Horror Scenes that I Love: The Basketball Scene From Deadly Friend


From 1986’s Deadly Friend, directed by Wes Craven:

Now, it should be noted that this scene was not in Craven’s initial cut of the film.  Craven envisioned Deadly Friend as being a melancholy love story about a teenage boy who brings his dead girlfriend back to life.  Elvira, the lady who loses her head, originally had a much less graphic death scene but Warner Bros. wants to take advantage of Craven’s reputation for being a horror director so they demanded a more extreme version and that’s what Craven delivered.

In my opinion, this scene is just ludicrous enough to work.  The studio’s demands were a bit silly so Craven supplied them with perhaps the silliest death scene that he ever directed.  That said, I do think Craven’s original version of Deadly Friend sounds like a nicer movie.

Horror Scenes That I Love: The Dance From Prom Night


In honor of Canadian Thanksgiving, today’s horror scene that I love comes from one of the greatest of the Canadian slasher films, 1980’s Prom Night!

Remember everyone …. Prom Night!  Everything is alright!

Horror Scenes That I Love: Dracula vs. Van Helsing in Count Dracula


The 1970 film, Count Dracula, is unique in that it’s a film that stars Christopher Lee but it wasn’t produced by Hammer.  Instead, it was directed by Lee’s friend, the Spanish director Jess Franco.  It was sold as being a far more faithful adaptation of the Dracula story than anything that had been filmed up to that point.  Lee, who frequently bemoaned the quality of the Hammer films, later described Count Dracula as being a personal favorite of the many films in which he appeared.

In the scene, Dracula confronts Herbert Lom’s Prof. Van Helsing.  Lee gets more dialogue in this scene than he did throughout the entirety of Hammer’s Dracula, Prince of Darkness.

Enjoy!

Horror Scenes That I Love: The U.S. Army Takes On The Flying Saucers in Plan 9 From Outer Space


I’m disappointed to say that, for whatever reason, YouTube has been yanking down all of the Plan 9 From Outer Space videos that used to be available on the site.  That’s just strange to me.  From what I’ve heard, it’s for copyright reasons.  The people who currently have the rights to Wood’s films are very aggressive about searching YouTube for any unauthorized videos.  Ed Wood’s films are financially much more lucrative today than they were when he was alive, which is kind of depressing when you consider that Wood basically drank himself to death and died in total poverty.

That said, there was no way I was going to let Mr. Wood’s birthday pass without sharing at least one scene from Plan 9 From Outer Space!  So, in this scene, the flying saucers face the might of a lot of a stock footage.  Meanwhile, Tom Keene plays the colonel who casually watches the battle.  The narration, of course, is provided by the amazing Criswell!

It’s amazing how close we came to getting conquered.

Enjoy!

Horror Scenes That I Love: The Opening of Crimson Peak


Since it’s Guillermo Del Toro’s birthday, it just seems appropriate that today’s horror scene that I love should be one of my favorite scenes from one of my favorite Del Toro movies.

Here’s the opening of 2015’s haunting (and, in my opinion, underrated) Crimson Peak!

Horror Scenes That I Love: The Opening of Stage Fright


Let’s die Broadway style!

The opening on Michele Soavi’s 1987 masterpiece, StageFright, is one of the most brilliant ever filmed.  Not only does it send up the conventions of the slasher genre but is also sends up musical theater.  Seriously, how can you not love a horror film that features Marilyn Monroe playing the saxophone?

Of course, the opening of the film only begins to hint at the violence that’s going to follow.  When a real killer manages to get into the theater, fantasy and reality blend together.

Interestingly enough, I think a real-life Broadway adaptation of StageFright would be a hit.

For now, enjoy the dancing and the mayhem!

Horror Scenes That I Love: Cheatin’ Harry Gets Grabbed In Attack of the 50 Foot Woman


From 1958’s Attack of the 50 Foot Woman, Harry discovers that cheaters never get away with it.  Especially when they’re cheating on someone who is 50 feet tell….

Horror Scenes That I Love: Anthony Sends Dan To The Cornfield in The Twilight Zone


“You’re a very bad man!”

Today’s horror scene that I love comes not from film but from television.  In this episode of The Twilight Zone (entitled “It’s A Good Life”), the citizens of a rural community have to go out of their not to upset a rather unpredictable six year-old.

What happens when you upset little Anthony Fremont?

Take a look:

Written by Rod Serling and directed by James Sheldon, this episode originally aired on November 3, 1961.

Horror Scenes That I Love: Donald Pleasence Meets Christopher Lee in Death Line


In the 1972 British horror film Death Line (released in the U.S. as Raw Meat), Donald Pleasence gives one of his best performances as Inspector Calhoun, an alcoholic, somewhat fascistic detective who discovers evidence of cannibals in the London Underground.  Since the British government would rather this information not be revealed, a mysterious man played by Christopher Lee is sent to discuss things with Calhoun.

This scene features a meeting between two icons of horror so, of course, I love it.  Pleasence is wonderfully obsessive and Lee is wonderfully menacing.  Since the film is as much about the class struggle as it is about cannibalism, it’s interesting to see the automatic conflict between the working class Calhoun and the definitely upper class character played by Christopher Lee.

Horror Scenes That I Love: The Interview With The Chief From Night of the Living Dead


“Yeah, they’re dead …. they’re all messed up.”

There’s a lot of disturbing scenes in the original Night of the Living Dead but I’ve always loved this live, televised interview with the chief of police.  First, there’s the delivery of that classic line.  “….they’re all messed up.”  Yes, they are.  Then there’s the fact that the chief doesn’t seem to be particularly perturbed by the fact that the dead are coming back to life.  Instead, his attitude is very straight-forward.  It’s happening, we need to take care of it, let’s arm some civilians.

Of course, this interview sets up the film’s ending, in which we learn that those helpful civilians with guns are a bit trigger happy and sometimes, the living get in the way.  When you first see this interview, it’s easy to laugh at the sight of the chief’s posse and everyone’s odd confidence that the dead will somehow just go away.  (Death, after all, is the one thing that is guaranteed to happen to everyone eventually.)  Once you know how the story’s going to end, though, this scene becomes much more ominous.