Review: Game of Thrones Ep. 05 “The Wolf and The Lion”


For those bemoaning the fact that the last couple episodes of Game of Thrones had been lacking in the action department and had veered into exposition territory should be sated by the events of the fifth episode simply titled, “The Wolf and The Lion”. This episode still retains much of the excellent writing and storytelling done by showrunner David Benioff and D.B. Weiss, but it also brings to the forefront the violent conflict that will soon engulf the Seven Kingdoms of Westeros.

George R.R. Martin’s books of which this show’s based on never lacked for brutality and medieval violence on a scale not seen often in fantasy. “The Wolf and The Lion” finally brings to this series the two lead houses which becomes the spark for the show’s upcoming conflict. The episode adds more intrigue to the proceedings even as it begins a hard boil into the climactic end that should make the second half of this series to finally and fully hooked it’s viewers.

We see Lady Catelyn and her entourage on the road as they travel to her sister’s realm at the Vale to conduct a trial of Tyrion Lannister who she has accused of conspiring to assassinate her young son Bran. It’s while on the road we see a hint at how violent this show can get as brigands from the hill tribes on the road to the Eyrie in the Vale ambushes her group. Blood flows and even Tyrion gets a chance to prove his martial prowess in defense of the very woman who has accused and planning to pass judgment on him. I must say that his scene with the kite shield and the head of a hill tribesman probably brought more than a golf-clap and courtesy cheer from fans of Peter Dinklage.

This episode also continues the show’s growing habit of inserting more backstory to supporting characters like Theon Greyjoy who we see visiting his favorite redhead Ros outside of Winterfell. This scene may seem out of left field for those who have never read the book, but for those who have it’s a nice touch seeing the seed of doubt enter Theon’s mind about his relationship with House Stark and his role as a noble son of House Greyjoy of the Iron Islands. Though I must say I think I became temporarily blinded when the camera failed to pan up and audiences were shown Greyjoy junk flapping in the breeze.

The rest of the episode really centers on the Wolf, the Lion and the Stag. The wolf would be Ned Stark who continues his investigation on the true reason why the former King’s Hand was killed. Each question answered brings up new ones and we begin to see Ned finally begin to notice that he is definitely out of his element. Intrigues, schemes and shadow-games surround him and for a man used to fighting enemies he knows and sees this revelation really knocks him back. The final nail in his growing fear that he made a mistake coming south is brought to bear by his friend and king.

A council meeting conducted by Robert himself brings the question of what to do with the newly pregnant Daenarys Targaryen. While Daenarys doesn’t appear in this episode her presence still looms large over the episode’s many subplots and threads. She’s deemed a danger to the Seven Kingdoms and Robert is willing to do the unthinkable (in the mind of Ned, at least) to make sure Daenarys never crosses the Narrow Sea with an army of 40,000 Dothraki horsemen and the might Khal Drogo to take back the Iron Throne. It’s this decision by Robert and his council to expedite Daenarys with extreme prejudice that finally convinces Ned that it’s time to go back North where the real danger to the Seven Kingdoms lie waiting for winter to arrive.

I won’t spoil the rest of the episode. Especially the last five minutes which really amps the action for this series. For fans of the books this sequence should be a delight. The show has been readily accepted by the book’s fans despite some changes in how certain characters have been introduced and allowed to grow. While these very fans understand the nature of adapting a novel of over 800 pages into a 10-episode series of an hour per they still worry that too much cutting and trimming will occur to fit the first novel into this season. I’m happy to say that the series and the book have met pretty much in the same place in terms of storytelling and further trepidations about how the showrunners ar ehandling the adaptation should really go away by now. If one is a fan of the book and has stayed with this series up to it’s halfway mark then complaining about changes and tweaks to characters and storylines is just nitpicking. For those who are new to the work of George R.R. Martin then this episode should whet their appetites even more for more action, intrigue and, of course, sex as the show moves inexoribly towards a boiling point and the explosion of war and violence when it finally occurs.

It will be interesting to see the second half of the first season of Game of Thrones play out as we finally begin to see battle lines being drawn. House Stark and it’s allies on one side and House Lannister and the lesser houses and bannerman loyal to them in the other. Then there’s the King Robert himself stuck in the middle trying to keep the Seven Kingdoms from imploding as the threat of a Targaryen with an army of Dothraki horsemen looms dangerously on Westeros across the Narrow Sea. This episode didn’t even mention anything about the problems at The Wall and what lies beyond it to the north. Not once did this episode mention anything about “winter is coming” yet that unspoken warning also looms like a shadow over everyone.

It’s going to be a very long wait til the next episode and, for those who have HBOGO, the next two episodes. Up next week will see the return of Daenarys and her idiot brother Viserys in the sixth episode titled, “A Golden Crown”.

Review: Game of Thrones Ep. 04 “Cripples, Bastards and Broken Things”


We’ve now come to the fourth episode of HBO’s very ambitious and expensive medieval fantasy series based on author George R.R. Martin’s “A Song of Ice and Fire” saga of which the first  book make’s up the first season. The first three episodes have done a great job at not just setting up the rules which govern this fantasy world of Martin’s but has deftly handled the many characters both main and supporting. It’s always been one of the many trepidations by fans of the books that the show may dumb down and simplify all these personalities both big and small for the tv screen. Luckily, for both fans and non-fans of the book the writers of the show have kept much of these characters intact.

“Cripples, Bastards and Broken Things” is quite an apt title for this latest episode as it deals with exactly just that. The show explores those three subjects. We begin with both cripple and bastard finding a common ground as Tyrion (Peter Dinklage in what could only be an Emmy-winning performance as the Lannister Imp) shows compassion instead of pity to the crippled Bran Stark despite his very own suspicion as to the cause of Bran’s fall. It’s also in these scene where we see the appearance of fan favorite Hodor (Kristian Nairn). Hodor’s introduction is one of several instances which has allayed my concerns that such minor characters would be trimmed from the book as it makes its way onto the show. While I’m sure the show will not introduce every name from the book at least they’ve taken a deep understanding as to which of the supporting cast in the book must remain even if they are quite minor.

The rest of this episode really deals with the “Broke Things” of the title. We see just how broken the situation has become not just in Castle Black with the Night’s Watch but all across the Seven Realms of Westeros. The king’s insistence in holding a tourney for his newest Hand has led to more debt as more people flood into King’s Landing to witness this event. We see the broken relationships between family members in the houses of Stark, Lannister and Targaryen. It’s these cracks which has led to corruption and intrigue which could only lead to tragedy for the current holder of the Iron Throne and for all of the Westeros.

Even some of the characters themselves show signs of being broken things with the most visible being Jaime Lannister (Nikolaj Coster-Waldau) whose cocky and self-absorbed personality shows hints of humanity. He sees what his king has been doing to hurt not just the kingdom he serves but to his sister Cersei whom he loves. There’s a brief hint in his expression as he stands guard outside Robert’s bedroom as whores attend his brother-in-law knowing he cannot do anything to fix it without living up once more to his infamous moniker of Kingslayer.

This episode introduces several new characters that should have some impact in the coming weeks as the show leads to it’s climactic season finale. One character which should please fans and make non-fans of the book lean with interest is the “Mountain”. Gregor Clegane is aptly named and comes in as Sandor “The Hound” Clegane’s (Joffrey Bieber’s personal guard with the half0burned face) older and much more brutal brother. We don’t hear him speak, but his entrance and what he does during the jousting tournament looms large in that sequence. It helps that Petyr Baelish (Aidan Gillen great in the role) gives Sansa a brief tale concerning the “Mountain” and the “Hound” which adds some mystery to the two siblings which the writers will hopefully explore further as the series moves along this season and the next.

The other new character that gets some major time in this episode was one of the stronger ones in terms of portrayal. Samwell Tarly (John Bradley-West sticking the role almost perfectly) is the latest recruit to don the black of the Night’s Watch and he’s as far from the ideal candidate for the black as any this show has shown. He’s fat, cowardly and almost effeminate in his behavior, but the character comes in as a broken thing. He’s forced to join the only thing he knows would accept him despite his shortcomings and the only haven from the suffering he has endured from his own family. At first it seems like pity that forces Jon Snow to take Sam under his wing for protection, but as he learns more of Sam’s background from Sam himself the more he sees similarities between the two of them. Only the turn of the fate having put Jon in the compassionate care of Eddard Stark has made him into the young man he is and becoming. It’s this growing rapport between Jon and Sam which really governs the Night’s Watch part of Game of Thrones.

But the show is not all about cripples, bastards and broken things. We see the beginning of the inner fires in both Daenerys Targaryen and Catelyn Stark in this episode. With the former we see how much she continues to grown into the role of Khaleesi of the Dothraki Horde. The confrontation between her and her older brother Viserys should begin to allay fears fans have had about how the writers have been handling the Daenerys character. Yes, the first three episodes haven’t really shown Daenerys being strong and kickass, but even in the book she wasn’t written to be such a character right from the onset. In both book and show her growing confidence still takes time. It just happens that the show just made her quite pliable and weak to start off with. I think that by the time this season ends Daenerys will grow into the confident character fans have been waiting to see.

With Catelyn Stark the situation has been a bit more complex as her character has been given several more layers of complexities with her book counterpart didn’t have. In the book she’s almost Ned Stark’s equal in almost everything, but lost in that was an emotional core which the show has given her. It’s this emotional layer which has added a loving motherly aspect to the character. It sometimes came off as helplessness in the previous episodes, but what mother wouldn’t feel so frozen with worry and inaction for the tragedy to have struck one of her sons. The fire that fans have been waiting for begins to fan as Catelyn sees herself confronting one of the very Lannister’s who she believes had a hand in the assassination attempt on her crippled son, Bran. Her reciting the many different bannermen who are loyal to her house and to her husband’s house was very inspiring and just a hint of what will come next as a storm of swords and a clash of kings loom over the horizon of Westeros.

Overall, “Cripples, Bastards and Broken Things” continues a streak of excellent episodes in the premiere season for Game of Thrones. We see more intrigue and machiavellian machinations than action, but it’s entertaining and thrilling nonetheless. This show has shown that fantasy, especially on TV, doesn’t have to be always about battles and bloodshed (though the spearing of the knight at the joust was done bloody well enough). It’s the political maneuverings and intrigues which will ultimately drive this show towards the very battles and bloodshed fans of these type of shows end up craving for.

Next week’s episode will be “The Wolf and The Lion”.


PS: It was great to see Jon Snow’s direwolf finally appear in its grown form. We’ve already it as an albino pop, but not grown like we’ve already seen with Summer, Nymeria and Lady. Ghost will soon become a favorite with the show’s fans the more he appears. The only one’s we haven’t seen are Robb Stark’s Grey Wind and Rickon Stark’s Shaggydog.

Review: Game of Thrones Ep. 03 “Lord Snow”


Please bear with me. I don’t know if I’ve ever written about a tv show before and as a result, this may come across as being more of a capture of what happened rather than the typical “Conversation With You” style I’m used to writing (as that can get a little long winded and off track). This is new to me here.

This week’s episode of Game of Thrones is something of an in between episode, more of an exposition piece than anything. You can’t have action all of the time, so you need one of these every now and then. To start, things are changing in the map, we are given the usual scenes until near the end, where we see the Dorthraki army making it’s way across the land. I’m really enjoying that.

Arriving at King’s Landing, he finds Jamie Lannister waiting for him. The two share words over the death of Stark’s father, but we have some understanding into the Lannister / Stark conflict. Stark then meets with a counsel of the King’s men (including an interesting cameo by Julian Glover). Together, they inform Stark that they are going to have a tournament, but that actually paying for it would be an issue because the land is facing a debt.

I liked the discussion between the Queen and her son on being a King, in that ruling is not all about inflicting your will on others. She’s taking her time with going against the Starks, but the son really needs to learn that. He’s like Draco Malfoy whining about having to down “filthy mudbloods”. Tyrion clearly needs to smack him up a little more.

It seems like Ned is having some fatherly issues with his girls. One resents him for thinking of her as a child and the other is still trying to prove the truth of Joffrey’s attack on her. I have to admit that I liked Ned’s approach with the younger daughter, Arya. He explains to her why her sister couldn’t back her on what Joffrey did, but at least let her keep the sword. That, coupled with the way the episode ended was nice to see.

I get the feeling that no one in this land really likes the Lannisters (save for Tyrion, who’s fantastic in my eyes). I loved seeing the King somewhat tear into Jamie Lannister about their smug faces. They’re just so uppity (for lack of a better word), that I wonder how the King ended up with the Queen in the first place.

Although Jon is at The Wall, kicking tail as if he were the Dark Knight himself, he’s not making too many friends there. As always, Tyrion is able to get him out of a nasty situation, and Peter Dinklage really has been amazing in this show. I wouldn’t be shocked to see him get an Emmy nod somewhere down the line.

Daenerys, upon hearing about how the slaves are acquired, orders the convey to stop. Viserys catches word of this and threatens her only to be stopped by one of Drogo’s men. I’m really liking how Daenerys is adjusting to her new role. She’s making decisions and learning the language. The surprise of her pregnancy seems to be a good thing, but I’m not yet sure why her advisor had such a problem with it. I’m imagining that this will be brought out in the next episode, but that’s definitely something I wouldn’t mind finding out about.

The ending of this episode was great, with a nice teacher / student scene with Arya. She’s learning to fight, and I’m hoping that at some point, she manages to “stick the pointy end” of her blade into little Joffrey. Of course, this may be a little much to ask at this point, but see there being at least one action point with her in the future.

Review: Game of Thrones Ep. 02 “The Kingsroad”


With Arleigh being away in Boston this weekend, I’ve agreed to attempt to review the second episode of Game Of Thrones, The Kingsroad.  I say attempt because, unlike Arleigh and a lot of our regular readers, I am totally and completely unfamiliar with the books that this show is based on. 

In other words, up until last week, I was a virgin, at least as far as Game of Thrones was concerned.  And while I’m happy to say that losing my Game of Thrones virginity was actually a lot more enjoyable than losing my actual virginity,  it still left me, in many ways, just as confused.  Who are all these people? I wondered as I watched the 1st episode.  Other thoughts that I can remember off the top of my head: Awww…cute little wolves!  Wait, is he the king?  My red hair is prettier than hers.  What the Hell’s going on?  Hey, it’s that guy!  Huh?  Peter Dinklage for the win!  What?  Huh?  Oh shit, that kid’s going to leave a mess when he lands! 

Unlike those of you who have read the books, I came into Game of Thrones with absolutely no tools to help me keep everything straight.  But yet, through a combination of surprisingly sincere performances, intriguing plot twists, and hot guys acting like men, the show held my interest to enough of an extent that I decided to come this week and get confused all over again.

So, what about this latest episode?  Well, looking at it from the point of view of someone who is still learning this show’s language, I think The Kingsroad was the perfect follow-up.  After the somewhat frantic pilot episode, Kingsroad slowed the story down a bit and instead devoted most of its time to allowing us to get to know the characters and filling in a lot of backstory.  If the first episode concentrated on making the character watchable, this episode concentrates on making the characters into human beings with all the individual quirks, flaws, and strengths that go along with being human.  The pilot told us why we should watch.  This episode gave us some clues as to why we should care.

After seeing tonight’s episode, there’s still a lot that I don’t understand but I understand enough to know that Joffrey’s a little punk and Tyrion — Tyrion just flat out rocks.  (Though, and this is how much of freaking newbie I really am, I originally called him Tyrone throughout this entire review.)

Below are ten other somewhat random thoughts inspired by watching the second episode of Games of Thrones.

1) If I came away with anything from tonight’s episode, it’s that I really need to get myself one of those dire wolves.  Over the course of this latest episode, I saw one wolf rip open an assassin’s throat while another one attacked that hateful little brat Joffrey.  I mean, I love my cat but the only person he’s willing to attack is me.  As long as he gets fed, he doesn’t care if I live or die.

2) But then there was that heart breaking moment when Nedd had to kill Sansa’s dire wolf.  I have to admit that I was cringing when I first saw Nedd holding that blade and that I kinda breathed a sigh of relief when I realize that they weren’t actually going to show it happen.  But then that pathetic yelp erupted on the soundtrack and it just left me heartbroken.

3) Which is why I can now say that I will probably never dislike another character as intensely as I now dislike Joffrey.  In retrospect, the most satisfying part of this episode was watching Tyrion slap Joffrey around at the beginning.

4) And speaking of Tyrion, Peter Dinklage kicks so much serious ass that I don’t even know where to start in praising his performance.  His big scene here (outside of slapping around Joffrey) was when he explained to Jon that, if he was a peasant, he would have been left in the forest to die.  He delivered the line with the perfect combination of cynicism, weariness, and dark humor.  It’s too early to say for sure but I may have found someone to fill the Josh Halloway-shaped void in my heart that was created when Lost ended.

5) I have to say that Sansa, with her refusal to stand-up for her younger sister and her reference to the wounded Joffrey as her “poor prince,” is not doing her fellow redheads proud.  Of course, I’m sure some of it has to do with the fact that she’s kind of overshadowed by her far cooler baby sister. I guess that has to be difficult to deal with.  Next chance I get, I’ll ask my older sisters about it to find out for sure. 🙂

6) The majority of this episode’s actual “plot” centered around Bran who was last seen getting kicked out of a very high window.  Shockingly enough, he’s still alive but he spends most of the show in a coma.  To be honest, there was only one false moment for me in this episode and it came when Catelyn found that hair at the “scene of the crime.”  I mean, what’s she going to do with it?  Call in David Caruso and have him take it back to Miami to be analyzed?  Still, I enjoyed the look on the faces of both Cersei and Jaime when they heard that Bran was alive.

7) One thing that I am greatly enjoying about this show is the way that the personal and the political mix throughout the story.  For all the plotting and talk of strategy, most of the show’s past and future conflict appears to be largely the result of wounded pride, jealousy, insecurity, and miscommunication.  Just like in real life and that, I think, is why this show will survive and why I will continue to watch it even if I am never 100% sure just what exactly is really going on.

8 ) I’m actually enjoying the fact that Game of Thrones takes a bit of effort to follow.  It was actually a pretty wise choice on the show’s producers’ part to just jump right into the action.  It makes the show feel real and relatable.  It allows even those of us who haven’t read the books to enjoy it.

9) So, did all you guys out there enjoy watching Daenerys learning how to pleasure her scary giant of a husband?  It’s okay if you did because I did and I’m a card-carrying Ms. 45 feminist.  Fact of the matter is that, once you get through all of the  usual “quality television” arguments, the main appeal of HBO is that its quality television with frequent frontal nudity.  (That’s why me and Erin used to secretly watch Oz when we were younger.)  And Daenerys’ demand that Drogo at least look at her face while using her — well, who couldn’t relate to that?

10) Finally, I have to mention that this show has got to have one of the best opening credit sequences ever!  Seriously,  that majestic yet ominous music  playing over images of a civilization being created, it’s a wonderful combination and definitely one that I hope to see for many more weeks to come.

Film Review: Win Win (dir. by Thomas McCarthy)


When I watched the pilot episode of Game Of Thrones, I got very excited when I saw that Thomas McCarthy was credited as the director.  Now, McCarthy isn’t a household name but chances are, you’ve seen him.  He played the plagiarist journalist in the final season of The Wire.  He was John Cusack’s romantic rival in 2012.  He was nominated for an Academy Award for co-writing the Pixar film Up.  However, McCarthy has received most of his critical acclaim as the director of low-key, character dramas like The Station Agent and The Visitor.  I have to admit that I was shocked to see McCarthy’s name linked to Game of Thrones because, with the exception of Peter Dinklage, it appeared to have nothing in common with his previous films.  Well, turns out that I wasn’t the only one who thought that because apparently, despite McCarthy being credited as the director, the majority of the pilot was actually reshot (quite well) by Tim Van Patten.

So, you might not be seeing Thomas McCarthy’s work on television but fortunately, you can still catch it in the movie theaters.  McCarthy’s latest film is a surprisingly poignant comedy called Win Win.

InWin Win, Mike (played by Paul Giamatti) is an attorney who works and lives in small New Jersey town.  Mike is married to Jackie (Amy Ryan), owns a big house, helps to coach the high school’s mediocre wrestling team, and can’t pay his bills.  Rather than let his family know that he’s on the verge of going broke, Mike instead becomes the legal guardian of one of his clients, the increasingly senile Leo (Burt Young).  In return to acting as Leo’s guardian, Mike receives a payment.  He also promises to take care of Leo so that Leo doesn’t have to enter a nursing home.  However, since Mike is played by Paul Giamatti, it doesn’t come as much of a shock that Mike promptly moves Leo out of his home and into the nursing home.  Leo, however, is too senile to understand that he’s being taken advantage of and all of Mike’s second thoughts disappear as soon as he gets the first check.

However, things get complicated once Leo’s delinquent grandson Kyle (Alex Shaffer) shows up looking for his grandfather.  Mike takes Kyle to see Leo and soon finds out that Kyle’s mother (and Leo’s daughter) Jill (Melanie Lynesky) is currently in drug rehab and Kyle has nowhere to go.  Reluctantly, he and Jackie agree to allow Kyle to stay with their family until his mother gets out of rehab.

While Kyle, at first, seems to just be an inarticulate drop out, he quickly reveals to himself to actually be a very intelligent (if very angry) young man.  Even better, from Mike’s point-of-view, Kyle is a former wrestling champion.  Mike arranges for Kyle to enroll in the local high school and join the wrestling team.  With Kyle now on the team, they actually start to win matches.  Suddenly, everything is starting to look up for Mike.  He’s a town hero, Jackie starts to bond with Kyle, and Leo remains unaware of how Mike is taking advantage of him.

And then, Kyle’s mom shows up and everything pretty much goes to Hell.

Win Win is the latest entry in the genre of film known as Paul Giamatti Has A MidLife Crisis.  The fact that the film remains interesting despite being the thousandth time that we’ve seen Giamatti have a midlife crisis is a tribute to both McCarthy’s intelligent script and Giamatti’s excellent lead performance.  Giamatti could play these roles in his sleep and the fact that he doesn’t is what makes him such a consistently interesting character actor.  Giamatti gets strong support from Shaffer and especially Ryan.  However, my favorite performance in the film came from Bobby Cannavale, who plays Giamatti’s loyal if somewhat dull-witted best friend.  Cannavale shows that you can give a very smart performance playing dumb and hopefully, his performance here well lead to greater things for him.

Now, I have to admit — I know nothing about wrestling.  Actually, I know less than nothing about wrestling.  And, to be honest, I really don’t care if I ever know anything about it.  Yet this film, which centered around wrestling, held my attention because McCarthy, as a director, uses the wrestling story to portray something universal.  His direction here is never flashy nor is it technically perfect.  (To be honest, I counted three appearances by the boom mic.)  McCarthy isn’t a polished director but that lack of polish works to this film’s advantage.  He may not have been the right director for Game of Thrones but he was obviously just what Win Win needed.

Review: Game of Thrones Ep. 01 “Winter Is Coming”


[some spoilers]

George R.R. Martin’s historical fantasy series, A Song of Ice and Fire, has been decades in the making and has gained such a massive and loyal following that when news arrived several years back that HBO will adapt the first book in the series, A Game of Thrones, the news was welcome with cheers and some trepidation. Cheers because finally one of the most beloved fantasy novels of the last couple decades was finally getting a live-action treatment it’s fans were clamoring for. The trepidation came from these very same fans hoping that those involved in adapting the book didn’t screw things up and ruin something very precious to them.

Showrunners David Benioff and Dan Weiss have adapted what some consider a very complex and dense fantasy novel and came up with something that stays true to the source material while still keeping things from becoming too overly complicated. The first episode is aptly titled, “Winter Is Coming” and we see the show begin with an impressive panoramic scene showing the Wall in all its imposing grandeur as several member’s of it’s Nightwatch Brotherhood venture north of it into the snow-covered, icy wasteland in search of the nomadic wildlings. Their search find them not just a tribe of wildlings (not in a condition one would consider living) and something else which their Brotherhood were created to protect the rest of the Seven Kingdoms of Westeros south of the wall from. The Others make a brief and chilling appearance in the first ten minutes of the episode to give a glimpse as to the true danger poised to strike down on Westeros.

The episode soon moves to the kingdom who stands guard just south of the Wall and whose lord, Eddard Stark, stands to be one of the first line of defense against the winter that is coming and the dangers it brings. Lord Eddard “Ned” Stark is the sort of noble, uncompromising lord that stories of chivalry have taught readers for hundreds of years, but who really is the rare gem in a sea of rough and flawed stones that make up the other lords and knights of the Seven Kingdoms. We see him tending to his castle-fortress of Winterfell as he oversees not just his growing sons and daughters, but the sudden news that his old friend and liege, King Robert Baratheon (played with gluttonous glee by Mark Addy), will be arriving with his entourage to Winterfell.

The episode is slighty a few minutes above an hour in running time and in that time Benioff and Weiss were able to introduce a multitude of characters both large and small which would remain important throughout this series’ 10-episode run. We meet the rest of the Stark clan from Ned’s loyal and down-to-earth wife Catelyn (from House Tully) to his sons, Robb, Bran, Rickon and Jon Snow (Ned’s bastard son hence the “Snow” surname). Then there are his two daughters who are sun and moon in difference with Sansa the older and more social-conscious daughter to Arya the tomboy younger sister who wishes nothing more than to learn how to be a knight. Maisie Williams as Arya Stark is a joy to watch in her brief scenes in the episode. She fully embodies the spirit of Arya which has made the character such a fan favorite since she was first introduced by Martin to readers everywhere in August 1996.

Other fine performances of note in the episode were the ones put forth by Peter Dinklage as the dwarf Lannister brother to the gleaming beauties of his twin siblings, Queen Cersei Lannister (Lena Headey in a haughty performance so similar to her Gorgo role in 300, but minus the nobility inherent in the title) and Jaime “Kingslayer” Lannister (Nicolas Coster-Waldau playing the role as a bon vivant, pretty boy knight). It doesn’t take long to see Dinklage not as a dwarf actor playing a dwarf role, but just as Tyrion the bitter, world-weary son who knows his place in the scheme of things and have accepted them thus making him one of the most honest characters in this episode to date outside of Ned Stark.

The cinematography for this first episode was stunning to say the least. From the frozen forests and domain north of the Wall shot in such stark white and blues to the lush and earthy look given to the tropical domain of the Dothraki where the surviving children of the former king of Westeros now reside looking to find allies to retake their rightful place as ruler of the Seven Kingdoms. Even Winterfell is given such loving detail in how its shot to allow it to gain a semblance of personality. A personality of a kingdom harsh and one to brook the foolhardy and soft. Winterfell looks like a place that produces hardy, fatalistic, but able men willing to do that which must be done.

For fans of the book this episode shouldn’t be too difficult to follow despite all the characters being introduced. In fact, for a first episode it really packs in the details that set’s up what will become the many different plot strands that will begin to weave itself into complex tapestry of a tale that will take audiences from the stark realm of the The Wall and Winterfell to the lush seat of power at King’s Landing to the tropical and savannah flatlands for the Dothraki realm. It’s this attention to detail that may lose some non-fans of the books as it could be too much too handle right away. But I think viewers of HBO drama series of the past should be well-versed in juggling such amounts of details right from the get-go. If loyal fans of the Wire, Oz, Deadwood, True Blood and The Sopranos can attest to it’s learning how to handle such details in stride and just let the story take them away.

“Winter Is Coming” goes a long way towards quieting any lasting trepidations fans of the novels may have of this live-action adaptation. All the hype and media ad blitz HBO has created to push this series had given it a high bar to reach before an episode had even aired, but now that the first one has aired I’m happy to say that it more than reached that high bar and looks to surpass it with each coming new episode. If there was ever a scent that should truly sell this show to fans and non-fans alike it is the final three minutes. As lurid and licentious a sequence as it may be it is also one that sets the wheels turning for the rest of the series and show that Game of Thrones is not your typical fantasy drama on TV.

As an aside, the second viewing of this episode I ended up muting the early intro sequence and just listened to German power metal band’s song about Game of Thrones…it actually fit in well according to my fantasy nerd sensibilities.

6 Trailers For A December Moon


This week’s edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers features sinful dwarves, dead Santas, the Peter Cushing Guide To Getting Laid, and the voice of John Carradine!

1) The Sinful Dwarf

How can you not be enthusiastic about a film with a title like “The Sinful Dwarf?”  That said, I think Peter Dinklage could kick this guy’s ass.  This was apparently a “lost film” until a copy was found in a janitor’s closet in Denmark. “What do you think of the blonde?”  “hahahahahahaha”

2) Don’t Go In The House

This is actually a rather depressing rip-off of Maniac.  The trailer makes it look a lot more interesting (and fun) than it actually is.  Which, of course, is what a trailer is supposed to do.  (The DVD, by the way, features a pretty interesting interview with the star of this film, Dan Grimaldi.)

3) Corruption

“No women will dare go home alone after seeing Corruption!”  That’s right, boys, go see Corruption and you will get laid!  You can say a silent prayer of thanks to Peter Cushing after…By the way, I’m planning on seeing Corruption on DVD but I’ll be sure to watch it at a male’s house or apartment in order to make sure that I have someone to escort me home afterward.  So, if any of you guys out there have an hour or two to kill (so to speak)…

4) Swamp Girl

I like this trailer and I have a feeling I might find something to enjoy in the actual film is just because I come from a long line of swamp girls.  That said, I don’t think I could be one myself.  There’s too many little buggies and things flying around the swamp.

Is the haunting Theme From Swamp Girl stuck in your head now?

5) Journey Into The Beyond

In previous editions of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers, I haven’t highlighted any of the several hundred mondo film trailers that are out there because I kind of agree with something that Giovanni Lombardo Radice said: mondo movies are a remnant of fascism.  And they are.  But, I had to include Journey Into The Beyond here because how can you not enjoy listening to John Carradine?

6) Don’t Open Till Christmas

If you happen to watch an Italian or Spanish slasher film made between 1979 and 1983, there’s a fairly good chance that Edmund Purdom will turn out to be the killer.  Well, I guess Purdom got sick of being typecast because, in 1983, he directed a film of his own and it’s a holiday film!