Scenes That I Love: Anita Ekberg and Marcello Mastroianni In The Trevi Fountain


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Anita Ekberg, RIP

This famous and iconic scene is taken from Federico Fellini’s 1960 film, La Dolce Vita.  The film follows tabloid journalist Marcello (Marcello Mastroianni) over the course of 7 days and 7 nights.  He spends the 2nd day pursuing a famous actress named Sylvia (Anita Ekberg).  As the day comes to an end, he finds Anita wading into the Trevi Fountain.

As famous and celebrated as this scene is, it’s often forgotten that it ultimately ends with Sylvia being slapped by her loutish boyfriend, Robert (Lex Barker).  That slap is not included in the video below but that’s okay.  For today, at least, let’s allow Sylvia her happiness.

Let’s Say Goodbye to 2014 with Leonardo DiCaprio in The Aviator


Well, 2014 is nearly over.

Soon, it will be 2015.

Soon, the present will become the future.

2014 will not go down in history as one of humanity’s finest moments.  Considering all that’s happened over the past year, it’s hard for me to be surprised by the fact that several of my favorite films of the year were films that I would normally describe as being entertaining escapism.

In 2014, we needed to be entertained.  We needed to escape.

Will 2015 be any better?  What will be the way of the future?  It’s a question that Leonardo DiCaprio asked at the end of Martin Scorsese’s 2004 film The Aviator and it’s a question that we’re still asking today.

Scenes That I Love: Eli Wallach Searches For The Gold In The Good, The Bad, and the Ugly


Eli Wallach

I just heard that, earlier today, the legendary character actor Eli Wallach passed away at the age of 98.  Wallach made his film debut in 1956’s Baby Doll and made his final film appearance 54 years later in Wall Street: Money Never Sleeps.  I have to admit that I don’t really remember much about Wall Street or Wallach’s performance in the film.  However, I do remember his wonderful cameo appearance in The Ghost Writer.

And, of course, everyone remembers Eli Wallach’s best role, that of Tuco in Sergio Leone’s classic spaghetti western The Good, The Bad, and the Ugly.  In the role of a comedic yet ruthless bandit, Wallach brought a lot of life to Leone’s epic portrait of greed in the west.  His unabashedly flamboyant performance provided a wonderful (and much-needed) contrast to the more stoic performances of Clint Eastwood and Lee Van Cleef.

For me, the best scene in The Good, The Bad, and the Ugly is one in which not a single bullet is fired nor a word uttered.  In this scene, Tuco has finally discovered the cemetery where a stolen shipment of gold has been buried.  All he has to do is find Arch Stanton’s grave and he’ll be a very rich man.  What Tuco did not take into consideration was just how many other graves there would be in the cemetery.

This is a rare moment in the film in which Tuco is not speaking but just watch Wallach’s performance here to see how much a great actor can do with just body language and facial expressions.  (Needless to say, Ennio Morricone’s classic score helps out as well.)

Eli Wallach, R.I.P.

Scenes That I Love: The Fashion Show From The Adventurers


The Adventurers

I’ve never actually seen The Adventurers but everything that I’ve read about it (and the film is mentioned in just about every “Terrible Movie” book that I own) would seem to suggest that this 1970 film is pretty bad.  In fact, just about every review that I’ve read has referred to the film as being lurid, trashy, melodramatic, and over-the-top.

However, that’s not really a problem for me.  That’s what a lot of people say about the Valley of the Dolls and that’s one of my favorite movies, precisely because it is so lurid and ludicrous.  (Lurid and ludicrous are two Ls that equal love, as far as I’m concerned.)

I was recently doing a YouTube search on The Adventurers and I came across the following video, which is described as being the “amazing fashion show from Lewis Gilbert’s The Adventurers.”  Having watched the video, I can agree that this fashion show is pretty amazing.  In fact, it pretty much epitomizes everything that I love about the over-the-top, big budget event films of the late 60s and early 70s.  As I watched this scene, I especially enjoyed the random jump cut and the unnecessary use of the split screen.  It’s just so 1970!

I may not have seen the entire film but this scene from The Adventurers is still a scene that I love.

Lisa Goes Back To College: Toga! Toga! Toga!


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Well, all good things must come to an end and that includes my cinematic trip back to college.  Now, just in case you’re feeling that my trip back was a bit too overly critical and snarky, allow me to conclude things with a scene that I truly love.  This is a scene that so epitomizes everything that’s great about college.  The film takes places in the 60s and was filmed in the 70s but National Lampoon’s Animal House is a truly a timeless film.

And the Toga Party is a timeless scene.

Horror Scenes I Love: Joey Fatone Gets Eaten By A Shark


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Joey Fatone, moments before getting eaten by shark

Now I know what you’re asking.  Does this scene, from the 2012 SyFy original film Jersey Shore Shark Attack, really count as a horror scene?

It does if you’re the one getting eaten.

Just ask Joey Fatone.

Joey Fatone Has No Commnet

Don’t worry…he’s okay!

Incidentally, this film started my current love affair with SyFy original movies.

Scenes That I Love: Birdemic


There’s been a lot of talk about the end of the world recently.  In fact, a lot of people seem to be convinced that the world is going to end sometime later today. In the face of such negativity, it seems to me that we need to celebrate movies that remind us why we even bother to wake up in the morning and leave our homes.

One such movie is the 2008 epic Birdemic: Shock and Terror.  While the film itself deals with what happens when a bunch of birds go on a rampage, it still finds the time to highlight some of the good things about life.

Today, I want to highlight two scenes that I love from Birdemic.

In this first one, we’re reminded that, even in bad economic times, the corporate life can be a rewarding one.

This second scene celebrates the mystery of love and the excitement of flirtation.

And, just because I love you, here’s a bonus scene from a totally unrelated movie!

(That movie, by the way, was The Room.)