That Thing You Do! (1996, directed by Tom Hanks)

Posted on July 9, 2025 by Jedadiah Leland

That Thing You Do! is the story of a one-hit wonder.

In 1964, an aspiring Jazz drummer named Guy (Tom Everett Scott) is a last minute addition to the a local band called the Oneders. (It’s meant to sound like Wonders but almost everyone mispronounces it as O-Needers.) The band’s egotistical leader, James (Jonathon Schaech) has written a slow ballad called That Thing You Do! but when Guy’s drumming causes the band to perform the song at a faster tempo, they end up with a local hit on their hands. That local hit becomes a national hit when The Oneders are signed by Play-Tone Records. First, Mr. White (Tom Hanks), their new manager, officially changes the name to The Wonders. Secondly, he makes sure that every teen in America is dancing to That Thing You Do! Third, he tells Guy to always wear sunglasses. Fourth, he tells James that he will record and perform what Play-Tone tells him to. Guitarist Lenny (Steven Zahn) and the unnamed Bass Player (Ethan Embry) are happy to be along for the ride but James chafes at his lack of artistic freedom. Guy, meanwhile, falls for James’s girlfriend (Liv Tyler, at her loveliest) and dreams of meeting his idol, jazzman Del Paxton (Bill Cobbs).

That Thing You Do! was Tom Hanks’s directorial debut and, with its careful recreation of a bygone era and its collection of authentic sounding early 60s rock on the soundtrack, it was obviously a labor of love. Considering the number of times that the song is played in the movie, it helps that it is a very good song. That Thing You Do! is a catchy tune, one that you can’t help but tap your feet to. At the same time, it also sounds like a one hit wonder. It’s good but not so great as to make you expect much else from The Wonders.

Not surprisingly, Tom Hanks gets great performances from the entire ensemble cast. Johnathon Schaech and Tom Everett Scott have never been better. Liv Tyler is lovely and vulnerable as James’s unappreciated girlfriend. Familiar faces like Peter Scolari, Kevin Pollak, Chris Isaak, and Clint Howard make welcome appearances. Hanks himself is surprisingly intimidating as Mr. White. When he says that the band will cover something the Play-Tone catalogue, it’s obvious that he’s not making a request.

The film is a tribute to being young and to loving music bit it’s also a study in the disillusionment of discovering that everything is ultimately a business. James is frequently an arrogant jerk and he treats his girlfriend terribly but it’s hard not to sympathize with him when he says that he wants to do more than just cover songs from the Play-Tone catalogue. To James and Guy, the Wonders are about self-expression and their love of music. To Mr. White, the Wonders are just another band that came up with one catchy tune and who probably aren’t ever going to be heard from again. That Thing You Do! pays tribute to all of the one-hit wonders out there, the bands who you forget about until you just happen to hear that one song on the radio or in a movie and suddenly, all the memories come flooding back.

Lifetime Christmas Movie Review: Jingle Belle (dir by Peter Sullivan)

Posted on December 25, 2018 by Lisa Marie Bowman

As our longtime readers know, I’ve never been one for false modesty. I know that there are things that I do well and I don’t see any reason not to brag about my natural talents. On occasion, I’ve been told that it can be a little off-putting but so what? As long as its justified, what’s wrong with a little arrogance?

That said, part of knowing what I can do means being honest about what I can’t do. And if there’s any job that I would absolutely suck at, it would be writing advertising jingles. I mean, there’s a reason why none of my poems ever rhyme. Coming up with pithy one-liners that will make you want to “buy! buy! buy!,” just isn’t my specialty. Fortunately, jingles themselves are no longer as important as they were back in the Mad Men era. In fact, off the top of my head, I can only think of one current jingle and that’s the “Liberty Liberty Liberty Lib-er-ty!” song.

(And everyone hates that!)

Fortunately, Belle Williams (Tatyana Ali), the main protagonist of Jingle Belle, doesn’t have that problem. Long ago, she abandoned New York for Ohio and she’s established herself as one of the best jingle writers around. Unfortunately, it appears that she might be losing that magic touch. As this film begins, she’s suffering from a terrible case of writer’s block. In fact, when the mayor of her hometown calls and asks her to return home and help write the annual Christmas pageant, her initial reaction is to say no. However, her boss (Loretta Devine) insists that Belle take the assignment. Perhaps a trip back home is just what Belle needs to break through her writer’s block.

Belle returns home, planning on helping the town out. What she doesn’t know is that the Christmas pageant is being directed by her ex-boyfriend and former performing partner, Michael Hill (Cornelius Smith, Jr). Can Belle and Michael set aside their differences and their complicated personal history long enough to put on a successful Christmas pageant? And how will Michael the purist react when Belle’s boss tries to turn one of their songs into an advertising jingle?

Of course, you already know the answer to all those questions. Jingle Belle is predictable even by the standards of a Lifetime Christmas movie. As I’ve said quite a bit this month, how much you enjoy this film will depend on how much tolerance you have for Lifetime and Hallmark Christmas films in general. (That’s kind of become my mantra this month.) Anyway, there’s no surprises to be found in this one but Cornelius Smith, Jr. is appropriately charismatic as Michael and the great Loretta Devine mines a lot of humor out of the role of the demanding boss.

The film’s final message is that small towns are better than big cities and you can write jingles anywhere. It’s a nice little message but, then again, it does seem like, if you work in advertising, it would be a good idea to live near the hub of the advertising industry. That said, I’ve never written a jingle in my life so I could be wrong. All I know is that, wherever Belle lives, she’ll come up with something better than the Liberty Mutual jingle and really, that’s the most important thing of all.

Cleaning Out The DVR Yet Again #4: The Watcher (dir by Ryan Rothmaier)

Posted on November 15, 2016 by Lisa Marie Bowman

(Lisa recently discovered that she only has about 8 hours of space left on her DVR! It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet. So, once again, Lisa is cleaning out her DVR! She is going to try to watch and review 52 movies by Thanksgiving, November 24th! Will she make it? Keep checking the site to find out!)

Check out the couple in the picture above.

Wow, they sure do look happy, don’t they? That’s Emma (Erin Cahill) and Noah (Ed Gathegi) and they have every reason to happy! They’ve just bought a new home! It’s a nice big, house and it’s in what appears to be a perfect neighborhood. Sure, the neighbors are a little quiet and some of them occasionally appear to be giving the new couple a strange look but that’s probably nothing, right? And sure, the house was a little bit cheaper than expected because, a few years ago, there was a death. People have died in the house.

But you know what? People die every day. And a lot of them do so in a house. If you refused to live in a house just because someone died in it, you’d probably never be able to live anywhere…

Of course, this house was apparently the scene of a murder but again, these things happen.

The screenshot above is from a movie called The Watcher, which I recorded off of the Lifetime Movie Network on October 9th. Since The Watcher premiered in the Halloween month, you can probably guess what happens once Emma and Noah move into their new house. There are strange deliveries. There are strange noises. Strange notes, some delivered via a dead animal, start to show up. The notes inform the couple that they are being watched.

Who is watching them?

The Raven.

Who is the Raven? And does it have anything to do with a huge black raven that the local neighborhood boy, Mickey (Riley Baron), claims to have seen near the house? You’ll have to watch the movie to find out…

(Interestingly enough, this was all loosely based on a true story.)

Usually, I’m a bit skeptical of Lifetime horror films. You can read my review of Amish Witches to find out why but, to put it simply, the Lifetime format doesn’t always lend itself to horror. But The Watcher actually works surprisingly well. As directed by Ryan Rothmaier, The Watcher is an atmospheric and well-acted portrait of housebound horror. The film ends with a twist that doesn’t make a whole lot of sense and yet it works because it is just so odd and totally out there. The implausibility of the twist actually adds to The Watcher‘s dream-like atmosphere.

I recommend watching The Watcher.

Embracing the Melodrama Part II #91: A Reason to Believe (dir by Douglas Triola)

Posted on May 29, 2015 by Lisa Marie Bowman

Throughout the late 90s, a rather obscure film from 1995 called A Reason To Believe used to show up on Cinemax fairly frequently. I was 11 when I first saw it. At the time, I was indulging in my rebellious streak by secretly staying up past my bed time and sneaking into the living room, where I would watch whatever forbidden sordidness what being aired. Because I didn’t want to wake anyone up, I would watch with the volume turned almost all the way down. Hence, when I first saw A Reason To Believe, I literally had to sit less than an inch away from the TV just so I could hear the dialogue.

And I remember that, at the age of 11, A Reason To Believe really blew me away. I thought it was one of the greatest films that I had ever seen. The fact that the film involved college students made me feel like I was both watching a movie for adults and getting a preview of what life would be like when I was older. All of the sex and the language made me feel like I was getting away with something while I was watching it. At one point, there was a shot of Sharon (played by Holly Marie Combs) putting a condom on Wesley’s (Danny Quinn) erect penis and I found myself glancing over my shoulder, convinced that at any minute a responsible adult was going to enter the living room and say, “WHAT ARE YOU WATCHING!?”

So, when I recently rewatched A Reason To Believe, I did so wondering how the film would hold up now that I’m an adult. Not surprisingly, a good deal of the film now seemed to be heavy-handed. For every good line in the script, there was a line that was way too obvious. Characters who were funny when I was 11 — like dorky stoner Potto (Keith Coogan) — now seemed to be annoying. And, of course, my more experienced eyes immediately realized that Holly Marie Combs was putting that condom on a prosthetic penis.

And yet, A Reason To Believe is still fairly effective and probably deserves to be better known than it actually is. Usually, I refuse to give extra credit for good intentions but I’m willing to make an exception for A Reason To Believe because the film deals with a subject that, now more than ever, needs to be dealt with.

Charlotte (Allison Smith) is a student at an unnamed generic university. When her boyfriend, Wesley (Danny Quinn), has to go away for the weekend, he asks Allison not to go to Viking, an annual party thrown by his fraternity. Charlotte promises that she won’t but then goes anyway. At Viking, she hangs out with Wesley’s best friend, Jim (Jay Underwood). Jim is also dating Allison’s friend, Judith (Kim Walker). Realizing that she’s had too much to drink, Allison attempts to leave the party but instead, Jim leads her into his bedrom. He kisses her. She says no but Jim forces himself on her. Repeating all the old bullshit excuses (i.e., Charlotte was flirting with him, all girls say no when they mean yes, and all the rest) Jim seems to truly believe that the sex was consensual. Charlotte knows it was rape.

At first, Charlotte doesn’t want to face what happened. When she finally does go to the university administration and reports what happened, the frat — including her boyfriend — comes together to protect Jim. Charlotte’s friends — like Judith — abandon her. Her only supporter is Linda (Georgia Emelin), an anti-fraternity campus activist who is more interested in Charlotte as a means to an end than as a human being.

A Reason To Believe held up fairly well. Yes, it’s heavy-handed and a lot of the dialogue is too spot-on and literal. I could have done without the scenes featuring Obba Babatunde as a bombastic professor. However, Allison Smith and Jay Underwood both gave excellent performances in the two lead roles and the film deserves a lot of credit for not shying away from just how misogynistic the fraternity/sorority culture can truly be. Ultimately, flaws and all, it’s a valuable, realistic, and angry portrayal of rape culture and it deserves to be seen for that reason.

It can currently be viewed on YouTube.