Late Night Retro Television Review: Freddy’s Nightmares 1.18 “The Art of Death”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week’s episode is actually decent.

Episode 1.18 “The Art of Death”

(Dir by Ken Wiederhorn, originally aired on March 12th, 1989)

Jack (Carey Scott) is a talented artist and college student who has a crush on Joan (Laura Schaefer).  When Joan’s jock boyfriend humiliates Jack, Jack suddenly finds himself approached by The Phantom (Judd Omen), a masked figure who claims that he can kill Jack’s enemies if Jack draws a picture of him doing it.  After the jock is killed in a treadmill accident, Joan sees the picture that Jack drew and decides she doesn’t want anything to do with Jack.  The Phantom suggests drawing a picture of him surprising Joan in the shower.  Jack refuses, just to discover that the picture has already been drawn and the Phantom is now holding Joan prisoner in a boiler room.  Jack draws a picture of the Phantom being sucked down a hole.  The Phantom vanishes but …. oh no, now Jack’s wearing the mask!  Jack was the Phantom all along!

As for the second story, Joan struggles to recover from the trauma.  In typical Freddy’s Nightmares fashion, she has a series of hallucinations that lead to her killing her psychiatrist.

This episode actually worked!  The first story was genuinely creepy.  The second story was predictable but it featured a good performance from Laura Schaefer and the action moved at a decent pace.  I’m going to give the majority of the credit to director Ken Wiederhorn, who previously directed one of my favorite zombie films, 1977’s Shock Waves.

This is my final Freddy’s Nightmares review for 2025.  Retro Television Review is taking a break for the holidays, so I can focus on Awards Season and Christmas movies!  Freddy’s Nightmares will return on January 9th.

Late Night Retro Television Review: Freddy’s Nightmares 1.17 “Love Stinks”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, dreams continue to come true in Springwood, Ohio.  Freddy continues to show up in very short host segments because I guess he doesn’t have anything better to do.  And I continue to find ways to pad out my reviews for a show that there’s really not much to be said about.  It happens.  Some shows are interesting and take chances and other shows just recycle the same thing over and over again.  Anyway, let’s get to it….

Episode 1.17 “Love Stinks”

(Dir by John Lafia, originally aired on February 26th, 1989)

Adam (John Washington) is a high school jock who has a chance to join the White Sox and who has a girlfriend named Laura (Tamara Glyn).  When his parents go out of town, Adam throws a house party.  The party goes wrong when he finds himself unable to say the words “I love you,” to Laura.  Laura leaves him and Adam has a one-night stand with Loni (Susanna Savee).  Soon, Adam finds himself drifting in-and-out of a dream state.  He sees Laura chopping him up with meat cleaver.  He sees his parents come home and he notices that his father is missing a finger.  Loni ruins his interview with the baseball scout.  It’s all because Adam can’t say “I love you,” but suddenly, Adam wakes up in bed and hears the party still going on downstairs and realizes it was all a dream.  He runs downstairs and grabs Laura and says, “I love you!”  Except, Laura now looks like Loni.  And when his parents show up and say they brought someone to meet him, it turns out to be Loni except Loni now looks like Laura.

Meanwhile, Adam’s slacker friend Max (Georg Olden) gets a job at Mr. Cheesy Pizza.  He’s working for his hated uncle, Ralph (Jeffery Combs).  When Max’s girlfriend disappears, Max is horrified to discover that she’s become a part of the special sauce that Ralph uses to make the pizza’s so memorable.  Don’t worry, it’s all just a dream.  Except, in the waking world, the pizza oven explodes and kills Ralph.  Max apparently decides to take a lesson from his dream and makes tasty use of Ralph’s remains.

By the admittedly low standards of Freddy’s Nightmares, this episode wasn’t that bad.  Though the first story was incoherent, it still captured the feeling of being scared of commitment.  The second story was predictable but at least it featured Jeffrey Combs doing his sociopathic nerd thing.  This episode held my interest.  That said, almost every episode pretty much has the exact same “It was just a dream” plot twist.  At this point, it’s no longer a shock when someone suddenly opens their eyes and breathes a sigh of relief.  Even Freddy seems kind of bored with it all.

Late Night Retro Television Review: Freddy’s Nightmares 1.15 “School Daze”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

Earlier today, Robert Englund received a star on the Hollywood Walk of Fame!  Let’s get this episode of Freddy’s Nightmares out of the way so that we can celebrate!

Episode 1.15 “School Daze”

(Dir by Michael Klein, originally aired on February 12th, 1989)

Stupid episode this week.

Two high school friends worry about their future.  One of them hallucinates all of the adult authority figures in his life trying to brainwash him.  The other keeps having visions of how much his life is going to suck if he doesn’t get a good score on his SATs.  The premise really isn’t that bad but, as so often with Freddy’s Nightmares, it appears that the writers didn’t really dig into it.  Instead, they just wrote a very shallow episode in which both stories relied on the same overused twist that seems to show up in every episode.  Hey, it was all just a dream!  The biggest compliment that I can give this episode is that the second story did manage to capture some of the anxiety that comes along with college testing.  Some teachers really do overboard with that whole “This will determine the rest of your life” spiel.  Seriously, blow off the tests, go to a party school, and make friends with someone has money.  That’s really all you have to do.

Instead of fixating on a bad episode of Freddy’s Nightmares, let’s watch Robert Englund get his star on the Hollywood Walk of Fame.  This happened earlier today and, by most accounts, it couldn’t have happened to a nicer guy.  Robert Englund is living proof that you don’t have to a bad guy to play a monster.  Congratulations, Mr. Englund!

Late Night Retro Television Review: Freddy’s Nightmares 1.14 “Black Tickets”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, a future Oscar winner shows up in Springwood.

Episode 1.14 “Black Tickets”

(Dir by George Kaczender, originally aired on February 5th, 1989)

Brad Pitt appears in this week’s episode, playing Rick.  Rick is a rebellious teenager who elopes with his girlfriend, Miranda (Kerry Wall).  Even on a low-budget show like this, Pitt’s screen presence was undeniable.  From the minute he shows up onscreen, it’s impossible to look away from him.  He had that movie star charisma from the start.  It’s a shame that the episode itself isn’t that good.

It’s a typical Freddy’s Nightmares scenario.  The first 20 minutes feature Rick having an extended dream sequence after he gets hit by a car.  Rick apparently dreams about staying at a creepy hotel with Miranda and then being forced to kill two cops that show up and attempt to arrest him.  But, at the end of the story, he sees himself lying in the middle of the road and realizes that everything that has happened since he got hit by the car has only been happening in his head.

The second 20 minutes features Miranda married to Rick.  Rick has no settled down but Miranda is worried that she might be pregnant.  While she waits for the results of her pregnancy test, she sees herself trapped in the house as a mother while Rick goes from being a rebel to being a police officer.  Finally, Miranda snaps out of her dream and discovers that she’s not pregnant.  She jumps for joy on her bed but then she slips, hits her head, and ends up with the mind of a child.

This was a pretty bland episode, even with Brad Pitt in the cast.  The main problem was that it was all so predictable.  The dreams were obviously dreams so there wasn’t really any suspense or tension while they were playing out.  Freddy’s Nightmares used the “Its all just a dream” format so often that, by this point in the first season, it had gotten fairly boring.  That was certainly the case here.

The TSL Horror Grindhouse: The Fifth Floor (dir by Howard Avedis)


In 1977’s The Fifth Floor, Dianne Hull plays Kelly McIntyre.

Kelly is a college student by day and a disco dancer by night!  Unfortunately, after someone spikes her drink at the discotheque and she suffers an overdose, she becomes a full-time patient at a mental asylum.  Neither the head doctor (Mel Ferrer) nor the head nurse (Julia Adams, who once swam with The Creature From The Black Lagoon)  believes her claim that her drink was spiked.  Judged to be suicidal and delusional, Kelly is sent to the Fifth Floor!

While her boyfriend (John David Carson) tries to convince the authorities that she’s not insane, Kelly adjusts to life on the Fifth Floor.  She befriend Cathy (Patti D’Arbanville).  She encourages her fellow patients to dance and enjoy themselves.  She tries to escape on multiple occasions.  She draws the unwanted attention of a male orderly named Carl (Bo Hopkins, giving a wonderfully sinister performance).  A sadist equipped with down-home country charm, Carl has got all of his co-workers convinced that he’s a great guy.  The patients, though, know that Carl is a petty authoritarian who enjoys showing off his power.  (“I’m just doing my job,” is the excuse whenever he’s challenged.)  Carl takes an obsessive interest in Kelly and soon, Kelly is not only trying to get her life back but also trying to escape from Carl’s cruel intentions.

Most film directories list The Fifth Floor as being a horror film and certainly, there are elements of the horror genre to be found in the film.  The smooth-talking and nonchalantly cruel Carl is certainly a horrific character and Kelly’s attempts to escape from the asylum capture the very primal fear of not having any control over one’s life.  That said, The Fifth Floor owes greater debt to One Flew Over The Cuckoo’s Nest than to the typical slasher film.  Kelly is a rebel who brings the patients in the ward together.  Much as in Cuckoo’s Nest, the nurses and the orderlies use the threat of electro-shock treatment to keep the patients under control.

It’s not a bad film, though it definitely has its slow spots and I do wish the film had embraced its own sordidness with a bit more style.  I’m a history nerd so I appreciated the fact that The Fifth Floor was so obviously a product of its time.  Any film that features the heroine showing off her disco moves before being taken to a mental hospital is going to hold my interest.  That said, the most interesting thing about the film are some of the familiar faces in the cast.  For instance, Earl Boen — who played so many authority figures over the course of his career and appeared as a psychiatrist in the early Terminator films — plays a patient who wears a NASA jacket.  The always intimidating Anthony James plays the most violent patient.  Michael Berryman and Tracey Walter appear as background patients.

And then you’ve got Robert Englund, cast here as Benny.  Benny is the most gentle of the patients, a prankster who befriends Kelly.  It’s always so interesting to see the type of roles that Englund played before he was cast as Freddy Krueger in A Nightmare On Elm Street.  In this film, Englund is so goofy and friendly that you actually find yourself worrying about something happening to him.  Englund’s role is small but his amiable nerdiness definitely makes an impression.

The Fifth Floor opens and ends with a title card telling us that the film is based on a true story.  Sure, it was.

Brad’s Scene of the Day: Jeff Goldblum and Robert Englund attack Charles Bronson in ST. IVES (1976)!


Happy 73rd Birthday, Jeff Goldblum! 🎂🎉

I’ve been a fan of Jeff Goldblum for most of my life. The man has had an amazingly successful career, starring in some of the most financially profitable films ever made, like JURASSIC PARK and INDEPENDENCE DAY!! One of the main reasons that Goldblum is extra special to me, however, is because of his small roles as bad guys in two different Charles Bronson movies in the 1970’s. First, he played one of the thugs who breaks into Paul Kersey’s apartment and assaults his wife and daughter in the original DEATH WISH (1974). Second, he plays a thug who, along with Robert Englund and another less famous guy, tries to rob and assault Raymond St. Ives in the film ST. IVES (1976). I’ve loved telling people about his appearances in these two films for decades, and I don’t see any reason to stop now.

To celebrate Jeff Goldblum’s birthday on the Shattered Lens, I’ve included an “overly edited” video of his appearance in ST. IVES, if nothing else so you could also see the young Robert Englund (Freddy Krueger). I wish I could share the full scene, but this is all I could find on YouTube. Anyway, happy birthday, Jeff! I hope it’s been a great one!

Horror Song of the Day: Electronic Battle Weapon 7 (Acid Children) by The Chemical Brothers


“You are all my children now.”

Hey, does that voice sound familiar?  Who would have thought you could dance to Freddy Krueger?

Some people have told me that they find the clown in this video to even scarier than Freddy.

Late Night Retro Television Review: Freddy’s Nightmares 1.12 “Deadline”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week …. oh, who knows?

Episode 1.12 “Deadline”

(Dir by Michael Lange, originally aired on January 29th, 1989)

This week’s first story is about Peter (Aaron Harnick), whose father owns the local Springwood paper and who is given a job for the summer.  He’s assigned to write the obits so that he can hang out around the newspaper office and learn from the veteran writers.  Peter would rather be in Europe.  That’s especially true when he starts to visualize the obits that he’s writing and somehow comes to realize that he’ll die unless he meets his deadline.

This story was the epitome of a good premise that was sloppily executed.  Peter hates writing obits but if he doesn’t write the obits, he’ll die in the same way as the person that he’s writing about.  He has visions.  He has dreams.  Unfortunately, both his boss and his girlfriend tell him to stop working  on his current obit and to get some rest.  But if Peter stop writing, he’ll die!  Uhmm …. how long does it take to type up an obituary?  I mean, doesn’t he just have to type up whatever dead person’s loved ones sent to the paper?

There’s a clever moment where Peter deletes an old article about Freddy Krueger from the newspaper’s computer system.  The episode implies that maybe Peter’s visions are in some way Freddy’s revenge but, as was so often the case with this show, it doesn’t really do much to explore the idea.

The first story ends with Peter dead.  The episode’s second story deals with Emily (Page Hannah), a friend of Peter’s girlfriend.  Emily has been dating an older college student (Timothy Brantley) and she continually has dreams where her friends  — including Peter’s girlfriend — get mad at her for not spending more time with her.  In her dreams, her friends all die in a car accident.  At the end of the story, it turns out that Emily was just daydreaming.  Seriously, that’s the entire story.

What a terrible episode.  I usually try to be positive about even the lesser episodes but I have to admit that I’m kind of ticked off that I wasted 50 minutes watching this week’s episode of Freddy’s Nightmares.  It felt as the show’s writers didn’t even try this week.  Instead, they just came up with some weird scenes and then dismissed them by shrugging and saying, “Hey, it was all a dream.  Nothing means anything!”

This episode was just lazy.

Made-For-TV Horror Review: Mind Over Murder (dir by Ivan Nagy)


In the 1979 made-for-TV movie, Mind over Murder, Deborah Raffin stars as Suzy.

Suzy is a model and an actress.  She has a nice apartment, which she shares with her football-loving boyfriend, Ben (Bruce Davison).  She has a best friend (Penelope Willis), who is constantly looking to get laid.  Her latest job requires her to dance with a man who is dressed up like a giant hamburger.  It would seem that, by the standards of 1979, Suzy has the perfect life.

However, her life is turned upside down when she suddenly starts having visions.  All of the action around her will either switch to slow motion or stop altogether while Suzy has a vision of a scary-looking bald man (Andrew Prine) stalking her.  Her most disturbing vision involves Suzy hearing the sound of a pilot begging for help while his airplane crashes.  Ben tells her that she’s probably just working too hard but, the next morning, Suzy looks at a newspaper and immediately sees a headline about a plane crash.

With Ben dismissing her concerns, Suzy takes it upon herself to meet with the two detectives (David Ackroyd and Robert Englund — yes, Robert Englund!) investigating the plane crash.  They are surprisingly sympathetic to Suzy’s story of hearing the plane crash before it happened.  They arrange for her to meet a psychic researcher, who explains that Suzy must have some sort of mental connection to whoever was responsible for the crash.  While Ben continues to be skeptical and jealous of all the time that she’s spending with one of the detectives, Suzy keeping having disturbing visions of the bald man….

Considering its origins as a made-for-TV movie, Mind Over Murder is a surprisingly frightening film.  This is a film that proves that slow motion can make just about anything creepy and Deborah Raffin does a good job of showing us just how much Suzy dreads those moments when everything starts to slow down and she realizes that she’s about to get hit with another vision.  That said, what truly makes this film frightening is the performance of Andrew Prine, who plays the bald man as being every woman’s nightmare.  He’s a misogynist, the type who is convinced that every woman should be in love with him and that those who aren’t should be punished.  Whether he’s appearing in Suzy’s visions or stepping into her reality, Andrew Prine is never less than terrifying.

Along with featuring a scary performance from Prine, this film also features a genuinely likable one from Robert Englund.  Englund is playing a nice guy here.  In fact, before he made horror history in A Nightmare in Elm Street, Englund almost always played nice guys.  It’s interesting to watch him here, with his friendly manner and his polite style, and to imagine the roles Englund would have ended up playing if he hadn’t gotten typecast as a horribly scarred serial killer.

The first hour of Mind over Murder is brilliant.  The final 30 minutes, unfortunately, find the film turning into a far more conventional thriller, as Suzy’s visions are replaced by the Bald Man actually coming after her.  That said, this is still an effective horror thriller and one that deserves to be rediscovered this Halloween season.

Music Video of the Day: Are You Ready For Freddy? by the Fat Boys (1988, directed by Harvey Keith)


I always assumed that this song was specifically written for one of the Nightmare on Elm Street movies but actually, the Fat Boys were just fans of the movies and they decided to put a song about them on one of their albums.  The song was included in The Freddy Krueger Special, which aired on CBS in 1988.

This video, which features several of Freddy’s victims and Robert Englund himself, was written by Wes Craven and directed by Harvey Keith.  Keith directed a few films, including 1988’s Mondo New York and 1990’s Jezebel’s Kiss.

Enjoy!