Horror On The Lens: Invitation to Hell (dir by Wes Craven)


There’s one rule in life that should never be forgotten.

Any movie that opens with Susan Lucci casting a hex that causes a man’s head to explode is going to be worth watching.

That’s certainly the case with Invitation to Hell, a 1984 made-for-TV movie that was directed by Wes Craven and which casts Lucci as Jessica Jones, an insurance agent who lives and works in an upper class suburb in Southern California. Jessica not only sells insurance but she also runs the ultra-exclusive Steaming Springs Country Club! Anyone who is anyone in town is a member of Steaming Springs!  That include Matt Winslow (Robert Urich) and his family.  Matt soon comes to suspect that something strange might be happening at the club.  Fortunately, Matt’s spacesuit comes with a flame thrower, a laser, and a built-in computer that can determine whether or not someone is actually a human being. (Wearing the space helmet means viewing the world like you’re the Terminator.) Soon, it’s science vs. magic as Matt dons the suit and tries to rescue his family from country club living!

Totally ludicrous and a lot of fun, this is a film that has a little bit for everyone — familiar television actors, flamethrowers, space suits, demonic possession, exploding cars, and even a little bit of social satire as the film suggests that living in the suburbs is a terror even without weird country clubs and chic spell casters.

 

Horror On TV: One Step Beyond 2.14 “Make Me Not A Witch” (dir by John Newland)


In tonight’s episode of One Step Beyond, Emmy (Patty McCormack) makes the mistake of telling her parents (Eileen Ryan and Leo Penn) that she can read minds.  Needless to say, the news does not go over as well as Emmy might have hoped.  Her parents have a farm to run!  The last thing they need is a witch in their midst!

Emmy runs to the church and prays, “Make me not a witch!”

But what if the world needs a witch?

As with every episode of One Step Beyond, this episode is supposedly based on fact.  Patty McCormack is best-remembered for her Oscar-nominated performance in The Bad Seed while Eileen Ryan and Leo Penn are best remembered as being the parents of Sean and Chris Penn.

This episode originally aired on December 22nd, 1959.

Enjoy!

Retro Television Review: Night Partners (dir by Noel Nosseck)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1983’s Night Partners!  It  can be viewed on Tubi.

Lauren Hensley (Diana Canova) is a divorced mother who has a nice house in Bakersfield, California.  Her best friends and neighbors are housewife Elizabeth McGuire (Yvette Mimieux) and Elizabeth’s husband, a cop named Glenn (Arlen Dean Snyder).  One night, after spending the day with the McGuires, Lauren returns to her home and is attacked by three burglars.

For Lauren, the crime is not even the worst part of the night.  The worst part is when the police don’t even seem to care that much about her suffering and instead take a “just-the-facts” approach to getting the details to what she’s been through.  Glenn attempts to explain to both Lauren and Elizabeth that cops see terrible things every day and, if they seem desensitized to it all, that’s just their way to handling the stress of the job.  Lauren, however, feels that the cops need a unit that provides the same support for victims that the criminals receive from their lawyers and social workers.

At a community meeting, Lauren proposes her idea to the police chief, John Wilson (Larry Linville).  When Wilson replies that there is no money in the budget, Lauren suggests that maybe the program could be staffed by volunteers.  She then proceeds to volunteer herself and Elizabeth.  Wilson agrees, but on the requirement that Lauren and Elizabeth first attend the police academy and train with the officers.  Under the watchful eye of the gruff but kindly Joe Kirby (M. Emmet Walsh), the two middle-aged housewives run obstacle courses and learn about conflict resolution.  And while the conflict resolution lessons make sense, I’m not sure what the point of having them do the obstacle course was.

Eventually, Lauren and Elizabeth become quite good at their jobs, providing comfort to the victims and getting information that helps the police put away criminals, like the serial rapist (a young M.C. Gainey) who has been stalking the streets of Bakersfield.  Of course, it takes them a while to get good at the job.  When Elizabeth and Lauren are first sent out on the streets, they can’t even keep the police codes straight and they accidentally call in a robbery code when they’re instead just letting the dispatcher know that they’re on break.  Bizarrely, when Lauren and Elizabeth are not at a crime scene talking to a victim, they’re just supposed to drive around in a beat-up patrol car.  Neither one of them has the power to arrest anyone because they’re just volunteers.  In fact, they’re supposed to stay out of the way until the police specifically call for them to come to a crime scene.  So, why are they patrolling the city like real cops?  It seems like that would basically be a lawsuit waiting to happen.

Night Partners was obviously designed to serve as a pilot for a series where Laruen and Elizabeth would comfort victims and help to solve crimes.  The two lead actresses are likable and M. Emmet Walsh is particularly effective as their supervisor.  That said, the film itself can’t decide if it wants to be a hard-hitting crime drama or a comedy about two housewives trying to make it as cops.  Of course, there’s no reason why it couldn’t be both.  Some of the best cops shows have had elements of dark, gallows humor.  But this film’s tone is so inconsistent that the comedic scenes seem to be taking place in an entirely different universe from the dramatic scenes.

As someone who strongly believes that the right of the victims need to be given as much weight as the rights of the criminals, I appreciated the film’s message.  I just wish it had been delivered a bit more effectively.

Retro Television Reviews: Fantasy Island 3.12 “The Cheerleaders/Marooned”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost entire show is currently streaming is on Youtube!

Let’s see what’s happening on the Island this week….

Episode 3.12 “The Cheerleaders/Marooned”

(Dir by Earl Bellamy, originally aired on December 8th, 1979)

I’m just going to be honest here.  This week’s episode of Fantasy Island is not a good one.  Neither one of the fantasies work.  In fact, they’re both really, really annoying.  Usually, this show does a fairly good job of balancing a fun fantasy with a serious fantasy.  This episode, though, both fantasies are meant to be humorous.  They’re not.  They are both rather shrill.

That said, this episode did feature the return of Roarke and Tattoo bantering before going to meet their guests.  When Roarke steps out of his office to meet the plane, he’s surprised to see that Tattoo is hiding in a red fire hydrant costume.  When Roarke demands to know what Tattoo is doing, Tattoo explains that he’s training to be a secret agent.  Roarke rolls his eyes so violently that I’m surprised he didn’t injure himself.  Later, Tattoo attempts to disguises himself as a bale of hay and ends up getting chased by an enraged bull that just happens to be wandering around the Island.  Roarke laughs and laughs because there’s nothing that makes him happier than the idea of his assistant suffering a terrible injury.  That said, though it was all a bit mean-spirted, it was nice to see the return of the banter.

As for the two fantasies …. God, I don’t even want to talk about them.

The marginally more interesting one featured Vic Tayback as a blue collar guy named Melvyn whose fantasy was to spend some time with his favorite movie star, a total diva named Liz Merrill (Jayne Meadows).  When Liz shows up on the Island, it turns out that her fantasy is for everyone to think that she’s lost at sea before she’s eventually found on a tropical island.  She’s told that Melvyn has been hired to row the boat taking her to the island.  Instead, Melvyn and Liz get lost and really do end up on a deserted island, where Liz eventually drops her arrogant attitude and Melvyn wins her love by barking orders at her.  The fact that this was the “better” fantasy should tell you just how bad the other fantasy was.

The other fantasy features Georgia Engel and Patty McCormack as Cathy and Marg, two roommates whose fantasy is to be cheerleaders for their favorite football team, the Titans.  Fortunately, the Titans training camp happens to be on Fantasy Island!  Marg has a crush on quarterback Roger Mosely (played by Dan Pastorini) but Roger is more interested in Cathy.  This leads to the two friends not being friends anymore but then Mr. Roarke tells them that there’s nothing more important than friendship.  It’s a nice message but it’s hard to believe either Georgia Engel or Patty McCormack as cheerleaders and Engel and Pastorini had absolutely zero chemistry.  The whole thing just felt too silly for its own good.

(I even forced Erin to watch this episode with me so that I could get her perspective as a former cheerleader.  She agreed with me.  As far as cheerleader stories go, this was no Bring It On.)

Sigh.  This week’s episode was not great.  Hopefully, next week’s will be better!

Retro Television Reviews: The Love Boat 2.11 “Heads or Tails/Mona of the Movies/The Little People”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Let’s set sail for adventure!

Episode 2.11 “Heads or Tails/Mona of the Movies/The Little People”

(Dir by George Tyne, originally aired on November 25th, 1978)

The Love Boat crew is super excited because the glamorous movie star, Mona Maxwell (Rhonda Flemming), is going to be on the cruise.  Apparently, this is not her first time to sail on the Love Boat.  Captain Stubing can’t wait to get reacquainted with her.  The walking HR nightmare that is Doc Bricker can’t wait to flirt with her.  Artie D’Angelo (Orson Bean), a passenger who owns a chain of garages, is shocked to see that his favorite movie star in on the boat.

Artie may be a big fan of Mona’s but, whenever he tries to talk to her, he finds that he simply cannot find the words.  With Doc’s help, Artie finally works up the courage to ask Mona to have dinner with him.  Mona accepts and the two of them soon find themselves falling in love.  The only problem is that Artie just cannot bring himself to believe that a big movie star like Mona would be interested in a guy like him.  Really, Artie is being way too hard on himself.  He’s a likable guy!  And, fear not, he and Mona leave ship arm-in-arm.

Meanwhile, two frat dudes — Alex (Adam Arkin) and Wally (Richard Gilliand) — have made a bet over who will be the first to sweep Julie off of her feet.  When they start the betting, it’s for money but eventually, they decide to just bet a pizza.  Julie spends time with both of them and has fun, especially with Alex.  But then a jealous Wally reveals the truth about the bet and Julie announces that she doesn’t want anything else to do with either of them.  Gopher tells Julie that she should actually be flattered that the two guys were both so determined to date her.  Apparently deciding that she’s not really bothered by the fact that both of her suitors just spent an entire weekend lying to her, Julie forgives them and then says that she’s going to spend an equal amount of time with both Alex and Wally so neither one of them will win or lose the bet.

Finally, Doug Warren (Edward Albert) is on the cruise with his parents, who are celebrating their anniversary.  Coincidentally, Doug’s co-worker, Beth (Patty McCormack), is also on the cruise!  Doug and Beth quickly fall in love but then Beth is freaked out when she sees two little people in the ship’s lounge.  She explains to Doug that little people make her nervous.  She always worries about what would happen if her child turned out to be a little people.  What she doesn’t know is that the little people — Ralph (Billy Barty) and Dottie (Patty Maloney, who also guest-starred on the famous disco-themed episode of The Brady Bunch Hour) — are Doug’s parents!

Without telling Beth why, Doug says that he can no longer see her.  A heart-broken Beth goes to the Acapulco Lounge where she gets into a conversation with Ralph and Dottie.  She discovers that Ralph and Dottie are just like everyone else and she also finds out that Doug is their very tall son.  She tells Doug that she’s no longer worried about their potential children being little people and …. you know, this plot line is just ridiculous.  Beth is prejudiced against people based on their height and she’s basically told Doug that she would freak out if her child was anything other than “normal.”  And yet, Doug and his parents act all excited when Beth announces that she still loves Doug, regardless of who his parents are.  Doug, sweetie — you can do better!

I definitely had mixed feelings about this episode.  Orson Bean and Rhonda Fleming were both perfectly charming in their storyline but the other two stories were both pretty icky.  I spent the entire episode waiting for Julie to tell off Alex and Wally and for Doug to tell off Beth and, in both cases, it didn’t happen.  This was definitely not one of the better cruises of the Pacific Princess.

Hopefully, next week’s destination will be a bit nicer.

Horror On TV: One Step Beyond 2.14 “Make Me Not A Witch” (dir by John Newland)


In tonight’s episode of One Step Beyond, Emmy (Patty McCormack) makes the mistake of telling her parents (Eileen Ryan and Leo Penn) that she can read minds.  Needless to say, the news does not go over as well as Emmy might have hoped.  Her parents have a farm to run!  The last thing they need is a witch in their midst!

Emmy runs to the church and prays, “Make me not a witch!”

But what if the world needs a witch?

As with every episode of One Step Beyond, this episode is supposedly based on fact.  Patty McCormack is best-remembered for her Oscar-nominated performance in The Bad Seed while Eileen Ryan and Leo Penn are best remembered as being the parents of Sean and Chris Penn.

This episode originally aired on December 22nd, 1959.

Enjoy!

Horror on The Lens: Invitation to Hell (dir by Wes Craven)


Today’s horror on the lens is a made-for-tv movie directed by Wes Craven.

First televised in 1984, Invitation to Hell is a wonderfully over-the-top depiction of what happens when an engineer (Robert Urich) sells out and goes to work for a big evil corporation.  Long story short, Satan (in the form of Susan Lucci) takes over his family.  Admittedly, this film does start slowly but, in the end, it’s a lot of fun.

Horror On TV: One Step Beyond 2.14 “Make Me Not A Witch” (dir by John Newland)


In tonight’s episode of One Step Beyond, Emmy (Patty McCormack) makes the mistake of telling her parents (Eileen Ryan and Leo Penn) that she can read minds.  Needless to say, the news does not go over as well as Emmy might have hoped.  Her parents have a farm to run!  The last thing they need is a witch in their midst!

Emmy runs to the church and prays, “Make me not a witch!”

But what if the world needs a witch?

As with every episode of One Step Beyond, this episode is supposedly based on fact.  Patty McCormack is best-remembered for her Oscar-nominated performance in The Bad Seed while Eileen Ryan and Leo Penn are best remembered as being the parents of Sean and Chris Penn.

This episode originally aired on December 22nd, 1959.

Enjoy!

Horror on The Lens: Invitation to Hell (dir by Wes Craven)


Much like yesterday’s offering of Summer of Fear, today’s horror on the lens is a made-for-tv movie directed by Wes Craven.

First televised in 1984, Invitation to Hell is a wonderfully over-the-top depiction of what happens when an engineer (Robert Urich) sells out and goes to work for a big evil corporation.  Long story short, Satan (in the form of Susan Lucci) takes over his family.  Admittedly, this film does start slowly but, in the end, it’s a lot of fun.