Retro Television Reviews: Call Her Mom (dir by Jerry Paris)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s Call Her Mom!  It  can be viewed on YouTube!

While all of the other college campuses across America are in turmoil with protests and student walk-outs, Beardsley College remains at peace.  It’s a place where the 50s never ended.  Everyone is perfectly behaved.  No one is into politics.  Fraternity Row is a peaceful place, largely due to the elderly housemothers who keep the frats in order.

Except for Alpha Phi Epsilon, that is.  The A.P.E. House is known for being the wildest house on campus and every housemother that they get walks out on them.  If they can’t find a new housemother, they’ll lose their charter.  President Chester Hardgrove (Van Johnson) and Assistant Dean Walden (Charles Nelson Reilly) are practically salivating at the possibility of kicking A.P.E. off of campus.  And who can blame them?  Take a look at how wild these guys are:

These guys are crazy!  They wear yellow sweaters!  They play tennis indoors!  Occasionally, they leave a towel or two hanging on the bannister.  A.P.E. is out of control!

A.P.E. tries to find a new housemother but the word is out that A.P.E. is no good.  Not a single elderly woman in town is willing to work with them.  However, when the members of the frat realize that there’s not actually an age requirement for housemothers, they offer the job to Angie Bianco (Connie Stevens), who works as a waitress at the local pizza place.  Angie accepts the job.

It’s a scandal!  All of the older folks say that Angie is too young and too attractive to be trusted as the housemother for A.P.E.  Angie, however, proves herself to be a lot tougher than anyone was expecting.  The members of the frat soon come to respect her.  However, President Hardgrove is determined to force her out of the job and off of the campus.  Rumor has it that she’s encouraging the A.P.E. brothers to hold rollicking 20s style parties and she’s also allowing them to dance!

Check out this decadence!

The attempts to force Angie out of her job makes national news.  Soon, Angie and the frat brothers are featured in Time Magazine.  President Hardgrove points out that he’s never appeared in Time Magazine.  While an group of middle-aged women march outside of the A.P.E. House and demand that Angie be fired, the younger female students rally to Angie’s side.  Suddenly, Beardsley College is home to a protest!  (The protest is about as a wild as the 20s dance party at the A.P.E. House.)  President Hardgrove realizes that keeping Angie at the A.P.E. House will actually lead to the college getting more donations but Angie has decided that she has to quit.  Not only is she in love with A.P.E.’s sponsor, Prof. Calder (Jim Hutton), but a member of the fraternity has decided that he’s in love with her and he’s going to drop out of school to be with her.

Can A.P.E. convince Angie to come back?

Call Her Mom is a silly movie that was obviously meant to serve as a pilot for a television show, one in which I imagine Angie would have solved the fraternity’s problems on a weekly basis.  Seen today, it’s mostly memorable for its thoroughly innocent portrayal of college life.  A.P.E. House is the wildest frat on campus but no one is ever seen drinking.  Certainly no one is indulging in anything stronger than perhaps a Coke or a Pepsi.  I imagine this show was an accurate portrayal of what most parents hoped college was like.  That said, Connie Stevens and Jim Hutton made for a cute couple.  Hopefully, there were many good times in the future for the residents of A.P.E. House.

Film Review: The Mother (dir by Niki Caro)


Jennifer Lopez is …. THE MOTHER!

The Mother is a professional assassin, a former U.S. military operative who has spent the last 12 years isolated in Alaska, hiding out from two of her former associates, drug lord Hector Alvarez (Gael Garcia Bernal) and mercenary Adrian Lovell (Joseph Fiennes).  In the past, The Mother went to the FBI when she discovered that Alvarez and Lovell were involved in human trafficking.  Lovell reacted by killing a bunch of FBI agent and attempting to kill The Mother’s unborn child by stabbing The Mother in the belly.  (I actually gasped in shock at this act of violence.)  Both The Mother and her daughter, Zoe, survived.

The Mother left her daughter to be raised by an FBI agent named William Cruise (Omari Hardwick).  But, twelve years later, Zoe (Lucy Paez) is kidnapped and The Mother has to come out of hiding to rescue her.  It’s a mission that will lead The Mother and Cruise to Cuba and which will eventually bring Lovell and his men back to Alaska.  Along the way, The Mother learns how to forgive herself and to how to open up emotionally and Zoe learns why her mother abandoned her so many years ago.  Zoe also learns that nature can be ruthless and unforgiving.

The Mother isn’t really a bad film as much as it’s just a very predictable film.  It’s very much from the Taken school of cinematic action, with a parent doing whatever is necessary to protect their children.  This is another one of those films where everyone tends to be very grim and there’s a lot of scenes of people coldly threatening each other.  The film opens with the FBI interrogating The Mother and the dialogue was so familiar and the attitudes so reminiscent of every single action film and television show that I’ve seen recently that I had to take a few minutes to remember which film I was watching.  Even The Mother’s eventual trip to snowy Alaska caused me to have flashbacks to both Those Who Wish Me Dead and the recent Dexter revival.  Oddly enough, it also reminded me of Sound of Metal, if just because The Mother‘s one friend in Alaska was played by Paul Raci.  It was nice to see Raci again.  With his haunted eyes and his kindly voice, he’s the type of guardian angel that everyone would want to have.  But again, it just all felt so familiar.

Jennifer Lopez gives a convincing performance as The Mother.  Though the film may be predictable, her commitment to protecting her daughter no matter what was undeniably moving and she and Lucy Paez has a believable mother/daughter relationship.  That said, Jennifer Lopez is always at her best when she’s allowed to play a character with a sense of playfulness and there’s little of that to be found in The Mother.  It’s a grim film about serious characters and it hits all of the expected beats with efficiency but not much more.  When it comes to 2023 Jennifer Lopez films, I still prefer the appealingly silly Shotgun Wedding.

Music Video of the Day: Picture To Burn by Taylor Swift (2006, dir by Trey Fanjoy)


Taylor Swift gets revenge on an ex-boyfriend!  The ex-boyfriend, in this case, was played by a football player named Justin Sandy was not an ex-boyfriend of Taylor’s.  Taylor said that he was perfect for the part because he was a “real-life Ken” doll.  Playing the role of Taylor’s friend in this video is an actual friend of Taylor’s, Abigail Anderson.

Enjoy!

May Positivity: One Church (dir by Bill Rahn)


Originally released in 2016, this low-budget political/religious thriller opens with a rather unsettling scene.  An obviously disturbed woman wanders down a suburban street, loudly singing This Little Light of Mine.  She stops in front of one house and starts to screech the lyrics, like a banshee predicting future doom.

The house is the home of Congressman Neil Barlow (Don Brooks) and both he and his wife Catherine (Kera O’Bryan) are about to discover that their teenage daughter has been taken away.  She has left home and she is now living with a religious communal cult.  When the FBI approaches the cult’s headquarters, all of the members drink poison in a mass suicide.  Neil Barlow becomes determined to one day become President so that he can stamp out the scourge of religious extremism.

18 years later, Neil Barlow is president and he’s just announced the creation of the Department of Religious Freedom.  Televangelist Randy Mason (Tim Ross) is put in charge of the Department but it turns out that this is just the beginning of Barlow’s plan to change America.  Barlow soon announces that all religions are going to come together under the umbrella of one state-run church.  Across America, people watch the press conference and say things like, “This will cut down on division,” and “We all believe the same thing anyways.”  The Department of Religious Freedom proceeds to outlaw all of the old religious texts and requires that all religious leaders preach the same pre-approved sermon.  Failure to do so can lead to being sent to a reeducation camp.

Randy’s brother, Jake Mason (Jason Frederick), knows a little about what has happened but not everything.  He’s been down in Mexico, ministering to a small village.  When Jake returns to America, he discovers that it’s no longer the country that he once thought it was.  Along with his girlfriend, Beth Barlow (Jessica Lynch), Jake tries to stand up against the One Church.  Beth also happens to be the President’s daughter and she, more than anyone, understands the anger that is fueling Neil Barlow’s actions.

I have an admitted weakness for low-budget, conspiracy-themed movies and One Church is definitely qualifies.  Say what you will about the film’s plot and themes, it’s hard not to appreciate a film in which the President gives a major, history-changing press conference in what appears to be a high school auditorium.  The offices of a major news network are represented by a small room that has several televisions propped up against the wall.  The White House dining room is about the same size as my dining room.  The future president of the United States lives in a house that’s about the size of the house where I live.  Suddenly, I’m feeling very important!

As for the film itself, it actually makes the perfect case for maintaining the separation of Church and State.  As soon as the State gets involved in religion, it starts using the Church as a way to control the citizens and to make itself more powerful.  Preachers like Randy Mason are easily corrupted once they’re in partnership with the government.  As for the citizens, they’re portrayed as being eager to be ordered about, which is perhaps the most realistic thing about One Church.  Beth is played by the same Jessica Lynch who was, in 2003, captured by and subsequently rescued from the Taliban.  She has appeared in a few films over the past few years, usually in small roles.  She’s actually a surprisingly good actress and she certainly gives the best performance in One Church.

Lisa Marie’s Week In Television: 5/7/23 — 5/13/23


Accused (Tuesday Night, FOX)

The season finale of Accused started out strong but, towards the end, it felt like propaganda for euthanasia.  Plus, the big twist — i.e., the accused taking the blame for a crime that was actually committed by a loved one — was one that the show had already done before.  It’s a bit early for this show to be repeating itself.  That’s one reason why I think Accused would be well-served by having a regular set of writers and a regular set of directors as opposed to bringing in new people for each episode.  That said, Keith Carradine gave a powerful performance as the man on trial.  The first season of Accused was extremely uneven but hopefully, they’ll work out the kinks by the time the second season begins.

Barry (Sunday Night, HBO)

The rumors were true!  There has indeed been a time jump and Barry and Sally are now living in the middle of nowhere and raising their son, John.  Sally, who now wears a dark wig and works as a waitress, is miserable and, on Sunday’s show, nearly strangled a guy.  Barry is oddly obsessed with Abraham Lincoln.  Barry spends a lot of time with John and obviously considers himself to be a good father but, ultimately, Barry is just as manipulative towards his son as Monroe Fuches was towards him.  When Sally came across a news story about Gene Cusineau coming out of hiding to consult on a Barry Berkman biopic, Barry replied, without hesitation, “I have to kill Gene Cusineau.”  That’s where this week’s unsettling episode of Barry ended.

As I watched this week’s episode, it occurred to me that if someone ever did decide to do a new version of The Shining, Bill Hader would be an ideal Jack Torrance.

Beavis and Butt-Head (Paramount Plus)

Episodes that feature both the young and the old Beavis and Butt-Head are so depressing.  It’s so easy to laugh at them when they’re young and they’re trying to plant cigarettes and destroying the community garden.  But then you see what the future has waiting for them.  Butt-Head’s a fat alcoholic and Beavis looks like he’s about 70 years old when he should just be in his 40s.  It’s sad but it’s also funny.  I do take some comfort in the fact that Beavis and Butt-Head always seem to be blissfully unaware of how terrible their lives truly are.  Beavis never seems to give up hope.

Bubblegum Crisis (YouTube)

I watched an episode on Saturday morning but, to be honest, I was half asleep.  All I know for sure is that a lot of stuff blew up.

Forgive or Forget (YouTube)

On Sunday, I sat through three episodes of this old 90s talk show on YouTube.  A son demanded that his mother apologize for robbing him.  (She didn’t.)  A man told his fiancée that he was an exotic dancer just for her to then reveal that she was a stripper.  (The audience went crazy.)  A woman demanded that her friend apologize for “sleeping with my first love.”  (“I have no idea what you’re talking about,” the friend replied.)  Mother Love said to never forget the power of forgiveness.

On Friday, I watched one more episode.  A woman begged another woman to forgive her for backing out of an adoption arrangement.  No one was forgiven.  Mother Love started to cry.

Jury Duty (Freevee)

I absolutely loved this 8-hour, semi-improvised comedy about jury duty.  Essentially, the series followed one guy as he took part in a very strange court case and got to know his fellow jurors (including James Marsden, who played a comedic version of himself).  The catch was that everyone else in the court room was an actor and our hero was being filmed without even knowing it.  It was wonderfully weird, funny, and ultimately rather sweet.  It helped that the main guy, Ronald Gladden, came across as being incredibly likable and nice, even when James Marsden went out of his way to annoy him.  Give Marsden an Emmy!

Law & Order (Thursday Night, NBC)

This was a pretty dumb episode this week.  Cosgrove got shot by this week’s suspect after the suspect got out on bail.  Because he was captured at the scene, everyone knew who shot Cosgrove but, at the trial, no one brought up the fact that the suspect had shot a cop and, unless I missed it, I don’t think he was ever charged with shooting Cosgrove either.  Instead, Price was worried he wouldn’t be able to get a conviction on the crime that the guy was originally accused of and I was just like, “Uhmm, he shot a cop while trying to kill the state’s main witness against him.  Isn’t that pretty good evidence that the cops were onto something when they arrested him?”

Cosgrove considered retiring and going to Florida but, at the end of the episode, it appeared that he was planning on staying in New York.  I got the feeling that entire storyline was just included as some sort of “That that!” to Florida.  But, honestly, Cosgrove is 50 years old and politically and culturally conservative.  Why wouldn’t he want to move to Florida?

The Love Boat (Paramount Plus)

I wrote about this week’s episode here!

The Master (Tubi)

Since Freddy’s Nightmares is no longer available on Tubi, I decided to watch and review all 13 episodes of this 80s ninja show instead.  You can read my review of episode 1 here!

Mystery Science Theater 3000 (Tubi)

Apparently, after the show went off the air, NBC edited the first two episodes of The Master together and they released the result theatrically under the name Master Ninja One.  And then, years later, the guys at Mystery Science Theater 3000 watched Master Ninja One and spent a lot of time pointing out Lee Van Cleef’s stunt double.  Anyway, I watched the Mystery Science Theater version on Thursday, after I finished writing up my review of The Master.  It made me laugh!

Night Court (Tuesday Night, NBC)

The season came to an end much as I predicted it would.  Abbi and Rand broke up.  Dan went to Louisiana and became a judge but I imagine he’ll be back whenever season 2 starts because, if there was anything that was consistent about the first season, it’s that the action always grinds to a halt whenever John Larroquette isn’t onscreen.

Sally Jessy Raphael (YouTube)

I watched an episode on Monday night.  Sally talked to parents who had out-of-control children.  The kids were forced to take part in the Scared Straight program.  Did it do any good?  Probably not.

Survivor (Wednesday Night, CBS)

I wrote about this week’s episode over at Reality TV Chat Blog!

The Traitors (Peacock)

I binged this enjoyably silly reality show over the course of the week.  Basically, a combination of newbies and reality TV vets moved into a Scottish castle and tried to figure out which of the three of them had been designated as “traitors” by host Alan Cumming.  The traitors could “kill” a guest every night.  (Well, not literally.)  I was happy to see Survivor’s Cirie Fields do well and outlast Big Brother‘s Rachel Reilly.  “I’m an icon!” Rachel exclaimed at one point.  (Truth be told, I may complain about Rachel whenever she shows up on yet another reality show but she knows exactly what the audience wants from her and she plays her role well so good for her!)

Retro Television Reviews: California Dreams 5.10 “Babewatch” and 5.11 “Love Letters”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996.  The entire show is currently streaming on YouTube!

This week, Sam gets cast on the world’s number one TV show and Lorena and Sly finally get together!

Episode 5.10 “Babewatch”

(Dir by Patrick Maloney, originally aired on November 9th, 1996)

Babewatch has come to Pacific Coast High School!

Babewatch, we’re told, is the world’s most popular television show.  It’s all about attractive people running on the beach and defusing bombs.  Hmmmmm, I wonder what show this is based on.  All of the Dreams are really excited about the prospect of being on the show!  Mark, Sly, and Lorena get lessons from Tiffani on how to be believable as surfers.  Meanwhile, Tony performs “Next Big Thing” (a.k.a. He’s So Funky!) for the Babewatch producers, hoping that they’ll give him a role on the episode.  However, the producers are far more impressed with Sam.  I guess they really liked the way she shouted, “He’s so funky!” during the song.

Tony freaks out over the prospect of Sam having to kiss the star of the show but he needn’t worry.  Sam rejects the TV star’s advances and says that she loves only Tony.  Personally, I’m not sure if she made the right choice.  Tony is a nice guy but he’s just a drummer in a garage band that has an out-of-date sound.  This other guy is the star of Babewatch!

This was a pretty standard episode, one that felt a bit more like a Saved By The Bell story than an episode of California Dreams.  But any episode that features “He’s so funky!” is worth watching and rewatching.

Episode 5.11 “Love Letters”

(Dir by Don Barnhart, originally aired on November 16th, 1996)

Graduation is approaching and the Dreams are thinking about the things that they regret having never done.  (They’re only 17.  Just wait until they hit 30!)

Sam and Tony regret that they didn’t enter a dance marathon.

Mark regrets that he never stood up to the coach that’s always making him run extra laps.

Tiffani regrets being rude to a boy who wouldn’t stop asking her out.

Jake regrets not playing the bagpipes.

Lorena regrets …. nothing.  Good for her!

And Sly regrets never telling Lorena how he feels about her.

So, they all decide to do something about those regrets.  Jake learns to play the bagpipes.  Tiffani apologizes to her former admirer and quickly comes to regret it as he goes out of his way to remind her of why she was rude in the first place.  Sam and Tony dance everywhere and look adorable while doing it.  And Sly starts sending Lorena unsigned love notes.  Lorena falls in love with her secret admirer but Sly worries that she’ll still hate him even if he reveals the truth.

However, when another guy tells Lorena that he’s the one who sent the notes, Sly realizes he has to tell her the truth.  Unfortunately, Lorena doesn’t believe him.  However, when the other guy can’t think of anything impressive to say about Jake’s bagpipe performance, Lorena realizes that Sly was telling the truth.  The episode ends with them sharing their first kiss and the audience going wild.  Yay!

This episode is great, largely because it’s the one where Sly and Lorena finally realize that they belong together.  They may both be greedy and self-centered but they do love one another and care about their friends.  They’re as perfect a match as Sam and Tony.  I have no regrets about loving this episode.

Film Review: Darkest of Lies (dir by Kelly Schwarze)


Travis (Christopher Brown) is a military veteran who is struggling with both PTSD and an addiction to pills.  After some unspecified troubles in New York City, Travis and Rochelle (Hailee Lipscomb) move into a new home.  The house isn’t particularly fancy and Travis isn’t really sure who Rochelle is renting it from but it does seem like a place where they can start to rebuild their lives.  Rochelle has a job at a law firm and is excited that the house has a pool.  “I’m going to swim everyday,” she says.  Travis, meanwhile, can work on his sculptures in the basement.  Travis has a show coming up and it’s important that he get his work done.  Perhaps not surprisingly, he spends most of his time sculpting replicas of heads.  Perhaps he feels that if he can create someone else’s head, he can figure out what is going on inside of his.

From almost the moment that Travis moves into the house, he starts to feel that there is something wrong with the place.  He is haunted by nightmares of finding a body in the pool and of Rochelle calling out for help.  He has sudden bursts of rage and paranoia and he soon becomes convinced that Rochelle is cheating on him.  It doesn’t help that Rochelle’s friends from college, the materialistic Linda (Sabrina Cofield) and the douchey Tom (Michael Forsch), keep coming by the house.  Rochelle is always happy to see her friends but Travis doesn’t feel that he has much in common with either of them.  As well, it’s hard not to notice that Tom seems to be obsessed with trying to get Travis, a recovering addict, to drink wine.  With Travis convinced that Rochelle is cheating on him with almost everyone that he sees, it doesn’t take much to set him off.  Even a simple card game is not a safe activity when Travis is around.

Early on, we discover that Travis and Rochelle’s house is sitting on a street called Shining Way and I imagine that was a deliberate decision on the part of the director.  The film has much in common with Stephen King’s classic novel and the subsequent Kubrick film version.  Much like Jack Torrance, Travis struggles with addiction and the dark memories of the past.  Jack Torrance tried to escape his demons through writing while Travis tries hold them at bay with his sculpting.  Much like Jack, Travis has to deal with people who seem to be intent on forcing him to drink despite the fact that they know that Travis has issues with substance abuse.  The viewer is left to wonder whether it’s the house that’s driving Travis mad or if Travis was always mad and the house just provided him with an excuse to embrace that madness.

It’s a deliberately paced film, one that occasionally feels a bit too slow for its own good.  The movie has a nearly 2-hour running time and it’s hard not to feel that some of the nights with Tom and Linda could have been trimmed down a bit.  That said, the overall film did hold my interest (which is no small accomplishment when you consider just how short my attention span actually is) and the film created a suitably ominous atmosphere of growing dread.  Travis, bearing both the physical and mental scars of his service, become a symbol of the damage that the horrors of war and addiction can do to both the individual and to society as whole.  Darkest of Lies is currently streaming on Tubi.

Music Video of the Day: Born In The USA by Bruce Springsteen (1984, dir by John Sayles)


I have to admit that I’m not really a huge fan of Bruce Springsteen or his working class posturing.  (At this point, the majority of the people who he sings about will never be able to actually afford to see him in concert.)  But I will acknowledge that the people who like Bruce Springsteen tend to really, really, really like him.  And there’s something to be said for that.

Anyway, I picked today’s music video of the day because I watched Air last night and I was really impressed by Jason Bateman’s monologue about how few people actually listen to Born in the USA‘s rather dark lyrics.  This video was directed by John Sayles, another person who has made a career out of claiming to be the voice of the working class.

Enjoy!

Retro Television Reviews: The Master 1.1 “Max”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984. Almost all nine of the show’s episodes can be found on Tubi!

My original plan was to follow-up Half Nelson by reviewing Freddy’s Nightmares.  Unfortunately, Freddy’s Nightmares has been removed from Tubi and it’s not currently streaming anywhere else.  Hopefully, some other site will soon feature it or it will eventually return to Tubi and I’ll be able to review the show in the future.

While I was looking for another show to review, I came across The Master.  The Master ran for 13 episodes in 1984.  It featured Lee Van Cleef as John Peter McAllister, a ninja traveling across America and searching for his daughter.  Helping out McAllister is Max Keller, a young drifter who owns a groovy van and who is played by Timothy Van Patten.  (Van Patten, who has since become a much in-demand director, is probably best known for playing Stegman in Class of 1984.)  Since The Master had a short run and everyone loves ninjas, I decided to add it to our retro television schedule!

Episode 1.1 “Max”

(Dir by Robert Clouse, originally aired on January 20th, 1984)

“My name’s Max Keller and this is how I usually leave a bar.”

So opens the first episode of The Master.  The voice over is courtesy Max Keller (Timothy Van Patten), a young drifter who drives across America in a van with a pet hamster named Henry as his main companion.  And the way that Max usually leaves a bar is through the front window.  In this case, Max is tossed through a window by a bunch of bikers.  Max responds by sabotaging all of their bikes so, when they try to chase after him as he drives off in his van, all of the bikers are thrown from their bike and onto the hard pavement of the road.  I would think that this would kill most of the bikers but Max doesn’t seem to be too concerned about that.  Instead, he just has a good laugh as he drives away.  Oh, Max!

Meanwhile, in Japan, John Peter McAllister (Lee Van Cleef), “the man who would change my life,” (to quote Max’s voiceover) is preparing to return to America for the first time in years.  McAllister moved to Japan after World War II and is the only American to have been trained in the ninja arts.  (Why the ninjas would be so eager to train an American after the way World War II ended is not explained.)  McAllister has just found out that he has a daughter who he has never met.  (How did he find out?  Again, it’s not explained.)  He wants to return home so that he can find her.  However, Osaka (Sho Kosugi), a former student of McAllister’s, is determined to kill him for breaking the ninja code.  McAllister manages to escape Japan with only a slight wound courtesy of a throwing star.  Osaka decides to follow him.

Back in America, a young woman named Holly Trumbull (a very young Demi Moore) runs out into the middle of a country highway and is nearly run over by Max.  Max stops his van just in time and offers Holly a ride.  It turns out that Holly is being pursued by the evil Sheriff Kyle (Bill McKinney).  She explains that Sheriff Kyle tried to rape her, which is information that Max just kind of shrugs off.  He manages to outrun the Sheriff and takes Holly back to the airport that is managed by her father, Mr. Trumbull (Claude Akins).

Max apparently (I say apparently because the episode’s editing is so ragged that it’s often difficult to tell how much time has passed from one scene to the next) spends a few days working at the airport and trying to date Holly.  When he attempts to give Holly a kiss, she backs away from him and explains that she’s still not comfortable with being kissed after nearly being raped the town’s sheriff.  “I’m sorry,” she says. Max, being a bit of a jerk, gets annoyed and says, “That makes three of us.  Henry was just starting to like you.”  After saying that he’s going to go somewhere to see if “my luck improves,” he goes to the local bar to unwind.

Also at the bar is John Peter McAllister!  McAllister knows that his daughter came through Mr. Trumbull’s airport and he wants to show her picture to the people in the bar.  For some reason, the bartender doesn’t want him to do that.  When Sheriff Kyle, who is also in the bar, discovers that McAllister is carrying a samurai sword in his suitcase, the sheriff tries to arrest him.  When a bar fight breaks out, Max fights alongside McAllister and they even manage to steal the sword back from the sheriff.  Bonded by combat, Max and McAllister become fast friends.  Before you know it, Max is agreeing to drive McAllister across the country as long as McAllister trains Max how to be a ninja.

But first, an evil developer named Mr. Christensen (Clu Gulager) is determined to run the Turnbulls off their land.  After Christensen is not moved by an impassioned speech by Max and instead tries to blow up the airport, it’s time for Max and McAllister to invade Christensen’s office and fight a bunch of guards.  Osaka also shows up at the office so we get a lengthy fight scene between Sho Kosugi and Lee Van Cleef’s stunt double.  (McAllister dons his head-to-do ninja costume before doing any fighting, so we don’t actually see his face while he’s doing in any of his amazing ninja moves.)  While Osaka and McAllister are fighting, Max defeats Christensen by throwing a ninja star at him and hitting him in the chest.  I would think that would be murder but who knows.  Maybe the blade narrowly missed Christensen’s heart and he was just unconscious.  Or maybe Max’s just a sociopath.

Somehow, this leads to the Turnbulls getting to keep the airport.  McAllister and Max drive off together, in search of America.

What a messy episode!  Obviously, this episode had to get a lot done in just 48 minutes.  It had to introduce Max and McAllister, it had to explain why they were traveling together, and it also had to give them an adventure.  I guess I shouldn’t feel surprised that the episode felt a bit rushed but still, there were so many unanswered questions.  For instance, why is Max driving across the country in a van?  How did McAllister find out that he had a daughter?  Why didn’t he know that he had a daughter before hand?  Did McAllister’s daughter actually come through the town or not?  How did Osaka track down McAllister?  Where did Max learn to fight before he met McAllister?  Why is McAllister so quick to agree to take Max under his wing?  Why is Max so quick to drive a strange old man across the country?

As for the cast, Lee Van Cleef appears to be a bit frail in the role of McAllister.  (He would died 5 years after The Master went off the air.)  Timothy Van Patten comes across as being bit manic as Max.  Personally, I would be worried about getting into a van with Max because he doesn’t really seem to have much impulse control.  As for the guest cast, Demi Moore gives a strong performance as Holly but the character vanishes from the episode after finally giving Max a kiss.  Claude Akins and Clu Gulager only get a few minutes of screentime and are both stuck with stock roles.  Akin is the honest working man while Gulager is the corrupt businessman.  Billl McKinny is properly hissable as the bully of a sheriff.  And Sho Kosugi looks annoyed with the whole thing.

The first episode was not that promising but who knows!  Maybe the show will improve as it goes along.  We’ll find out next week!