October Positivity: Revelation Road: The Beginning of the End (dir by Gabriel Sabloff)


Eric Roberts is in the 2013 film, Revelation Road: The Beginning of the End.

Of course, he’s only in it for a few minutes.  In fact, if you blink, you will miss him.  He plays Sheriff Jenson, who is in charge of enforcing the law in a small desert community.  He appears long enough to tell salesman John McManus (David A.R. White) not to leave town.  McManus has just killed three armed men who were attempting to rob a general store.  The store’s owner (Ray Wise) invites him to dinner but the cops are curious as to how a salesman could be so proficient at killing people.

Revelation Road plays out over the course of one long night.  A group of bikers, led by the fearsome Hawg (Brian Bosworth), are seeking revenge for the death of their compatriots.  Meanwhile, Iran is pushing the world towards war.  In a motel, a woman asks John for money.  Lighting flashes.  Lights flicker on and off.  The Earth shakes.  It’s a fearful time, largely because the world itself is coming to an end.  A little over an hour into this 88 minute film, there’s a sudden blinding light and suddenly, a fourth of the cast vanishes.  One person who does not vanish runs into a kindly stranger, played by Bruce Marchiano.  Marchiano will be well-known to viewers of faith-based cinema for the number of times that he’s played Jesus.  So, you can probably guess what’s happened.

Revelation Road ends with the promise of a sequel, which means that the film also ends with a lot of unanswered questions.  It makes Revelation Road difficult to really review because it’s obviously meant to be a prologue to the actual story.  I will note that Revelation Road is a surprisingly violent movie, at least by the standards of most faith-based films.  Then again, most of the violence was in self-defense and the Bible itself is full of stories of violent men who found redemption.  In fact, you could probably argue that it’s impossible to do an apocalypse movie that isn’t violent.  We’ll just have to wait to see where this story is heading.

I’ll review the sequel tomorrow.

Previous Eric Roberts Films That We Have Reviewed:

  1. Paul’s Case (1980)
  2. Star 80 (1983)
  3. Runaway Train (1985)
  4. To Heal A Nation (1988)
  5. Best of the Best (1989)
  6. Blood Red (1989)
  7. The Ambulance (1990)
  8. The Lost Capone (1990)
  9. Best of the Best II (1993)
  10. Love, Cheat, & Steal (1993)
  11. Voyage (1993)
  12. Love Is A Gun (1994)
  13. Sensation (1994)
  14. Dark Angel (1996)
  15. Doctor Who (1996)
  16. Most Wanted (1997)
  17. Mercy Streets (2000)
  18. Raptor (2001)
  19. Rough Air: Danger on Flight 534 (2001)
  20. Strange Frequency (2001)
  21. Wolves of Wall Street (2002)
  22. Border Blues (2004)
  23. Mr. Brightside (2004)
  24. Six: The Mark Unleased (2004)
  25. We Belong Together (2005)
  26. Hey You (2006)
  27. Depth Charge (2008)
  28. Amazing Racer (2009)
  29. The Chaos Experiment (2009)
  30. In The Blink of an Eye (2009)
  31. Bed & Breakfast (2010)
  32. Enemies Among Us (2010)
  33. The Expendables (2010) 
  34. Sharktopus (2010)
  35. Beyond The Trophy (2012)
  36. The Dead Want Women (2012)
  37. Deadline (2012)
  38. The Mark (2012)
  39. Miss Atomic Bomb (2012)
  40. Assault on Wall Street (2013)
  41. Bonnie And Clyde: Justified (2013)
  42. Lovelace (2013)
  43. The Mark: Redemption (2013)
  44. The Perfect Summer (2013)
  45. Self-Storage (2013)
  46. Sink Hole (2013)
  47. A Talking Cat!?! (2013)
  48. This Is Our Time (2013)
  49. Bigfoot vs DB Cooper (2014)
  50. Doc Holliday’s Revenge (2014)
  51. Inherent Vice (2014)
  52. Road to the Open (2014)
  53. Rumors of War (2014)
  54. Amityville Death House (2015)
  55. Deadly Sanctuary (2015)
  56. A Fatal Obsession (2015)
  57. Las Vegas Story (2015)
  58. Sorority Slaughterhouse (2015)
  59. Stalked By My Doctor (2015)
  60. Enemy Within (2016)
  61. Hunting Season (2016)
  62. Joker’s Poltergeist (2016)
  63. Prayer Never Fails (2016)
  64. Stalked By My Doctor: The Return (2016)
  65. The Wrong Roommate (2016)
  66. Dark Image (2017)
  67. The Demonic Dead (2017)
  68. Black Wake (2018)
  69. Frank and Ava (2018)
  70. Stalked By My Doctor: Patient’s Revenge (2018)
  71. Clinton Island (2019)
  72. Monster Island (2019)
  73. The Reliant (2019)
  74. The Savant (2019)
  75. Seven Deadly Sins (2019)
  76. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  77. The Wrong Mommy (2019)
  78. Exodus of a Prodigal Son (2020)
  79. Free Lunch Express (2020)
  80. Her Deadly Groom (2020)
  81. Top Gunner (2020)
  82. Deadly Nightshade (2021)
  83. The Elevator (2021)
  84. Just What The Doctor Ordered (2021)
  85. Killer Advice (2021)
  86. Megaboa (2021)
  87. Night Night (2021)
  88. The Poltergeist Diaries (2021)
  89. The Rebels of PT-218 (2021)
  90. Red Prophecies (2021)
  91. A Town Called Parable (2021)
  92. Bleach (2022)
  93. Dawn (2022)
  94. My Dinner With Eric (2022)
  95. 69 Parts (2022)
  96. The Rideshare Killer (2022)
  97. The Company We Keep (2023)
  98. D.C. Down (2023)
  99. Aftermath (2024)
  100. Bad Substitute (2024)
  101. Devil’s Knight (2024)
  102. Insane Like Me? (2024)
  103. Space Sharks (2024)
  104. The Wrong Life Coach (2024)
  105. Broken Church (2025)
  106. When It Rains In L.A. (2025)

October Positivity: The Moment After 2: The Awakening


2006’s The Moment After 2 picks up where The Moment After ended.

In the days after the Rapture, the Global Alliance has taken over the world.  The government seeks to control everything.  Paper money is becoming a thing of the past and instead, everyone is expected to pay via a chip that’s been implanted in their hand.  Not having a chip means going to prison and probably being executed for being a subversive.  The Global forces, led by the sadistic Commander Fredericks (Monte Rex Perlin), are hunting down dissidents.  People are being reeducated.  It’s the type of world that, in reality, a lot of people want, even if they hide it behind a bunch of class struggle rhetoric.

Former FBI agent Adam Riley (David A.R. White) is on Death Row but he gets a chance for freedom when the prison transport is attacked by a rebel group.  When the other prisoners ask Adam to come with them, Adam takes one look at all the bodies of the people killed during the attack and refuses.  He’s not a follower of Global but he doesn’t want any part of the rebel militia’s demand of “an eye for an eye.”  Instead, Adam wanders through the desert until he finds a community of Christians.  He’s reunited with the Rev. Jacob Krause (Brad Heller), from the first film.  He also meets Carissa (Andrea Logan White), a woman with whom he is in love.  However, she’s married to Richard (Mark Atteberry) and we all know what the Bible says about adultery.  Of course, the world is now a dangerous place and, with Fredericks executing every Christian he finds, maybe Adam will still get his chance.  Adultery may be a sin but moving in on a new widow is not.

Meanwhile, Adam’s former partner and friend, Charles Baker (Kevin Downes), is recruited to track Adam down.  If Charles captures Adam, maybe Charles’s wife Rebecca (Deanne Morre) will be releases from prison.  Or maybe not.  You really can’t trust the Global Alliance.

One thing that I appreciated about this film is that Adam, despite plenty of opportunities to give into temptation, stayed true to the commandment that “Thou Shalt Not Kill.”  A lot of faith-based, apocalypse films tend to use the end times setting as an excuse to turn its characters into quip-ready action heroes, gunning down the forces of the world government and blowing up buildings without a second thought.  This film, though, is smart enough to say, “Hold on, the whole anti-killing thing still applies, regardless of how bad things get.”

As for the rest of the film, it’s well-made and the cast is decent.  That may sound like faint praise but, after you’ve watched enough low-budget faith-based productions, you come to appreciate the ones that at least feature a steady camera, a clean soundtrack, and actors who can at least show a modicum of emotion.  As tempting as it may be to laugh at the heavy-handedness of the Global Alliance, those of us who remember the COVID lockdowns will never forget some of the suggestions that were made for dealing with people who were judged to be noncompliant because they didn’t want to observe curfew or close their businesses.  Much like the first film, The Moment After 2 is a decent thriller, one that works nicely for our paranoid times.

Late Night Retro Television Review: Pacific Blue 1.12 “The Big Spin”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Bike patrol expands its roster, this week.

Episode 1.12 “The Big Spin”

(Dir by Terrence O’Hara, originally aired on May 18th, 1996)

Bike patrol has a new recruit!  Scott Kramer (Richard Joseph Paul) has been a cop for ten years and, for nine of those year, he had a perfect record.  But lately, he’s became impulsive and too much of a risk taker.  Bike patrol is his last chance!  “I run things by the book,” Lt. Palermo says.

Chris is assigned to train Kramer and soon, the two of them are falling for each other.  Chris explains that Kramer, like her, is a rebel who breaks the rule.  One of the funnier things about Pacific Blue is that Chris is supposed to be a rebel who breaks the rule when she’s nothing of the sort.  Instead, she just kind of gets annoyed and pouts every episode.

Anyway, it turns out that Kramer is terminally ill so he doesn’t care if he dies while taking down the two motorcycle bandits who have been robbing people all across town.  And that’s a good thing because that’s pretty much what happens.  The bandits are captured but bike patrol loses a recruit.

“The last thing he saw was you,” Palmero tells Chris and I think that was supposed to comfort her.  Chris nods and then walks along the beach by herself.

Wow, it’s an edgy episode!  Well, no, not really.  It comes close to being an edgy episode.  Richard Joseph Paul gives a pretty good performance as Kramer.  But …. come on, folks …. they’re on bicycles!  I’m sorry that I keep harping on this and, since this stupid show has like a gillion episodes, I imagine I’ll continue to harp on it in the future but bicycles are not edgy!  The first season is nearly over and I still laugh whenever I see the bike cops hearing about a crime on their radio and then going, “Unit whatever responding.”  I’m just imagining the dispatcher being like, “Oh no, bike patrol again.”  Seriously, everyone on this show always has such a grim expression on their face and they’re determined to catch the bad guys but, again …. bicycles!

Anyway, season one comes to an end next week.

October Positivity: The Wager (dir by Judson Pearce Morgan)


In 2007’s The Wager, Randy Travis plays Michael Steele, an Oscar-nominated actor who….

Stop laughing, that’s not nice.

Okay, I’ll be the first to admit that Randy Travis is not exactly the first person that I would cast as an Oscar-nominated actor.  And, I’ll also be the first to admit that having Randy Travis act in this film makes it even harder to believe him as someone who could someday be nominated for an Oscar.  A lot of country music stars have tried their hand at acting and most of them have been able to survive on the basis of their own authenticity.  But there’s nothing authentic about Travis’s performance here.  Even when he picks up a guitar and sings a song about the difficulties that he’s facing, he’s not convincing.  In this, it’s not so much that Travis is a stiff actor as he just seems to evaporate whenever he’s on screen.

As for the film, Michael Steele is an actor who is known for his strong faith and his refusal to do sex scenes.  When a director (Bronson Pinchot) throws a fit over Steele’s refusal to shoot once such scene, Steele says that he’ll do the scene but only if it’s followed by a scene in which his co-star has to deal with being a single mother.  OUCH!  Michael Steele seems like he’s fun at parties….

(Apparently, it doesn’t occur to Michael that his character could wear a condom.)

Wait a minute.  This guy has the same name as that jackass who is always on the news talking about how he’s a Republican who thinks everyone should vote for the Democrats.  I wonder if that’s intentional.  Anyway….

Michael Steele’s career has had its up and downs.  His recent divorce from Annie (Nancy Stafford) has damaged his family friendly image.  But his Oscar nomination and the fact that he’s expected to win has once again made the world’s most popular star.  But then — scandal!  A tabloid photographer snaps a picture of Michael talking to a young actress at his house.  In the background, a little kid watches.  Now, the kid is a part of the Big Brother program and Michael was just trying to help the younger woman with her career but it doesn’t matter.  Soon, Michael finds himself being portrayed as being some sort of pervert.  When he punches a photographer, he finds himself getting arrested — RIGHT IN FRONT OF HIS CHURCH!

Now, as you may have guessed, this is yet another retelling of the story of Job, with Michael having his faith tested by one disaster after another.  He doesn’t lose his faith and, as a result, he wins both an Oscar and he also becomes a hero when he rescues the kid from the Big Brother program from his abusive stepfather.  Anyone who thinks that God wouldn’t have a hand in who wins an Oscar obviously did not listen to Will Smith’s acceptance speech.

The Wager is a film that would probably not be made today.  Today, you’re not likely to see a socially conservative, faith-based film where a successful actor is wrongly accused of being a pervert.  Then again, you also probably wouldn’t see a politically liberal film in which a successful white male actor was wrong accused of being an abuser, not in today’s cultural climate.  On both the Left and the Right, attitudes towards Hollywood have changed.  Beyond the film’s political and cultural subtext, its portrait of the Oscars as being the most important event of the year also feels rather old-fashioned.  I imagine it felt old-fashioned in 2007 as well….

Then again, this is a film in which Randy Travis plays the best actor of his generation so perhaps it’s best not to take any of it too seriously.  The miscasting of Travis pretty much sabotages the movie from the start but, on the positive side, Bronon Pinchot is amusing as a bitchy director and Jude Ciccolella has a few good scenes as Michael’s supportive agent.  Give those men an Oscar!