Retro Television Review: Fantasy Island 6.17 “King of Burlesque/Death Games”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

“Smiles, everyone, smiles!”  It’s time for another two fantasies.

Episode 6.17 “King of Burlesque/Death Games”

(Dir by Cliff Bole, originally aired on March 12th, 1983)

I’m going to deal with the first of this week’s fantasies very quickly because, quite frankly, it’s not every interesting.  Rich Little is Tom Vail, a wall street accountant who wants to be a burlesque comedian.  He gets his fantasy.  He performs at the Fantasy Island Burlesque Revival.  He wears a hideous suit with a big bowtie.  He falls in love with a dancer.  The always likable Red Buttons appears as a Burlesque veteran.  It’s not a bad fantasy but it’s not terribly interesting.

Meanwhile, Vanessa Walgren (Joanna Pettet) has come to the Island to compete in the “First Annual Fantasy Island Pentathlon.”  However, Mr. Roarke knows that she’s there for another reason.  She wants to kill him!  A year ago, Vanessa’s husband was lost at sea while on his own fantasy.  (He wanted to retrace the route of the Kon Tiki.)  Vanessa blames Roarke and she’s put a bounty on his head.  Roarke sighs and says, “Fine, but if you don’t kill me by the end of the weekend, you have to leave the Island and never bother me again.”  Vanessa agrees….

WHAT!?  What type of vengeance is that!?  Seriously, if you’re obsessed with vengeance, you don’t just shrug and accept an arbitrary rule from the person you’re trying to kill.

Anyway, Roarke is the judge for the Pentathlon so he’s got various athletes trying to kill him over the course of the entire weekend.  He even gets cut during a fencing match!  (“If you can bleed, you can die!” Vanessa declares in a wonderfully over-the-top moment.)  Whenever anyone fails to kill him, Roarke says, “Get off my Island!,” which is rally cool.  Tattoo wonders why Roarke is allowing this to happen.  Why doesn’t Roarke order Vanessa to get off the Island.  Roarke is all like, “I can’t tell you, just trust me.”  The final event is a skydiving competition and I’m not really sure how you compete at that but whatever.  Despite Vanessa’s efforts to sabotage his parachute, Roarke lands safely.

Vanessa then offers him two glasses of wine.  One glass is poisoned!  Can Roarke pick the right glass?  Roarke is like, “Screw this,” and finally reveals that Vanessa’s husband is not dead.  Instead, he’s a secret agent who had to fake his own death but who is now ready to be reunited with Vanessa….

Again, WHAT!?  Seriously, that came out of nowhere.

Reunited with her husband, Vanessa apologizes for trying to murder Roarke.  Roarke says it’s fine because Mr. Roarke is very forgiving.

The burlesque fantasy was boring (loved the costumes, though!) but the revenge fantasy made up for it.  I love it when Fantasy Island embraces the melodrama.  Plus, this fantasy actually gave Ricardo Montalban and Herve Villechaize quite a bit to do.  All in all, this was a good trip to the Island!

Retro Television Reviews: The Love Boat 3.18 and 3.19 “Kinfolk/Sis & the Slicker/Moonlight & Moonshine/Too Close for Comfort/The Affair: Part 2”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s a family affair on The Love Boat!

Episodes 3.18 & 3.19 “Kinfolk/Sis & the Slicker/Moonlight & Moonshine/Too Close for Comfort/The Affair: Part 2”

(Dir by Roger Duchowny, originally aired on January 19th, 1980)

Well, heck, it’s another double-sized, two-hour episode of The Love Boat.

This is actually the third two-hour episode of the third season, following the season premiere and the episode with the Dallas Cowboy Cheerleaders.  I have to admit that I don’t really look forward to these two hour episodes because they’re usually a bit uneven.  The Love Boat was the perfect hour show, one that featured stories that were specifically designed to be neatly wrapped up in 40 minutes.  The two-hour episodes always seem to lose their narrative momentum after that first hour and that’s certainly the case here.

At the center of the episode is Danny Fields (Donny Osmond), a singer who has been booked to perform on the cruise.  Julie is convinced that Danny is going to be a big star and she’s even convinced a talent scout named Steve Sorrell (Rich Little) to board the ship so that he can see Danny perform.  However, Steve is more interested in Kitty Scofield (Loni Anderson), an innocent West Virginia girl who is eager to see the rest of the world but who is also engaged to marry the unambitious Elmer Fargas (Randall Carver).  Kitty is also Danny’s sister and, in fact, Danny’s entire family (played by Richard Paul, Marion Ross, and Slim Pickens) are on the cruise.  Danny is worried that his hillbilly family will stand in the way of his rock ‘n’ roll career and he goes out of his way to avoid them.  While the rest of the Scofields are willing to accept that Danny doesn’t want to associate with them, Grandpa Luke Scofield (Slim Pickens) lets Danny know that he’s not to happy with Danny and his rock ‘n’ roll ways.  Of course, Luke himself is being courted by Brenda Watts (Eve Arden), a writer who wants to write about the Scofield family and who gets close to them by pretending to be from West Virginia herself.

Fortunately, Danny comes to realize the error of his ways, especially after he sees how Steve has been manipulating his sister.  At his next performance, Danny introduces his family and sings Country Roads especially for them.  Meanwhile, Kitty realizes that she needs to be independent for a while so she dumps both Steve and Elmer, though it’s suggested that she’ll eventually give Elmer a second chance.  Brenda comes clean to Luke about not being a hillbilly and Luke eventually forgives her because he’s in love with her and Brenda’s in love with him.  Even old Steve turns out to be not such a bad guy, though he does tell Danny that his record label just isn’t looking for any new country acts.  Hmmm …. maybe Danny should have stuck with the rock ‘n’ roll.  Oh well!

Got all that?  I hope so because I’m not typing all that out again.

Meanwhile, Frank (Robert Guillaume) and Maura Bellocque (Denise Nicholas) are taking the cruise with their best friends, Dave (Richard Roundtree) and Cynthia Wilbur (Pam Grier).  Frank and Cynthia are having an affair and they aren’t particularly discreet about it.  I was expecting Maura to decide that maybe she and Dave should have an affair of their own but instead, she just spent the entire cruise glaring at Frank.  This was actually a surprisingly dramatic story, one that did not end with the expected positive outcome.  (Is this the first cruise of the Love Boat to end in divorce?)  This is a story that demands at least one big, explosive moment but instead, it was all surprisingly low-key.

Finally, the sprinkler system malfunctioned while the boat was in dock and the cabins of Doc, Gopher, and Isaac were flooded.  So, they move in with the Captain!  The Captain is not amused by Doc’s snoring, Gopher’s New Age chanting, or Isaac’s disco dancing.  And when Doc, Gopher, and Isaac all try to bring different women back to the cabin with them, no one is amused by that.  I’m not really sure I understand why they all had move in together.  Why couldn’t Doc just sleep in his doctor’s office and maybe Isaac and Gopher could have shared an empty passenger’s cabin during the cruise?  (Julie did mention that there were some “small” cabins available.)  Anyway, the important thing is that they all manage to survive the cruise without killing each other.

This was an uneven episode.  The Captain annoyed with everyone as funny because Gavin MacLeod was always amusing whenever he acted annoyed.  The storyline with the cheating couple was well-acted, if dramatically a bit unsatisfying.  But then you get to all the stuff about Danny and his country family.  I know that The Love Boat is not meant to be a realistic or particularly nuanced show but still, Danny’s family was portrayed as being such a bunch of hicks that I was half-expecting them to ask the Captain whether he ever worried about the boat sailing over the edge of the world.  Loni Anderson and Slim Pickens gave likable performances but Donny Osmond was incredibly bland as Danny and the scenes where he “performed” featured some truly abysmal lip-synching.  It was also a bit difficult to buy Rich Little as a swinger.  He came across like he just couldn’t wait to get back home and hang out at the Elks Lodge.

This episode probably would have been fun if it had played out over a compact 60 minutes but, at two hours, things were just stretched a bit too thin.

Retro Television Reviews: Half Nelson 1.9 “Beverly Hills Princess”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

Today, we close the book on the adventures of Rocky Nelson in Beverly Hills.

Episode 1.9 “Beverly Hills Princess”

(Dir by Bernard McEveety, originally aired on May 10th, 1985)

The hottest new thing in Beverly Hills is a movement called Emotional Awareness.  Led by the slick Dexter Breen (played by Marjoe Gortner, who was himself a former child evangelist) EA is a self-improvement cult that definitely should not be mistaken for Scientology.  Not surprisingly, EA is a scam.  Dexter and his people encourage the rich and the powerful to confess all of their secrets during “Awareness Sessions” and then use those secrets to blackmail their followers.

Businessman George Farrell (Dick Van Patten) is sick of being blackmailed.  However, when George tries to confront Dexter, he gets into a struggle with one of Dexter’s goons.  The goon has a gun, which goes off.  Fear not, George is not wounded.  However, he is arrested for murder when the goon drops dead.  Because George doesn’t want to admit that Dexter was blackmailing over him over an affair he had with a congresswoman, George finds himself sitting in prison.

Fortunately, George Farrell is a client of Beverly Hills Security!  After being approached by George’s 14 year-old daughter, Leslie (Sydney Penny), Rocky (Joe Pesci, who was shorter than Sydney Penny) makes it his mission to prove that George didn’t mean to kill anyone.  To do this, he’ll visit two more of Dexter’s victims (played, in this week’s cameos, by Rich Little and Lyle Waggoner).  He’ll also steal several cars, including a police car.  Why is Rocky stealing cars?  Because he keeps wrecking them, of course!  Detective Hamill (Gary Grubbs) isn’t happy about all of the wrecked cars.  When he demands to know why Chester (Fred Williamson) keeps Rocky employed despite all of Rocky’s mishaps, Chester replies, “Because he cares!”

As usual, Rocky recruits Beau (Dick Butkus), Kurt (Bubba Smith), and Annie (Victoria Jackson) to help him out.  When Rocky discovers that one of Dexter’s victims is holding auditions for a drag revue, Rocky decides that Annie should audition.  “But I’m a real woman!” Annie replies.  At this point, I was expecting thing to get pretty cringey but, by the standards of when the show was produced, the whole drag revue subplot was handled with maturity and with a relative lack of cheap jokes.  I sat there dreading the moment that Bubba Smith and Dick Butkus would put on ball gowns and start speaking in falsetto but it didn’t happen.  Instead, they just mentioned how talented all of the performers were.  It was pretty clear that the director of the revue was being blackmailed because he was gay but, again in contrast to a lot of shows and movies from the period, both the show and Rocky treated the character with respect.  It was an unexpected moment in a show that many would probably dismiss as just being another generic detective series.

While Rocky is stealing cars, Dean Martin is searching for his.  No, Rocky didn’t steal Dean’s car.  According to Dean, Sammy Davis, Jr. stole it.  In this episode, Dean shares all of his scenes with Fred Williamson.  Because this was Half Nelson‘s final episode, this was also Dean Martin’s last onscreen moment.  Dean passed away ten years later.

Yes, this was indeed the final episode of Half Nelson.  In fact, towards the end of the episode, Rocky crashes Chester’s car and then comments that he’s probably going to get fired as a result.  Since this was the final episode, I guess we can assume that, once George got out of prison, Rocky was unemployed and on the next flight back to New York City.  I hope he got to take the dog with him.

As for the episode itself, it wasn’t a bad way to wrap things up.  Everyone got to do something.  Chester defended Rocky, for once.  Victoria Jackson got to sing a song.  Joe Pesci got one final chance to make a joke about his height, snapping that he was “5’4,” when he heard a report that a car had been stolen by a man standing “5’2.”  Dean Martin was clearly unwell during filming but he still had a devilish twinkle in his eye.  As always, Marjoe Gortner was a good villain.  On the negative side, Rocky didn’t so much solve the mystery as he just stumbled into solutions and Detective Hamill’s intense dislike of Rocky never made any sense.  As well, Hamill and Annie were dating in the previous episode but they barely even acknowledged each other in this one, which leads me to suspect that this episode was originally meant to air earlier than it did.

Having now watched the entire show, it’s easy to see why Half Nelson failed to attract a regular audience, despite it’s strong pilot.  The show never really found the right balance between comedy and drama and, far too often, it turned into a retread of Beverly Hills Cop.  The ensemble often felt underused, with Jackson and Williamson spending far too much of their time sitting in the office.  The show had a great star in Joe Pesci but many episodes got bogged down with the antics of Bubba Smith and Dick Butkus.

Here’s the thing, though.  The show was always interesting, specifically because it did star Joe Pesci.  There was something undeniably fun about having stolid TV actors — like Robert Reed and Dick Van Patten — appearing opposite a combustible force of nature like Joe Pesci.  Though there were a few times that Pesci did seem a bit bored with going through the detective show motions, he was still a force of chaos and, by his very presence, he made Half Nelson into something more than just another generic crime show.

Next week, we start Freddy’s Nightmares!

Retro Television Reviews: Fantasy Island 1.13 “Fool For A Client/Double Your Pleasure”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week’s episode of Fantasy Island is …. well, let’s just say that not every fantasy can be a winner.

Episode 1.13 “Fool For A Client/Double Your Pleasure”

(Dir by Earl Bellamy, originally aired on May 13th, 1978)

This episode begins with Tattoo suffering from a toothache and Mr. Roarke giving him a hard time about it.  Indeed, Mr. Roarke seems to take an almost sadistic delight in telling Tattoo that he shall have to see a dentist.  The relationship of Mr. Roarke and Tattoo strikes me as being an odd one.  On the one hand, Roarke allows Tattoo to handle the money and Tattoo appears to be the second-in-command.  One assumes that, if Mr. Roarke ever went on vacation, Tattoo would be left in charge.  At the same time, Mr. Roarke doesn’t seem to particularly like Tattoo and he seems to take a lot of pleasure from the various humiliations that Tattoo suffers on a weekly basis.  From what I understand, Ricardo Montalban and Herve Villechaize were not exactly friends offscreen so perhaps, this is just a case of reality bleeding into fiction.

Anyway, Tattoo’s toothache is perhaps the most interesting thing about this episode.  Both of the fantasies are kind of lame.

In the first fantasy, Ken Berry plays Larry, a blue collar guy who has spent 12 years working on the Alaskan pipeline.  His fantasy is to spend the weekend with two beautiful women.  No sooner has Larry arrived on Fantasy Island, then he meets Nina (Caren Kaye).  She’s beautiful and Larry’s happy.  Then he meets Dina, who is Nina’s twin sister and, because of the whole twin thing, she’s beautiful and Larry is happy.  EXCEPT …. it turns out that there’s only one woman and her fantasy was to pretend to be a twin for the weekend.  Wait …. what?  I mean, it works out.  Dina and Larry fall in love and they leave together but it seems like Larry didn’t really get his fantasy and, at the very least, he deserves a partial refund.  

In the second fantasy, comedian Rich Little plays Herb Costigan, a paralegal who wants to be the world’s greatest lawyer.  Mr. Roarke sets him up with a house on the “other side of the island,” which Roarke explains is populated by rich people who apparently have vacation homes on Fantasy Island.  Roarke has told everyone that Costigan is a world-famous attorney.  However, when a murder occurs, Costigan is framed for the crime and soon, he’s defending himself in court!  Eventually, it turns out that there was no murder and the supposed victim just faked his death and is now wandering around the Island with a fake beard glued to his face.  It really doesn’t make any sense but this fantasy does establish that the island is, at the very least, a territory of the United States as there’s a big American flag in the courtroom.

Neither one of these stories really worked for me, largely because neither Ken Berry nor Rich Little seemed to be particularly invested in their characters.  It also doesn’t help that Berry and Little shared a superficial physical resemblance, to the extent that it was often a struggle to keep straight who was having which fantasy.

In the end, Tattoo’ toothache was the highlight of this show.  Fortunately, it just turned out to be his wisdom teeth coming in.  Take that, Mr. Roarke!

Back to School #40: Better Off Dead (dir by Savage Steve Holland)


Better-Off-Dead

There’s something really sad about knowing that John Cusack does not like the 1985 teen comedy, Better Off Dead, despite the fact that he himself starred in the film.

Just how much he dislikes the film depends on who you talk to.  I read an interview with the film’s director — the wonderfully named Savage Steve Holland — in which he said that Cusack approached him after a screening of the film and told him that he totally hated the film and would “never trust” Holland again.  (What’s truly sad is that Holland also said that this encounter caused him to momentarily lose all interesting in film making.)  However, a few years ago, Cusack said, while answering questions on Reddit, that he didn’t hate Better Off Dead, he just felt that it could be better and that he was glad that other people still like it.  In another interview, Cusack said that the “absurdist humor” of Better Off Dead just wasn’t his thing.

John, I understand that you’re a serious actor and I’ve always had a lot of respect for the fact that you’re an outspoken liberal who is still intellectually honest enough to hold Obama up to the same standard to which you previously held Bush.  But honestly, John, maybe you should loosen up just a little.  Not all of your movies have to be The Butler!  There’s nothing wrong with enjoying yourself onscreen.  And there’s nothing wrong with entertaining an audience and leaving them happy.  Better Off Dead may be one of more lightweight films that I’m reviewing for this Back to School series but it’s a lot of fun!  It makes people smile.  And you know what?  A lot of those smiling people are going to be more willing to see you in a film like The Butler because they’ve also seen you in films like Better Off Dead.

Add to that, you give a pretty good performance in Better Off Dead.  In fact, you provide the film with a much-needed center.  A lot of the comedy in Better Off Dead may be absurd but John, your performance is so likable and so grounded that you keep the film from getting too weird.  You do such a good job as Lane Myer and are so convincing as a well-meaning but dorky high school student who is trying to win back his ex-girlfriend (Amanda Wyss) by skiing down a mountain that it allows everyone else to be as weird as the film will allow.  Without your excellent performance, John, the film would be a total mess.

BOD

Better Off Dead is essentially a collection of skits.  There’s a plot but the plot is really only there as an excuse for the nonstop jokes.  For instance, there’s Lane’s best friend, Charles (Curtis Armstrong, essentially playing the same character he played in Risky Business) who spends the entire film looking for things to snort and who, when standing atop of snowy mountain, says, “This is pure snow!  Do you have any idea what the street value of this mountain is!?”

And then there’s Monique (Diane Franklin), the foreign exchange student who lives next door to Lane and who pretends that she can’t speak English because she’s trying to avoid being set up with creepy Ricky Smith (Daniel Schneider).

There’s Lane’s mother (Kim Darby), who cooks some of the strangest looking meals ever seen in an American film.  There’s also Lane’s younger brother, who never speaks but who knows how to build a laser gun.  Even Lane’s father (David Ogden Stiers). who seems relatively normal, still manages to destroy the garage door.

There’s the fact that Lane’s romantic rival is named Roy Stalin (Aaron Dozier).  Is that not just the perfect name for a villain?

There’s my favorite scene in the entire film, where a geometry teacher (Vincent Schiavelli) explains a complicated problem to his class and the class responds by cheering him along.  “Who wants to come up here and solve the problem?” the teacher asks.  The entire class raises their hands and goes, “Me!”

There’s quotable and memorable lines like: “I’ve been going to this high school for seven and a half years. I’m no dummy,” ” Now that’s a real shame when folks be throwin’ away a perfectly good white boy like that,” and “Gee, I’m really sorry your mom blow up, Ricky.”

And, of course, there’s that paperboy who wants his two dollars…

Seriously, John, Better Off Dead might not be your favorite movie but it’s really not that bad!

Want to see just how not bad Better Off Dead really is?  Watch it below!

http://www.youtube.com/watch?v=a3Q8oM_AnK8