Late Night Retro Television Review: Degrassi Junior High 1.12 “Parents’ Night”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi Junior High, which aired on CBC and PBS from 1987 to 1989!  The series can be streamed on YouTube!

Though not as dramatic as last week’s episode, this week’s episode is just as important to the future of Degrassi.

Episode 1.12 “Parents’ Night”

(Dir by Kit Hood, originally aired on April 5th, 1987)

When it comes to this week’s episode of Degrassi Junior High, it helps to know a little bit about franchise’s history.  On the surface, this is a fairly standard episode, with Wheels, Joey, and Spike all getting a storyline.  But if you know what waits for these characters in the future, then you know this is one of the most important shows of the franchise’s history.  Much like last week’s It’s Late, this episode sets up the storylines that will play out over the next three decades.

Spike is still adjusting to being pregnant.  As she tells the Farrell twins, she doesn’t want to have an abortion but she also know that, at the age of 14, she’s too young to be a mother.  Shane, she says, has barely spoken to her since discovering that she’s pregnant.  Spike is considering giving up the child for adoption.  The Farrell twins suggest that Spike speak to Wheels, who is adopted himself.  In a rather sweet scene that is well-played by both Amanda Stepto and Neil Hope, Wheels tells Spike that he’s never been angry over being adopted.  He also says that he’s never been curious about his birth parents.  Much like Spike and Shane, they were simply too young to raise a child.

Wheels has a lot going on in this episode.  He’s the bass player in a band!  Joey and Snake are also in the band.  Joey wants to call the band Joey and the Joy Buzzers.  Snake wants to call them Snake and the Charmers, which is actually pretty clever.  Wheels says that he’s fine with whatever because Wheels, at this point in the show, is the most well-balanced kid in school.  Sadly, this won’t last.

While leaving rehearsal for the upcoming Parents’ Night Talent Show, Wheels is approached by a man named Mike Nelson (Dave James).  Mike introduces himself as Wheels’s father and he gives Wheels his number.  With Joey’s encouragement, Wheels calls Mike and even meets with him at a local diner.  It’s an awkward meeting but, when Wheels finds out that Mike is also in a band, he starts to feel a connection to his father.

However, Wheels also feels guilty because he hasn’t told his parents that he’s been talking to Dave.  This eventually leads to him getting angry with Dave and yelling at Dave for trying to re-enter his life.  Dave calls Wheels’s adoptive parents and apologizes.  When Wheels’s parents tell him that it’s okay if he wants to talk to Dave, Wheels worries that they don’t really want him.  Eventually, after giving it some thought, Wheels realizes that he can have a relationship with both his birth father and the people who raised him.

As for Joey’s storyline, he forges a letter from his parents, in which “they” tell Mr. Raditch that they will not be coming to Parents’ Night.  Mr. Raditch sees right through him.  Oh, Joey!

As I said, it’s a fairly simple episode but it works due to the wonderful and empathetic performance of Neil Hope.  Unfortunately, the tragic details of Neil Hope’s life after Degrassi has often overshadowed just how good he truly was on the show.  Indeed, it’s not always easy to watch him, bright and full-of-life in Degrassi Junior High, with the knowledge of what the future holds for both the actor and the character.  Hope, whose own life provided the inspiration for a few of Wheels’s storylines, was such a good and natural actor that Wheels is compelling despite having the second worst nickname on the show.  (Snake, of course, wins the prize for worst nickname.  That said, the character was apparently nearly named Slim, which would have been even worse.)

So, why is this episode so important to the future of Degrassi?  The reasons below are all technically spoilers but, if you’re a big enough Degrassi fan that you tracked down this review, I’m probably not telling you anything that you don’t already know.

First off, the band will eventually get a name and it won’t be Joey and the Joy Buzzers or Snake and the Charmers.  It would be Zit Remedy and Joey’s attempts to become a star would not only be a major plotline through Degrassi Junior High and Degrassi High but it would also frequently be mentioned in Degrassi: The Next Generation as Joey vicariously lived his rock dreams through his stepson, Craig Manning.  Famously, Zit Remedy only wrote and performed one song but that song has had a very long life on the show.  Everybody wants something, right?

(As well, Zit Remedy was the first of MANY bands to be formed at Degrassi.  Hell Hath No Fury, Downtown Sasquatch, Studz, and Whisperhug would all follow but Zit Remedy was there first.)

Though this episode ends with Wheels at peace with both his birth father and his adopted parents, that peace wouldn’t last.  One reason why it’s kind of sad to see Wheels happy in this episode is because Wheels would rarely be happy for the rest of the series.  Musical “talent” is not the only thing that Wheels and Dave have in common.  Dave is an alcoholic and Wheels is destined to end up in prison after killing a kid while driving drunk.  (Following this seemingly innocuous episode, Wheels’s life got dark!)

As for Joey, he’ll never be a rock star but eventually, he will make peace with Mr. Raditch, to the extent that Raditch will even joke with him when Joey comes up to the school after Craig is caught skipping class.

And finally, Spike is not going to give up her baby for adoption.  Instead, she’s going to keep her daughter and, in the future, Emma Nelson will be at the center of the Degrassi universe.  (And Snake will even be her stepfather!)

Next week, season one comes to a close!

Retro Television Reviews: Blood Sport (dir by Jerrold Freedman)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1973’s Blood Sport!  It  can be viewed on YouTube.

David Birdsong (played by Gary Busey, who was 29 at the time) is a high school senior with a potentially bright future ahead of him.  He’s the quarterback of his high school’s football team and it looks like he’s on the verge of leading his team to an undefeated season.  He’s getting recruited by all the big schools.  Scouts are coming to his games to watch him play.  He also has one of the highest GPAs at his school, though it’s suggested that might have more to do with his importance to the football team than his actual study skills.

“Don’t you have anything else you want to do with your life?” his high school principal (David Doyle) asks him and David’s reaction indicates that he’s never really given it much thought.  From the time he was born, David’s father, Dwayne (Ben Johnson), has been shaping his son to become a star athlete.  Dwayne is happiest when he’s watching David play, whether on the field or in the highlight reels that he keeps down in the basement.  When Dwayne sees that his son isn’t on the field, he’s the type of father who will get out of the stands and argue with the coach on the sidelines.  Dwayne continually tells David not to stay out too late.  The one time that David does, Dwayne slaps him hard enough to send his son to the floor.

Coach Marshall (Larry Hagman) is determined to get his undefeated season, no matter how hard he has to push his players.  The coach is the type who is convinced that his players respect him for his stern ways and his long-winded speeches but little does he realize that they all secretly despise him.  When one of his players drop dead of a heart attack during practice, Coach Marshall demands that the player stop being lazy and get up.  When he realizes that the player is never going to get up, Coach Marshall angrily asks, “Why did this have to happen now!?”  Later, at a pep rally, Coach Marshall announces that his team had a private meeting and agreed that they would win the final game in the player’s memory.  The team is disgusted but the rest of the town loves their coach.

David is never happier than when he’s on the field, playing football and being cheered by both the crowd and his team.  But, through it all, he sees reminders that the future in uncertain.  On the sidelines, David spots an injured player, watching the game with the knowledge that his dreams of getting a scholarship have ended.  When David visits a college, he’s reminded that being the best high school player doesn’t mean much in college and when he says that he’s a quarterback, he is told that his coach will ultimately decide who he is and David will accept the coach’s decision because David isn’t being offered a scholarship to think for himself.

When the film originally aired in 1973, it was called Birdsong but the title was changed to Blood Sport for both subsequent showings and for a European theatrical release.  Blood Sport is the more appropriate title because, even though the main character is named David Birdsong, the film is ultimately about all of the athletes who are expected to put their health at risk for the people on the sidelines.  It’s not just football that’s a blood sport, the film suggests.  It’s the entire culture that has sprung up around it, the one that cheers when players are at their best but which also looks away at the times when the players need the most help.

At 29 years of age, Gary Busey is a bit too old to be totally convincing as a high school senior but he still does a good job of capturing David’s gradual realization that he’s never really had any control over his own life.  Ben Johnson and especially Larry Hagman also give good performances as the two men who are living vicariously through David’s accomplishments.  Hagman is so believably obnoxious as the coach that you’ll want to cheer when someone finally finds the guts to stand up to him and tell him to just shut up for a minute.

The film ends on an ambiguous note, leaving many questions open about David’s future.  One hopes that he’s started to find the strength necessary to live his own life but it’s ultimately hard to say.  In the end, nothing is guaranteed, no matter how far you can throw a football.

Late Night Retro Television Reviews: Check It Out! 1.9 “Phantom of the Market”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi!

This week, someone is stealing disgusting gourmet food!

Episode 1.9 “Phantom of the Market”

(Dir by Stan Harris, originally aired on November 27th, 1985)

Howard is super-excited because he has been named Cobb’s Manager of the Year!  The manager of the year wins a Hawaiian vacation for two because, apparently, there’s not a single Cobb’s manager who has a large family.  I get the feeling that the whole manager of the year thing is a scam to give the the company’s managers an excuse to go to Hawaii with their secretaries.  That’s certainly what Howard is planning to do, though at least he’s actually unmarried and dating Edna.

(Being a Canadian company, I would think Cobb’s would reward its employees with a Discovery Islands vacation but no, Cobb’s would rather send its employees to the USA.)

Howard’s employees even go through the trouble of making and hanging a big banner congratulating Howard.  Of course, they hang it upside down but Howard is in such a good mood that he doesn’t even yell about it.  Unfortunately, Howard’s mood is soon ruined when a corporate stooge (played by Grant Cowan) shows up and tells Howard that his store is missing $400 worth of gourmet meat and that Howard is going to lose his job if he can’t figure out what has happened to the missing inventory.

Feeling that it might be an inside job, Howard and Alf spend two nights at the store in hopes of catching whoever it is.  The first night, Howard falls asleep and wakes up in his underwear.  Somehow, the thief took all of his clothes without waking up Howard.  Howard wraps himself in the banner, which I would think would make him look even more undressed than when he was just wearing shoes, boxers, and his undershirt.  (How did the thief undress Howard without taking his shoes off?  Again, how did Howard sleep through that?)  The second night, Howard discovers that Cobb’s actually has a basement and that basement is occupied by Henry Weinberg (Antony Parr).

The well-dressed and well-fed Henry explains that his family used to own the land on which the store was built.  Henry has been living in the basement of various Cobb’s stores for several years and he’s been stealing their food.  He gives Howard a box that he says contains the ashes of his grandfather.  Howard is surprisingly accepting of all this.

The next day — yay!  All of the missing inventory is back.  Howard gets to keep his job and go to Hawaii.  Henry shows up in the story and tells Howard that he stole replacement food from all the other grocery stores in the area.  After Henry leaves, Alf informs Howard that Henry is actually a comedian who used to do a bit about putting his grandfather’s ashes in a box.  As Henry speaks, Howard discreetly spills the ashes onto the flood and kicks them underneath a shelf.  Yikes!

This was kind of a strange episode but, in this case, the weirdness worked to the show’s advantage.  In previous episodes, Don Adams sometimes seemed to be overacting.  In this episode, everyone was acting bizarrely and, as such, Adams’s exaggerated reactions actually fit well with the situation.  Add to that, this episode featured the return of Viker, the dumb but very confident electrician played by Gordon Clapp.  As played by Clapp, Viker’s earnest stupidity was definitely the high point of the episode.

Next week, everyone car pools to work!  I really can’t imagine that going well but we’ll find out what happens soon!

Lisa Marie’s Week In Television: 11/26/23 — 12/2/23


Bar Rescue (Paramount Plus)

On Tuesday, I watched an episode in which Jon Taffer went to a bar in San Antonio and yelled at the owner, who was basically spending all of her time drinking as opposed to actually running her business.  The thing that amuses me about this show is how Taffer acts like running a bar is the most important calling in the world.

On Wednesday, I watched an episode in which Taffer went to a bar in Brooklyn and his camera crew was actually attacked by some unruly bar patrons.  Agck!  That was kind of scary.  That said, I always enjoy the New York episodes of Bar Rescue because it’s fun to watch the rudest people in the world get yelled at by the rudest television host.

On Thursday, while it rained outside, I watched as Jon Taffer tried to save an ant-infested music venue.  He got mad because the owner kept laughing awkwardly but I think the guy just had a nervous habit.  I followed this up with an episode in which a drunk sports bar owner turned out to be so obnoxious that his entire staff quit on him and Taffer didn’t even invite him to the grand re-opening of his bar.  (The owner still showed up, completely drunk.)  It was actually kind of a sad episode.  Taffer kept yelling at the guy for not smiling enough but some people just aren’t natural smilers.

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Check It Out! (Tubi)

My review of this week’s episode will drop in about 30 minutes.

CHiPS (Freevee)

I wrote about CHiPs here!

Degrassi Junior High (YouTube)

I wrote about Degrassi Junior High here!

Dr. Phil (YouTube)

On Saturday, I watched a really sad episode featuring this crazy woman who was harassing a mother who had lost one of her daughters to cyberbullying.  The woman was incredibly unstable and never seemed to understand just how loathed she was by the audience.  Seriously, the ability to go online on a whim has done terrible things to some minds.

On Monday, I watched a rare three-part episode in which Dr. Phil confronted a professional catfisher named Khalid.  Khalid tried to be very charming when the interview began but, over the course of 90 minutes, he grew more and more hostile and defensive.  It was interesting to watch, even if Khalid ultimately got away with his crimes.

On Tuesday, I watched an episode featuring a woman who was planning to leave her husband so that she could pursue Kip Moore.  The audience was amused but I found the episode to be kind of depressing. Dr. Phil once again claimed that his son was a country music star, which I don’t think was actually true.

On Saturday, after watching a docuseries about the Love Has Won cult on HBO, I watched two episodes that Dr. Phil did about the group.

Fantasy Island (Daily Motion)

I wrote about Fantasy Island here!

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Highway to Heaven (Tubi)

I wrote about Highway to Heaven here!

Jennifer Slept Here (YouTube)

I wrote about Jennifer Slept Here …. here!

Kitchen Nightmares (Monday Night, Fox)

This week, Chef Ramsay went to a restaurant in South Brooklyn, where the two owners had an extremely toxic relationship.  I enjoyed this episode because everyone involved was extremely Italian.  I was happy when Rey walked out of the restaurant because I felt his behavior was abusive.  I was less happy when Danny quit but I can understand his logic.  He just wanted to do his job but instead, he kept getting dragged into everyone’s personal drama.  I was really happy when Kelly learned how to run the business on her own but I was disappointed that she apparently took Rey back as her partner.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Love Has Won: The Cult of Mother God (Saturday Afteroon, HBO2)

This creepy three-party documentary provided a look inside the Love Has Won cult and its leader, a former McDonalds manager who was believed to be God by her followers.  She and her followers were addicted to filming themselves and the documentary was filled with footage of the group.  It was easy to be dismissive of the members of the cult but almost all of them seemed to be damaged souls, people who dealt with their personal traumas by going down the rabbit hole of conspiracy-thinking and flakey spirituality.

Monsters (Tubi)

I wrote about Monsters here!

Mystery Science Theatre 3000 (YouTube)

I watched an episode on Sunday morning.  Mike and the bots watched the 1959 film, Santa Claus.  I like Tom Servo because he’s an intellectual.

T and T (Tubi)

I wrote about T and T here!

Welcome Back Kotter (Tubi)

I wrote about Welcome Back Kotter here!

Retro Television Reviews: Welcome Back, Kotter 2.23 “I Wonder Who’s Kissing Gabe Now”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, season 2 ends as the new art teacher tempts Gabe to have an affair with someone who actually likes his jokes!

Episode 2.23 “I Wonder Who’s Kissing Gabe Now”

(Dir by Bob LaHendro, originally aired on March 3rd, 1977)

The second season finale opens with Gabe telling Julie a joke about his cousin Mark, who went back to the old neighborhood and dropped in on the old shoe repairman.  The shoe repairman saw that Mark was carrying a sales ticket from several years ago and he said, “Your shoes will be ready next Tuesday!”  Julie laughed politely.

The second season finale closes with Gabe telling Julie a really long joke about the time his Aunt Mabel went to see a psychiatrist on Park Avenue and was basically led back to the outside of the building because she didn’t make enough money to see a Park Avenue doctor.  Again, Julie laughed politely.

From the very first episode, Gabe telling Julie a joke about his family has been one of this show’s mainstays.  Sometimes, Julie smiles in response.  Sometimes, she gives up a pity laugh or two.  And sometimes, she seems downright annoyed with Gabe for wasting her time.  Gabe’s jokes are obviously very important to him.  (And, of course, they served to remind the audience that, when he wasn’t starring on a sitcom, Gabe Kaplan was a stand-up comedian.)  However, Julie never really seems to be too enthusiastic about them.  I imagine that a lot of this was due to the fact that Gabe Kaplan and Marcia Strassman did not get along behind-the-scenes but, for the show, it really does make you wonder just how much longer Gabe and Julie are going to be married.  I mean, by this point, it’s obvious that the reason Gabe spends so much time with the Sweathogs is so he won’t have to deal with Julie.  And Julie’s bad cooking is obviously a result of her secret desire to poison her husband.  This marriage just feels doomed.

The Sweathogs are certainly concerned about that.  When Epstein overhears the new art teacher, Paula Holtzgang (Denise Galick), telling Gabe that she has fallen in love with him, he is stunned.  He is even more shocked when he sees Gabe and Holtzgang kissing.  Of course, what Epstein doesn’t realize is that Paula was the one kissing Gabe and not the other way around.  Epstein tells the Sweathogs what he witnessed.  Horshack panics, wondering who will get custody of the Sweathogs if the Kotters split up.  Barbarino tries to solve the problem by showing off some of his dance moves as Paula leaves the school but, to his shock, she ignores him.

For his part, Gabe tells Julie about what happened and he says that he told Paula he wasn’t interested.  Julie demands to know if Paula is prettier than her.  Gabe says that Paula is a “different type” than Julie ….. which, yeah, that was not the right answer.  Fortunately, Gabe does not tell Julie that Paula kissed him.  Instead, the Sweathogs show up at the apartment and, attempting to save the marriage, tell Julie that she shouldn’t worry about the kiss.

With Julie on the verge of demanding a divorce, Gabe kicks the Sweathogs out of the apartment and he then assures Julie that he loves her and he can’t wait for their child to be born.  He even has a name picked out: “Farrah Fawcett Kotter.”

The next day, Gabe enters his classroom to find Paula waiting for him.  Paula says that she no longer finds Gabe attractive and leaves.

And that’s it for the second season!

Wow, what a strange episode to end on.  I mean, I guess it was good because it confirmed that Gabe and Julie will not be getting a divorce even though it’s obvious that they hate each other.  And this episode also reinforced how much the Sweathogs loved their teacher.  John Travolta got to show off his dance moves and that’s always a good thing.  But, overall, this episode was broad even by the standards of Welcome Back Kotter, with the Sweathogs coming across as being a bit to cartoonish for their own good.  The Sweathogs have always been a bit over the top but, in the past, they were still at least believable as tough but sometimes vulnerable Brooklyn teens.  But, for the past few episodes, they’ve become more like comic book characters than real people.

And yes, there was a Welcome Back, Kotter comic book:

Anyway, that’s it for the second season!  Next week …. season 3 begins!  Will the Sweathogs ever graduate?

Music Video of the Day: Perfume by Britney Spears (2013, dir by Joseph Kahn)


Happy birthday, Britney!

Apparently, there’s a longer version of this video in which it is made clear that Britney’s character is actually an assassin who is hired to kill her former lover but who, when she sees that he still has the ring that she gave him long ago, cannot bring herself to do it.  Her character is subsequently murdered for failing to complete her assignment.  Agck!  I prefer the version of the video that was actually released.

Enjoy!

Late Night Retro Television Reviews: Friday the 13th: The Series 1.9 “Root of all Evil”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, Lloyd returns!

Episode 1.9 “Root of all Evil”

(Dir by Allan King, originally aired on November 28th, 1987)

Remember Lloyd (Barclay Hope)?

Lloyd is Micki’s fiancé, an attorney who obviously has a lot of money.  Way back when this series began, Micki promised Lloyd that it would only take her a week or two to deal with her late uncle’s estate.  That was all we heard about Lloyd for the next few episodes and I have to admit that I had assumed that the show had forgotten about him.

Well, it turns out that I was wrong.  In this episode, Lloyd calls up Micki at the antique shop and basically accuses her of trying to get out of marrying him.  Micki, who obviously cannot begin to explain what she’s been doing at the antique shop, tells Lloyd that her uncle’s estate is really complex.  Lloyd wants Micki to come back home.  Micki, herself, says that she wants to go back home.  Ryan, however, tells Micki that they have an obligation to get all of the cursed antiques.

(One of the best things about the first season so far has been the contrast between Ryan’s enthusiasm for dealing with the supernatural and Micki’s more cautious approach towards their mission.  Wisely, the show doesn’t take sides.  Ryan often acts without thinking while Micki often spends a lot of time trying to rationalize each of the curses.  Both approaches have their strengths and their flaws.)

Lloyd eventually shows up at the antique shop and Micki finally tells him what’s going on.  She even shows him the vault, which includes the psycho doll from the show’s pilot.  (The doll gives Micki and Lloyd a rather nasty look.)  Lloyd is still not convinced and, at first, Micki takes some comfort in the fact that he’s not a Ryan-style believer.  She considers marrying Lloyd and returning to a life of pretending that the supernatural doesn’t exist.

While Micki is dealing with all of that, Ryan and Jack are dealing with a homicidal gardener named Adrian (played by future Veronica Mars co-star, Enrico Colantoni) who has a cursed mulcher.  When he stuffs a person into a mulcher, the body is transformed into however much money the person was worth, both financially and morally.  Jack and Ryan go undercover as gardeners and, as you can probably guess, Adrian is eventually fed into the mulcher.  The mulcher doesn’t feel that Adrian is worth even a dollar, which means that it just grinds his body up and blood goes flying everywhere.  This is definitely one of the more gory episode of the show so far.

As for Lloyd, even after he sees proof that magic is real and that the antiques actually are cursed, he still says that Micki should abandon the store and marry him.  Micki realizes that Lloyd doesn’t care about anyone but himself and she dumps him.  (If she had fed him to the mulcher, she could have at least gotten some money out of the deal.)  The episode ends with Ryan welcoming Micki back to the antique shop and Micki realizing that she’s home.  Awwwwww!

I liked this episode, mostly because it tied up a loose end from the pilot, suggesting that the show’s writers actually were paying attention to what they were doing and also showing that Friday the 13th was more than just a show about the supernatural.  It was also a show about the bonds of family and friendship.  Robey finally got to do something more than look scared and ask Jack what to do.  And, it must be said, the mulcher was an enjoyably grisly creation.  Still, I do have to wonder …. who buys a mulcher from an antique store?

Retro Television Reviews: T and T 2.7 “Fast Friends”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Mr. T whacks the attack!

Episode 2.7 “Fast Friends”

(Dir by Alan Simmonds, originally aired on November 14th, 1988)

On a rainy night in Toronto, Jonah (Leslie Toth) asks his friend Adam (Peter Spence) for permission to borrow Adam’s car.  Jonah explains that he’ll only need the car for an hour and he just has to do some “business.”  He promises Adam that this business has nothing to do with drugs.  Adam hands over the keys.

So, from the start, this episode establishes that Adam is idiot.

I mean, seriously, once can just look at the sweaty and fidgety Jonah and tell that he needs the car to pick up some drugs.  When someone who hasn’t taken a shower in a week tells you that he has to go out and do some “business,” it’s guaranteed that the business is going to involve drugs.  And even if Jonah was being honest about not being involved in the Canadian drug trade, who lets anyone borrow their car?  Even if it was a life-and-death situation, I would not give any of my friends the keys to my car.  That’s right — I would rather that someone die than let them drive my car.

But Adam feels differently.  He hands over his keys and, of course, Jonah drives to a warehouse and picks up several vials of crack cocaine.  Jonah is in debt to some drug dealers so he needs to pick some crack to sell on the streets.  But since Jonah is a no-good junkie, he smokes a little before he gets back in his friend’s car.  While trying to return the car, Jonah attracts the attention of the police.  Jonah abandons the car in an alley and runs for it.

When Adam finds out about what happened, he yells at Jonan and then, stupidly, heads down to the alley to get the car.  Adam is shocked to find crack cocaine all over the front seat because, again, Adam is an idiot.  Suddenly, the cops show up and arrest Adam!

Despite the best efforts of Detective Luntz (Alar Adema), Adam refuses to betray Jonah.  He claims that he was at home all night and that someone stole his car and left it in the alley with the drugs.  Detective Luntz continually points out that Adam’s story makes no sense because, if Adam’s car was stolen, how did Adam know where to find it?

It looks like Adam is doomed but, fortunately, his mother hires Amy Taler and T.S. Turner!  While Amy talks to Luntz in the hallway, Turner talks to Adam and shows off his new, far less menacing mohawk.

Adam tells T.S. about Jonah.  T.S. tracks down Jonah at a local drug den.  When Jonah tries to run, T.S. grabs him and says, “I know who you are, I know what you’re doing, and I don’t like it …. Talk to me, brother!”  That’s all it takes for Jonah to realize the error of his ways.  After T.S. beats up the drug dealers, Adam is released from custody.  However, Jonah still confesses to possessing the drugs because it’s the right thing to do.

And that’s the episode!  This was another instance in which the show’s 30-minute running time led to the story feeling a bit rushed.  T.S. tracked down Jonah with remarkable ease and he really didn’t seem to have any trouble convincing Jonah to turn on his dealers.  That said, the scene in which T.S. walked through the crack house was well-directed and full of a lot of creepy visuals.  Say what you will about Mr. T’s range of an actor, this episode featured him at his most sincere.  One gets the feeling that beating up drug dealers was something that Mr. T did whenever he had a break from filming.

Next week on T and T …. oh, who knows?  Toronto’s a wild city.