Late Night Retro Television Review: CHiPs 3.14 “Wheeling”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

Things get weird in California.

Episode 3.14 “Wheeling”

(Dir by Barry Crane, originally aired on December 8th, 1979)

This is one of those weird episodes where Ponch and Jon just keep running into the same people over and over again.

Artie (Paul Gale), Don (Ray Vittie), and Alan (Ron Lombard) are all in wheelchairs but they’re not going to let that stop them from enjoying life and, far more dangerously, playing tag while driving on the highway.  Artie’s van taps Alan’s car.  Alan taps Don’s car.  Don tries to tap Artie’s van.  It’s dangerous and Ponch and Jon, when they see it, promptly pull the three men over.  Ponch is impressed with Artie’s joie d’vivre.  As usual, Baker is less impresses and is like, “You — of all people! — should understand the danger!”  (I swear, poor Larry Wilcox.  While Erik Estrada got to smile through each episode, it always fell on Wilcox to be the killjoy.)

That said, both Jon and Ponch came to admire Artie and his determination to make sure that all of his wheelchair-bound friends get the most out of life.  They even help Artie present a fancy new wheelchair to Brent (David Gilliam), a surfer who has not been able to bring himself to leave the hospital ever since he learned that he will never walk again.

Artie and the gang help out Jon and Ponch as well.  Jon and Ponch are searching for a blue car that was involved in a street race that left one teenager with a broken leg.  The teenager’s father, Harry (Taylor Lacher), has been speeding up and down the freeway, searching for the car.  Harry even made a citizens arrest, though Delgado (Fil Formicola) had an alibi for the time that Harry’s son was injured.  While Delgado makes plans to sue Harry for false arrest. Artie happens to spot the blue car that Jon and Ponch are looking for.  Way to go, Artie!

But then, after all of this, Artie and his friends decide to race on Harry’s street.  Harry goes crazy.  He jumps in his car and takes off after Artie’s van, not realizing that Artie was the one who helped the police catch the guy who hit Harry’s son.  It leads to a huge accident at a construction site.  The van flips over.  Harry’s car flips over.  Harry breaks his leg.  Artie’s breaks both of his arms.  The judge sentences Harry to serve as Artie’s manservant until Artie’s arms heal.  Everyone has a good laugh, including Harry.

What a weird episode!  I mean, its heart was definitely in the right place.  The whole point of the episode was that Artie and his friends were just as capable as anyone who could walk.  That’s a good message.  But, then, out of nowhere, Artie is suddenly involved in a street race and Harry is trying to crash into his van.  And then, at the end of it, everyone finds it all to be terrifically amusing.  And somehow, Ponch and Jon manage to be at the scene of every incident involved Harry, Artie, and Artie’s friends.  Like, seriously, what are the odds?  There are other highway patrolmen in California.

Again, a strange episode.  As always, the scenery was nice.  It’s always fun to see what the world looked like in 1979.  And I appreciated that this episode made a strong case for people not taking it upon themselves to make a citizens arrest because, seriously, people who do that tend to be so obnoxious.

Anyway, I enjoyed it.  It was just weird enough to be fun.  Drive safely out there!

Retro Television Review: Miami Vice 3.22 “Viking Bikers From Hell”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, it’s Reb Brown vs Don Johnson!

Episode 3.22 “Viking Bikers From Hell”

(Dir by James Quinn, originally aired on April 3rd, 1987)

Biker Reb Gustafson (Reb Brown) has been released in prison, just in time to seek vengeance for the death of his mentor, The Wire.  The Wire was killed in a drug deal gone bad so Reb decides to just track down every dealer that The Wire did business with during the final two weeks of his life and kill every one of them.  Working with Lascoe (John Matuszak) and Toad (Sonny Landham), Reb cuts a trail of terror through Miami’s underground.  Soon, there’s only one name left on the list …. SONNY BURNETT!

At this point, of course, everyone in Miami should know that Sonny Burnett is actually Sonny Crockett.  I’ve lost track of how many time Crockett and Tubbs have gotten their undercover identities blown.  Usually, the people who figure out that Sonny and Rico are undercover end up dying almost immediately afterwards.  But a few of their enemies have survived and it’s odd that they never seem to bother to tell anyone, “Hey, those guys are actually cops.”

This episode of Miami Vice is violent that it verges on self-parody.  (I guess that’s to be expected as the script was written by the great John Milius,  Milius was credited as “Walter Kurtz.”)  Reb Brown is an amusing actor.  He never showed much emotion but he always looked believable whenever he was relentlessly tracking down someone that he wanted to kill.  Brown is both this episode’s greatest strength and its greatest weakness.  As played Brown, Reb Gustasfson barely flinches when he gets shot.  He’s a relentless killing machine, the terminator on a motorcycle.  That does certainly make him an intimidating figure.  At the same time, this episode also features Reb Brown doing his signature yelling and, for me, it was hard to watch this episode without thinking about all the close-up, high-pitched screaming that he did in Space Mutiny.

Tubbs ends up in the hospital in this one.  An attack by Reb and his biker pals leaves Tubbs with a concussion.  Crockett visits the hospital and there’s a scene where he attempts to have a conversation with a heavily drugged Tubbs.  Tubbs’s comments make about as much sense as the last words of Dutch Schultz but it’s still kind of nice to see that Crockett actually does care about his partner.  The two of them haven’t always seemed particularly happy with having to work together over the course of the third season.

Biker fans will also be happy to note that Kim Coates has a small role in this one.  Crockett and Tubbs beat him up in a biker bar while demanding information about Reb.  The odd thing here is that Crockett and Tubbs go into the biker bar and make no attempt to hide the fact that they’re actually cops.  And all of the bikers in the bar seem to already know that they’re cops.  Seriously, were Crockett and Tubbs the two worst undercover cops in history?

This was an enjoyably over-the-top episode.  It was a bit silly but, when it comes to Reb Brown, would you want it any other way?

Music Video of the Day: Weapon of Choice by Fatboy Slim (2001, dir by Spike Jonze)


Val wrote about this music video way back in 2016.  I’m sharing it again because today is Christopher Walken’s 82nd birthday!  Walken trained as a dancer before going into acting and he gets to show off more than a few moves in this video.

Walken also trained as a lion tamer before he went into acting.  I guess he’s a little bit old to play a lion tamer now but still, that’s something I would have liked to have seen.

Enjoy!

A Blast From The Past: Testing Dirty (dir by Lynn Hamrick)


Our regularly scheduled review of Degrassi High will not be posted tonight so that we can bring you this special presentation.

My Retro Television Reviews will return on Monday but for now, check out this 1990 program called Testing Dirty!  In this short film, Christopher Daniel Barnes (best known for playing Greg Brady in The Brady Bunch Movie) is a high school athlete who tests positive for drugs despite not using them.  As he tries to clear his name, the adults in his community debate whether or not random drug tests are actually fighting or helping the problem.  That’s an important topic but, for the most part, this film is best-known for a cameo appearance by Adam Sandler as a drug dealer.

And now, without further ado …. it’s time for Testing Dirty!

Song of the Day: Foggy Mountain Breakdown by Earl Scruggs and Friends


Since today is Warren Beatty’s birthday, it seems appropriate that today’s song of the day should be one that featured in one of Beatty’s best-known films, Bonnie and Clyde.

And yes, that is Paul Shaffer on piano and Steve Martin playing banjo with Earl Scruggs and Friends.

 

A Blast From The Past: The Human Voice (dir by Ted Kotcheff)


Our regular review of Homicide will not be posted today so that we may bring you this special presentation….

My retro television review will return tomorrow.  For now, check out 1966’s The Human Voice.  In this 55-minute stage adaptation, Ingrid Bergman plays a woman having a phone conversation with her lover of five years on the night before he’s meant to marry another.  Written by Jean Cocteau, this monologue was also filmed by Pedro Almodovar in 2020, with Tilda Swinton giving a performance that cannot hope to compare to Bergman’s.

And now, without further ado, here is The Human Voice!

 

A Blast From The Past: The Gymnast (dir by Larry Elikann)


Our regular review of Check It Out! will not be posted tonight so that we might bring you this special program….

My retro television reviews will return next week.  For now, we present you with The Gymnast, a short film from 1980 about a teenage girl named Jenny who wants to be the best gymnast in the world but who is going to have to learn some important lessons about hard work and humility beforehand.  I could relate to this film because I was the same way about dancing when I was a teen.  Of course, I never learned any lessons about hard work or humility and I’m all the better for it.

That said, this isn’t a bad little film.  Zina Bethune gives a good performance as the hard-pushing coach and there’s plenty of gymnastic action as well.  I’m going to guess this was probably made to appeal to teens who would presumably have found a bunch of new heroes watching the 1980 Summer Olympics.  Jimmy Carter, however, had other plans.

Now, without any further ado, here is …. The Gymnast!