This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.
Today, we start the 1960s!
4 Shots From 4 Horror Films
Psycho (1960, dir by Alfred Hitchcock)
The Pit and the Pendulum (1961, dir by Roger Corman)
The Awful Dr. Orlof (1962, dir by Jesus Franco)
Black Sabbath (1963, dir by Mario Bava)
Yesterday was Janet Leigh’s birthday and today is Pat Hitchcock’s birthday so it seems appropriate that today’s scene that I love should feature both of them. From 1960’s Psycho, this scene features Leigh and Hitchcock as office co-workers who meet the very wealthy Mr. Lowry (played by Frank Albertson).
“He was flirting with you. He must have seen my wedding ring,” remains one of the greatest lines ever written.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, I want to celebrate one of my favorite photography techniques, the double exposure!
4 Shots From 4 Films: Celebrating Double Exposure
The Wrong Man (1956, Dir. by Alfred Hitchcock)
Psycho (1960, Dir. by Alfred Hitchcock)
The Story of Adele H. (1975, Dir. by Francois Truffaut)
Twin Peaks: Fire Walk With Me (1992, Dir. by David Lynch)
Norman Bates, now there’s someone who probably made a big deal out of every Mother’s Day. Today’s scene that I love comes from 1960’s Psycho and features Hitchcock, Janet Leigh, and Anthony Perkins at their absolute best,
116 years ago, an actor named Mort Mills was born.
Mort Mills may have never been a household name but he will be forever remembered for playing the suspicious highway patrolman in 1960’s Psycho. Anyone was have ever had to deal with a grim-faced, flat-voiced highway patrolman will automatically be able to relate to Janet Leigh’s fear in today’s scene that I love. I’ve watched this film numerous times and I still don’t know if the patrolman was just doing his job or if he really was suspicious of Marion. Mort Mills, with those dark glasses and flat affect, keeps you guessing. In this brief role, Mills makes an impression that will never be forgotten.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Today, we honor the master of suspense, Alfred Hitchcock. Not all of his film were horror films, of course. In fact, the majority were not. But his influence on the genre cannot be overstated. Just try to keep track of how many horror films owe a debt to Psycho or The Birds.
It’s time for….
4 Shots From 4 Alfred Hitchcock Films
Rebecca (1940, dir by Alfred Hitchcock, DP: George Barnes)
Shadow of a Doubt (1943, directed by Alfred Hitchcock, DP: Joseph A. Valentine)
Psycho (1960, dir by Alfred Hitchcock, DP: John L. Russell)
The Birds (1963, dir by Alfred Hitchcock, DP: Robert Burks)
Today’s horror song of the day really needs no introduction.
From 1960, here is the main theme from Alfred Hitchcok’s Psycho, composed by Bernard Herrmann.
You have to feel a bit bad for Anthony Perkins, who was an Oscar-nominated star of film and Broadway and something of a teen idol before he was cast as Norman Bates in Alfred Hitchcock’s 1960 masterpiece, Psycho. Perkins was so convincing in the role that he pretty much spent the majority of his career either playing variations of the character or appearing in small roles where his macabre screen image would not be too much of a problem. Perkins gave one of the best film performances of all time and his career never really recovered from it.
Unfortunately, there’s a tendency to overlook just how good Anthony Perkins was in this first Psycho. People look at his later, less-compelling performances and they make the mistake of thinking those performance were the best that Perkins was capable of giving. Perkins was a fine actor and never better than when he played Norman. The scene below highlight how Perkins managed to make Norman Bates both poignant and creepy at the same time.
Poor Anthony Perkins!
Anthony Perkins did not start his career as a horror icon. A talented young actor, Perkins started his career on Broadway and eventually, he started to appear in films. From the start, he was usually cast as nervous young men, the type who awkwardly smiled and struggled to talk to people. Perkins was promoted as a romantic lead, with the Studios and his agents making sure that Perkins was regularly photographed dating Hollywood starlets like Natalie Wood. As witty off-screen as he was nervous on-screen, Perkins was a popular figure in Hollywood. He received his only Oscar nomination for his performance as a young Quaker in 1956’s Friendly Persuasion.
Perkins’s entire career changed when Alfred Hitchcock cast him as the seemingly timid motel owner in 1960’s Psycho. Perkins was reportedly Hitchcock’s first choice for the role, with Hitchcock saying that he felt only Perkins or Dean Stockwell was capable of bringing Norman to life. Perkins was not nominated for Best Actor but the role pretty much defined him in the eyes of many. Perkins spent the rest of his career trying to first escape the shadow of Psycho and then eventually embracing his status as an icon of horror.
Perkins’s performance has been imitated so many times that there’s a tendency to forget just how good he is in the role. In this episode, Perkins-as-Norman discusses his mother with Janet Leigh.
For Hitchcock’s birthday, today’s scene that I love is the final scene of 1960’s Psycho! Do I really have to give a spoiler warning for this?
Through the Shattered Lens 