Lisa Marie’s Week In Television: 11/3/24 — 11/9/24


2024 U.S. Presidential Election Coverage (Tuesday and Wednesday)

On Tuesday, I swore to myself that I was going to vote and then we were going to go up to the lake and my plan was to basically stay off the grid until Friday.  I wasn’t even going to think about the election.  That did not last.  As much as I tried to avoid the news, I still saw a few updates on twitter and soon, I was switching back and forth from Fox to CNN to MSNBC and then to all the other news stations.

To be honest, I kind of suspected Donald Trump was going to win after Kamala Harris picked Tim Walz for her vice president.  The week leading up the election, however, I started to think that Harris was probably going to win.  I started remembering how 2022 seemed like it was going to be  a big year for Republicans, just for the Red Wave to fizzle on election night.  I thought about how polls have never accurately reflected either Trump’s support or how Dobbs turned a lot of people into one-issue voters.  I thought Harris would sweep Pennsylvania, Michigan, and Wisconsin and win the election.  It turns out that I was wrong about most of that!

This was the third presidential election in a row where I swore to myself that I wouldn’t think about it after I voted, just to later find myself then obsessively watching as the results came in.

American Sports Story: Aaron Hernandez (FX, Tuesday Night)

The ninth episode focused on how the women who knew Aaron Hernandez dealt with him being arrest for murder.  And to that, I can only say, “Who cares?”  After nine hours of this show, the only lesson that I’ve learned is that Aaron Hernandez was a tremendous dumbass and the same can be said of the majority of the people around him.

I was super-excited because I thought this week’s episode was the series’ finale.  It turns out that there’s one more episode to go.  Next week, this show will finally wrap up and I won’t have to complain about it anymore.

Bar Rescue (Paramount, Weekday Mornings)

On Tuesday, I watched an episode in which Jon Taffer turned a failing Irish bar into a failing western saloon.  It wasn’t as much fun as the Pirate Bar episode.

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Check it Out! (Tubi)

My review of this week’s episode of Check It Out! will be posted in about 30 minutes.

CHiPs (Freevee)

I wrote about CHiPs here!

Degrassi Junior High (YouTube)

I wrote about Degrassi Junior High here!

Dragnet (YouTube)

On Tuesday, I took a break from the election coverage and rewatched my two favorite episodes of Dragnet, the talk show episode and the night school episode.

Fantasy Island (DVR)

I wrote about Fantasy Island here!

Friday the 13th: The Series (YouTube)

You can read my review here!

Good Times (Get TV, Weekday Afternoons)

I watched two episodes of this 70s sitcom on Monday afternoon.  Carl, a grumpy old man, discovered that he had cancer and he left Chicago for Arizona so that he could deal with it.  The most memorable moment of the two episodes came when Carl told Florida that he felt they should break up.  “Oh my God!” someone in the studio audience shouted.

Hell’s Kitchen (Fox, Thursday Night)

Just as happened last week, the Blue Team triumphed and the Red Team crashed and burned.  I’m enjoying this season.  I like the fact that they’re all strong chefs.  At this point, I feel like anyone could win.

Highway to Heaven (Tubi)

I wrote about Highway to Heaven here!

Homicide: Life on the Street (Peacock)

I wrote about Homicide here!

King of the Hill (FXX, Weekday Morning)

Before I left to vote on Tuesday, I watched four episodes of King of the Hill.  What a great show, that was.  To be honest, the fact that King of the Hill was canceled but Family Guy is still in production is all the evidence you need about the decline of American culture.  As for the episodes I watched, my favorite was the one where Luanne became a boxer and George Foreman appeared as himself.  “Novelty grill!?”

The Love Boat (Paramount+)

I watched The Love Boat on Tuesday night, while sitting outside on the deck of my family’s lakehouse.  That’s the best way to watch anything!  I wrote about The Love Boat here.

Malibu, CA (YouTube)

I wrote about Malibu, CA here!

The Megyn Kelly Show (YouTube)

On Friday, I watched the post-election episode of the Megyn Kelly Show.  Whether you love her, hate her, or if you’re indifferent to her (as I often am), it was hard not to agree with her post-mortem on the election and the Harris campaign.

Miami Vice (Prime)

I wrote about Miami Vice here!

Monsters (YouTube)

I wrote about Monsters here!

St. Elsewhere (Hulu)

You can read my review here!

TV 2000 (Night Flight Plus)

I watched an episode of this old 80s music video program on Friday night.  The music was good.

Welcome Back, Kotter (Tubi)

I can’t believe I paid money to watch this episode.  You can read my review here.

Retro Television Review: Miami Vice 3.6 “Shadows In The Dark”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett loses it!

 Episode 3.6 “Shadows In The Dark”

(Dir by Christopher Crowe, originally aired on October 31st, 1986)

Crockett and Tubbs are assigned to work with Lt. Ray Gilmore (Jack Thibeau) in investigating a series of burglaries.  The burglar has broken into several houses.  Each time, he eats whatever meat is in the house, he draws a picture on the wall, and then he steals a pair of pants.  Gilmore is convinced that the burglar is working his way towards doing something even more serious and deadly.

Crockett and Tubbs soon discover that Gilmore is suffering from intense burnout.  Years spent getting inside the minds of burglars and working nights have left Gilmore angry and erratic.  When Gilmore finally snaps and starts shooting an icebox, Crockett and Tubbs assume that the investigation is over.  Instead, Castillo informs them that, with Gilmore now committed to a mental hospital, they will now be in charge of the investigation.

Soon, Crockett finds himself becoming just as obsessed as Gilmore.  He starts staying up late.  The few instances in which he does sleep, he’s woken up by intense nightmares.  Crockett becomes obsessed with the mysterious burglar, to the extent that Castillo and the rest of the Vice Squad start to worry that he’s losing his mind.  In the end, Crockett does manage to figure out what house the Shadow (Vincent Caristi) will be targeting next.  Both the Shadow and Crockett break into the house at the same time, leaving the homeowner terrified as the two men fight.

“I’m a cop!  I’m a cop!” a desperate and wild-eyed Crockett shouts at her while holding up his badge.

This was a dark episode, one that played out more like a mini-horror movie than a typical episode of Miami Vice.  (Appropriately, this episode aired on Halloween and was clearly made with the scary season in mind.)  While I do think Crockett’s descent into madness happened a bit too quickly, I can’t deny that Don Johnson did a great job as the unhinged Sonny Crockett.  When he desperately yelled “I’m a cop!,” it was obvious that he was trying to convince himself as much as the poor woman who owned the house.  Though this episode was definitely a showcase for Don Johnson, Edward James Olmos did get plenty of opportunities to employ the Castillo stare as Crockett grew more and more unstable.  Finally, Vincent Caristi was truly frightening as the Shadow.

Interestingly enough, the episode’s plot is similar to Manhunter, which came out earlier that year.  The episode even features a scene where Crockett, Tubbs, and Gilmore visit a former burglar so that they can get his insights on their current prey.  (Manhunter, of course, was the first film to feature Dr. Hannibal Lecter being consulted about a serial killer.)  Miami Vice‘s  producer and creator, Michael Mann, directed Manhunter and, though he didn’t direct this episode, it’s clear that Shadow In The Dark was meant to be a bit of an homage to the film.

Season three has, so far, been a bit uneven but this was a good and offbeat episode.

Retro Television Review: Miami Vice 3.5 “The Good Collar”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, even more innocent lives are destroyed by an unwinnable war on drugs.

Episode 3.5 “The Good Collar”

(Dir by Mario DiLeo, originally aired on October 24th, 1986)

This week’s episode of Miami Vice tells the story of several wars playing out on the streets of Miami.

One of the wars is the skirmish between two street gangs, made up exclusively of teenagers.  Led by Count Walker (Samuel Graham), the Regular Fellas are pushing drugs and even forcing a promising football star named Archie Ellis (Keith Diamond) to deliver a package of black tar heroin for them.  The Regular Fellas are at war with The Apostles.  Among the members of the Apostles is Ramirez (Jsu Garcia), an undercover cop who is actually 23 but who is pretending to be seventeen.

When Crockett and Tubbs bust Archie, all three of them find themselves dragged into the National War On Drugs.  Assistant State Attorney William Pepin (Terry Kinney) wants to take Count Walker down, if just so he can claim a rare victory.  When Archie helps Crockett and Tubbs make a bust and also saves them from getting shot in a back alley, Pepin agrees to drop all the charges against Archie.  But after Ramirez is blown up by the Regular Fellas, Pepin decides that he’s going to go ahead and charge Archie unless Archie wears a wire and gets Count Walker to confess to his crimes.

Crockett, the former football star, is outraged by Pepin’s decision to put Archie in danger.  Crockett even offers to doctor the records so that Archie’s arrest will be dismissed by the courts.  However, Archie refuses.  Archie says that he’s responsible for his own mistakes and he’ll deal with the consequences.  Unfortunately, in this case, the consequences involve Archie being shot and killed by Count Walker, though not before getting Walker to confess on tape.  Walker is arrested and his gang is destroyed but at the cost of Archie’s life.  Pepin is happy.  Ramierz’s supervisor, Lt. Lee Atkins (John Spencer), is happy.  But social worker Ed McCain (Charles S. Dutton) blames Crockett for Archie’s death.  And Archie’s grandmother slams the door in Crockett’s face when he attempts to come by to pay his final respects.

What a dark episode!  However, it does get to the truth of the matter.  There was no way to win the War on Drugs.  Even the victories in this episode feel hollow.  Regular viewers of Miami Vice would have understood that someone else would eventually step into the vacuum left by Walker’s arrest.  Meanwhile, Archie — a good kid with the athletic talent necessary to win a college scholarship and have a chance to escape from the poverty that he grew up in — is shot and killed because a state’s attorney needed to notch up at least one victory.  Miami Vice was at its best when it was cynical and it doesn’t get much more cynical than this heartbreaking episode.

Lisa Marie’s Week In Television: 10/20/24 — 10/26/24


Wow, the story of Aaron Hernandez gets less and less interesting with each week.  American Sports Story got off to a strong start but, this week, I found myself watching the latest episode and wondering why anyone should care about Aaron and his problems.  Seriously,  I get that Aaron Hernandez was abused as a child.  I get that he struggled as a gay man in a hypermasculine, homophobic industry.  I get that he didn’t grow up privileged.  I’ll even agree with the show’s criticisms of the NFL.  But in the end, who cares?  As portrayed on this show, Aaron Hernandez comes across as being an idiot.  Beyond the fact that he played professional football, there’s nothing particularly interesting about Hernandez or his crimes.  He’s not a compelling character at all.

I was far more entertained by Hell’s Kitchen this week.  Gordon Ramsay and his terrified chefs are compelling characters.  Ramsay was in a surprisingly supportive mood this week.  That’s fine with me.  I like it when Chef Ramsay’s nice.  No one went home this week.  Yay!

Let’s see, what else did I watch this week?  I watched that old episode of Dragnet where Friday and Gannon went on the talk show.  I actually watched that episode several times.  It amused me.  Plus, the episode’s debate was a lot more interesting than any of the real debates that are currently going on.

I watched and reviewed Miami Vice, The Love Boat, and Homicide.  I watched a Halloween episode of Friday the 13th.  I watched and shared several episodes of One Step Beyond.  And, finally, I watched an episode of Dr. Phil where a man said his wife had run off with a cult.

And that’s it!  Most of my attention was devoted to horror films this week.

Retro Television Review: Miami Vice 3.4 “Walk-Alone”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, it’s a rare Tubbs episode!

Episode 3.4 “Walk-Alone”

(Dir by David Jackson, originally aired October 17th, 1986)

As Switek puts it, Tubbs has been walking on air for two weeks.  He’s got a new girlfriend, a waitress at a hot Miami restaurant.  Unfortunately, a shoot-out at that restaurant leaves her dead.  Though Crockett thinks that Tubbs is still too close to the case to be trusted to investigate, Tubbs insists on being involved and Castillo agrees.  (Castillo, at times, just seem to automatically do the opposite of whatever Crockett suggests.)

The shoot-out happened as a result of a drug deal that went down in the state prison.  Using the name Cubero, Tubbs goes undercover as a recently transferred prisoner.  He enters the prison as his usual cool and collected self.  He’s promptly beaten up by the Aryan Nations.  Fortunately, since this is a television show and not The Shawshank Redemption, beating him up is the only thing the Aryans do to Tubbs.

Tubbs is being targeted by all the prisoners, from the Aryans to the Muslims.  But when words get out that he’s a big-time drug dealer, Commander Fox (Keven Conway) makes a deal with him.  If Tubbs keeps Fox and his men supplied with drugs, Tubbs (or Cubero) will be kept safe.

Unfortunately, when Switek, Zito, and Trudy go the prison to see Tubbs, a prisoner recognizes them.  Tubbs’s cover is blown.  Crockett wants to go into the prison to save him but Castillo points out that everyone in the prison knows that Crockett is a cop.  (Tubbs has been Crockett’s partner for three years now so why did Castillo assume no one in the prison would be able to make him?)  Castillo goes into the prison to save Tubbs from both the guards and the prisoners.  The episode ends with Castillo gunning down a few guards and saving Tubbs’s life.  Way to go, Castillo!  The main lesson here seems to be that Castillo would rather risk of his own life than depend on Crockett for anything.

This was …. well, this episode was okay.  The plot was nothing special.  For all the talk about how Florida’s state prison was the most dangerous place in the world, it actually came across as being a rather mild place.  Tubbs got beaten up and he got threatened but he didn’t get shanked and or any of the other things that one tends to associate with prison.  The prison guards were not the most intimidating or interesting villains to appear on Miami Vice, even though one of them is played by a young Laurence Fishburne.

(This episode all features a youngish Ron Perlman, playing a good guy who I kept expecting to turn out to be a bad guy because he was being played by Ron Perlman.)

In the end, this episode was a bit forgettable, though it did allow the often-underused Philip Michael Thomas a chance to have the spotlight for once.  He does a good job, even if he doesn’t get to bust out his fake Caribbean accent.

Lisa Marie’s Week In Television: 10/13/24 — 10/19/24


I watched a lot of  horror movies this week but I didn’t watch much television.  Starting on November 1st, I’m going to have a lot of shows to get caught up on.

I caught the latest installment of American Sports Story: Aaron Hernandez.  Like a lot of Ryan Murphy’s recent miniseries, American Sports Story started out strong but the last few episodes have felt like padding.  It’s not that the episodes aren’t contributing to the story.  This week, we watched as Aaron committed what was apparently his first murder and as he started to show signs of CTE.  But it’s still hard not to feel as if each episode is basically 20 minutes worth of story stretched out to 50 minutes.  We’re halfway through this series and it has yet to really give us a reason why we should care about Aaron Hernandez.  He just comes across as being an idiot, regardless of his athletic skills, his terrible childhood, or his status as a self-hating gay man trying to survive in a homophobic culture.  He doesn’t seem to be worth all of this trouble.

I watched Hell’s Kitchen.  The chefs continue to compete at a high level and they continue to have disastrous dinner services.  Hell’s Kitchen is one of the few reality shows not to have massively changed its format over the past four years.  The producers know there’s no need to fix something that’s already working.  If only the producers of Big Brother and Survivor understood that!

I watched an old episode of Night Flight on Friday.  It featured Elvis snarling at the camera.

I watched the episode of Dr. Phil in which Phil and cult expert Rick Ross confronted a guy who said he wasn’t a cult leader despite the fact that he clearly was.  There’s a lot negative things that can be said about Dr. Phil’s show but the episodes where he exposed cults and their leaders were always entertaining and worth watching.

I watched and reviewed Homicide, Miami Vice, and The Love Boat!  I also watched and shared several episodes of One Step Beyond.

And that’s it!

Retro Television Review: Miami Vice 3.3 “Killshot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, another friend of Crockett’s is in trouble!

Episode 3.3 “Killshot”

(Dir by Leon Ichaso, originally aired on October 10th, 1986)

Crockett and Tubbs are working undercover as Burnett and Cooper to take down drug lord Morales (Roger Pretto).  Morales is one of the most powerful drug lords in Miami but he’s still not connected enough to know that Burnett and Cooper are undercover cops.  I know that I bring this up nearly every time I write about this show but it just baffles me that Crockett and Tubbs are somehow still able to maintain their covers despite the fact that those covers have gotten blown in numerous episodes and Crockett makes no effort to act any differently when he’s pretending to be Burnett.  At least Tubbs uses his fake Jamaican accent whenever he’s pretending to be Cooper.  Crockett doesn’t even bother to change his suit before pretending to be Burnett.

That said, they’ve somehow managed to keep Morales from discovering that they’re cops.  So, Morales instead focuses on manipulating a customs agent, Frank Ariolla (Carlos Cestero).  Frank’s brother, Tico (Fernando Allende) is an up-and-coming jai alai player.  (That’s the sport, prominently featured in Miami Vice‘s opening credits, in which the players use a wicker to both catch and launch a ball.)  However, Tico also has a raging cocaine problem.  In fact, the drug often leaves him impotent.  When a prostitute suggests that Tico might not be attracted tp women, Tico goes crazy and blacks out.  When he wakes up, the prostitute appears to be dead and madam Isabel Batista (Maria Duval) says she’ll protect Tico for a price.  Frank has to work as a double agent or Isabel and Morales will send a tape of Tico attacking the prostitute to the police.

(For the record, the prostitute was only pretending to be dead as a part of a plot to frame Tico.  But then Isabel had her killed for real.)

Trying to protect his brother, Frank agrees to work for Morales.  But when a guilt-stricken Tico makes a mistake during a match that leads to him getting killed when he’s stuck in the head by the ja alai ball, will Crockett and Tubbs be able to stop Frank from taking his own violent vengeance on both Morales and Isabel?  As you probably already guessed, this is yet another Miami Vice episode the ends with a freeze frame and an off-screen gunshot as Crockett yells, “No!”

If there’s one thing that has stayed consistent over the first three seasons of Miami Vice, it’s that it does not pay to be a friend of Sonny’s.  From Jimmy Smits getting blown up in the pilot to Ira Stone dying last week to Frank throwing his life away to avenge his brother in this week’s episode, anyone who has ever been close to Crockett seems to end up having terrible luck.  I’m stunned that Tubbs has managed to survive for as long as he has.

As for this episode, Crockett and Tubbs both seemed to be sidelined in favor of the story of Frank and Tico.  It’s always weird when Crockett and Tubbs become supporting characters on their own show.  Carlos Cestero and Maria Duval both gave good performances, which is good because it helps to distract from the fact that Morales is a fairly dull villain and Tico is not a particularly compelling character.  For the most part, this episode works best as a commercial for ja alai, which looks a hundred times more exciting than most sports.  Certainly, its fast action and the constant danger of sudden death makes it the ideal sport for Miami.

Lisa Marie’s Week In Television: 10/6/24 — 10/12/24


Here’s my thoughts on what I watched this week.

Abbott Elementary (Wednesday Night, ABC)

Abbott‘s back.  Jeanine and Gregory are dating and they’re a cute couple.  That said, I can’t help but remember how The Office kind of started to become less interesting once Pam and Jim officially became a couple.  Single, neurotic people are always funnier than stable people in love.

It’ll be interesting to see how this season goes.  Last season, I got annoyed with Jeanine working for the district and the show itself occasionally got a bit heavy-handed in a way that it hadn’t during the previous seasons.  At the time, I choose to believe that season’s weaker moments were due to the season being shortened by all the strikes that were going on.  I’m hoping this new season will prove me correct.

Ava continues to be the best character on the show.

Accused (Tuesday Night, FOX)

After an incredibly uneven first season, Fox’s crime anthology show is back for a second season.  The first episode featured a psychic accused and on trial.  Felicity Huffman (who hasn’t really been seen much ever since she was implicated in the so-called Varsity Blues scandal) and William H. Macy provided some star power but the overall results were still pretty dull. I’m not a huge fan of anthology shows in general.  They always seem to be trying a bit too hard.

American Sports Story: Aaron Herndanez (Tuesday, FX)

This week, Aaron started to find fame as a pro football player with the New England Patriots, while continuing to deal with stress by hanging out with lowlifes and criminals.  While struggling to maintain the squeaky clean image that the NFL demanded from its players, Hernandez also beat up his abusive stepfather.  Much as with last week, this episode was well-done but it still feels as if the show is dragging out the story a bit too much.  This episode was about 20 minutes worth of story stretched out over 50 minutes.  Needless to say, it did start to feel a bit repetitive after a bit.  The attempt to use Aaron Hernandez’s stupidity as a way to comment on American society continues to feel a bit half-baked.

Dr. Phil (Pluto TV)

“Shut up!” Kaye yelled, when confronted about her Nigerian boyfriend, who she has never actually met despite selling her house and sending him the money.  I know Kaye was embarrassed but yelling shut up isn’t going to get her money back.

Hell’s Kitchen (Thursday Night, FOX)

One chef left the show to go to the hospital.  Another hurt his back and voluntarily withdrew from the competition.  The Blue Team had a terrible dinner service and a Chef Ramsay sent another chef home.  The Red Team is getting pretty cocky, which I’m going to assume means that they’re going to fall apart next episode.  Getting cocky is always the worst thing that any chef can do on Hell’s Kitchen.  Hell’s Kitchen remains one of the few reality shows to remain as entertaining today as when it first aired.  The show has been smart enough to stick to its formula and not change things up just to satisfy whatever the current cultural trend may be.

Homicide: Life On The Streets (Peacock)

I wrote about Homicide here!

Law & Order (Thursday Night, NBC)

This week’s episode saw SVU‘s Mariska Hargitay making a guest appearance on Law & Order and it really does show just how much things have changed as far as this franchise is concerned.  At one time, SVU was kind of like Law & Order‘s sordid and little-acknowledged bastard cousin and it was a big deal if anyone from L&O lowered themselves to make an appearance on SVU.  Now, things are reversed.  Law & Order is still struggling to find its voice in  the 2020s and it’s SVU that’s providing some star power to its struggling cousin.

On another note, I’m surprised that there’s any tech gurus left in New York as they seem to be the number one victim of choice on Law & Order.  If they’re not getting murdered, they’re going to jail.

I continue to miss Jack McCoy.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Miami Vice (Amazon Prime)

I wrote about Miami Vice here!

Night Flight (Night Flight Plus)

On Friday, I watched an episode from 1988.  The first half of the episode featured music videos, including X’s Devil Doll.  The second half took a look at “upcoming” films, including one in which Arnold Schwarzenegger and Jim Belushi teamed up to fight crime.  No, it wasn’t The Principal.

One Step Beyond (YouTube)

This week, I have continued to watch and share episodes of this old anthology show.  I’ve been having a lot of fun watching this show.

Retro Television Review: Miami Vice 3.2 “Stone’s War”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, another friend of Sonny’s gets killed.

Episode 3.2 “Stone’s War”

(Dir by David Jackson, originally aired on October 3rd, 1986)

Sonny Crockett’s old friend, journalist Ira Stone (Bob Balaban), returns to Miami and he’s in trouble once again.

The last time we saw Stone, he appeared to be dying as the result of being severely wounded by Col. William Maynard (G. Gordon Liddy).  I guess Stone survived because this episode opens with him and a cameraman in Nicaragua, filming anti-Communist rebels opening fire on a village.  They even gun down a priest!  However, it turns out that the rebels have got some help from some men who appear to be American.  Stone’s cameraman is shot.  Apparently leaving him to die, Stone grabs the tape of the attack and then flees to Miami.

In Miami, Stone tracks down Sonny, who is reluctant to get involved with Stone.  However, when it becomes obvious that some agents of the government are not only following Stone but also trying to assassinate him, Crockett changes his mind.  It turns out that the men in Nicaragua do indeed work for Col. Maynard.  Maynard makes a return appearance, showing off a necklace of ears that have been chopped off of communists in an attempt to get businessmen to invest in his army.  This episode drops some very obvious hints that Maynard is now working for the U.S. government.

In their efforts to help Stone get his tape to the public, Crockett and Tubbs get a few people killed.  Local reporter Alica Mena (Lonette McKee) is murdered after Maynard’s men break into her office to search for the tape.  In the end, Stone himself is once again wounded by Maynard’s man and this time, he actually dies on-camera.  As for Maynard, he once again boards a private plane and escapes.  The episode ends on a properly cynical note, with Crockett listening to reports blaming the death of the priest on the Nicaraguan government.

Actually, this whole episode feels a bit cynical.  On the one hand, this episode criticizes the American government for being so anti-communist that it tries to overthrow the governments of other counties.  On the other hand, a good deal of the episode’s running time is devoted to showing off Sonny’s new car, a 1986 Ferrari Testarossa.  There’s even an extended chase scene that seems to exist largely so the show can work in as many close-ups of Sonny changing gears as possible.  It’s a cool car but just try to get one in Nicaragua, Venezuela, or Cuba.  (Or, I should say, try to get one without being related to someone who is in power.)

Ira Stone was a bit more compelling in his previous appearance on the show.  In this episode, Balaban’s performance is almost too low-key.  It lacks the manic instability of his first appearance, in which Stone was portrayed as being almost as mad as Maynard.  This time out, he’s just another independent journalist who is convinced the government is out to get him.  Fortunately, G. Gordon Liddy returns to Maynard and takes so much obvious joy in the role that he’s fun to watch.  As I mentioned when Liddy last appeared on this episode, my father had a “G. Gordon Liddy for President” bumper sticker.  As far as Watergate felons are concerned, Liddy was certainly less annoyingly self-righteous and more honest about his amorality than John Dean has turned out to be.

As a whole, this wasn’t a bad episode.  Like last week’s episode, it was serviceable but it still seemed to be lacking the spark that distinguished the show’s first two seasons.  For the second week in a row, Miami Vice puts more emphasis on its guest stars than the main cast and, perhaps as a result, the main cast seems to largely be going through the motions.  (Zito and Gina don’t even appear in this episode.  Castillo is barely present, which is interesting considering that the character is supposed to have connections in U.S. intelligence that would have perhaps been a bit helpful this time around.)  Still, it was good to see both Stone and Maynard return to the show and remind the viewers that the vice in Miami is often the result of conflicts happening elsewhere.

Retro Television Review: Miami Vice 3.1 “When Irish Eyes Are Crying”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

Welcome to season 3!

Episode 3.1 “When Irish Eyes Are Crying”

(Dir by Mario DiLeo, originally aired on September 26, 1986)

The third season of Miami Vice opens with Gina saving the life of Sean Carrone (a very young Liam Neeson).

Carrone is a former commander in the IRA, a man who has lost two brothers during the Troubles and who killed his first British solider when was fourteen but who now says that he has renounced violence and is instead a believer in peace.  When he gives a lecture in Miami, Gina, Zito, and Switek attend because they’ve gotten a hot tip from Izzy that an arms deal is going to occur afterwards.  Instead, a teenage gunman attempts to assassinate Sean and Gina is forced to use deadly force to save Sean’s life.

Gina is put on administrative leave after the shooting, which gives her plenty of time to pursue her new romance with Sean!  A jealous Crockett doesn’t trust Sean and it turns out that Crockett’s correct when it becomes apparent that Sean and his American benefactor (Paul Gleason) are looking to purchase Stinger missiles from arms dealers Max Kilzer (Walter Gotell, who played the head of the KGB in several Bond films) and Eddie Kaye (Jeff Fahey).  With the dubious help of a haughty British MI6 agent (Daniel Gerroll), Crockett and Tubbs try to uncover Sean’s plans.  Along the way, Tubbs gets to try out another fake accent, Crockett spends some time as Burnett without anyone noticing that Sonny Burnett looks and talks exactly like Sonny Crockett, and Eddie Kaye finds time to blow up Sonny’s beloved car.

On the plus side, this episode had a wonderful group of guest stars. When one episode finds substantial roles for Liam Neeson, Jeff Fahey, Paul Gleason, and Walter Gotell, it’s pretty good guess that the episode is going to be worth watching.  All four of them give memorable performances.  Liam Neeson is, of course, the star attraction here but I also enjoyed Jeff Fahey’s turn as a half-crazed bayou arms dealer who is first seen wearing a t-shirt that reads, “Kill Them All.”  I also appreciated that this episode gave everyone in the cast something to do.  During season 2, it was easy to forget that Gina and Trudy were even on the show.

That said, as I watched this episode, I couldn’t help but feel that it was missing the energy that made the first two seasons stand out.  If the first season was tough and gritty and the second season was surreal and often shocking, the third season got off to a rather comfortable start.  Don Johnson and Phillip Michael Thomas both seemed a little bit too relaxed in their roles as Crockett and Tubbs.  The third season opener played out like a well-0iled machine and that was the problem.  It was almost too efficient, with little of the spontaneity that ran through the previous two seasons.

It’s something that happens to every series.  The first two seasons are all about experimenting and taking chances and finding the right tone.  By the time the third season rolls around, the formula is in place and things can start to feel a little mechanical.  That was how I felt about this episode.  The supporting cast carried the drama while the main cast went through the motions.  That said, the episode did what a season premiere should do.  It re-introduced the viewer to the characters, it had enough violence to keep action fans happy, and it announced the show was back.  We’ll see how season 3 plays out over the next few weeks.