Horror Scenes That I Love: Bela Lugosi in Dracula


Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

Bela Lugosi was born in what is now Romania.  Lugosi began his career in his native country, appearing on stage.  After serving as an infantryman in World War I, Lugosi moved into the movie industry and appeared in silent Hungarian films.  The young Lugosi was an activist, involved in labor issues and trying to unionize the Hungarian film industry.  When a new government came to power in Hungary in 1920, the politically-active Lugosi moved first to Germany and then eventually ended up in the United States.  After a period of working as a merchant seaman, Lugosi returned to acting.

He first played Dracula on stage in New York City.  In 1928, while touring in the role of Dracula, he moved out to California and quickly became a part of the Hollywood community.  When Universal produced a film adaptation of Dracula in 1931, Lugosi was the obvious choice for the lead role.  The film made Lugosi a star and it also typecast him.  Lugosi never stopped acting, though the films varied widely in quality.  By the end of his career, Lugosi was a member of the Ed Wood stock company.  Even appearing in something like Bride of the Monster, Lugosi still made an impression.

In the scene below, from 1931’s Dracula, Lugosi suggests that Edward van Sloan’s Van Helsing should perhaps leave the country.

Horror Scenes I Love: Peter Lorre in Tales of Terror


Born in what is now Slovakia, Peter Lorre began his acting career in Europe, appearing on the stage and making quite an impression when he starred in Fritz Lang’s M.  When the Nazis came to power, Lorre was one of the many film artists who left Germany.  At first, he moved to France but, in 1934, he set sail for the United States and continued his career in Hollywood.  A popular character actor, Lorre appeared in such classic films as The Man Who Knew Too Much, The Maltese Falcon, Mad Love, Arsenic and Old Lace and Casablanca.  Though his role in Casablanca was small, he still played a key role when he gave Rick the letters of transit.

He also appeared in several horror films, often opposite his good friend Vincent Price and Boris Karloff.  In this scene from 1962’s Tales of Terror, Lorre and Price challenge each other to a wine-drinking contest.

 

Horror Scenes That I Love: Christopher Lee in Count Dracula


Christopher Lee was a man of many talents.  Over the course of his long life, he wrote books, he recorded albums, he performed Shakespeare on stage, and he appeared in so many films that he himself reportedly had trouble remembering them all.  During World War II, Lee served in the British Secret Service with his cousin, Ian Fleming, and was reportedly one of the inspirations for the character of James Bond.  (Of course, Lee would eventually play Scaramanga in The Man With The Golden Gun.)

Up until he played Saruman in The Lord of the Rings and Count Dooku in the Stars Wars prequels, Lee was best-known for his performances as Dracula in several Hammer films.  By his own account, though, Lee never really cared for Hammer’s interpretation of Dracula.  He felt that Hammer did the character a disservice by portraying Dracula as just being a snarling villain.  In 1970, Lee finally got his chance to star in a faithful adaptation of Bram Stoker’s original novel when he starred in Jess Franco’s Count Dracula.

In the scene, an aged Dracula greets Jonathan Harker.

Horror Scenes That I Love: Klaus Kinski in Nosferatu


From the 1960s until his death in the early 90s, German actor Klaus Kinski was known for being the enfant terrible of world cinema.  Kinski was a volatile talent, an often angry and occasionally violent performer who specialized in playing extreme characters and who reportedly took pride in his ability to drive directors crazy.  Kinski appeared in good films and bad films and, in every one of them, he gave the type of unique performance that only he was cable of giving.

Kinski is best-remembered for his work with his frenemy, Werner Herzog.  When Herzog and Kinski weren’t making films together, they were often criticizing each other in the press and sending one another death threats.  In the documentary My Best Fiend, Herzog documented his partnership with Kinski.  Even while Herzog talked about the time that he went to Kinski’s home with the intent of killing him, Herzog’s affection for his frequent star was obvious.  Klaus Kinski was one of a kind.

In Werner Herzog’s 1980 film, Nosferatu, Kinski played the role of Dracula.  In this scene, she comes to visit Isabelle Adjani’s Lucy.

Horror Scenes That I Love: Boris Karloff in The Bride of Frankenstein


By most standards, Boris Karloff (who has born William Henry Pratt) was a true Edwardian gentleman, a reserved but polite man who treated people with respect and who was a generous co-star to his fellow cast members.  Early on in his acting career, he played a wide variety of character but, due to his performance as Frankenstein’s Monster and a host of other iconic characters, Boris Karloff would join Bela Lugosi as the first horror star of the sound era.  As opposed to Lugosi, who struggled with his resentment over being typecast and soon found himself ostracized from mainstream Hollywood, Karloff remained a popular character actor and horror star for his entire life.  Karloff’s dissatisfaction with the hours that he was expected to spend in makeup to play both Frankenstein’s Monster and the Mummy led to Karloff serving as one of the founding members of the SAG.

In this scene, from 1935’s The Bride of Frankenstein, Karloff’s monster briefly finds a friend.  Unfortunately, as so often happened, that friendship is quickly ruined by the ignorance of others.

Horror Scenes That I Love: Piper Laurie in Carrie


So far, this month, I’ve been doing these horror scenes that I love in alphabetical order based on who was featured in the scene.  Originally, today was going to be devoted to Boris Karloff but, last night, I read the news that the great Piper Laurie had passed away at the age of 91.

Have no doubt that Boris Karloff will be honored tomorrow but, for today, I would be remiss if I didn’t pay tribute to Piper Laurie.  Piper Laurie often said that, when she read the script for 1976’s Carrie, she at first didn’t understand the story’s tone until she realized that Margaret White was meant to be as comedic as she was frightening.  Piper Laure’s performance as Carrie’s mother resulted in an Oscar nomination and it also revived Laurie’s career.  (Laurie had semi-retired from Hollywood following her previously Oscar-nominated work in The Hustler.)

In the scene below, Margaret makes one last attempt to keep Carrie from going to the prom.  Her line, “They’re all going to laugh at you” comes back to haunt Carrie in a very big way.

One final bit of Piper Laurie horror trivia: In 1959, when Alfred Hitchcock was casting Psycho, Piper Laurie was his second choice, behind Janet Leigh, for the role of Marion Crane.

Horror Scenes That I Love: Duane Jones in Night of The Living Dead


I always feel a bit sorry for Duane Jones, a talented actor who did much of note but still found himself defined by one iconic role.

He studied at the Sorbonne and had degrees from both the University of Philadelphia and New York University.  He volunteered with the Peace Corps. and was working as an English teacher when he auditioned for a film called Night of the Living Dead.  At a time when it was rare for any black actor (outside of Sidney Poitier, who certainly wasn’t going to appear in a low-budget film about the dead returning to life) to get a lead role, Duane Jones was given the starring role as Ben.  Jones gave a performance of such authenticity and authority that it would be years before many people were willing to admit that Ben had actually been incorrect about not going in the cellar.  Jones final scenes, in which Ben is gunned down by a posse of rednecks, gave Night of the Living Dead a political jolt that it would not have had without him and his powerful performance.

Jones acted in other films, including starring in another acclaimed horror film, Ganja and Hess.  But he reportedly always worried that people would only know him as Ben from Night of the Living Dead.  Even while acting, Jones continued to work as an academic, heading up the literature department at Antioch College and working as the executive director of the Black Theater Alliance.  He was also an in-demand acting teacher.  He passed away at the far-too early age of 51 in 1988.

In this scene, from Night of the Living Dead, Ben talks to the catatonic Barbara about what is happening in the outside world.  Jones’s intensity brings the scene to life and gives Night of the Living Dead the momentum to continue to enthrall audiences to this day.

Horror Scenes I Love: Kane Hodder in Friday the 13th Part VII: A New Blood


Kane Hodder was a veteran stuntman when he first played Jason Voorhees in 1988’s Friday the 13th Part 7: The New Blood He would go on to play Jason three more times.  He also played Leatherface in Leatherface: The Texas Chainsaw Massacre III and, when Freddy Krueger’s gloved hand appeared at the end of Jason Goes To Hell, that was Kane Hodder’s hand grabbing the famous Jason mask and taking it to Hell.

Sadly, when Freddy vs. Jason went into production, Hodder was replaced by another stuntman.  (Ironically, Hodder had been considered for the role of Freddy in the original Nightmare on Elm Street.)  Still, for Friday the 13th fans, Kane Hodder will always be Jason Voorhees.

In the scene from Friday the 13th Part 7, Hodder shows off the physicality that made him the ideal zombie Jason.

Horror Scenes That I Love: Sid Haig in House of 1000 Corpses


Rob Zombie’s 2003 directorial debut, House of 1000 Corpses, is a film for which I have somewhat mixed feelings but I do think it deserves some credit for reintroducing the character actor Sid Haig to audiences.

Haig started acting when he was in high school and attended the Pasadena Playhouse, the same acting school where Robert Preston, Gene Hackman, and Dustin Hoffman had trained.  He moved to Hollywood with his former roommate, actor Stuart Margolin, and Haig soon found himself being cast as criminals and occasionally revolutionaries.  Haig grew tired of playing simple-minded thugs and actually retired from acting in 1992 and worked as a hypnotherapist.  Quentin Tarantino tracked Haig down to offer him the role of Marcellus Wallace in Pulp Fiction.  Haig turned him down but then regretted his decision when he saw the film.  When Tarantino subsequently offered him a cameo in Jackie Brown, Haig accepted the role and returned to the big screen.

That said, it was his performance as the nightmarish clown, Captain Spaulding, in Rob Zombie’s House of 1000 Corpses and The Devil’s Rejects that definitely put Haig back on the pop cultural radar.  In this scene from House of 1000 Corpses, Haig shows that even a clown can defend himself.

Horror Scenes That I Love: Godzilla in Godzilla vs. Megalon


For today’s Horror Scene That I Love, let’s take a minute or two to show some respect to one of the world’s greatest (and longest-lived) film stars, Godzilla!  Whether he’s attacking humanity as the literal representation of atomic age anxiety or if he’s saving Earth from a bunch of aliens, Godzilla has always been a superstar.

In this scene from 1973’s Godzilla vs. Megalon, Godzilla shows just how much of a star he is by taking a stand against bullying and saving his friend, Jet Jaguar.  In this scene, Godzilla shows that he was an anti-bullying activist even before it was cool.  Megalon and his friend thought they could just taunt poor old Jet Jaguar.  Not as long as Godzilla’s around!