Retro Television Review: Fantasy Island 7.8 “Random Choices/My Mommy, The Swinger”

Posted on September 2, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week, we have two more fantasies that do not feature Tattoo. What even is the point?

Episode 7.8 “Random Choices/My Mommy, The Swinger”

(Dir by Bob Sweeney, originally aired on December 3rd, 1983)

Elaine Ashley (Florence Henderson) is divorced and raising two kids on her own. Her fantasy is to be a swinger for the weekend! Mr. Roarke arranges for Lawrence to watch the kids and then he sets Elaine up with tennis player Martin Avery (Robert Goulet). While Lawrence attempts to explain to the kids why their mother doesn’t want them around for the weekend, Martin offers Elaine a job. It’s a good job with a nice salary but it would require her to put her children in a boarding school. On the plus side, I guess Elaine would finally get laid again since that seems to be her main concern. On the negative side, no more kids.

Elaine is tempted. In fact, Elaine is so tempted that it actually make her into a really unsympathetic character. At first, Elaine takes the job but then, when she sees how upset her children are about no longer living with her, she changes her mind. Hey, Elaine — how did you think the children would react!?

This fantasy irked me. Of course, to be absolutely honest about things, Florence Henderson irks me in general. Maybe I’m still holding the last episode of The Brady Bunch Variety Hour against her but, whenever Florence Henderson appeared on this show or on The Love Boat, the characters she played always came across as being judgmental and self-absorbed. That’s certainly the case here. You take your children to a tropical paradise and then you abandon them with the butler? Really?

As for the other fantasy, it featured Jose Ferrer as a dying billionaire who needed to find someone who he could trust to give away his money to people who deserved it. Roarke determined that person was Eddie Random (James Read), an angry young man who felt his father had been cheated by Ferrer’s tycoon. The entire fantasy came down to Eddie proving himself by taking supplies to an Island and helping a crotchety old man come to terms with the death of his wife.

This second fantasy felt like a backdoor pilot. It literally ended with Eddie and the billionaire leaving to have many more adventures. As such, the fantasy itself felt rather incomplete and …. well, silly. Why would the tycoon need Fantasy Island to help him find the right person to give away his money? Why does he even need a person to do that? He should have just arranged for a big scavenger hunt and whoever found the most items would get the money. That would have been a lot more fun.

You know who always enjoyed fantasies dealing with money? Tattoo. I miss him.

Brad’s Scene of the Day – THE NAKED GUN 2 1/2 (1991) – Richard Griffiths goes airborne!!

Posted on July 31, 2025 by Bradley Crain

In honor of actor Richard Griffiths, on what would have been his 78th birthday, and the impending release of the new NAKED GUN film starring Liam Neeson, I present this fun scene from THE NAKED GUN 2 1/2: THE SMELL OF FEAR. Enjoy my friends!

Retro Television Review: Fantasy Island 5.19 “Face of Love/Image of Celeste”

Posted on November 26, 2024 by Lisa Marie Bowman

This week …. hey, where’s Tattoo!?

Episode 5.19 “Face of Love/Image of Celeste”

(Dir by Don Chaffey, originally aired on March 20th, 1982)

Once again, as I did with Miami Vice and CHiPs, I am going to save time by doing this review bullet-point style. It’s the holidays, after all.

After two (or was it three) weeks of just Roarke and Tattoo, this episode features only Julie as Roarke’s assistant. Apparently, Tattoo has been busy helping a guest fulfill a “Cinderella fantasy” but things have gone wrong. The carriage turned back into a pumpkin. The horses turned back into mice and are now running all over the Island. Tattoo is not seen in this episode, which is a shame because the last few episodes (featuring only him and Roarke) really did feel like a throw-back to the first two seasons of the show.
It’s been kind of weird during this season, continually hearing that various fantasies are going wrong. That’s not the Fantasy Island that we all know. Fantasy Island has previously been portrayed as a place where Roarke would never allow anything to truly go wrong.
Julie doesn’t really do anything as Roarke’s assistant in this episode. Roarke tells her who each guest is and gives her the details of their fantasy but that’s pretty much it.
Laura Jensen (Erin Gray) has spent her life with a face that was scarred during a housefire. She’s grown up to be bitter and angry. She’s just gotten out of prison and she’s brought to the Island by her parole officer, Ron (Monte Markham). Ron’s fantasy is for Laura’s scars to go away so that Laura can let go of her anger and live a norma;l life.
Though initially weary, Laura is amazed when Roarke gives her a magical cream that causes her scars to temporarily vanish. In fact, Laura appears to be ready to get on with her life and accept that she and Ron are in love. But then Laura’s sleazy ex (Larry Manetti) shows up and tempts her back to her old ways. Don’t worry. It all works out in the end and Ron and Laura leave as a couple. However, I get the feeling that Ron’s going to lose his job as a parole officer. Falling in love with a parolee and taking a tropical vacation with her seems like something that would go against every rule in the book.
The other fantasy was slightly more interesting, if just because it featured Paul Gauguin. When Celeste Vallon (Joanne Pettet) discovers that Roarke owns a Gauguin portrait of a woman who looks just like her, Celeste requests to go back to the past and be that woman. Roarke agrees, even though he warns her that she will also have to make a very serious decision, one that could change history.
Right away, this fantasy ran into a major stumbling block. The Gauguin painting looked absolutely nothing like something that Gauguin, one of the great post-impressionists, would have painted. Instead, it’s a very conventional painting.
The second stumbling block is that the legendary and charismatic Gauguin is played by the handsome but mild-mannered Robert Goulet.
What Celeste discovers is that she is directly descended from the woman in Gauguin’s painting. The woman was Gauguin’s mistress and was engaged, against her will, to marry a soldier (Christopher Stone). If Celeste agrees to remain with Gauguin, then Gauguin will never paint another painting. If Celeste agrees to return to France, her ancestor will lose the love of her life but Gauguin will continue to paint.
Celeste chooses not to change history. Good for her! Of course, that’s kind of an easy decision to make when Celeste isn’t the one who is actually going to have to live the rest of her life in Paris, dreaming of returning to Tahiti and Gauguin.
I wanted to like this episode more than I did. The parole officer bringing one of his parolees to the Island felt strange to me and the Gauguin story would have worked if the painter had been anyone other than the Paul Gauguin. If they had come up with a fictional painter, perhaps Goulet would have seemed more appropriate in the role. As it was, this episode felt bland and miscast.
Herve Villechaize was an accomplished painter so it’s a shame he wasn’t present for the Gauguin story. It’s previously been established that Tattoo is quite a painter himself so this episode definitely feels like a missed opportunity.

Retro Television Review: Fantasy Island 4.19 “The Proxy Billionaire/The Experiment”

Posted on April 2, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Almost the entire show is currently streaming on Daily Motion.

This week, things get weird.

Episode 4.19 “The Proxy Billionaire/The Experiment”

(Dir by Richard Benedict, originally aired on March 21st, 1981)

This week’s episode is a bit of an odd one.

The first fantasy is fairly typical for the series. Playing two roles, Robert Goulet is cast as both a billionaire and as Frank Miller, a Wall Street analyst who wants to be a billionaire. The real billionaire agrees to allow Frank to live his life for the weekend. Frank soon discovers that being a billionaire is …. well, actually, it’s pretty cool. Except, of course, Phyllis Davis and Troy Donahue are plotting to poison him at a luau so that they can steal all of his money. Fortunately, Mr. Roarke shows up at the luau in time to catch the vial of poison as Davis and Donahue attempt to toss it away. Frank learns that being a billionaire is fine as long as no one wants to kill you. Still, he has to return to his normal life at the end of the weekend. Fortunately, the millionaire’s administrative assistant (Britt Ekland) has fallen in love with Frank and she decides to leave the Island with him.

As I said, this story felt pretty typical of Fantasy Island. Probably the highlight was Mr. Roarke walking in on Tattoo badgering Frank for financial advice. Roarke responded by giving Tattoo a strong glare that, if nothing else, reminded the audience that Tattoo and Roarke absolutely despise each other.

The other fantasy was …. well, it was weird. Dr. Lucas Bergmann (James Broderick) and his daughter, Lisa (hey!), come to the Island. Each has a fantasy. Lisa (played by Laurie Walters) says her fantasy is for Lucas to relax and enjoy himself and to stop obsessing over bringing the dead back to life. Lucas’s fantasy is to bring the dead back to life. Roarke sets Lucas and Lisa up in a bungalow that once belonged to another scientist who also wanted to play God. Roarke warns Lucas that the local Islanders are superstitious and they might not appreciate him tampering in God’s domain.

(If the Islanders are that superstitious, how are they handling living on a magical island that is ruled by a mercurial demigod?)

Soon, the Islanders are beating their drums and Lucas’s mute assistant (Woody Strode) is looking concerned. Lucas steps outside and discovers that Lisa has apparently drowned in a nearby lake. Lucas decides that she’ll be the subject of his experiment. Can he bring her back to life? Lucas doesn’t find out because the Islanders storm his bungalow and Lucas runs into the jungle, fleeing until he eventually runs into Roarke, Tattoo, and …. LISA!

It turns out that Lisa was only pretending to be dead in order to teach her father a lesson. And it also turns out that the Islanders were in on it and Woody Strode can speak.

WHAT!?

Seriously, was there not a simpler and perhaps less traumatic way to teach Lucas a lesson? This seems like an awful lot of trouble to go to. Lucas does realize that he doesn’t need to raise the dead to be happy so that’s good. Still, this whole thing just feels weird.

Of course, weird is good when it comes to Fantasy Island. With Roarke and Tattoo barely on speaking terms, it’s even more important for the fantasies to be memorable. And I will never forget about the time Mr. Roarke tricked a scientist into believing his only child was dead. Seriously, I’m stunned Mr. Roarke was never sued.

Next week, we meet Mr. Roarke’s goddaughter!

Retro Television Reviews: Acting Sheriff 1.1 “Pilot”

Posted on January 25, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Acting Sheriff, which aired on CBS in 1991. The entire show is currently streaming on YouTube!

Who is Brent McCord?

Why, he’s the acting sheriff!

Episode 1.1 “Pilot”

(Dir by Michael Lembeck, originally aired on August 17th, 1991)

At a small country jail in North Carolina, the staff is waiting the arrival of the new sheriff.

Dispatcher Helen Munson (Ruth Kobart) is grumpy and sarcastic, as all older characters were required to be in 1990s sitcoms.

Deputy Judith Mahoney (Diane Delano) is a blonde badass who can’t wait to enforce the law and lock up every criminal that she sees, despite the fact that there aren’t many criminals to be found in this small, rural county.

Deputy Mike Swanson (John Putch) is the smart, responsible deputy who ran for sheriff in the last election but lost, despite his years of hard work and his likability.

Who is the new sheriff? Why, he’s Brent McCord (Robert Goulet), a former Hollywood star who went from starring in films like Get Al Capone and A Fistful of Courage to appearing in books with titles like Where Are They Now? Brent once was a huge star but, after several failed television shows and a handful of divorces, he has returned home and …. run for sheriff, for some reason.

When he does show up at the jail, Brent swaggers around like John Wayne and says things like, “Is the slime infecting the streets waiting for me?” Brent McCord doesn’t know anything about being a county sheriff but he does know how to act like a character in a movie. He walks into the station, draws his gun, and accidentally fires it.

Deputy District Attorney Donna Singer (Hilary B. Smith) is not happy about the new sheriff. She tells him that, “Someone should put a tent over you and charge admission!” She’s even less happy when a banker robber (Lee Tergesen) escapes from the jail, largely due to the sheriff’s incompetence. Fortunately, Deputy Mike remembers a scene from Get Al Capone where McCord’s character recaptured a bank robber by leaving more money around for him to steal. Following the same strategy, Mike recaptures the bank robber but he allows Sheriff McCord to have all the credit. Mike’s a good guy who doesn’t hold a grudge over a silly thing like losing an election to a B-actor.

This pilot, which was produced by Disney for CBS, aired once and that was it. It didn’t lead to anymore episodes and, watching the pilot, it’s easy to see why. The pilot struggles to combine the relatively realistic portrayal of a county jail with the over-the-top performance of Robert Goulet. Occasionally, Goulet will get a laugh by delivering his pompous lines in the most self-serious manner possible. But, far too often, the character is so cartoonish that the other actors don’t seem to know how to keep up with Goulet’s hammy performance. (At times, Goulet seems to be copying William Shatner’s technique without any of Shatner’s charm.) Probably the biggest problem is that pilot fails to answer the most obvious question that one would have while watching the show. Why did Brent McCord run for sheriff? Does he want to do a good job or was he just bored? Does he care about the county or did he just want to see his name in the newspapers? Is he well-intentioned or just buffoonish? The pilot doesn’t seem to know and, as a result, audiences would never find out.

Retro Television Reviews: Fantasy Island 3.16 “Rogues and Riches/Stark Terror”

Posted on September 26, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. Almost entire show is currently streaming is on Youtube!

Smiles, everyone! Smiles!

Episode 3.16 “Rogues and Riches/Stark Terror”

(Dir by Cliff Bole, originally aired on January 19th, 1980)

Our latest weekend on Fantasy Island is both strange and entertaining!

Attorney Mark Hendicks (John Schuck) comes to the Island with a briefcase full of papers. He’s searching for his former law partner, Pete Gilbert (singer Robert Goulet). Years ago, Pete came to Fantasy Island with a simple fantasy. He wanted to be an 18th century British outlaw. However, Pete had so much fun in the past that he decided that he never wanted to leave. Mark needs to get Pete’s signature on some official forms so that Mark can sell some land that he and Pete bought before Pete’s fateful trip to the Island.

Mr. Roarke explains to Mark what’s going on with Pete and Mark is surprisingly accepting of Roarke’s explanation. Roarke drives Mark out to a bridge. He tells Mark that crossing the bridge will transport Mark to Pete’s fantasy. Mark crosses the bridge and immediately sees Pete being chased by a bunch of British soldiers. Pete is having a grand ol’ time in the 18th century but he’s more than willing to take some time out from plundering so that he can sign the papers so that will allow Mark to become a millionaire once he returns to the present. However, after a dinner scene that is basically lifted shot-for-shot from Tom Jones, Mark falls in love with Margaret Winston (Dolly Read), the wife of sword-wielding Judge Winston (Alan Hale, Jr). Mark is tempted to remain in the past but, in the end, he decides that his place is in the present. Fortunately, it turns out that Margaret was having a fantasy of her own and she and Mark leave the Island together.

While that silly but enjoyable fantasy plays out out, Amy Marson (Melissa Sue Anderson) searches for the solution to a mystery that was so traumatic that it caused her to lose her ability to speak. Amy’s mother (Elinor Donahue) died in front of her and Amy hopes to discover not only who killed her mother but also to recover her ability to speak. This leads to Amy visiting the lighthouse where she grew up and having a reunion with the kindly lighthouse keeper, Joshua Templar (Michael Constantine). Amy’s flashbacks lead her to the solution to the mystery of her mom’s death and also to Joshua’s secret son (David Drucker).

This storyline, much like last week’s battle against Elizabeth Bathory, was enjoyably creepy and it featured good performances from Anderson, Constantine, Donahue, and Drucker. In the best tradition of Fantasy Island, the storyline was both macabre and also rather life-affirming. Fantasy Island was always at its best when it revealed the hidden humanity at the heart of each fantasy. Amy learns the truth of her mother’s death and she regains her ability to speak. Tattoo tells her that she has a beautiful voice. Awwwwww!

This was a great weekend on Fantasy Island!

Retro Television Reviews: The Love Boat 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”

Posted on April 5, 2023 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This week, hearts are broken on a special 90-minute episode of The Love Boat!

Episode 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”

(Dir by Roger Duchowny, originally aired on November 4th, 1978)

What a sad episode!

Seriously, this cruise is all about heart break.

For instance, when Russian Commissar Anoushka Mishancov (Loretta Swit) first boards the boat, Doc Bricker is upset when he’s assigned to keep an eye on her. As has been established over the previous 32 episodes, Doc prefers to spend his time talking to women who are about twenty years younger than him and who are from capitalist countries. Anoushka, on the other hand, is a communist (boo!) who, for some reason, is boarding the Pacific Princess so that she can learn about how Americans handle catering. (I said it was weird.) At first, Anoushka is so determined to do her duty that she insists on wearing her uniform at all times.

However, after Anoushka reveals that she does find old Doc Bricker to be a little bit intriguing, Julie tells her that she’s going to have to loosen up if she’s going to capture Doc’s attention. Which, Anoushka does at dinner that night….

Eyes up, Gopher!

Doc does notice Anoushka. In fact, he falls in love with her and, at the end of the cruise, he asks her to marry him! Anoushka confesses to having fallen in love with Doc but then she explains that she also loves her country. (Really? It’s just Russia.) Doc loves America and Anoushka loves Russia and, as a result, they cannot marry. Anouska leaves the ship and a heart-broken Doc looks like he’s actually about to cry. And let’s give credit where credit is due. It’s a really well-acted scene. Doc Bricker has always been a fairly ludicrous character but, in this episode, Bernie Kopell does a good job of suggesting that, even if he is a lecher, Doc Bricker is a lecher with a heart.

While Doc is falling in love with a commie, Captain Stubing is getting to know Vicki (Jill Whelan), the 9 year-old daughter of Captain Stubing’s former lover, the late Georgina (played, in flashbacks, by Melendy Britt). Vicki was originally supposed to travel with her aunt, Delores (Sandra Deel). However, something has come up and Delores will not be able to travel with her. Captain Stubing agrees to look after Vicki and even allows Vicki to stay in his quarters. Over the course of the cruise, Captain Stubing and Vicki bond. Everyone agrees that they have the same eyes. Of course, that’s because Vicki is actually Captain Stubing’s daughter!

Vicki wants to live on the ship but the Captain explains that a cruise ship is not a good place for a nine year-old to grow up. Stubing considers retiring and living on dry land but Doc Bricker reminds Stubing that he would never be happy if he wasn’t on the ocean. Stubing promises that Vicki can return to the boat whenever she has time off from school and he tells her that, when she gets older, she could even “be a cruise director, like Ms. McCoy.”

(In other words, don’t even think of trying to become a captain, girl!)

Now, of course, Vicki did later return to the ship. In fact, she returned just a year later and became a regular during the third season. I guess Captain Stubing decided that going to school on dry land wasn’t that important after all. (We’ll find out when we reach the third season!) That said, even with that in mind, it was undeniably sad to watch as Stubing sat in his cabin and struggled to hold back the tears after Vicki left the ship. Much like Bernie Kopell, Gavin MacLeod gave a surprisingly heartfelt and sincere performance in this episode.

It wasn’t all sadness

Luckily, it wasn’t all heartbreak on this episode. After getting drunk and boarding the boat by mistake, Sandy Beal (Jo Anne Worley) and Victor Marshall (Soupy Sales) fell in love for real. And jingle writer Charlie Godwin (Robert Goulet) ran into his old song-writing partner (Richard Dawson) and the two of them saved Charlie’s marriage to June (Juliet Mills). There were two happy endings but they were overshadowed by all the sadness.

This was a good episode. Even The Love Boat needs a little heartbreak every once and a while.

Lisa Reviews An Oscar Nominee: Atlantic City (dir by Louis Malle)

Posted on February 21, 2018 by Lisa Marie Bowman

(With the Oscars scheduled to be awarded on March 4th, I have decided to review at least one Oscar-nominated film a day. These films could be nominees or they could be winners. They could be from this year’s Oscars or they could be a previous year’s nominee! We’ll see how things play out. Today, I take a look at the 1981 best picture nominee, Atlantic City!)

Welcome to Atlantic City, New Jersey!

It’s a city with a storied past and an uncertain future. It’s a place where old men on street corners can tell you stories about meeting Bugsy Siegel in the lobby of an old hotel that’s just been demolished. The decrepit remains of old Atlantic City co-exists next to half-completed luxury casinos and hotels. It’s a place where business deals are celebrated in the Frank Sinatra Suite and where a woman trying to make a very important phone call might find herself being serenaded by Robert Goulet.

It’s also the home of Lou (Burt Lancaster). From the minute we first see Lou, it’s obvious that he’s a man past his time. He walks up and down the worst streets of Atlantic City, dressed in a gray suit and trench coat. With his white mustache and his coolly professional manner, he looks like he belongs in an old movie and not hanging out in his shabby apartment or drinking in the local bar. When Lou was younger, he was acquainted with all of the big names: Siegel, Luciano, Costello, Lansky. Of course, he wasn’t ever much of a mobster. He used to run numbers. If pressed, he’ll tell some interesting stories but it’s not difficult to tell that he’s lying. (At one point, it’s mentioned that Lou’s Mafia nickname was Numbnut.) Now, Lou is an old man. Much like a condemned Atlantic City hotel, he’ll soon be due for demolition. He spends most of his time taking care of Grace (Kate Reid), the widow of a mobster. When he’s not responding to Grace’s demands, he watches his neighbor, Sally (Susan Sarandon).

Sally is originally from Canada. She came to America looking for a better life and ended up working as a waitress. Under the strict tutelage of Joseph (Michel Piccoli), Sally is learning how to be a blackjack dealer. Someday, she hopes that she’ll be able to move out of her apartment and into a communal house on the beach. Until then, she works hard every day and then returns to her apartment, little realizing that she’s being watched by Lou.

And then David shows up.

David (played by Canadian character actor Robert Joy) is Sally’s estranged husband. Sally knows that David can’t be trusted but she reluctantly allows him and his pregnant girlfriend (Hollis McLaren) to stay with her for a few days. David has stolen a large amount of cocaine from the Philadelphia mob. David wants to sell it but he quickly discovers that no one in Atlantic City is willing to deal with someone who they don’t know. Fortunately, for David, he runs into Lou. Lou, looking for a chance to be a real gangster and also wanting a chance to get closer to Sally, agrees to help David sell the cocaine. Unfortunately, for David, two hit men from Philadelphia have traced him to Atlantic City and are determined to not only get their cocaine back but to also kill David as well.

It may sound like the set up for a standard crime thriller but Atlantic City is actually a thoughtful meditation on getting older, falling in love, and dealing with the fact that things change. Lou is a relic of the past, looking for one last chance to make his mark before, like the older buildings on the boardwalk, he’s demolished and forgotten about. Sally and David are the dreamers, hoping to build a future in America.

Louis Malle directs at a leisurely pace. Those looking for a hyperkinetic gangster film will be disappointed. There’s only two acts of violence in Atlantic City and Malle presents both of them in a low-key, matter-of-fact fashion. Instead, Malle focuses on exploring the lives and dreams of the film’s characters and Burt Lancaster rewards that attention with an absolutely outstanding performance as a dignified man who knows his best days are behind him but who still refuses to give in to defeat. It’s one of Lancaster’s best performances and he was rewarded with an Oscar nomination for best actor.

Atlantic City was nominated for best picture but lost to Chariots of Fire.

Move over Keanu, it’s GAY PURR-EE (Warner Brothers 1962)

Posted on May 3, 2016 by gary loggins

cracked rear viewer

Where else can you see Parisian pussycats dancing the Can-Can at the Mewlon Rouge but in GAY PURR-EE? This animated musical feature from UPA Studios was a bit more adult themed than it’s Disney counterparts, at least by 1962 standards. It’s the story of Mewsette, a country cat in 1890’s Provincial France who dreams of living the life of a big city kitty in Paris. One day she decides to chuck it all and hops on her mistress’s sister’s coach to head for the City of Lights. Her boyfriend, the mouse-catching Jaune-Tom, and his amusing little pal Robespierre, set out to find her and rescue her from the clutches of the scoundrel Meowrice, who together with Madame Rubens-Chatte plan to train Mewsette in the ways of the world and sell her off to a fat American cat.