Retro Television Review: Miami Vice 2.22 “Trust Fund Pirates”

Posted on September 16, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, things get weird in Miami!

Episode 2.22 “Trust Fund Pirates”

(Dir by Jim Johnston, originally aired on May 2ns 1986)

Pirate radio DJ Captain Hook (Richard Belzer) sits on his yacht in international waters and broadcasts music to Miami while, at the same time, brokering drug deals among other yacht owners. His assistant is Noogie (Charlie Barnett), the informant who was all over the place during Miami Vice’s first season but who, up until this episode, was absent from the second season.

On another yacht, a group of Bolivians are gunned down by preppy young men who are led by Ivy League dropout Skip Mueller (Perry Lang). Skip and his buddies brag about being pirates and cheerfully make jokes while standing over the bodies of the men and the women that they killed.

A seaplane pilot named Jackson Crane (a young Gary Cole) raids the Bolivian yacht and takes some of the boat’s equipment home with him. Jackson is a longtime drug smuggler who claims that he’s on the verge of retirement. He’s dating a woman named Lani (Nicole Fosse), who happens to be Skip’s sister.

In a trailer park, Jumbo (Tommy Chong) and his wife Fluffy (Denny Dillon) keep a running tally of how many rats they’ve killed while trying to buy drugs and fence stolen goods. Jumbo calls everyone “man.” Fluffy is good with a shotgun.

And, in the middle of all this, we’ve got two aspiring drug dealers named Burnett and Cooper. Burnett and Cooper, of course, are actually Crockett and Tubbs. Just two episodes ago, one of Miami’s fiercest drug lords figured out that Burnett and Cooper are actually cops but I guess he decided not to tell anyone, despite the fact that he still thinks Crockett owes him money.

It’s a bizarre episode, full of strange characters and a plot that has so many double-crosses that it’s hard to keep track of who is betraying who. The episode was originally intended to be a sequel to Smuggler’s Blues, with Glenn Frey once again playing Jimmy the Pilot. When Frey couldn’t fit a return appearance into his schedule, the script was rewritten to feature Gary Cole as a friend of Jimmy’s. That said, it’s still obvious that the script was originally written more to highlight a popular guest star than to tell a totally coherent story.

Fortunately, Miami Vice works best when its a bit incoherent. One the major themes of the show is that no one can be trusted and that everyone is willing to betray everyone else. The world of Miami Vice is often illogical because it’s a world full of illogical people who tend to do whatever pops into their head at any given moment. Another major theme is that everyone either wants to get rich from selling drugs or they’re just adrenaline junkies who get a high from being involved in the underground. Skip and his friends are rich. They just enjoy killing people and pretending to be gangsters. This is one of the more violent and bloody episodes of Miami Vice. Skip and his friends enjoy their work a little too much.

It’s a good episode and well-acted. Gary Cole was considered for the role of Crockett before Don Johnson got the part and, in this episode, it’s easy to see why. Even as a young actor, Cole has a rugged cynicism to him that’s both dangerous and compelling. Perry Lang appeared in a lot of dumb teen comedies in the 80s, usually playing dorky nice guys. He’s absolutely chilling as the sociopathic Skip Mueller. And finally, there’s Richard Belzer, wearing an eyepatch, opening the episode by rapping with Noogie, and encouraging the criminals of Miami to enjoy some good music while breaking the law. Full of strange characters and shocking violence, this episode captures the idea of Miami being a surreal playground for the rich, ruthless, and crazy.

Next week, season 2 comes to an end!

Lisa Marie’s Week In Television: 9/8/24 — 9/14/24

Posted on September 14, 2024 by Lisa Marie Bowman

I’ve been up at Lake Texoma for most of this week, getting some much-needed rest after the past 3 and a half months. As such, I haven’t watch much television over the past few days (and no, I did not watch the debate because, as I just said, I’m trying to rest and relax) but I did find time to binge and write up reviews for several episodes of Baywatch Nights, Check It Out!, Friday the 13th, and Welcome Back, Kotter. Watch for the rest of those reviews through the rest of this month and October!

Here’s some thoughts on what I did watch:

Baywatch Nights (YouTube)

I binged Baywatch Nights this week. Check out my review of this week’s episode here!

Check It Out! (Tubi)

I watched and wrote reviews of several episodes of Check It Out! on Sunday. Look for the reviews through the rest of this month and October.

Fantasy Island (DVR)

I reviewed this week’s episode of Fantasy Island here!

Friday the 13th: The Series (YouTube)

Read this week’s review here!

Get Judged by Byron Browne (Nosey)

Tattooed and plain-spoken attorney Byron Browne listens to people talk about their problems and then tells them if they have grounds to sue. I watched a few episodes on Sunday evening. I actually liked the show. I appreciated the fact that Browne, for all of his flamboyance, gave good advice and didn’t waste many words getting to the point.

Jerry Springer Show (Nosey)

I watched three episodes of this show on Nosey while I was working on some reviews of shows that don’t feature Jerry Springer. One episode that I watched featured a dry cleaner who stole women’s clothes and wondered why his girlfriend was cheating on him. Another episode featured a man who wanted his lover to dress up like his mom. The last episode featured a man who got upset because his girlfriend was sleeping with his sister. I’m pretty sure every guest was an actor. I mean, I’ve known some pretty weird people but I’ve never known anyone as strange as the typical Spring guest.

Jerry Springer, let’s just be honest, came across as being incredibly sleazy. I don’t care that he was a former politician or that he was apparently inspired by Robert F. Kennedy, Sr. I don’t care that he was apparently an amiable presence off-stage. Watching him on this show, smirking while the audience chants his name, I felt no need to pretend like Springer was anything other than the epitome of a sleazy talk show host. For all the efforts made by some in the media to rehabilitate his image and to suggest that he shouldn’t have been judged by the show he hosted, Springer really was the worst and the faux sincerity of his “final thoughts” always verged on being offensive. If he was still alive, he’d be an excellent pick to play the sleazy game show host, Killian, in a Running Man remake.

The Love Boat (Paramount Plus)

I reviewed this week’s episode of The Love Boat here!

Miami Vice (Prime)

I reviewed this week’s episode of Miami Vice here.

Monsters (YouTube)

I wrote about Monsters here!

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back, Kotter here!

Retro Television Review: Miami Vice 2.21 “Free Verse”

Posted on September 9, 2024 by Lisa Marie Bowman

This week, the Vice Squad gets a big assignment.

Episode 2.21 “Free Verse”

(Dir by John Nicollela, originally aired on April 4th, 1986)

The wheelchair-bound poet, Hector Sandoval (played by Byrne Piven), is coming to Miami so that he can testify before a Congressional committee about the human rights abuses that are occurring in his home country, abuses that Hector claims have been partially funded by American interests. Hector is a world-famous poet but his history as an outspoken political dissident has made him politically important as well. He’s been nominated for a Nobel Peace Prize. Meanwhile, the right-wing death squads from his own country want him dead. Because Sandoval is equally critical of his country’s rebels, the left wants him dead as well. They feel he has more value as a martyr than as a living dissident.

With so many people trying to kill this important, world-famous person, his safety in America is the government’s top-most concern. So, naturally, the task of protecting Sandoval is assigned not to the FBI, the CIA, or the Secret Service. Instead, it’s given to the Miami Vice Squad. You read that correctly. A bunch of undercover cops are assigned to protect one of the most important men in the world. They meet him when he lands in the airport and their pictures are immediately taken by the horde of reporters waiting for Sandoval’s arrival. I guess everyone’s cover is blown now.

This is not a particularly interesting episode. Obviously, the show was looking to make a point about not only the political situation in Central America but also the role of the U.S. government in propping up various dictators and turning a blind eye to human rights abuses. That’s fine. Indeed, watching an episode like this today serves as a good reminder that Chavez and Maduro were hardly the first dictators to take power in South and Central America. But this episode gets so caught up in making its political points that it forgets to be interesting.

A huge part of the problem is that the members of the Vice Squad spend a lot of this episode in the background. The emphasis is on Hector Sandoval and his daughter, Bianca (Yamil Borges). Unfortunately, Byrne Piven goes so over-the-top as Sandoval that it’s impossible to take the character seriously. It’s a genuinely bad performance and it makes the episode a bit of a chore to sit through. (Admittedly, it is entertaining watching Edward James Olmos refuse to show a hint of emotion while Sandoval devours all of the scenery in their scenes together.)

For celebrity watchers, Bianca Jagger shows up as an assassin but she doesn’t really get to do much. Luis Guzman and future director Michael Bay play the imaginatively named “Goon #1” and “Goon #3.” Otherwise — and especially when compared to the episodes that came before it — this is a surprisingly forgettable episode of Miami Vice.

Retro Television Review: Miami Vice 2.20 “Payback”

Posted on September 2, 2024 by Lisa Marie Bowman

After taking a two-month hiatus, I think it’s time to finally get back to the reviews. Thank you for your patience, everyone. Now, let’s head to down to Miami for some Vice!

Episode 2.20 “Payback”

(Dir by Aaron Lipstadt, originally aired on March 14th, 1986)

A low-level drug dealer named Jesus Moroto (Roberto Duran) wants a meeting with the detective who arrested him and sent him to jail. When Sonny Crockett arrives to see what Moroto wants, Sonny is shocked when Moroto commits suicide in the visitation room.

Sudden and violent deaths are a recurring thing in Miami but the death of Moroto haunts Sonny. As Sonny explains to Tubbs, it doesn’t make any sense for Moroto, who was only looking at a few years in jail, to have killed himself. Sonny wonders why Moroto died in front of him. Tubbs suggests that Sonny instead focus on their current assignment, trying to get close to the elusive drug lord, Mario Fuente (played by famed art rocker, Frank Zappa). As a lot of drug lords do on this show, Fuente lives on a yacht and it’s next to impossible to see him. Using their undercover identities as Burnett and Cooper, Crockett and Tubbs have so far only been able to meet with Fuente’s second-in-command, Reuben Reydolfo (Dan Hedaya).

Crockett and Tubbs find themselves assigned to work with two DEA agents, one whom — Kevin Cates (Graham Beckel) — claims that he can get Crockett and Tubbs onto Fuente’s boat. Crockett and Tubbs are reluctant to work with anyone but it soon turns out that Cates is apparently better at his job than Crockett and Tubbs gave him credit for.

Except, of course, everyone’s got a secret. Before he went to jail, Moroto stole several million dollars from Fuente. It turns out that Internal Affairs is convinced that Crockett helped Moroto steal the money and Fuente, who knows that Burnett and Cooper are actually Crockett and Tubbs, believes the same thing. The only person who can truly prove that Crockett is innocent is Kevin Cates and that’s because he’s the one who stole the money!

It doesn’t matter that the twisty plot of this particular episode is not always easy to follow. It also doesn’t matter that this episode leaves you wondering just how exactly Crockett and Tubbs have managed to maintain their Burnett/Cooper personas for so long without everyone in Miami’s underworld figuring out the truth. (Personally, I wonder that after every episode.) This episode works due to the atmospheric direction of Aaron Lipstadt and the performances of Don Johnson, Edward James Olmos, Frank Zappa, and especially Graham Beckel. Beckel gives a performance that will keep you guessing at just who exactly Kevin Cates is working for and whether or not he can be trusted. That he makes Kevin into a somewhat likable character makes it all the more disturbing when he turns out to not be quite the honest law enforcer that he made himself out to be. If the main theme of Miami Vice often seemed to be that Crockett and Tubbs were fighting a war that there was no way to win, this episode shows why their work often felt so futile. In this episode, Crockett not only has to battle a drug lord but he also has to battle Internal Affairs. No one trusts anyone.

The episode ends on an ambiguous note, with Crockett technically cleared but still unable to truly prove his innocence. (Kevin Cates, the only man who can truly prove Crockett’s innocence, is naturally gunned down during the show’s final few minutes.) Crockett is warned that Fuente is still going to be coming after him. (Unfortunately, Zappa was in poor health when he filmed this episode and Fuente would never return.) This episode is Miami Vice at its most cynical and its most effective.

Lisa Marie’s Week In Television: 8/4/24 — 8/10/24

Posted on August 10, 2024 by Lisa Marie Bowman

For the first time in a long time, things settled down enough this week that I could find time to watch a little television. Here are my thoughts!

Atomic TV (Night Flight Plus)

This bizarre show, from the 80s, was an entertaining mix of public domain educational films and excerpts from music videos. It was enjoyably trippy.

Cobra Kai (Netflix)

I watched the first five episodes of the final season on Thursday and Friday. I know that some people felt that the new episodes got Season 6 off to a bad start and I can kind of understand some of the criticism. How many times can Kreese come back from the dead? How many times can Tory be tempted to join the bad guys? The show has pretty much taken its premise as far as it can go and it’s probably good that this is the final season.

But, you know what? Cobra Kai is a fun show, one that works because of the combination of Ralph Macchio’s earnestness and William Zabka’s strong comedic timing. Yes, the show is silly and over-the-top but that’s kind of the point. The show’s blend of cringe comedy and melodrama still keeps me entertained and William Zabka’s performance as Johnny continues to make me smile.

Plus, there was this wonderful moment:

Dirty Pop: The Boy Band Scam (Netflix)

I watched all three episodes of this creepy docuseries on Sunday. The series told the story of how Lou Pearlman created the Backstreet Boys, NSYNC, and O Town and how he ended up stealing over $500 million dollars from his investors. Pearlman came across as being a bit of a monster and even creepier than he did during the first season of Making the Band. The docuseries featured interviews with former boy banders (though not Justin Timberlake, Lance Bass, Joey Fatone or anyone else who currently has a career going), in which they shared their mixed feelings about their experiences with Lou. My heart really broke for Michael Johnson, of Natural, who appeared to have been the most traumatized by his experiences with Lou Pearlman.

Dr. Phil (Pluto TV)

On Thursday night, I watched an episode in which Phil talked to a former Marine whose daughter was out-of-control. Everyone agreed that it was the father’s fault but the teen was still sent to Turn About Ranch. Did that ranch ever do anyone any good?

Miami Vice (Prime)

A gangster (played by legendary satirist Frank Zappa) thought Sonny had stolen some money from him. I’ll be posting a review of this episode on September 2nd so keep an eye out for it!

Summer Olympics (NBC)

Usually, I’m a huge Olympics nerd but this year, I’ve been too busy taking care of my Dad to really pay attention to them. I did occasionally tune in throughout this week. Personally, I think I could win a gold medal for Beach Volleyball. It doesn’t look that hard.

Steve Wilkos (Nosey)

I watched an episode of this talk show on Wednesday morning, when I couldn’t sleep. A man denied that he was the father of his ex-girlfriend’s nine year-old child. Steve yelled, “Get off my stage!” and threw a chair at the guy while the audience chanted, “STEVE!” Lost in all of the chaos and chanting was whether or not the guy was actually the father. I assume he was, just because of all the booing that went on.

On Saturday, I watched three episodes that featured Steve yelling at someone. He threw another chair at a different guy. The audience loved that.

TV 2000 (Night Flight TV)

I watched an episode of this 80s music video show on Saturday morning. A youngish Gene Simmons was interviewed and come across as being as arrogant but oddly likable as he is today.

Retro Television Review: Miami Vice 2.19 “The Fix”

Posted on July 8, 2024 by Lisa Marie Bowman

This week, Crockett and Tubbs discover a judge may be taking bribes.

Episode 2.19 “The Fix”

(Dir by Dick Miller, originally aired on March 7th, 1986)

Roger Ferguson (Bill Russell) is a powerful man in Miami. A former basketball player turned lawyer, Ferguson could have been elected mayor but instead, he chose to take an appointment to the bench. In his art deco courtroom, Judge Ferguson hands down sentences and sets bail. In fact, sometimes, he sets bail at a surprisingly low amount. After a drug lord is released on a $5,000 bond and immediately catches a plane for Colombia, Crockett and Tubbs come to suspect that the Judge might be taking bribes.

And he is! Judge Ferguson has a gambling problem and a corrupt lawyer named Benedict (Harvey Fierstein, clean-shaved but recognizable from the minute he starts to speak) is taking advantage of that fact. In fact, Ferguson is so in debt that he’s had to borrow from a notorious loan shark named Pagone (Michael Richards — yes, the future Kramer from Seinfeld). Pagone is now demanding that the judge convince his son, a basketball player named Matt (Bernard King), to throw his next game.

There were some good things about this episode. It was directed by Dick Miller and yes, that is the same Dick Miller who, as a character actor, appeared in countless Roger Corman films. As a director, Miller had a good sense of style. The opening sequence, where the Vice Squad arrests a drug lord at an aviary, is genuinely exciting and well-done. There was also some moments of genuine humor, largely supplied by the contrast between Crockett’s intensity and Tubbs’s laid-back cool.

The problem is with the casting, some of which is not entirely the show’s fault. In 1986, no one knew that casting Harvey Fierstein and Michael Richards as ruthless villains would come across as being unintentionally humorous in 2024. Richards does not give a bad performance as Pagone but, whenever he threatens the judge, he sounds just like Kramer demanding the day off for Festivus. As for Bill Russell and Bernard King, I looked them up on Wikipedia after watching the show and I was not surprised to discover that they were both actual basketball players. Both of them gave earnest performances but it was easy to see that neither one of them was a natural or a trained actor. It wasn’t quite as bad as when actual basketball players used to show up on Hang Time but still, they definitely seemed to be struggling to keep up with the veteran actors in the cast.

This is yet another episode that ends with Crockett staring in horror as someone is shot on a yacht. (In this case, it’s Judge Ferguson committing suicide after killing Pagone.) Seriously, what was the yacht budget for this show?

Retro Television Review: Miami Vice 2.18 “French Twist”

Posted on July 1, 2024 by Lisa Marie Bowman

This week, Crockett learns an important lesson about trusting the French.

Episode 2.18 “French Twist”

(Dir by David Jackson, originally aired on February 21st, 1986)

An infamous French drug dealer and terrorist named Bandi (Xavier Coronel) has escaped from a Canadian prison and surfaced in Miami, where he murders an innocent hospital worker and takes off with a van full of morphine. While Tubbs tries to protect the only witness, a rebellious teenage photographer named Cindy (Shari Headley), Crockett works closely with Danielle Hier (Lisa Eichorn), a French INTERPOL agent who has been sent to Miami by her boss, Zolan (played, in an odd cameo, by folk singer Leonard Cohen).

In fact, Crockett may be working a bit too closely with Danielle because he’s the only person who doesn’t seem to notice that there’s something suspicious about her. Tubbs feels that there’s something that Danielle is not telling the Vice Squad and he’s right. While Castillo is under orders to take Bandi alive so he can be sent to face prison in Canada, Danielle has been sent to assassinate Bandi on behalf of French Intelligence.

This is a typically cynical episode of Miami Vice. The latter half of the first season and the majority of the second season have been full of episodes in which competing government agencies screw up Tubbs and Crockett’s efforts to clean up Miami. This episode is unique in that the competing government agency is French but otherwise, the theme remains the same. The War on Drugs can never be won because too many people are benefitting from it. When watched today, it’s helpful to have some knowledge of what was going on in France from the 60s to the 80s. Many French terrorist organizations — on both the left and the right — funded their activities through the heroin trade and it’s easy to see Bandi as a stand-in for the infamous ex-OAS drug lords of the era. As for Danielle, it’s mentioned that one of her previous missions involved blowing up a Greenpeace boat, which is something that French Intelligence actually did around the same time that this episode aired.

This is yet another episode the ends with a fateful gunshot in the night. In this case, it’s Crockett killing his lover to save his partner. It’s an ending that doesn’t quite have the emotional resonance to it that it’s had when used during previous episodes, largely because there’s very little romantic or sexual chemistry between Don Johnson and Lisa Eichorn. Eichorn, who was so good in Cutter’s Way, struggles a bit with her French accent and the final twist involving her character feels a bit too obvious. It’s hard to believe that Sonny — world-weary Sonny who lives on a boat and whose best friend is a crocodile and who has experienced plenty of CIA duplicity in both Vietnam and Miami — wouldn’t have been able to see right through her.

This was a forgettable episode, one that went through the motions without making much of an impression. It happens …. even in Miami.

Retro Television Review: Miami Vice 2.17 “Florence Italy”

Posted on June 24, 2024 by Lisa Marie Bowman

This week, the Grand Prix comes to Miami!

Episode 2.17 “Florence Italy”

(Dir by John Nicolella, originally aired on February 14th, 1986)

An impromptu street race with a white Porsche leads to Crockett and Tubbs discovering the body of a young prostitute who was known as Florence Italy (Marilyn Romero). Their chief suspect is the owner of the Porsche, a racecar driver named Danny Tepper (Danny Sullivan). However, while Tubbs is convinced that Danny is guilty, Crockett is a bit less convinced. It soon becomes apparent that the murderer is either Danny or his father Frank (Stephen Joyce), a veteran racer who is scheduled to compete against his son in the up-and-coming Miami Grand Prix.

This was a bit of a throw-away episode. It was shot during the actual Grand Prix and, as a result, the emphasis is less on the mystery and more on the cars and the racing and cheering people in the stands. The majority of the racers (including Danny and Frank) are played by actual racers. Indeed, if not for the brutal murder that starts things off and a sensitively-handled scene where Sonny tries to talk to a racing groupie who has been the victim of abuse, this episode could pass for a infomercial about everything that’s fun about Miami. As it is, the mystery doesn’t amount to much. There’s only two suspects and Tubbs is so convinced that Danny is guilty that it’s obvious that the twist is going to be that he isn’t. That only leaves Frank.

On the plus side, the direction was stylish and neon-filled and the tragic Charles Rocket was entertaining in a small role as a sleazy race sponsor. (I had to laugh when Crockett decided that the best way to solve the murder would be to go undercover of Sonny Burnett, racing sponsor.) This episode did a good job of making Miami look like the ultimate playground, where even the prostitutes get to wear cute outfits and where Crockett might let a drug dealer go if he’s willingly eat his marijuana while Crockett and Tubbs watch. Tubbs is full of righteous fury in this episode but Crockett just goes with the flow.

This was a fairly nonessential episode but …. hey, I like fast cars.

Retro Television Review: Miami Vice 2.16 “Little Miss Dangerous”

Posted on June 17, 2024 by Lisa Marie Bowman

The power has returned, my mood is better, and my wrist has healed. It’s time to get back to the reviews!

Episode 2.16 “Little Miss Dangerous”

(Dir by Leon Ichaso, originally aired on January 31st, 1986)

There’s a serial killer stalking the red light district of Miami, haunting cheap motels, dark alleys, and neon-lit sex clubs. Men are turning up dead all over the place, brutally stabbed and then set on fire. Occasionally, a crude drawing is left behind. Castillo announces that every member of the Squad will be working a 12-hour shift until the killer is brought to justice. He says that they may be looking for a pimp or a prostitute who is looking for revenge.

Of course, every prostitute knows and likes Sonny Crockett. And again, this leads to the question of how exactly Sonny is able to work undercover when everyone in Miami knows who he is. For that matter, all of the prostitutes also seem to know that Gina and Trudy are working Vice as well, despite the fact that Gina and Trudy’s regular gig to go undercover as high-priced escorts. How do these people ever succeed at going undercover? Everyone knows them! I guess that’s to be expected, though, when you’ve only got 6 detectives working Vice in a city as big as Miami.

Tubbs meets a Jackie (played by singer Fiona), a young runaway who swears that she’s 18 and who says that she’s happy working as a prostitute because her body is just a commodity. Tubbs becomes obsessed with protecting the spacey but seemingly innocent Jackie, especially after he becomes convinced that Jackie’s pimp, Cat (Larry Joshua), is the murderer. Except, of course, Cat isn’t the killer. Jackie is! When Tubbs takes Jackie to a safehouse (which, of course, is also an art deco mansion), she snaps. As Crockett tries to break down the locked front door and Cat crashes into the house on his motorcycle, Jackie starts a fire and approaches Tubbs. But, instead of killing the only man who hasn’t tried to use her body, Jackie instead holds a gun to her head. This is another episode that ends with an off-screen gunshot. Interestingly, we never see Crockett actually get into the safehouse to rescue Tubbs from the fire. Instead, the ending is abrupt and the viewer, while having no doubt that Tubbs will escape the fire, knows that Tubbs will now carry Jackie’s scars as his own.

What an unsettling episode. This was Miami Vice at its most surreal and dream-like, with almost all of the action taking place at night and both Fiona and Larry Joshua giving edgy performances as two self-destructive people who live in the shadows of a wealthy American city. For once, the entire Vice Squad gets in on the action, though Tubbs is clearly the one at the center of the story. This episode reminds us that Tubbs is not quite as cynical and emotionally closed-off as Crockett but maybe, for the sake of his sanity, he should be. Little Miss Dangerous is a journey into the heart of Miami darkness.

Lisa Marie’s Week In Television: 6/9/24 — 6/15/24

Posted on June 15, 2024 by Lisa Marie Bowman

Dancing For The Devil (Netflix)

I watched this 3-part docuseries on Tuesday. It was yet another show about a cult, in this case one that’s led by a pastor named Robert Shinn and which is known for promoting dancers on TikTok. Much like HBO’s The Vow, it started strong but it ultimately felt a bit too padded for its own good. Two episodes worth of material was stretched out to three. As always, cult documentaries are odd to watch because they never quite get around to answering the question of how someone could be stupid enough to join a cult in the first place. I guess that some things are unknowable.

Dr. Phil (YouTube)

I watched a few old episodes on Wednesday and Thursday. Dysfunction was everywhere!

Inmate to Roommate (Thursday, A&E)

On Thursday’s episode, the inmates and the roommates continued to try to adjust to each other. I don’t think any of this is going to turn out well for anyone.

Intervention (Monday Night, A&E)

I watched two episodes of Intervention on Monday night. The first featured one of the most annoying addicts that I’ve ever seen, a sarcastic 19 year-old who spent the entire intervention making snarky remarks and then suddenly agreed to get help, showing that she didn’t even have the courage to stand by her snarkiness. She did get sober, which is good. She also apparently replaced drugs with food as she gained a ton of weight in rehab.

The second episode featured model Amber Rose searching Philadelphia for a childhood friend who had fallen into drug addiction. It felt more like an extended commercial for Amber Rose than a serious look at drug addiction.

I’m kind of amazed that people apparently still fall for the “she thinks she’s appearing in a documentary about addiction. Little does she know she’ll soon be facing an intervention” line. It’s been like what? 20 years since this show started?

Miami Vice (Amazon Prime)

On Saturday, I finally got back to watching Miami Vice! Look for my review on Monday.

Night Flight (Night Flight Plus)

I watched two episodes on Friday. The first one was about Australian bands. The second featured the best music of 1987.

60 Days In (Thursday Night, A&E)

Everyone’s favorite true crime jail docudrama is back. This time, the jail is in Utah and, for all the talk about how the Utah jail is as dangerous as any jail, it was hard not to notice that both the guards and the prisoners seemed to be far more polite than usual 60 Days In crowd. I watched the first two episodes on Tuesday. The sheriff said that he didn’t want anyone tapping out but I don’t know …. I get the feeling that Corey is about to say, “Get me out of here!”

I watched the latest episode on Thursday and my suspicions about Corey turned out to be totally justified as he revealed that spending less-than-a-week in jail had apparently driven him to the verge of a paranoia-fueled mental breakdown. Corey hasn’t tapped out yet but it feels like it’s only a matter of time. I also have to say that I totally related Nina and her decision to get dressed up for jail. I mean, why not?