October True Crime: Winter of Frozen Dreams (dir by Eric Mandlebaum)


The 2009 film, Winter of Frozen Dreams, opens with a young woman named Barbara Hoffman (Thora Birch) in a Wisconsin courtroom in 1980.  She is on trial, having been accused of committing two murders.  The jury reads their verdict and the film flashes back three years to show us how how Barbara ended up in that courtroom.

It’s a bit of an odd way to open the film, one that robs the story of any suspense.  The story of Barbara Hoffman is a true one but, unlike other true crime stories, it’s not a commonly known one.  I had not heard of Barbara Hoffman until I watched this film and, after the film ended, I immediately went to Google to make sure that the film was actually telling the truth when it claimed to be based on a true story.  Barbara Hoffman and her trial apparently were a big deal in 1980.  (Her trial was the the first murder trial to ever be televised.)  But it is now so obscure that it doesn’t even have a Wikipedia entry.

As seen in the film, Barbara Hoffman was a genius.  She had a 145 IQ and was the valedictorian of her high school class.  She went to college to study chemistry and was doing quite well academically.  However, when she got a job answering the phones in a massage parlor, she realized that she could make a lot more money as a sex worker than as a chemist.  She dropped out of college before starting her final semester and went to work for a pimp named Ken Curtis (Dean Winters).

Barbara was engaged to two different men.  One was Harry Berge (Dan Moran), who has a taste for bondage and being ritually humiliated.  At first, his co-workers thought he was kidding when he started introducing the much younger Barbara as being his fiancée but Harry actually signed over all of his property to her and allowed Barbara to take out a life insurance policy on him.

It was Barbara’s other fiancé, a mild-mannered video clerk named Jerry Davies (Brendan Sexton III), who Barbara called on Christmas to tell him that she had discovered Harry’s dead and battered body in her bathroom.  Convinced that Harry had been murdered by Ken, Jerry helped Barbara to hide the body in the Wisconsin snow.  Of course, even while Jerry was helping Barbara cover up Harry’s death, Barbara was taking out a considerable life insurance policy on him.

After Jerry has an attack of conscience and leads the police to the body, it falls to the pipe-smoking Detective Lulling (Keith Carradine) and his partner (Leo Fitzpatrick) to figure out who was responsible for Harry’s murder.  Lulling’s instinct is to suspect Barbara but everyone else seems to think that either Ken or Jerry is the more obvious suspect.  After all, Barbara’s a genius.  Why would she kill someone?

It’s an interesting story, though Winter of Frozen Dreams is never quite as compelling as one might wish.  Some of that is because, despite her genius IQ, Barbara herself never becomes that interesting of a character and Thora Birch never seems to be that invested in her performance.  She delivers her lines in a rather flat manner, never really showing the charisma necessary to be convincing as a real-life femme fatale.  That said, you do feel sorry for the two men, especially Brendon Sexton III.  And Keith Carradine and Leo Fitzpatrick make for an amusing detective team.  I almost wish the two of them had starred in their own series, where they traveled the Pacific Northwest and solved small town murders.

Of course, the biggest problem with this movie is that it opens with the verdict so we already know what’s going to happen.  We know who is going to die and we know what’s going to happen to Barbara as a result.  There’s zero suspense as to how things are going to work out.  It’s an error on the part of the filmmakers and an unfortunate one.

Horror Film Review: The Alligator People (dir by Roy Del Ruth)


You know what the worst bayou is?

Bayouself.

Thank you!  I’ll be here all night and don’t forget to tip your server!

Anyway, the 1959 film, The Alligator People, largely takes place in the bayous of Louisiana.  Nurse Jane Marvin (Beverly Garland) is suffering from amnesia so she allows two psychiatrist to give her a dose of truth serum and then, when she’s in a hypnotized state, she proceeds to remember her former life as Joyce Webster.

Joyce married a handsome and seemingly perfect man named Paul Webster (Richard Crane) but, right when they were about to go on their honeymoon, he received a telegram that disturbed him.  After he made a phone call, he vanished from Joyce’s life.  Joyce did some research of her own and discovered that Paul’s former home was the Cypresses Plantation in the small town of Bayou Landing, Louisiana.

When Joyce travels down to Bayou Landing, she discovers that there’s really not much there, other than a bunch of hungry alligators.  She meets the owner of the plantation, Lavinia Hawthorne (Frieda Inescort).  She also meets the handyman, Manon (Lon Chaney, Jr.), a one-handed brute who spends most of his day shooting at alligators.  And, eventually, Joyce comes across her husband but Paul is no longer the man that she remembers.

Paul’s skin is scaly and he only comes out at night.  It turns out that Paul was, long ago, injected with a serum that would allow him to grow back a missing limb.  The serum worked as far as the limb was concerned but an unfortunate side effect is that Paul is now turning into an alligator!  Dr. Mark Sinclair (George Macready), the man who came up with the serum in the first place, is hopeful that he can reverse the process but, to do so, he’s going to need a lot of radioactive material.

Complicating things is that Manon has decided that he wants Joyce for himself and he’s certainly not going to compete with some alligator man for her attention.  Of course, Joyce despises Manon from the first moment she sees him but Manon’s not that smart.  Can Paul be cured before Manon destroys everything?

The Alligator People is one of those 1950s B-movies that is probably better-known for its name than anything else.  That said, when taken on its own terms, it’s an entertaining watch.  It was one of the final films to be directed by Roy Del Ruth, who had previously been one of Hollywood’s top directors of musicals and comedies.  There’s not much music or deliberate comedy to be found in The Alligator People but Del Ruth does manage to capture the humid stillness of the bayous.  As always, Beverly Garland gives a strong performance as a determined woman who isn’t going to be told what to do and Richard Crane is about as convincing as one can be while turning into an alligator.

As for Lon Chaney, Jr, he plays Manon as being a total monster and he gives a convincing performance, even if it is hard not to mourn the loss of the shadings that he brought to his monster roles while he was with Universal.  Manon is a rough and determinedly unintelligent character, one who exists only to destroy.  Significantly, he’s not one of the Alligator People.  Instead, he’s just a man who doesn’t care about anyone but himself.

The Alligator People is an effective B-movie, full of a bayou atmosphere.

Horror on the Lens: The Bat (dir by Crane Wilbur)


Today’s Horror on the Lens is 1959’s The Bat.  A simple case of bank embezzlement leads to a murder that may or may not be connected to a series of other murders that are apparently being committed by a mysterious killer known as “The Bat.”  The Bat is said to have no face and steel claws and, needless to say, everyone in town is worried about becoming the next victim.

Who is the Bat?  Is Dr. Malcolm Wells (Vincent Price), the shady scientist whose work has led to him doing experiments on bats?  Is it Victor Bailey (Mike Steele), the bank clerk who is a prime suspect in the embezzlement case?  Is it the butler (John Sutton) with a secret past?  Could it even be one of the cops (Gavin Gordon and Robert B. Williams) who has been tasked with capturing The Bat?  Can mystery novelist Cornelia van Gorder (Agnes Moorehead) solve the mystery before becoming The Bat’s next victim!?

The Bat is based on a play and it’s definitely a bit stagey but when you’ve got performers like Agnes Moorehead and Vincent Price onscreen, it really doesn’t matter.  The Bat is an entertaining and atmospheric mystery, featuring a Vincent Price playing another one of his charmingly sinister cads.

Enjoy!

October Positivity: Cutback (dir by Lance Bachelder and Johnny Remo)


You have to feel bad for Luke (Justin Schwan).

I mean, here he is.  He’s a senior in high school.  He’s about to graduate.  He’s also one of the best surfers on the beach.  Just about everyone who sees him surf says that he should go pro.  More than one person says that God has blessed Luke with amazing surfing ability and obviously, that wouldn’t happen unless Luke was actually meant to do something with that talent.

But his parents …. agck!  His mother (Raquel Gardner) keeps pressuring him to go to church and to say grace before dinner and to attend youth group.  She even invites the new youth pastor (Danny Smith) over to the house so that he can meet Luke.  The youth pastor is so cool that his name is Pastor Shane but Luke’s really not interested in any of that.

Meanwhile, Luke’s father (Greg Carlson) is a hardass cop who is hardly ever home because, according to him, he’s got to go on a stakeout.  Luke’s father has decided that Luke is going to go to college and that he’s not going to waste his time as a pro surfer.  When Luke tries to argue with his dad, Luke is sent to his room and told that he is “under restriction.”  Luke’s a senior in high school but his father treats him like a kid who can be ordered around.   When Luke comes home from a party drunk, his father totally freaks out.  His father freaks out a lot.

Luke’s closest friend is Casey Sanchez (Angel Cruz), who is a natural-born joker who keeps talking about how he’s going to learn how to surf someday.  He encourages Luke to pursue his dreams.  He also encourages Luke to talk to the new girl at school, Jessica (Jessie Nickson).  When you’ve got a friend like Casey, what could go wrong, right?  Unfortunately, Casey is killed in a tragic car accident shortly after attending Shane’s youth group and announcing that he has decided to become a Christian.

Casey’s dead and Luke no longer knows what he wants to do with his life.  Jessica’s attempts to comfort him by telling him that it’s all part of a bigger plan do not provide him with much comfort.  (And, to be honest, saying that God planned for Casey to die so that it can somehow benefit Luke does seem to be a bit callous.)  With the try-outs coming for the national surf team, will Luke be able to get it together or will he lose the spot to his rival and frenemy, Matt McCoy (Andy Shephard)?

Though there’s nothing particularly surprising about the plot, Cutback is a likably earnest film.  Justin Schwan, in particular, gives a sympathetic performance and the film captures the beauty of the beach and the ocean.  If anything, it probably works better as a commercial for surfing than one for religion.  In the end, Luke finds some success and he finds some peace and you’re happy for him, even if it is difficult to accept the idea that Casey had to die for him to do it.

Late Night Retro Television Reviews: Check It Out 1.2 “Labor and Other Relations”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, Canada goes on strike!

Episode 1.2 “Labor And Other Relations”

(Dir by Stan Harris, originally aired on October 9th, 1985)

I am two episodes into Check It Out and my favorite character is Marlene, the cashier played by Kathleen Laskey.  She’s my favorite specifically because she has the same attitude that I would have if I was working as a cashier.  She doesn’t care about the customers, she doesn’t worry about showing up for work on time, and she takes her first break ten minutes after the store opens.  Plus, out of everyone who works at the store, she has the best fashion sense.

This episode also established that Marlene is the “shop steward” of the Cobb’s union.  No one has ever joined the union, other than Marlene.  But that changes when mean old Mrs. Cobb (Barbara Hamilton) announces that employees of Cobb’s will, from now on, only be allowed to take two coffee breaks a day.  Marlene declares this to be an outrage and invites everyone — except for manager Howard (Don Adams) and assistant manager Christian (Jeff Pustil) — to a union meeting at her apartment.  Soon, every employee of the store is outside, picketing.  Meanwhile, Howard and Christian are forced to bag groceries and deal with customers.

Frustrated by the fact that everyone has joined the union, Howard goes outside to confront the picketers.  Murray (Simon Reynolds), the young bagger who has a crush on Marlene, asks Howard to hold his sign so that he can run into the store and use the bathroom.  (Wouldn’t that count as crossing the picket line?  I’ve never been a member of a union so I’m not really sure how all of this works.)  Howard agrees to hold Murray’s “Cobbs Is Unfair” sign.  Of course, a local reporter snaps a picture of Howard and soon, he’s on the front page of the newspaper.

Howard is just not having a good week.  First off, we learn, in a scene that goes on for way too long, that he’s still struggling with impotence and hasn’t had sex with Edna (Dinah Christie) for weeks.  (Edna is also Howard’s secretary and a member of the union so really, it seems like there’s all sorts of issues here.)  And now, he’s on the front page of the newspaper, picketing his own store.  Ms. Cobb shows up to fire him, saying that she was also responsible for “firing the Shah of Iran” back in 1979.  (What?)

Fortunately, the other employees of Cobb’s come to the rescue by barging into Howard’s office and announcing that they’ve voted him into the Union and therefore, Ms. Cobb can’t fire him for picketing.  Howard gets to keep his job, even though I was under the impression that members of management are not allowed to join a union.  Howard agrees to give everyone back their coffee breaks, even though that was a corporate policy and it was established early on that Howard didn’t have the power to change it.

This was a weird episode.  I’m going to guess that it was not at all a realistic depiction of a labor dispute.  There was way too much time devoted to Howard and Edna discussing their lack of a sex life.  That said, Marlene’s attitude saved the episode.  Even though she didn’t care about her job, she still brought the company to its knees.  Woo hoo, you go, Marlene!

Horror On TV: The Hitchhiker 5.8 “Code Liz” (dir by Bruno Gantillon)


On tonight’s episode of The Hitchhiker, Marc Singer plays a real loser, a deadbeat husband who spends almost all of his time talking to a phone sex operator named Liz (Paulina Mlynarska).  When Liz suggests that the husband murder his wife (Katrine Boorman), who is left to wonder whether he should follow her advice or if she even exists to begin with.

This episode, featuring a wonderful turn from Marc Singer, originally aired on July 21st, 1989.

The TSL Horror Grindhouse: Abby (dir by William Girdler)


Some films are a hundred times more entertaining than they have any right to be and that’s certainly the case with 1974’s Abby.

A blaxploitation take on The Exorcist and Rosemary’s Baby, Abby opens with Bishop Garrett Williams (William Marshall, star of Blacula) taking a peaceful stroll with his students at seminary.  Garrett talks about how he will miss them all when he is off on archeological dig in Nigeria.  One of his students asks him some questions about Eshu, one of the spirits of the Yoruba religion.  Bishop Williams explains that Eshu is a trickster and a force of chaos and carnal excess.  Yes, the Bishop explains, he does believe that demons are real.

And indeed, no sooner has the Bishop gone to Nigeria and opened up a small puzzle box adorned with the symbols of Eshu than a demon claiming to be Eshu travels from Africa to Louisville, Kentucky.  Louisville is the new home of the Bishop’s son, Reverend Emmett Williams (Terry Carter).  Reverend Williams is a good and god-fearing man and his new wife, Abby (Carol Speed), is a devout Christian who sings in the choir, speaks out against drugs, and never curses.  That changes, however, once the demon claiming to be Eshu gets inside of her.  Soon, Abby is speaking in a very deep voice, laughing at inappropriate moments, demanding constant sex, and plunging a knife into her arm.  When the now possessed Abby disappears into the sordid nightlife of Louisville, Reverend Williams and his brother-in-law, Det. Cass Potter (Austin Stoker), try to find her.  Eventually, Bishop Williams joins them in their search, knowing that even if they find Abby, it will fall to him to perform the exorcism to save her life and soul.

Abby has so much in common with The Exorcist that Warner Bros. actually ended up suing the film’s producers and distributor for plagiarism.  That lawsuit is one reason why it’s not particularly easy to see Abby today.  Indeed, I had to resort to watching a washed-out upload on YouTube.  Of course, Abby was hardly the first or the last film to rip off The Exorcist.  Almost every horror released in the wake of William Friedkin’s classic shocker owes something to The Exorcist.  Abby, however, was one of the more finanically successful rip-offs of the film, or at least it was until the lawsuit led to it being removed from theaters.  It’s unfortunate that Abby is so difficult to see because it’s actually one of the more entertaining Exorcist rip-offs out there.

A lot of that is due to the confrontation between the dignified and stately William Marshall and the far more hyperactive Carol Speed.  Carol Speed gives a performance of amazing energy, whether she’s happily cackling after a woman drops dead of a heart attack or if she’s kicking her husband in the groin.  Carol Speed holds nothing back and basically tears through every scene like a force of uncontrollable nature.  She provides the perfect counterbalance to Marshall’s more measured performance as the Bishop.  Marshall delivers his lines with such authority and conviction that the viewer has no doubt he could probably scare the devil out of everyone.  Carol Speed, meanwhile, is so good at playing wild that the viewer wonders how, even if they can get Eshu out of here, Abby will ever be able to go back to being a demure preacher’s wife.  Setting Marshall and Speed loose in the seedy nightclubs of Loiusville leads to an occasionally horrific, occasionally silly, but always entertaining between good and evil.

Abby is an entertaining horror film.  It’s just unfortunate that we will probably never get to see a good print of it.  But then again, maybe that’s for the best.  The graininess of the version that I saw actually added to the experience of watching the film.  It made me feel like I was in some small theater in the middle of nowhere, watching a print of the film that had taken a long and difficult journey just so it could be seen and appreciated.

Retro Television Reviews: Welcome Back Kotter 2.15 “Sweatgate Scandal”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, the Sweathogs learn about the free press!

Episode 2.15 “Sweatgate Scandal”

(Dir by Bob LaHendro, originally aired on January 13th, 1977)

Gabe tells Julie about his uncle who was a hunter.  Apparently, he went out in the woods, ran into a beautiful woman, and asked her, “Are you game?”  She said yes and, as Gabe puts it, “He shot her.”

Yikes!

Meanwhile, at school, Epstein and Horshack are upset that the school newspaper is always “putting down the Sweathogs” and criticizing Freddie as a basketball player.  They’re especially upset because Mr. Kotter is the newspaper’s faculty advisor.  When Gabe arrives at class, he explains that he’s just the advisor, not the editor.  Gabe also says that he’s more interested in the front page story, about someone breaking into Mr. Lazarus’s office and stealing some of his confidential files.

“They’ll probably blame that on us,” Freddie says.

“No one’s going to blame this on you,” Gabe replies.

Of course, Woodman steps into the classroom and immediately demands to know who was responsible for “the Lazarus break-in.”  Woodman also demands to know where Gabe was during the break-in.  Gabe says that he was attending Woodman’s speech on “Self-defense with a number two pencil.”

Gabe decides that the Sweathogs need to make their voices heard so he offers to give extra credit to any Sweathog who works on the school newspaper.  He says that they can investigate the Lazarus break-in.

“Oh, it’ll be just like the All The President’s Men!” Horshack says.

“I get to be Robert Redford!” Barbarino declares.

“Well, I’m Dustin Hoffman,” Epstein replies, “I’m walking here!”

At the school newspaper, Freddie, Horshack, Barbarino, and Epstein find themselves working with two characters who appeared regularly during the first season, Judy Borden (Helaine Lembeck) and Todd Ludlow (Dennis Bowen).  Freddie writes the sports page.  Horshack reveals his gossip columnist skills by revealing that Judy’s had a nose job.  Barbarino and Epstein are investigative reporters and are assigned to investigate the Lazarus Break-In.  However, Woodman drops by the newspaper’s office and explains that Lazarus doesn’t want the break-in to be investigated.  “Cork it!” Woodman shouts.

After Horshack finds a note in his Twinkie, Epstein and Barbarino head to the Boys’s Bathroom, where they meet up with an informant named Deep Throat.  (“But you can call me Deep.”)  The informant, who is hiding in a stall, tells them to “Follow the liver.”

“What do I do when I catch it?” Barbarino asks.

Deep Throat goes on to explain that the break-in at Lazarus’s office is connected to another break-in at the school cafeteria.

We cut to the school at night.  Barbarino and Epstein have written their story but they need Gabe to look over it and approve it.  Gabe arrives at the school in tuxedo, explaining that, once a week, he and Julie play nightclub, in which he puts on a tuxedo and tells jokes while Julie puts on a nightgown and heckles him.  Sounds like fun!

The story suggests that the school has been buying liver substitute as opposed to real liver and someone has been pocketing the money that was saved.  When Gabe needs a little more proof, Epstein and Barbarino lead him out to the hallway, where Deep Throat awaits in the shadows.  Deep Throat confirms the story and then says, “I must go home and gargle.”  Could Woodman be Deep Throat?

The latest edition of the newspaper is published, with Barbarino and Epstein’s story on the front page.  When Woodman comes in the office and informs them that Lazarus is launching a full-scale investigation but that he’s not happy about the story.  Judy informs Woodman that she’s not to blame because she’s an honor’s student.

“I’ve never gotten a B!” Judy says.

“Neither have a I,” Horshack replies.

Woodman reveals that the cafeteria will now be serving real liver and then he lowers his voice and says, “You can call me Deep.”

MR. WOODMAN WAS DEEP THROAT!  Well …. yeah, who else would it be?  It’s not as if there’s a huge amount of characters on this show.

After Woodman leaves, Gabe asks Barbarino and Epstein if he’s ever told them about his Uncle Max, who once hired an investigative reporter.  Barbarino and Epstein groan and Gabe reveals that the investigative reporter discovered that Max’s wife was cheating on him.

This was a cute episode.  Barbarino and Epstein always make for a good team and any episode that allows Woodman to go nuts is worth watching.  Always follow the liver!

Next week: Gabe’s father comes to visit!

Horror Film Review: The Beast of Yucca Flats (dir by Coleman Francis)


Tick …. tick …. tick …. tick

The clock is ticking throughout the 1961 film, The Beast of Yucca Flats.  There’s only so much time left for someone who is trying to escape from a repressive, communist regime.  There’s only so much time that one can spend wandering through the desert before he starts to succumb to the heat and has to remove almost all of his clothes.  There’s only so long that the police can search before they get trigger happy and go after the wrong guy.

Tick …. tick …. tick …. tick

The Beast of Yucca Flats opens with a woman stepping out of the shower and getting attacked and strangled by someone hiding in her house.  Who attacked her and why?  How does it relate to the rest of what we see in this film?  Was this a flashback or a flashforward?  I’ve watched The Beast of Yucca Flats a few times and I don’t know.  Perhaps it’s just a sign of the randomness of fate.  Who knows how to control the whims of the universe?  Or maybe director Coleman Francis was just looking for an excuse to bring some nudity into the film.  As enigmatic a figure as Coleman Francis may have been, he undoubtedly understood that importance of selling tickets.

Tick …. tick …. tick …. tick

Swedish wrestler Tor Johnson is perhaps best known for his work with Edward D. Wood, Jr.  He was Lobo in Bride of the Monster.  He was the police detective who was raised from the dead in Plan 9 From Outer Space.  By most accounts, Tor was a nice guy with a good sense of humor but he was also a hulking and intimidating physical presence and he had a difficult time delivering dialogue.  However, Ed Wood was not the only director for which Tor Johnson worked.  He also worked with Coleman Francis, playing Joseph Javorsky in The Beast of Yucca Flats.

Tick …. tick …. tick …. tick

Joseph Javorsky is a Russian scientist who has defected to America and who is carrying a briefcase full of not just nuclear secrets but also evidence that the Russians have already landed on the Moon.  Russian agents follow Javorsky out to Nevada and assassinate his American contacts and his bodyguard.  Javorsky wanders into the desert and, due to the heat, he has to remove his clothing to survive.  This film allows you to see more of Tor Johnson that you’ve probably ever wanted to see.  Unfortunately, Javorsky wanders into an American nuclear test and is mutated into a monster who is motivated by rage.

Tick …. tick …. tick …. tick

It’s hard not to feel sorry for Javorsky, who seemed to have the best motivations when it came to defecting to America.  He’s turned into a monster and finds himself being pursued through the desert by the police and a father who worries that Javorsky has kidnapped his children.  Tor Johnson is thoroughly miscast as a nuclear scientist but if you can overlook the fact that he’s Tor Johnson wandering around the desert, he actually is a sympathetic figure.  His niceness comes through, even after he starts to turn into the beast.

Tick …. tick …. tick …. tick

The Beast of Yucca Flats is not a film that makes any sort of sense, not in the usual way.  It works if one views it as being a filmed dream but let’s not give director Coleman Francis too much credit.  While the dubbed dialogue and the narration and the odd performances all create a surreal atmosphere, there’s nothing to indicate that any of that was deliberate on Francis’s part.  If anything, one gets the feeling that Coleman Francis mostly made this movie so he could fly his airplane over the desert.  The Beast of Yucca Flats may not be good but that final scene of poor old Tor reaching out to the rabbit still brings tears to my mismatched eyes.

October True Crime: Ed Gein: The Butcher of Plainfield (dir by Michael Feifer)


Ed Gein was a farmer who lived in Plainfield, Wisconsin in the 1950s.  Everyone in town agreed that Ed was a bit of an eccentric.  He had been something of a recluse ever since the death of his mother in 1945.  Having never married, he spent most of his time on his farmhouse, where he had a collection of pulp magazines and literature about Nazi war crimes.  Ed supported himself by doing odd jobs around town.  He was quiet and a little weird but he was considered to be harmless enough.

Or, at least, he was until November of 1957.

That was when Bernice Worden, the owner of the local hardware store disappeared.  Her son told the police that Ed Gein has been the last person to talk to her the night before she disappeared and that Gein had specifically said that he would return to the store the next morning.  When the police searched Gein’s property, they discovered that Gein’s house was full of body parts.  Among other things, they found several skulls, a trash can made out of human skin, bowls made out of skulls, leggings made out of skin taken from human legs, nine vulvae in a shoe box, four noses, masks made from the skin taken from human heads, a corset made out of human skin, a pair of lips on a window shade drawstring, and the bodies of Bernie Worden and tavern owner Mary Hogan.  The police who discovered Gein’s home were reported to have been haunted by nightmares for years afterwards.  The officer who interrogated Gein later died of heart failure when he was informed that he was going to have to testify at Gein’s trial and relive the experience of hearing Gein’s story.

Gein confessed that he had started digging up graves after the death of his mother, collecting recently deceased women who he thought resembled her.  Gein also confessed to murdering both Bernie Worden and Mary Hogan, though most observers felt that Gein had killed many more.  Judged to be legally insane, Gein spent the rest of his life in a mental hospital, where he was said to be a polite and friendly patient.  He died of cancer in 1984.

The story of Ed Gein has inspired many writers and filmmakers.  Psycho was inspired by Gein’s crime, with the book’s version of Norman having far more in common with the real Gein.  The Texas Chainsaw Massacre’s house of horrors was also inspired by Gein and so was The Silence of the Lambs‘s Buffalo Bill.  The 1974 film, Deranged, featured Roberts Blossom in the role of Ed Gein, whose name was changed to Ezra Cobb.

In 2007’s Ed Gein: The Butcher of Plainfield, Kane Hodder plays Ed Gein.  Best-known for playing Jason Voorhees in several Friday the 13th films (and for providing a great DVD commentary for Friday the 13th Part VII: New Blood), Hodder plays Gein as being a hulking and awkward farmer who, after losing his mother, comes to believe that death is the only thing that’s real in life.  With his friend Jack (Michael Berryman), Gein digs up bodies from the local graveyard.  When Jack finally says that he’s tired of digging up bodies and that he thinks Gein needs to get professional help, Gein responds by murdering Jack and dragging the body behind his pickup truck.  Interestingly enough, Gein drives by Deputy Bobby Mason (Shawn Hoffman) who doesn’t even notice the body being dragged because he’s too busy fooling around with his girlfriend, Erica (Adrienne Frantz).

Bobby, in short, is a bit of a dumbass and that’s unfortunate for the people of Plainfield because Ed Gein is about to go on a rampage.  First, he abducts the owner of the local tavern.  Then, he abducts Bobby’s own mother, Vera (Priscilla Barnes)!  And, to top it all off, he abducts Erica just a few hours later.  This leads to a lot of scenes of Bobby running around, searching for his mother and then his girlfriend and managing to screw up just about everything that he attempts to do.  Bobby being a total idiot wouldn’t be a problem except for the fact that Bobby is also supposed to be the hero of our story.

Ed Gein: The Butcher of Plainfield features a lot of gore and discarded body parts, to the such an extent that I had to actually look away from the screen more than a few times.  That said, the story itself is only loosely based on the facts of the case.  (For instance, Ed Gein never kidnapped the girlfriend of a deputy and instead, he reportedly never even tried to flee once it became obvious that the police were on to him.)  The film is so haphazardly edited that it’s often difficult to keep track of how many days or night have passed from one scene to another and there’s quite a few scenes that feel as if they’ve been included to pad out the running time.  That said, Kane Hodder gives a good performance as this film’s version of Ed Gein, proving that he can be just as intimidating when wearing a mask of human skin as when wearing a hockey mask.