Though it may not be a Christmas song, this song from Ringo Starr feels appropriate for the season. Ringo sings for peace and hope in this song and he’s brought along an impressive supporting cast to help him make his case. Among those featured in the song and the video: Paul McCartney & Joe Walsh, Corinne Bailey Rae, Eric Burton, Sheryl Crow, FINNEAS, Dave Grohl, Ben Harper, Lenny Kravitz, Jenny Lewis, Steve Lukather, Chris Stapleton, and Yola.
As a group, The Beatles never released an “official” Christmas song, though the members of their fan club received a recording of Christmas Time Is Here Again in 1967. After the band broke up, all four of the members recorded Christmas songs on their own. Paul McCartney’s Wonderful Christmastime is probably the most remembered. I don’t know if I would say it was the most popular but anyone who has ever had to rush out to do some last minute Christmas shopping has heard it playing in countless stores on December 24th. Whenever I’ve been in a store while Wonderful Christmastime was playing, I’ve always felt as if the song was taunting me but it is definitely a part of the season.
McCartney recorded this song at his farm. He was just getting into what was then known as “electropop,” which is why he used a Sequential Circuits Prophet-5 synthesizer in the song. More than anything, that weird bouncing noise probably explains why this song is so well-known. Whenever I hear this song, I imagine that this is what Christmas sounds like on Mars.
The video was shot at at the Fountain Inn in Ashurst, West Sussex. Though the members of Wings had nothing to do with recording the song, they all appeared in the video because they were all hanging out with McCartney on the night that it was filmed.
Reportedly, Paul McCartney receives $400,000 a year in royalties from Wonderful Christmastime.
The latest entry in the “Greatest Guitar Solos Series” comes courtesy of The Beatles and one of the best songs, if not the best one, from their 1969 album, Abbey Road.
The song is the George Harrison penned “Something” and its been acknowledged by musicians and critics to be the greatest love song that doesn’t have the mention the word love (on a serious note, it is the greatest love song).
The guitar solo is performed by George Harrison and arrives as part of the song’s outro.
Something
[Verse 1] Something in the way she moves Attracts me like no other lover Something in the way she woos me
[Chorus] I don’t want to leave her now You know I believe and how
[Verse 2] Somewhere in her smile, she knows That I don’t need no other lover Something in her style that shows me
[Chorus] I don’t want to leave her now You know I believe and how
[Bridge] You’re asking me, will my love grow? I don’t know, I don’t know You stick around, now, it may show I don’t know, I don’t know
Continuing our series of greatest guitar solo series, I present “While My Guitar Gently Weeps” by The Beatles.
The song was written by George Harrison and was composed at a time after the band had just returned from a trip and stay in India to study Transcendental Meditation. Harrison, inspired by his stay in India, re-discovered his passion for the guitar and began to write songs with it as his main instrument. Thus begins an era of The Beatles and George Harrison as a maturing songwriter than made a huge contribution to the band becoming more than just the global rock phenomena pre-1968 and one where the group began to release songs and albums that reflected their new world views.
Yet, as great as the song has become since its release on November 22, 1968, it’s also well-remembered as the song that began a series of collaborations between George Harrison and Eric Clapton (a close friend) who plays lead guitar on the song. It is Clapton’s lead guitar work on “While My Guitar Gently Weeps” that has mesmerized listeners throughout the decades.
Clapton plays two guitar solos, the first occurring during first bridge section of the song, and the second the song’s outro. Both solos accentuates and focuses on the song’s lyrical tradition styling where the musical instrument provides the emotions that propel the song.
The outro guitar solo has also reached a new level of immortality in 2004 when Harrison was posthumously inducted into the Rock and Roll Hall of Fame. The collaboration of artists that included Tom Petty, Jeff Lynne, Steve Winwood, Marc Mann, Dhani Harrison, Prince, Steve Ferrone, Scott Thurston, Jeff Young, and Jim Capaldi. It was Prince’s extended performance of the outro solo that’s become legendary.
While My Guitar Gently Weeps
I look at you all, see the love there that’s sleeping
While my guitar gently weeps I look at the floor and I see it needs sweeping Still my guitar gently weeps
I don’t know why nobody told you how to unfold your love I don’t know how someone controlled you They bought and sold you
I look at the world and I notice it’s turning While my guitar gently weeps With every mistake we must surely be learning Still my guitar gently weeps
[guitar solo]
I don’t know how you were diverted You were perverted too I don’t know how you were inverted No-one alerted you
I look at you all, see the love there that’s sleeping While my guitar gently weeps Look at you all…… Still my guitar gently weeps
I look at you all, see the love there that’s sleeping While my guitar gently weeps I look at the floor and I see it needs sweeping Still my guitar gently weeps
I don’t know why nobody told you how to unfold your love I don’t know how someone controlled you They bought and sold you
I look at the world and I notice it’s turning While my guitar gently weeps With every mistake we must surely be learning Still my guitar gently weeps
I don’t know how you were diverted You were perverted too I don’t know how you were inverted No-one alerted you
I look at you all, see the love there that’s sleeping While my guitar gently weeps Look at you all…… Still my guitar gently weeps
I recently went on YouTube and I did a search for “concert films.” The first video that came up was an upload of the 1980 film Rockshow.
Filmed during a 1976 world tour, Rockshow features Paul McCartney and Wings, the band that he formed after the break-up of the Beatles. McCartney and his band play a total of 30 songs in front of an enthusiastic audience. The crowd goes crazy for the Beatles songs, including Lady Madonna, The Long and Winding Road, Blackbird, and Yesterday. That’s to be expected. But they’re also pretty enthusiastic for the songs that McCartney wrote after the Beatles, quite a few of which I recognized. (Silly Love Songs, Band on the Run, the beautiful Maybe I’m Amazed, and that annoying Listen To What The Man Said were all familiar to me.) For all that I’ve read about people being disappointed by Paul McCartney’s post-Beatles career in the 70s, you wouldn’t know it from watching the audience in this film. The highlight, for me, was undoubtedly the energetic performance of Live and Let Die, which featured a very basic but still effective light show.
It’s rare that you ever read anything positive about Paul McCartney’s work with Wings and, watching the film, it was pretty obvious that the band mostly just existed to showcase Paul. The other members of the band seemed to understand that the crowd wasn’t there to see anyone but Paul McCartney and one gets the impression that they were okay with that. That said, I actually liked quite a bit of their music. Even if they weren’t as lyrically complex and creative as Paul’s work with the Beatles, the songs were still enjoyable to listen to and most of them got stuck in my head, for better or worse. There’s a tendency, amongst music snobs, to be dismissive of Paul’s post-Beatles work because he is often viewed as being the most “corporate” of the Beatles. In the popular imagination, John Lennon was the sarcastic peace activist. George Harrison was the spiritual seeker. Ringo Starr was the down-to-Earth comedian. And Paul is often portrayed as being the one who was the most concerned with scoring the most hits, selling the most albums, and making the most money. Well, so be it. That’s usually the point of having a band, after all. Very few people devote their life to the hope of being obscure and poor. Johnny Rotten moved into a mansion the first chance he got.
As for Rockshow, it’s an interesting time capsule. The main thing that stuck out to me was how straight-forward and simple the concert was. There were a few laser effects, a few lighting effects, and a screen that occasionally flashed images of comic book characters but, as far as extra flourishes were concerned, that was pretty much it. There weren’t any dancers doing carefully choreographed routines. There weren’t any explosions or fancy costume changes. Paul and the band played their songs and the audience obviously felt that they got their money’s worth. Paul comes across as being cheerful and enthusiastic about performing and the band seems to have a good time as well. “Hey Paul,” someone in the audience yells and Paul pauses to wave back and it’s a moment of human connection that is missing from so many concert films.
Rockshow runs a little long. 30 songs can be a bit much. But, overall, it’s a good concert film and an enjoyable time capsule. Do you want to experience 1976? Step into the YouTube time machine.
The 1970 documentary Let It Be, which is now streaming on Disney+ after being impossible to see for decades, follows the Beatles as they record music, occasionally argue, occasionally laugh, collaborate on songs, and ultimately play the famous rooftop concert that was eventually ended by the London police. Paul McCartney smiles and laughs and jokes but he also obsesses over every little musical detail and often seems to be talking in order to keep anyone else from getting a cross word in. John Lennon dances with Yoko Ono and occasionally smiles but often seems like his mind is elsewhere. George Harrison smiles whenever he know that the camera is on him but, when glimpsed in the background, he doesn’t seem happy at all. Ringo patiently waits for his chance to perform, sometimes bored and sometimes amused but always the most likable of the bunch. He and George work on Octopus Garden and it’s a charming moment, if just because it’s obvious that both men would rather be there than in the studio.
Even if you haven’t seen Peter Jackson’s The Beatles: Get Back (which was constructed out of material that was shot for but not used in this documentary), Let It Be is often time one of the most depressing behind-the-scenes documentaries ever made. The more the individual members of the Beatles smile and perform for the camera, the more one can see the cracks that have formed in their relationships. With Lennon spending most of his time with Yoko, it’s Paul who dominates the documentary. Paul comes across as being charming and talented but his habit of nonstop talking gives the impression of someone who is desperately trying to hold together a sinking ship. At one point, George snaps that he’ll play the guitar however Paul tells him to and it’s obvious that, for George and probably the others as well, being the world’s most popular band has gone from being a thrill to just being another job. When Paul and John talk about how much fun they had when they first started playing live in Hamburg, it’s obvious that the conversation is at least partially staged to set up the rooftop concert but there’s a genuine sadness to their voices. Even as they write and record new songs, they’re realizing that all things must pass.
But then the Beatles give a rooftop concert and they bring London to a halt and, for a few minutes, it seems like everything is going to be alright. Standing on the roof and performing a wonderful version of Get Back, the Beatles are suddenly a band just having fun and it’s delightful to see. Later, John Lennon gets a devilish gleam in his eyes as he sings the raunchy (for 1969) lyrics for I’ve Got A Feeling. Even George looks happy for a few moments. People gather in the street below to watch and the camera is quick to show us that both young and old love the Beatles. Of course, eventually, the police show up and shut down the show. (Of course, being British police, they’re very polite about it. One has to breathe a sigh of relief that the Beatles didn’t try to do their rooftop show in New York or Los Angeles.) It’s a reminder that nothing lasts forever. Eventually, every concert comes to an end.
It’s interesting to compare Let It Be to another 70s documentary about a famous British rock band. InGimme Shelter, the Altamont Free Concert ends with a murder as Mick Jagger pleads with the crowd to stop fighting and just sit down. In Let ItBe, things end with a random joke from John Lennon, who would himself be murdered in just ten years. Both Gimme Shelter and Let It Be are about the end of an era and both are full of regret and a longing for a simpler and more idealistic era. For those of us who want to understand history, they’re essential.
Who were the members of Rockestra? Rockestra was a supergroup, put together by Paul McCartney for at least two concerts, one of which was a 1979 benefit concert for the People of Kampuchea and one of which was a 1981 MDA telethon. The video above is from the Concert For The People of Kampuchea and featured Rockestra covering Smokey Robinson’s Lucille. This video was also the 32nd video to be played on MTV.
Among the members of Rockestra: John Bonham, Billy Bremner, Gary Brooker, Howie Casey, Tony Dorsey, Dave Edmunds, Steve Holley, James Honeyman-Scott, Steve Howard, Kenney Jones, John Paul Jones, Laurence Juber, Denny Laine, Ronnie Lane, Linda McCartney, Paul McCartney, Robert Plant, Thadeus Richard, Bruce Thomas, and Pete Townshend!
Since Ringo Starr provided yesterday’s video, it seems appropriate to give today’s video to Paul McCartney.
As a group, The Beatles never released an “official” Christmas song, though the members of their fan club received a recording of Christmas Time Is Here Again in 1967. After the band broke up, all four of the members recorded Christmas songs on their own. Paul McCartney’s Wonderful Christmastime is probably the most remembered. I don’t know if I would say it was the most popular but anyone who has ever had to rush out to do some last minute Christmas shopping has heard it playing in countless stores on December 24th. Whenever I’ve been in a store while Wonderful Christmastime was playing, I’ve always felt as if the song was taunting me but it is definitely a part of the season.
McCartney recorded this song at his farm. He was just getting into what was then known as “electropop,” which is why he used a Sequential Circuits Prophet-5 synthesizer in the song. More than anything, that weird bouncing noise probably explains why this song is so well-known. Whenever I hear this song, I imagine that this is what Christmas sounds like on Mars.
The video was shot at at the Fountain Inn in Ashurst, West Sussex. Though the members of Wings had nothing to do with recording the song, they all appeared in the video because they were all hanging out with McCartney on the night that it was filmed.
Reportedly, Paul McCartney receives $400,000 a year in royalties from Wonderful Christmastime.
Though it may not be a Christmas song, the latest single from Ringo Starr feels appropriate for the season. Ringo sings for peace and hope in this song and he’s brought along an impressive supporting cast to help him make his case. Among those featured in the song and the video: Paul McCartney & Joe Walsh, Corinne Bailey Rae, Eric Burton, Sheryl Crow, FINNEAS, Dave Grohl, Ben Harper, Lenny Kravitz, Jenny Lewis, Steve Lukather, Chris Stapleton, and Yola.
I searched but I could not find a credited director for this video.