Brad reviews RISEN (2016)!


The film RISEN opens up just after Jesus Christ is crucified, but before he actually dies. Badass Roman soldier Clavius (Joseph Fiennes) has been put in charge of making sure that Jesus dies and that his followers don’t try to steal his body and claim that he’s “risen” from the dead. Clavius sees Jesus (played by Cliff Curtis) die with his own eyes and allows the Jewish aristocrat Joseph of Arimathea to take the body and place him in his own tomb. Clavius oversees the sealing of the tomb and posts two soldiers on guard. That night the tomb is mysteriously opened, the guards are nowhere to be found, and the rumors begin to circulate that Jesus has risen from the dead. Roman political leader Pilate (Peter Firth) is not happy about all of this disruption in his area, especially with Tiberius Caesar scheduled to visit, so he orders Clavius and his right hand man Lucius (Tom Felton) to find Jesus’ body at all costs. 

I’m writing this review a couple of weeks after Easter 2026, and RISEN takes place in the aftermath of Easter Sunday and the 40 days that Jesus spent appearing to his disciples and preparing them to carry his message to the masses. RISEN is an interesting take on the story as it focuses on Clavius, turning him into a detective trying to solve the mystery of Jesus’ missing body. We get to see him interrogate the disciples he can get his hands on, bribe various people for information and even beat information out of people when necessary. No matter what he tries, he keeps running into dead ends.

I’ll give Director Kevin Reynolds (ROBIN HOOD: PRINCE OF THIEVES, THE COUNT OF MONTE CRISTO) some credit for his solid direction of RISEN. His PG-13 rated film made my toes curl up and made me hold my nose multiple times, whether it be the somewhat graphic breaking of the legs of the men being crucified or the times spent with rotting, decaying bodies and the flies and imagined smells that go with them. The film didn’t skimp on these scenes, and it was pretty sickening. But then there is a blunt, powerful scene where Clavius is suddenly forced to deal with things that he can’t reconcile in his own mind. The scene I’m referencing made me feel a sense of awe and wonder and somehow caught me by surprise even in a faith-based film. There aren’t many miracles shown in the film, but those we see are truly heartwarming. RISEN forced strong feelings out of me both physically and emotionally, creating a more powerful experience than I was expecting.

The acting in RISEN is very good. Joseph Fiennes is downright excellent as Clavius. His performance as the tough, weary, cynical soldier is balanced perfectly as his complete disbelief turns into something different based on the events he witnesses throughout the story. The emotional conflict we see in his eyes when he first sees the resurrected Jesus is incredible work. Peter Firth is solid as the politically powerful, but seriously insecure Pilate, who worries more about public perception than the truth. And I’ve always liked the actor Cliff Curtis, who plays Jesus here. He portrays a strong sense of peace and love that is immediately believable and very effective. (On a personal note, Curtis’ scene in the Denzel Washington, Oscar winner TRAINING DAY has always been one of my favorite moments in cinema.)

Overall, I highly recommend RISEN. The film features an incredible lead performance from Fiennes, and the detective story angle brings something distinct and interesting to the table. Due to personal convictions, Christians will find the story the most powerful, but this is a movie that can reach a much wider audience than you might expect. 

Happy 79th Birthday to the incredible James Woods!


I’ve been a fan of James Woods going back to the last half of the 1980’s. As a person who practically lived at the video store in the late 80’s, that period of time was a particularly strong time in Woods’ career and he had emerged as one of those actors whose body of work I wanted to see. With classics already to his name, such as ONCE UPON A TIME IN AMERICA, and having just received his first Oscar nomination for Oliver Stone’s SALVADOR, Woods was doing excellent work in both films and TV.

In 1986, the same year of his Oscar nomination, James Woods won the Primetime Emmy for outstanding lead in a miniseries for his role as a schizophrenic in the film THE PROMISE, which also starred James Garner. Interestingly, he would win the same award 3 years later when he played the founder of Alcoholics Anonymous in MY NAME IS BILL W, again costarring James Garner. James Woods has always spoken so highly of Garner and their work together. That time also found Woods bringing his incredible on-screen intensity to films like BEST SELLER, COP, and TRUE BELIEVER. Each of these films showcase Woods at his very best. These were the kinds of films I was looking for at that time in my life, and that great work turned me into a lifelong fan.

The 90’s saw Woods transition from lead actor in films like THE HARD WAY and DIGGSTOWN (two personal favorites) to supporting roles in films like THE GETAWAY, THE SPECIALIST (co-starring Lisa’s hero Eric Roberts) and CASINO. He was still consistently incredible in these roles, no matter the size of the role or the quality of the film. He received his 2nd Oscar nomination for playing the horrific racist Byron De La Beckwith in Rob Reiner’s GHOSTS OF MISSISSIPPI. His performance is pure evil personified on screen. A couple of years later, Woods would play Hades in the Disney film HERCULES, an experience he treasured personally. Some of his best work in the 90’s was again on TV, with the film INDICTMENT: THE MCMARTIN TRIAL being a real standout. Woods was great at portraying lawyers on screen and this is some of his best work!

One of the coolest things about James Woods to me is the kindness he has shown me on social media in recent years. I have asked him questions about his movies and what it was like working with certain co-stars, and he has taken the time to answer them directly. He has commented on my film reviews of his work, even sharing them out with his millions of followers on multiple occasions. In my wildest dreams, 15 year old Brad could not have imagined an actor of the quality and success of James Woods taking time out to show me appreciation for simply enjoying his incredible work.

Happy Birthday Mr. Woods! Thanks for sharing your talents with all of us and showing that you actually appreciate your fans!

4 Shots From 4 Films: Special Eric Roberts Edition


4 Shots from 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots from 4 Films lets the visuals do the talking!

Happy birthday, Eric Roberts!

4 Shots From 4 Eric Roberts Films

Star 80 (1983, dir by Bob Fosse, DP: Sven Nyvkist)

The Pope of Greenwich Village (1984, dir by Stuart Rosenberg, DP: John Bailey)

Runaway Train (1985, dir by Andrei Konchalovsky, DP: Alan Hume)

The Dark Knight (2008, dir by Christopher Nolan, DP: Wally Pfister)

4 Shots From 4 Films: Special 1982 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1982 with….

4 Shots From 4 1982 Films

The House By The Cemetery (1982, dir by Lucio Fulci)

The New York Ripper (1982, dir by Lucio Fulci)

Friday the 13th Part II (1981, dir by Steve Miner)

Rock: It’s Your Decision (1982, dir. John Taylor)

4 Shots From 4 Films: Special Charlie Chaplin Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

137 years ago today, film and comedy pioneer Charlie Chaplin was born.  It’s time for….

4 Shots From 4 Charlie Chaplin Films

A Day’s Pleasure (1919, dir. Charlie Chaplin)

The Gold Rush (1925, dir by Charlie Chaplin)

City Lights (1931, dir by Charlie Chaplin)

Modern Times (1936, dir by Charlie Chaplin)

The taxman cometh…


Today I finished my 26th tax season as a certified public accountant who specializes in tax preparation services. For the last 3 months, my life has been all taxes, all the time. That ends today and now my love of my family and movies can once again take center stage! Tonight I’m watching YOJIMBO simply because seeing Toshiro Mifune makes me feel good. Happy Tax Day my friends!

4 Shots From 4 Films: Special 1964 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1964 with….

4 Shots From 4 1964 Films

Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964, dir. Stanley Kubrick, DP: Gilbert Taylor)

A Hard Day’s Night (1964, dir by Richard Lester, DP: Gilbert Taylor)

Goldfinger (1964, dir by Guy Hamilton, DP: Ted Moore)

Strait-Jacket (1964, dir by William Castle, DP: Arthur E. Arling)

4 Shots From 4 Films: Special Rod Steiger Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been Rod Steiger’s birthday.  It’s time for….

4 Shots From 4 Rod Steiger Films

On The Waterfront (1954, dir by Elia Kazan, DP: Boris Kaufman)

The Pawnbroker (1965, dir by Sidney Lumet, DP: Boris Kaufman)

In The Heat of the Night (1967, dir by Norman Jewison, DP: Haskell Wexler)

The Illustrated Man (1969, dir by Jack Smight, DP: Philip H. Lathrop)

 

4 Shots From 4 Films: Special Stanley Donen Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been the 102nd birthday of the great Stanley Donen.  It’s time for….

4 Shots From 4 Stanley Donen Films

Singin’ In The Rain (1952, dir by Gene Kelly and Stanley Donen, DP: Harold Rosson)

Funny Face (1957, dir by Stanley Donen, DP; Ray June)

Two For The Road (1967, dir by Stanley Donen, DP: Christopher Challis)

Saturn 3 (1980, dir by Stanley Donen, DP: Billy Williams)

4 Shots From 4 Films: Special 1993 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to the year 1993 with….

4 Shots From 4 1993 Films

Mi Vida Loca (1993, dir by Allison Anders, DP: Rodrigo Garcia)

Short Cuts (1993, dir by Robert Altman, DP: Walt Lloyd)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

The Last Action Hero (1993, directed by John McTiernan, DP: Dean Semler)