4 Shots From 4 Films: “May 22nd Birthday” Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today’s “4 Shots From 4 Films” celebrate four people who were born on this day!! Enjoy!

Maggie Q in NAKED WEAPON (2002)

Laurence Olivier in REBECCA (1940)

Alison Eastwood in TIGHTROPE (1984)

Paul Winfield in HUSTLE (1975)

Brad’s “Scene of the Day” – Jimmy Stewart gets his hand blown off in THE MAN FROM LARAMIE (1955)!


There are people in this world who only know Jimmy Stewart from his performances in movies like IT’S A WONDERFUL LIFE (1946) and REAR WINDOW (1958). Those are both great movies to be sure, but I contend that Stewart was also one of the great “cowboys,” with his string of excellent westerns with director Anthony Mann, as well as his work with other great directors like John Ford and Delmer Daves.

Stewart’s performance in THE MAN FROM LARAMIE is one of my personal favorites. In this scene, his hand is shot from point blank range by a crazy man who’s never had to pay the consequences for his actions. That changes when the man from Laramie comes to town. I couldn’t imagine a more powerful performance than Stewart’s work here. He’s incredible and truly one of the great actors of all time!

4 Shots From 4 Films: Special Dinosaur Day Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Dinosaur Day and you know what that means!  It’s time for….

4 Shots From 4 Dinosaur Films

The Ghost of Slumber Mountain (1918, dir by Willis O’Brien, DP: Willis O’Brien)

One Million Years B.C. (1966, dir by Don Chaffey, DP: Wilkie Cooper)

Planet of the Dinosaurs (1978, dir by James Shea, DP: Henning Schellerup)

Carnosaur (1993, dir by Adam Simon, DP: Keith Holland)

I review THE MAN FROM LARAMIE (1955), starring James Stewart!


Happy Birthday, Jimmy Stewart!

I’m celebrating Jimmy Stewart’s birthday by watching his western THE MAN FROM LARAMIE! Stewart plays Will Lockhart, a man who has run into some bad luck. His brother, a U.S. cavalryman, was recently killed in an attack by Apaches using repeating rifles outside of the town of Coronado, New Mexico. In an attempt to track down the man who sold the rifles to the Indians, Lockhart has come to Coronado from Laramie, WY, to snoop around. He’s welcomed to town by Dave Waggoman (Alex Nicol), we’ll call him “Crazy Dave,” the son of powerful local rancher Alec Waggoman (Donald Crisp). Accusing Lockhart of stealing salt off of their land, Crazy Dave proceeds to drag him with a rope, burn his wagons and shoot his mules. Before he can do even more damage to Lockhart, the foreman of the Waggoman ranch Vic Hansbro (Arthur Kennedy) comes along and stops him. Vic seems like a reasonable man, but he does ask Lockhart to move on down the trail before there’s any more trouble. Lockhart isn’t leaving until he finds out more about those rifles so he politely declines by going back into town, finding Crazy Dave, and kicking his ass. He then goes to see Alec and asks to be paid back for the wagons and mules that crazy Dave destroyed. Alec pays Lockhart back and then calls Vic in to come see him. Here’s where we start to get a feel for Waggoman family dynamics. You see, Alec loves his son no matter how crazy he is, and he expects Vic to keep him out of trouble. He even takes the cost of the destroyed wagons and dead mules out of Vic’s pay instead of Crazy Dave’s. We find out that Crazy Dave is jealous of Vic, and that Vic feels underappreciated by a man he has treated like a father for many years. Against this backdrop of family jealousy and insanity, Lockhart will continue to dig around until he finds out who sold the rifles that killed his brother. Could it be Vic or Crazy Dave?

THE MAN FROM LARAMIE is the last of five westerns that Stewart worked on under the direction of Anthony Mann. Their work is legendary, including the western classics WINCHESTER ‘73 (1950), BEND OF THE RIVER (1952), THE NAKED SPUR (1953), and THE FAR COUNTRY (1954). In my opinion, they may have saved their best for last. Jimmy Stewart gives a masterful performance in the role of Will Lockhart. Stewart was very smart in the way he played his parts in westerns. Tall and gangly, he would never have been a believable western star if he had played his roles more like a John Wayne or Gary Cooper. Rather, his character here is driven by an uncontrollable desire for revenge, so no matter what happens to him, outside of being killed, he’s going to keep on coming. In this movie, he’s dragged, beaten and even has his hand shot from point blank range, but that doesn’t stop him. And every so often he flashes that Jimmy Stewart smile and you can’t help but have complete sympathy for him. The supporting performances are good as well, especially from Donald Crisp as Alec Waggoman and Arthur Kennedy as Vic Hansbro. Neither are completely bad men, but they make bad decisions based on emotions that most of us can completely understand. They’re so good in the roles that we can’t help but kinda like them in spite of those bad decisions. One of the things I love about old westerns is the way they deal with honest emotions and universal truths. At one point in the film, after discovering that Vic has lied to him about something, Alec tells him, “Once you start lying, there’s no way to stop!” If you’ve ever lied about something before, you know that one lie always leads to another, and then to another. The drama in THE MAN FROM LARAMIE centers around what happens to the characters when the truth finally comes to light. In my opinion it’s great stuff, and produces one of my very favorite westerns! 

On a side note, I love this movie so much that I demanded that my wife and I stop and eat in Laramie a couple of years ago when we were visiting family in Wyoming. Here’s a pic from that wonderful day. I wanted to make sure we got the sign in the back that said Laramie!

4 Shots From 4 Films: Special James Stewart Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of one of the greatest American actors of all time, the wonderful James Stewart!  It’s time for….

4 Shots From 4 James Stewart Films

Mr. Smith Goes To Washington (1939, dir by Frank Capra, DP: Joseph Walker)

It’s A Wonderful Life (1946, dir by Frank Capra, DP: Joseph Walker and Joseph Biroc)

Rear Window (1954, dir by Alfred Hitchcock, DP: Robert Burks)

The Man Who Shot Liberty Valance (1962, dir by John Ford. DP: William H. Clothier)

Brad’s “mini-review” of LOVE AND BULLETS (1979), starring Charles Bronson! 


Charles Bronson is an Arizona cop who goes to Switzerland to bring back a gangster’s girlfriend (Jill Ireland). The gangster (Rod Steiger) sends a hitman (Henry Silva) to kill her so she can’t tell his crime secrets to the authorities.  

This isn’t one of Bronson’s best films, but it’s still a fun movie to watch on a chilly, rainy day. There are some good action scenes set in various cold & snowy European locations. This is Bronson in “Bond” mode which is kind of fun and different. And what can you say about a stuttering Rod Steiger screaming at his advisors about the meaning of “love.” It’s fun stuff when you like Steiger as much as I do. I do deduct half a star because Steiger gets so mad at one point that he turns over a table with some of the biggest, most scrumptious looking shrimp I’ve ever seen. That was completely uncalled for and wasteful, but not quite as wasteful as Bronson and Henry Silva in the same movie without an epic battle of some sort. The fact that they didn’t fight it out on the Matterhorn itself can only be described as a missed opportunity. 

#MondayMuggers presents YOUNG GUNS (1988) starring Emilio Etevez, Kiefer Sutherland, Lou Diamond Phillips, and Charlie Sheen!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday May 19th, we are showing YOUNG GUNS (1988) starring Emilio Estevez, Kiefer Sutherland, Lou Diamond Phillips, Charlie Sheen, Dermot Mulroney, Casey Siemaszko, Terence Stamp, Jack Palance, Terry O’Quinn, Brian Keith, and Patrick Wayne.

This movie focuses on a group of young gunmen, led by Billy the Kid (Emilio Estevez), who become deputies to avenge the murder of John Tunstall (Terence Stamp), the rancher who took them in, gave them jobs, and taught them how to read. But when Billy takes their authority too far, they soon find themselves to be the outlaws and the ones being hunted down.

Join us tonight for #MondayMuggers and watch the extremely fun YOUNG GUNS! It’s on Amazon Prime. The trailer is included below:

4 Shots From 4 Films: Special Albert Pyun Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, on what would have been his 72nd birthday, we celebrate filmmaker Albert Pyun!

It’s time for….

4 Shots From 4 Albert Pyun Films

The Sword and the Sorcerer (1982, dir by Albert Pyun, DP: Joseph Margine)

Cyborg (1989, dir by Albert Pyun, DP: Philip Alan Waters)

Captain America (1990, dir by Albert Pyun, DP: Philp Alan Waters)

Kickboxer 2 (1991, dir by Albert Pyun, DP: George Mooradian)

The Hong Kong Film Corner – THE SEVENTH CURSE (1986) – starring Chow Yun-Fat and Chin Siu-Ho!


Happy Birthday, Chow Yun-Fat!

Early in THE SEVENTH CURSE, Dr. Yuan (Chin Siu-Ho) tells a story to his mentor and friend Wisely (Chow Yun-Fat). It seems he had visited Thailand exactly one year earlier on a medical research mission. This turned out to be an eventful trip. While walking along a lake, a beautiful woman in a see through top emerges from the clear waters. The two visit for a moment before she runs into the jungle in fear. Later that evening, Yuan hears the sounds of native drums which seem to signal human sacrifices are about to take place by the local “Worm Tribe.” Deciding to investigate the situation, he sees that same beautiful woman in need of a hero as she’s about to be sacrificed to the “Old Ancestor” by the tribe’s sorcerer (Elvis Tsui). He is able to rescue the lady, but he’s also damned with a blood curse that will periodically burst through his legs. Luckily, the grateful beauty was able to slice a tumor out of her ample bosom that provided an antidote for one year. Well the time is up and the bursts are back. Back in present time, Wisely, who puffs on his pipe and seems to be an expert on everything, advises Yuan to head back to Thailand and find a permanent cure before the final burst kills him. With help at various times from the badass Black Dragon (Dick Wei), the beautiful tribe woman we now know as Betsy (Tsui Sau-Lai), the annoying reporter Rainbow (Maggie Cheung), and Wisely, Yuan must find the cure before the final burst comes straight from the heart. It won’t be easy as they will have to defeat the evil sorcerer of the Worm Tribe, a demon baby animated by the blood of ground up children, and “Old Ancestor” himself, a powerful skeleton with glowing eyes who likes to suck out spinal chords before transforming into something really ugly.

Back in 1986, Chow Yun-Fat essentially filmed an extended cameo for this crazy film that could have only been made in Hong Kong. 1986 was also the same year that Chow Yun-Fat became a megastar all across Asia based on his success in John Woo’s A BETTER TOMORROW. Of course, the film was sold on his name, but he’s not in it very much, even if he does show up at the end with a bazooka. With that said, for those in the right frame of mind THE SEVENTH CURSE is an entertaining film, and I like Chin Siu-Ho in the lead role as Dr. Yuan. Part Indiana Jones style adventure and part jungle-terror, this film goes completely over the top with its gratuitous nudity and gore. “Restraint” for this movie means not showing children actually getting ground up so their blood can revitalize a demon baby, although we do see them being placed in the grinder and the blood coming out and being collected in bowls. The same restraint isn’t shown for the men who are torn apart by booby traps and Old Ancestor, impaled by spikes, rip their own faces off and have their spinal cords sucked out. For those of “WTF am I watching” cinema, this should be a fun viewing. The special effects aren’t particularly realistic looking which makes it easier for me to watch. 

Overall, THE SEVENTH CURSE is definitely not a film for everyone. The budget is low, the acting isn’t great, it’s gory as hell, and Chow Yun-Fat may have ten minutes of screen time at most. But if my description of the gore doesn’t scare you away and you enjoy crazy cinema, this is probably a movie for you. Enjoy the trailer below: