Late Night Retro Television Review: Pacific Blue 2.19 “Lost and Found”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bike cops screw up another case.

Episode 2.19 “Lost and Found”

(Dir by Michael Levine, originally aired on March 2nd, 1997)

I’ve often felt that the most interesting thing about Pacific Blue is witnessing just how totally incompetent the bicycle cops really are.

This episode centers around a girl who has run away from home.  Chris and Palermo are holding her at the station and they release her to the first guy who shows up claiming to be her father.  They don’t bother to ask the man for any sort of proof that he’s her father.  They don’t even ask to see his ID.  Instead, they just let her go with him.

Guess what?  That guy wasn’t her father!

Her actual father shows up a little while later and, needless to say, he’s pretty pissed off.  Instead of apologizing or in any way accepting accountability for screwing up, Palermo and Chris snap at the guy to calm down and then say that they’ll track down his daughter.  What’s funny is that we’re supposed to be on the side of the bicycle cops because the father is angry and yelling.  Well, the father has every right to be angry and yelling.  THE IDIOTS LET HIS RUNAWAY DAUGHTER LEAVE WITH THE FIRST GUY WHO SHOWED UP!

Now, the show later reveals that the father was abusive and that his daughter ran way because he was beating her.  Yeah, he’s not a good father and he should lost custody of his daughter.  That doesn’t make the bicycle cops any less incompetent, though!  It just amuses that this show continually tries to convince us that we should take these people seriously as cops but every episode seems to feature them making some sort of terrible mistake.  This show really seems to think that, as long as Chris is shooting people the death glare, that means she’s not responsible for any of her screwups.

This episode also featured a subplot in which Cory tried to protect her no-good brother from some hitmen.  She did a better job with her storyline than Chris and Palermo did with the case of the runaway.  Maybe Cory should be in charge.

Late Night Retro Television Review: Pacific Blue 2.18 “Full Moon”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, it all about bicycles and sex.

Episode 2.18 “Full Moon”

(Dir by Scott Lautanen, originally aired on February 23rd, 1997)

This week, Pacific Blue gives us the erotically-charged story of two people with no personality falling for each other.  Don’t worry, though.  Even though Chris and TC both put in for transfers so that they won’t violate Palermo’s “No Doing It On The Job” policy, they eventually realize that they’re not actually in love.  After TC kisses Chris and they prepare to move into the bedroom, Chris suddenly says that she can tell that TC feels like he’s “about to have sex with your sister,” and TC nods, as if that’s a feeling that he’s extremely familiar with.

TC and Chris fall for each other while investigating a series of ATM robberies.  The two robbers (Robert Kerbeck and Felicity Waterman) were at least convincingly sleazy.  Cory kills one of the robbers.  How humiliating it must be to be killed by someone who rides a bicycle for a living!

Meanwhile, Palermo was shocked to discover his name was in a madame’s little black book.  Palermo, you hypocrite!  Put that man in jail!  But then it turned out that madame (played by Charlie Spradling) just put random names in the book so that she could use it for blackmail.  That was pretty clever of her.  Still, I find it hard to believe that anyone, outside of the bike patrol, would have had the slightest idea who Palermo was.

This was another episode that failed because not only are the characters not interesting but they’re all pretty much indistinguishable.  Chris and Cory at least have differing hair colors.  But, from a distance, Palermo, TC, and Victor all might as well all be the same guy.  If you told me that this episode was actually about Palermo falling in love with Chris, I’d have to believe you because Palermo and TC are pretty much impossible to tell apart.  Human drama only works when the characters are recognizably human.

Agck!  That’s mean!  Oh well, it’s late….

Late Night Retro Television Review: Pacific Blue 2.17 “Runaway”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

It’s time for more bicycle action.

Episode 2.17 “Runaway”

(Dir by Charles Siebert, originally aired on January 19th, 1997)

A teenage girl  (Boti Bliss) is missing on the boardwalk.  Maggie Garrity (Justina Vail), who runs the local shelter, is looking for her.  When she asks the bike patrol for help, TC is dismissive up until he looks up from his paperwork and sees Maggie.  I’ve noticed that this is a patten with the bike patrol.  It’s rare that they do anything until they see it will involve hanging out with an attractive members of the opposite sex.

TC recruits Chris to help him put up flyers.  Chris rolls her eyes because, seriously, why should a member of law enforcement be concerned with a teenage girl who has been abducted by a pimp (Gene Lythgow) and his psycho girlfriend (Ami Dolenz)?  Personally, I would dread working for Chris because she never stops complaining.  It says a lot about this show that the we’re nearly done with the second season and Chris still doesn’t have a personality beyond being whiny.

TC falls for Maggie but Maggie’s a nun!  After they manage to rescue the missing girl, TC asks Maggie if maybe she could stop being a nun for a new nights so that they could go out on a date.  Maggie says that it doesn’t work like that.  What I find interesting is that TC has no problem casually asking Maggie to give up her vows just because he wants to date her.  Hey, TC — this is why you’re single!

Meanwhile, Palermo has new expensive bicycle.  What a dork.  When the bike gets stolen, Victor has to find it.  Palermo sure is mad about his missing bike.  What a loser.

This show is not growing on me.

Late Night Retro Television Review: Pacific Blue 2.15 “Black Pearl”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bicycle mayhem continues.

Episode 2.15 “Black Pearl”

(Dir by Terence H. Winkless, originally aired on January 5th, 1997)

TC arrests a woman named Alana (Angela Shelton) on drug and assault charges, just to discover that she’s an undercover DEA agent.  TC fears that Alana is in over her head and he tells Alana’s superior, Enright (John Michael Bolger) that he needs to pull her out of the operation.  Enright is like, “Whatever, bicycle boy.”

And, to be honest, I think Enright kind of has a point.  Why are the bicycle cops always trying to tell other law enforcement agencies what to do?  Every episode, either TC or Palermo and Chris gets a really angry look in their eyes and starts barking out orders at people they barely know.  It’s bad enough that they ride bicycles.  Do they have to act like a bunch of self-righteous pricks as well?

Speaking of bicycles, Victor has to get recertified to be a bike cop.  Uh-oh, sounds like Victor could lose his job!  Even worse, Victor’s partner in this episode is Chris so not only is Victor in danger of getting fired but he has to spend an entire week listening to Chris put him down.  Seriously, there are few characters in the history of television that I dislike as much as I dislike Chris Kelly.  Chris is the type who dismisses everyone’s problems before then launching into her hundredth monologue about how much it sucks going from being an Air Force pilot to a bike cop.

Victor trains with Hans Rhey.  In this episode, everyone is like, “Oh my God, Hans Rey!”  I had no idea who Hans Rey was.  I looked him up after this episode and apparently, he was a superstar on the bicycle circuit.  Hans does a lot of clunky bike tricks  As was so often the case withe professional athletes who played themselves on shows like this, he wasn’t much of an actor.  If anything, this episode reminded me of how stupid most people look riding their bicycles in the middle of the street.

Victor gets recertified.  Alana ends up dead.  Presumably, TC’s upset but since the actor playing him was only capable of one fascial expression, it can be hard to tell.  In the end, the real tragedy remains how dorky everyone looks on the bicycles.

Late Night Retro Television Review: Pacific Blue 2.14 “One Kiss Goodnight”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Cory helps a man who can’t remember how lame this show is.

Episode 2.14 “One Kiss Goodnight”

(Dir by Sara Rose, originally aired on December 15th, 1996)

Alec Cooper (Markus Flanagan) gets amnesia after he falls off the balcony of his hotel room while trying to escape some mysterious men with guns.  Cory tries to help Alec figure out who he actually is and she starts to fall in love with him in the process.  Alec admits that there seems to be something familiar about Cory.

Well, that means there are only two possibilities.

Cory and Alec are either meant to be together

or

Alec is married to someone who looks just like Cory!

It turns out the latter is true.  Alec eventually get his memory back and Cory meets his wife, who indeed looks a lot like her.  Cory goes back to being single.  Interestingly, Chris spends this entire episode telling Cory that she needs to date more but she doesn’t approve of Cory dating someone who has amnesia.  Then again, Chris doesn’t really approve of anyone doing anything.

Meanwhile, TC’s girlfriend makes the decision to leave Santa Monica so that she can attend a graduate program and become a counselor for rape victims.  This is the sort of storyline that would have been touching if TC has any personality or if he and his girlfriend had any sort of chemistry.  But they don’t.

It probably sound like I hated this episode.  Actually, I think it’s one of the better episodes of season 2, if just because the bike riding was kept to a minimum.  The bikes would have made this awful.  Without all of the bike nonsense, it was merely forgettable.  That’s progress!

The Unnominated #19: The Terminator (dir by James Cameron)


Though the Academy of Motion Picture Arts and Sciences claim that the Oscars honor the best of the year, we all know that there are always worthy films and performances that end up getting overlooked.  Sometimes, it’s because the competition too fierce.  Sometimes, it’s because the film itself was too controversial.  Often, it’s just a case of a film’s quality not being fully recognized until years after its initial released.  This series of reviews takes a look at the films and performances that should have been nominated but were, for whatever reason, overlooked.  These are the Unnominated.

First released in 1984, The Terminator was the one of the top box office hits of the year.  It’s the film that established James Cameron as a filmmaker.  It’s the film that made a bona-fide star out of Arnold Schwarzenegger.  It’s a film that was imitated a thousand times before it even got its first official sequel.  It’s a film that’s still celebrated today.  41 years later, people are still saying, “I’ll be back.”  Would Arnold Schwarzenegger ever have become governor of California if he hadn’t first played a killing machine?  There’s a reason why his political nickname was the Governator.

And yet, The Terminator was not nominated for a single Oscar.  For all of the explosions and the gunfire and the screaming, it wasn’t even nominated for Best Sound.  Some of the special effects may now seem a bit hokey in this age of rampant CGI but it’s still a surprise that The Terminator was not nominated for Best Visual Effects.  The breath-taking action scenes did not result in a nomination for Best Editing.  Linda Hamilton was not nominated for her fantastic performance as Sarah Connor, a young woman who finds herself being pursued by a killer cyborg from the future.  Arnold Schwarzenegger was not nominated for playing one of the most memorable villains of the past 40 years.  Those who claim that Schwarzenegger was just playing himself are being overly glib.  Anyone could have said, “I’ll be back.”  It took Schwarzenegger’s delivery to make it a great line.

The lack of nominations aren’t really not a surprise, of course.  The Academy has only recently started to show an openness to nominating genre films for major awards and, even now, a genre film has to be considered a “cultural event” to even get a nomination.  Black Panther, Get Out, and even Mad Max: Fury Road and Dune were all nominated because it was felt that they had transcended their genre origins.  The Terminator is a sci-fi action movie and it’s proud to be a sci-fi action movie.  (Terminator 2: Judgment Day, it could be argued, transcended its genre origins but it was released in 1991 and Silence of the Lambs was destined to be the genre nominee that year.)  It’s also so relentlessly paced and intelligently written and directed that it’s a film that, even after all these years, it can still leave you breathless.  Nominated or not, The Terminator is a film that grabs your attention and holds it for a full 107 minutes.  There’s not many films that can make that claim.

The Terminator is a film that has held up surprisingly well.  (It’s certainly held up better than some of its more recent sequels.)  The performances of Linda Hamilton, Michael Biehn, and Arnold Schwarzenegger still work.  It’s still terrifying to watch as The Terminator relentlessly kills everyone that he comes into contact with.  (One thing that always gets me about the Terminator is that, even though he’s huge and superstrong and could probably physically rip anyone he wanted to apart, he still carries and uses a gun.  This makes him seem like even more of a bully.)  The Terminator is a machine and what makes him especially intimidating is that he doesn’t care if people see him coming or if they witness his crimes.  He has one function and that’s all he worries about.  When Michael Biehn first shows up, you can’t help but wonder why this guy, with his slight build and his somewhat nervous mannerisms, would be sent to try to stop the Terminator.  Of course, by the end of the movie, you understand.

(And what an ending!  The sight of those clouds, Linda Hamilton’s delivery of her final line, and the feeling that the future has already been determined, it all definitely makes an impression that has managed to survive every sequel after Judgment Day.  There’s a reason why Skynet — much like “I’ll be back” — has taken on a cultural life of its own.)

There were a lot of very good films that were nominated for Oscars in 1984.  The Terminator, much like Once Upon A Time In America, was not one of them but it will still never be forgotten.

Previous Entries In The Unnominated:

  1. Auto Focus 
  2. Star 80
  3. Monty Python and The Holy Grail
  4. Johnny Got His Gun
  5. Saint Jack
  6. Office Space
  7. Play Misty For Me
  8. The Long Riders
  9. Mean Streets
  10. The Long Goodbye
  11. The General
  12. Tombstone
  13. Heat
  14. Kansas City Bomber
  15. Touch of Evil
  16. The Mortal Storm
  17. Honky Tonk Man
  18. Two-Lane Blacktop

Late Night Retro Television Review: Pacific Blue 2.13 “Outlaw Blues”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, there’s way too much happening on the Boardwalk.

Episode 2.13 “Outlaw Express”

(Dir by Michael Levine, originally aired on December 8th, 1996)

Mahmoud (Shaun Toub) is selling cheap jewelry on the boardwalk.  He gives Chris a “silver” necklace that makes her neck turn green.  Uh-oh, someone’s allergic to tin!

Palermo’s daughter is hanging out with some extreme athletes who are pressuring her to take part in increasingly dangerous pranks on the boardwalk so that they can film them for their web site!

Two criminals are hijacking trucks and then forcing merchants to sell stolen goods!  When they see that one truck driver is wearing a tie-dyed t-shirt, they shoot him in the back and then tell him, “Say hi to Jerry for me.”  (I’m guessing they were referring to Jerry Garcia and not Jerry Springer but who knows with this show.)

Finally, Victor’s mother is staying at his apartment which means Victor can’t get laid!

Wow, there’s a lot to deal with this week.  When a show tries to juggle this many plots, it really does remind you of the importance of having clearly defined and compelling characters.  Pacific Blue doesn’t have any of that so this episode kind of sucked.  We are 24 episodes into this stupid show and I still can’t tell the difference between Victor, TC, and Palermo whenever they’re riding their bikes.  That’s a problem.  24 episodes in and Chris still doesn’t have a personality beyond being annoyed by everyone she talks to.  That’s another problem.

(“I didn’t catch your first name Officer Kelly,” Mahmoud says.  “Officer,” Chris replies, deploying the power glare.)

Seriously, just think about how much it would suck to be a victim of the crime, call 911, and then have these douchebags show up.

Late Night Retro Television Review: Pacific Blue 2.12 “Wheels of Fire”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, TC is pissed off because he’s expected to do his job.

Episode 2.12 “Wheels of Fire”

(Dir by Gary Winter, originally aired on November 17th, 1996)

Two Russian mobsters are shaking down businesses on the boardwalk.  Only Ed Tarlow (Richard Redlin), a paraplegic who owns a “head shop,” is willing to testify against them.  This means that he gets two undercover bicycle cops assigned to his shop to provide protection.  TC and Cory get the assignment but it turns out that TC doesn’t want to protect Ed because he feels that Ed is selling drug paraphernalia and that Ed “is a cop hater.”

Hey, TC — it’s your job, idiot.  You’re supposed to help everyone on the boardwalk, regardless of how you feel about them personally.

Still, TC spends most of the episode pouting.  It’s mentioned that he’s also worried about studying for his upcoming sergeant’s exam but if TC is too immature to protect Ed without bitching about it than maybe TC doesn’t deserve a promotion.  TC is also upset because his girlfriend wants to go out-of-state so that she can enroll in a graduate program, become a sex abuse counselor, and help rape victims.  Because how dare she try to help other women without checking with TC first, right?  TC IS THE WORST!

Eventually, Palermo rolls up and tells TC that Ed is a decorated veteran who was paralyzed by a cop during an anti-war protest.  TC realizes that he misjudged Ed and he finally stops pouting enough to catch the Russian mobsters.  But you know what?  It shouldn’t matter how Ed ended up in wheelchair and it also shouldn’t matter whether or not he’s a veteran.  TC’s job is to protect people from crime!  Ed has got two Russian mobsters trying to kill him.  TC should be protecting Ed because that’s HIS.  DAMN.  JOB!

Meanwhile, three woman are secretly beating up creepy men on the boardwalk.  One of the women is a rape survivor and the other two women claim that they are getting vengeance for her.  What is the deal with this show not only using rape as a plot point but also trivializing it in the process?  Chris Kelly eventually arrests the women and does her thing where she glares at everyone.

Palermo’s 15 year-old daughter goes to Del Toro and asks “type of condom do guys like.”  It turns out that she’s thinking about having sex with her 19 year-old boyfriend.  Del Toro’s answer should have been, “Your boyfriend is old enough to buy his own condoms.”  Instead, Del Toro convinces her to hold off on having sex until he can check out her boyfriend.  Her boyfriend turns out to be a nice guy but still, a 19 year-old dating a 15 year-old is kind of weird.  (It’s less the age difference and more the maturity difference.  Four years isn’t that big a deal when it’s something like a 26 year-old and a 22 year-old.  But this is the difference between someone starting high school and someone starting college.)  It’s also statutory rape, though no one seems to be too concerned about that.

Anyway, Palermo finds out so guess which couple isn’t going to be having sex for a long time?

This was another stupid episode of Pacific Blue.  Again, the problem isn’t just that the cops all look stupid on their bicycles.  It’s also that the cops represent everything that people hate about cops.  Chris and TC are both self-righteous and immature.  (When someone complains about Chris nearly running someone over on her bicycle, Chis replies that she’s doing her job.)  It gets annoying after a while.

This week’s episode served as a reminder to never depend on anyone riding a bike.

Late Night Retro Television Review: Pacific Blue 2.11 “Deja Vu”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, someone is out to frame Palermo!  It couldn’t happen to a nicer guy.

Episode 2.11 “Deja Vu”

(Dir by Michael Levine, originally aired on November 10th, 1996)

Palermo is upset because his former partner is returned to the boardwalk and is now running an arcade.  Gene Savage (Joe Cortese) may have once been a cop but now he’s a paroled ex-con and it was Palermo’s testimony that led to Savage being convicted in the first place.  Palermo suspects that Savage is out for revenge and it turns out that he is.  He tries to frame Palermo for a murder.  Internal Affairs demands Palermo’s badge.

And the thing is …. I know I’m supposed to feel bad for Palermo but I don’t.  Palermo’s a self-righteous jerk.  He’s been a self-righteous jerk since the start of the show.  He acts like riding a bicycle somehow makes him superior to everyone else on the boardwalk.  Finding out that he testified against his partner makes him seem like even more of a jerk.  It’s hard to like a snitch.

This entire episode is built around the idea of Palermo being treated unfairly but I kind of feel like he needed to be taken down a rung or two.  Maybe now, he won’t be so rude when he arrests people.  Maybe he’ll understand that not everyone cares about his whole bicycle thing.  Probably not, though.

While Palermo was dealing with his ex-partner, Cory and Chris dealt with the Good Samaritans, a group of blue beret-wearing citizens who attempted to fight crime on their own.  Andy Miller (Keith Coulouris) was determined to take down the local drug dealer.  When Andy’s partner (Claudette Mink) got shot and nearly died, Andy snapped and grabbed a gun and tried to get revenge himself.  Cory was there to arrest not only the drug dealer but also Andy.  “You’re a danger to the community and yourself!” Cory snapped.

Ugh.  People who ride bicycles shouldn’t try to act like badsses.  Seriously, is there a less likable cast of characters than the Pacific Blue crew?  It’s not a good thing when a cop leaves me rooting for the criminals.

Late Night Retro Television Review: Pacific Blue 2.10 “Cranked Up”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, Chris nearly gets everyone killed …. again!

Episode 2.10 “Cranked Up”

(Dir by Corey Michael Eubanks, originally aired on November 3rd, 1996)

The bike cops are taking part in an “eco-relay,” (which I guess is a bicycle race) through the mountains surrounding Santa Monica.  Upon arriving at the park, Chris and Corey spot two rednecks on ATVs.

“Those are illegal in state parks!” Chris says.

And you’re off-duty, Chris.  Seriously, Chris is the most annoying character on this show and that’s kind of amazing when you consider the competition.

Anyway, during the race, Chris spots a meth lab that is being run by those ATV-riding rednecks.  Even though she’s off-duty, doesn’t have a radio, and doesn’t have any way to bring in any backup, she still decides to take down the meth lab herself.  Instead, she gets captured by the rednecks and their girlfriend, Mary Lou (Maddie Corman).  Mary Lou lights a cigarette and Chris yells at her about it.  I’m surprised that they didn’t just give Chris back after having to spend ten minutes with her.

The other bike cops go to search for Chris.  Chris manages to escape on her own but, when she reaches the other bike cops, she explains that the meth lab could have “crank” out on the street by nightfall.  The cops — who are ALL off-duty — decide to take down the lab without bothering to call for back-up.  (Seriously, they could have just called the real police from the finish line.)  The end result is that Cory gets shot (but, luckily, doesn’t die) and all the other cops get captured, including Chris for a second time.  Luckily, Lt. Palermo shows up and rescues everyone.  They don’t win the race but they do take out a meth lab.  Of course, they could have easily won the race and then called the real cop to take out the meth lab afterwards and, as an extra bonus, Cory wouldn’t have gotten shot.

This was a Chris-centric episode, which means that the majority of the episode was divided between Chris bragging about being a badass and Chris complaining about situations that wouldn’t have happened if she wasn’t so freaking incompetent.  This would have been a fun episode CHiPs but, with Pacific Blue, it’s just another reminder that bicyclists are worthless.

One final note: Maddie Corman is the wife of former actor and director Jace Alexander who, in 2015, was arrested for possession and distribution of child pornography.  Corman did not divorce her husband but instead turned the experience of being married to pedophile into a one-woman off-Broadway play and even did a tour of all the morning shows promoting it.  I don’t blame her for her husband’s crimes and I can totally buy her claim that she didn’t know anything about what was on his computer until the police showed up but, still, to then use those crimes to promote herself …. that’s always struck me as being more than a little icky.