4 Shots From 4 George Romero Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Happy Halloween!  Today, we pay tribute to the patron saint of American horror, George Romero!  We’ve watched Night of the Living Dead!  Now, it’s time for….

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero, DP: George Romero)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Martin (1978, dir by George Romero, DP: Michael Gornick)

Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)

 

Horror on the Lens: Night of the Living Dead (dir by George Romero)


Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally famous review!)

Lisa Marie’s Grindhouse Trailers: 12 Trailers For Halloween


For today’s Halloween edition of Lisa’s Marie Favorite Grindhouse Trailers, I present to you, without comment, the trailers for my 12 favorite horror movies.

Happy Halloween!

  1. The Shining (1980)

2. Suspiria (1977)

3. A Field in England (2013)

4. Night of the Living Dead (1968)

5. Zombi 2 (1979)

6. The Exorcist (1973)

7. Halloween (1978)

8. Two Orphan Vampires (1996)

9. Near Dark (1987)

10. Scream and Scream Again (1970)

11. Horror of Dracula (1958)

12. Messiah of Evil (1973)

Book Review: Night of the Living Dead by John A. Russo


A few years ago, I found a slightly beat-up copy of John Russo’s novelization of Night of the Living Dead at Half-Price Books. Of course, I immediately purchased it. From my own knowledge of the making of George Romero’s classic horror movie, I knew that John Russo was the one who came up with an idea involving zombies which led to Romero writing a story outline for Night of the Living Dead which Russo then turned into the film’s screenplay.

I also knew that Romero and Russo had a falling out of sorts after the success of Night of the Living Dead. With the film in the public domain as the result of a screw-up on the part of the movie’s distributor, there was some controversy over who had the rights to the original’s story. That’s one reason why the titles of Romero’s subsequent zombie films (i.e., Dawn of the Dead, Day of the Dead, Land of the Dead, and the rest) were all about “the Dead” as opposed to “the Living Dead.” Russo’s subsequent zombie-themed work (i.e. Return of the Living Dead) featured the term “Living Dead” and was also sold as a sequel to the original Night of the Living Dead.

With all that in mind, I was curious to see what Russo’s novelization would be like. What extra information would the book contain about the characters? Would there be any extra details that were cut from the film? How about an alternate ending? It’s been known to happen. (Check out the novelization for Halloween if you want to see how much a novelization can differ from the film that inspired it.)

Well, it turns out that novelization of Night of the Living Dead is pretty much a straight recreation of the film. We do learn a bit more about just how bad a relationship Barbara has with her brother Johnny. And it’s firmly established that Ben was a truck driver before the dead came back to life. Otherwise, it’s pretty much just the movie in novel form. We don’t learn much about the characters that we didn’t already know. Harry is still stubborn and cowardly. Ben is still the designated hero who manages to get everyone killed through his own stubbornness. Barbara is still catatonic for most of the book. (I know some would complain about Barbara being so passive but her stunned disbelief is perhaps the most realistic part of the film and the novel. That’s how most of us would react to going through what she’s just been through.) Russo is a good writer and he does a good job capturing the tension in that little house. The final few chapters — which recreate the film’s downbeat ending — are particularly well-done. But there’s not much in the book that isn’t also in the movie.

One interesting thing about the novelization is that it was originally published in 1974, six years after the release of Night of the Living Dead. Was it written in an attempt to help establish that Russo and/or Romero owned the rights to the film? Or did it just take the publisher that long to realize that they’re might be a market for a novel based on the film? Who knows?

The book doesn’t add much to the overall story but I’m still glad I’ve got a copy, You can never have enough Night of the Living Dead memorabilia.

4 Shots From 4 George Romero Films: Night of the Living Dead, The Amusement Park, The Crazies, Day of the Dead


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This October, we’ve been using 4 Shots from 4 Films to pay tribute to some of our favorite horror filmmakers!  Today, we honor the father of modern horror, George Romero!

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero)

The Amusement Park (1973, dir by George Romero)

The Crazies (1973, dir by George Romero)

Day of the Dead (1985, dir by George Romero)

 

Horror on the Lens: Night of the Living Dead (dir by George Romero)


Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally famous review!)

Horror Scenes That I Love: The Interview With The Chief From Night of the Living Dead


“Yeah, they’re dead …. they’re all messed up.”

There’s a lot of disturbing scenes in the original Night of the Living Dead but I’ve always loved this live, televised interview with the chief of police.  First, there’s the delivery of that classic line.  “….they’re all messed up.”  Yes, they are.  Then there’s the fact that the chief doesn’t seem to be particularly perturbed by the fact that the dead are coming back to life.  Instead, his attitude is very straight-forward.  It’s happening, we need to take care of it, let’s arm some civilians.

Of course, this interview sets up the film’s ending, in which we learn that those helpful civilians with guns are a bit trigger happy and sometimes, the living get in the way.  When you first see this interview, it’s easy to laugh at the sight of the chief’s posse and everyone’s odd confidence that the dead will somehow just go away.  (Death, after all, is the one thing that is guaranteed to happen to everyone eventually.)  Once you know how the story’s going to end, though, this scene becomes much more ominous.

4 Shots From 4 Films: Special George Romero Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been George Romero’s 80th birthday.

Now, those of you who have been reading us since the beginning know how important the work of George Romero has been to this site.  A mutual appreciation of Night of the Living Dead is one of the things that first brought many of us together.  It’s a film that we watch ever Halloween and Arleigh’s review of the original remains one of our most popular posts.  If this site had a patron saint, it would probably be George Romero.

And yet, Romero wasn’t just a director of zombie films.  He made many films, dealing with everything from hippie lovers (There’s Always Vanilla) to wannabe vampires (Martin) to government conspiracies (The Crazies) and eccentric bikers (Knightriders).  George Romero was one of the pioneers of independent films and today, on his birthday, we should all take a minute to consider and appreciate the man’s cinematic legacy.  It’s not just horror fans who owe George Romero a debt of gratitude.  It’s lovers of cinema everywhere.

With that in mind, here are….

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero)

The Crazies (1973, dir by George Romero)

The Amusement Park (1973, dir by George Romero)

Martin (1978, dir by George Romero)

Horror on the Lens: Night of the Living Dead (dir by George Romero)


Happy Halloween everyone!

Well, as another horrorthon draws to a close, it’s time for another Shattered Lens tradition!  Every Halloween, we share one of the greatest and most iconic horror films ever made.  For your Halloween enjoyment, here is George Romero’s Night of the Living Dead!

(Be sure to read Arleigh’s equally famous review!)

6 Good Films That Were Not Nominated For Best Picture: The 1960s


Sonny and Cher walk down the 1968 Oscars Red Carpet

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1960s.

Psycho (1960, dir by Alfred Hitchcock)

The director was nominated.  Janet Leigh was nominated.  Amazingly enough, Anthony Perkins was not nominated for playing the role that would come to define him.  And, in the end, the film itself was not nominated for best picture.  Perhaps it was too sordid for the Academy.  Perhaps they resented no longer feeling safe in the shower.  Regardless, Psycho has gone on to influence every horror thriller made since 1960.  And let’s not even talk about how much we all cried while watching the finale of Bates Motel.

From Russia With Love (1963, dir by Terence Young)

The first great James Bond film should have also been the first Bond film to be nominated for best picture.  Actually, looking over the films that actually were nominated in 1963, From Russia With Love should have been the first Bond film to win best picture.

Blow-Up (1966, dir by Michelangelo Antonioni)

Mimes playing tennis and David Hemmings briefly breaking out of his shell of ennui to investigate a murder that has no solution!  How could the Academy resist?  Somehow, they did.  Michelangelo Antonioni received a nomination but the film was, at the time, considered to be too controversial to nominate.

The Good, The Bad, and the Ugly (1967, dir by Sergio Leone)

Though initial reviews were mixed, Sergio Leone’s Civil War epic has come to be recognized as one of the greatest and most important Westerns of all time.  Perhaps it’s understandable that the Academy of 1967 would be skeptical of an Italian western starring Clint Eastwood, Eli Wallach, and Lee Van Cleef.  Still, it would have been one of the coolest best picture nominees of all time.  (Shockingly, not even Ennio Morricone’s iconic score was nominated.)

Petulia (1968, dir by Richard Lester)

Though Richard Lester will probably always be best known as the man who directed the first two Beatles films, he also directed one of the definitive 60s films, Petulia.  Sadly, in a year when many lackluster films were nominated, the challenging and rather melancholy Petulia was not.

Night of the Living Dead (1968, dir by George Romero)

Again, we really can’t be shocked that the Academy held off an recognizing a low-budget, independent film about zombies  But come on!  A Night of the Living Dead vs. Petulia Oscar race would have bene one for the ages.

Up next, in an hour or so, the 1970s!