judas (Carl Anderson) tries to pull Jesus away from her.  This scene showcases both Elliman’s angelic voice and Anderson’s ferocious intensity as Mary and Judas present two very different sides of a spiritual journey.

Scenes That I Love: James Lovell Dreams Of The Moon In Apollo 13


Apollo 13 (1995, dir by Ron Howard, DP: Dean Cundey)

Today we have an absolutely beautiful scene from 1995’s Apollo 13.  In this scene, astronaut Jim Lovell (Tom Hanks) takes a look at the moon and, for a minute, thinks about what could have been, if only a malfunction hadn’t scuttled Apollo 13’s moon landing and left Lovell and his two crewmates apparently stranded in space.  Though Lovell may dream of walking on the moon, he knows it won’t happen and that his only concern now is getting both himself and his crew back home.

Some critics have a tendency to dismiss Ron Howard as just being a director who makes middlebrow films but this scene shows him to be a director who instinctively understands not only what it’s like to dream but also what it’s like when reality intrudes on those dreams.  This scene features both Howard and Tom Hanks at their best.

Scene That I Love: Christopher Walken in King of New York


Today’s scene is from Abel Ferrara’s 1990 gangster epic, King of New York.  Featuring Christopher Walken and a host of familiar faces, it’s one of those scenes that simply just has to be seen.

Scene That I Love: The Opening of Starship Troopers


Today, the Shattered Lens wishes a happy birthday to director Paul Verhoeven.  This scene that I love is from Verhoeven’s 1997 sci-fi epic, Starship Troopers.  Over-the-top, satirical, and violent, this scene epitomizes the aesthetic of Verhoeven’s American films.

“I’m doing my part!”

Scene That I Love: Donald Sutherland Discusses John Milton in National Lampoon’s Animal House


Today would have been Donald Sutherland’s birthday.  Today’s scene that I love comes from one of my favorite Sutherland performances, as the professor who dislikes John Milton in Animal House.

“This is my job!”

Scenes That I Love: Jack Meets Lloyd in The Shining


The scene below is, of course, from Stanley Kubrick’s 1980 masterpiece, The Shining.

In this scene, Jack Torrance (Jack Nicholson) stumbles into the Overlook Hotel’s ballroom, still fuming over having been accused of abusing his son.  A recovering alcoholic, Jack sits at the bar and thinks about how he would give up his soul for just one one drink.  And, on cue, Lloyd (Joe Turkel) appears.

As I was watching this scene, it occurred to me that, way back in 1980, there probably was some guy named Lloyd who saw this movie in a theater and was probably totally shocked when Jack suddenly stared straight at him and said, “Hey, Lloyd.”

The brilliance of this scene is that we never actually see Lloyd materialize.  We see him only after Jack has seen him.  So, yes, Lloyd could be a ghost.  But he could also just be a figment of Jack’s imagination.  Jack very well could just be suffering from cabin fever.  Of course, by the end of the movie, we learn the truth.

Everyone always talks about Jack Nicholson’s performance as Jack.  Some people love it and some people hate it.  (I’m in the first camp.)  However, let’s take a minute to appreciate just how totally creepy Joe Turkel is in this scene.  Turkel was a veteran character actor and had appeared in two previous Kubrick films, The Killing and Paths of Glory.  Two years after appearing in The Shining, Turkel played what may be his best-known role, Dr. Eldon Tyrell in Blade Runner.  Today, incidentally, would have been Joe Turkel’s 98th birthday.

From Stanley Kubrick’s The Shining, here’s Jack Nicholson and Joe Turkel:

Scenes I Love: Harry Dean Stanton in Paris, Texas


Today would have been the 99th birthday of the great character actor, Harry Dean Stanton.

My scene that I love for the day comes from Wim Wenders’s Paris, Texas.  This 1984 film gave Stanton a rare starring role as Travis, a man searching for Jane (Nastassja Kinski), the mother of his son.  In this scene, physically separated and hidden from Jane by a one-way mirror, Travis talks about their relationship and their son.

Scenes I Love: The Opening of Shaft


Today would have been the birthday of Richard Roundtree so, of course, today’s scene that I love could only be the classic opening of 1971’s Shaft.

By doing something as simple as walking down a street in New York, Roundtree showed us exactly who Shaft was and why Shaft did what he did.  This is one of those scenes that’s been parodied so many times that it’s actually surprising to rewatch and see how just defiant and sexy Richard Roundtree’s confident strut actually was.

On another note, I enjoy seeing all of the names of the movies that were playing on 42nd Street when this scene was filmed.

Scene That I Love: Janet Leigh and Pat Hitchcock in Psycho


Yesterday was Janet Leigh’s birthday and today is Pat Hitchcock’s birthday so it seems appropriate that today’s scene that I love should feature both of them.  From 1960’s Psycho, this scene features Leigh and Hitchcock as office co-workers who meet the very wealthy Mr. Lowry (played by Frank Albertson).

“He was flirting with you.  He must have seen my wedding ring,” remains one of the greatest lines ever written.