Retro Television Review: Welcome Back, Kotter 3.15 “A Sweathog Christmas Special”

Posted on March 30, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!

Merry Christmas from the Kotters!

Episode 3.15 “A Sweathog Christmas Special”

(Dir by Mel Stuart, originally aired on December 15th, 1977)

The Kotters are trimming the tree and getting ready to celebrate Christmas. (Before anyone points out the obvious, it’s mentioned that they also celebrated Hannukah.) Suddenly, the Sweathogs show up. Shouldn’t the Sweathogs be with their own families? Vinnie’s mother is a saint. Epstein has dozens of sisters. Horshack’s family needs him! Freddie …. well, we’ve never really met Freddie’s family but still, he has one. Then suddenly, Woodman shows up, dressed as Santa Claus! Doesn’t Woodman have a family? Actually, he probably doesn’t.

Anyway, all of this leads to everyone sharing their favorite memories and …. IT’S A FLASHBACK EPISODE!

Hey, who am I to complain? Flashback episodes are very easy to review, because nothing happens. And the clips are from episodes that have already been reviewed. It’s Easter weekend. I’m happy to have something easy to deal with.

That said, I will point out one interesting thing about this episode. Even though it aired halfway through the third season, most of the flashbacks were from the first season. We revisited the Sweathogs having a rumble in the school courtyard. We once again witnessed Vinnie searching the Kotter refrigerator and complaining about the lack of food. “Hi there,” Freddie said about a dozen times. Julie tried to get Gabe to eat her “famous tuna casserole.” “Up your nose with a rubber hose,” Barbarino said several times. Woodman cheerfully predicted the end of the world several times and it was interesting to revisit his descent into madness. We spent a lot of time revisiting the first season but there were no flashbacks to Julie finding out she was pregnant or Julie giving birth while the Sweathogs sat in the hospital waiting room. Seeing as how this was the twins’s first holiday, you would think Gabe and Julie would bring them up at some point.

It’s as if the show itself was acknowledging just how much better the first season was than the seasons that followed. Watching those season one flashbacks, it was a bit jarring to be reminded of the fact that this show started out as the fairly realistic story of a dedicated teacher who refused to give up on his remedial students. The first season was full of broad comedy but it also had a lot of heart and sincerity, which are two qualities that have been missing from much of the third season. It was nice to be reminded of the fact that the show was not always as cartoonish as it later became.

Anyway, on that note — Merry Christmas!

Oh! For those keeping track, Gabe’s pre-show joke was about his Uncle Arnold. Arnold got a hearing aid. It didn’t work well.

A Movie A Day #335: Ruby and Oswald (1978, directed by Mel Stuart)

Posted on December 10, 2017 by Jedadiah Leland

The year is 1963. The month is November. The city is Dallas. The President of the United States, John F. Kennedy, is coming to visit and two very different men have very different reactions. An eccentric and lonely strip club owner, Jack Ruby (Michael Lerner), worries about an anti-Kennedy ad that has just appeared in the Dallas Morning News. Another loner, a strange man named Lee Harvey Oswald (Frederic Forrest), is busy making plans of his own. When Kennedy is assassinated, history brings Ruby and Oswald together in a way that a shattered nation will never forget.

This is a curious one. It was made for television and, according to Wikipedia, its original running time was 180 minutes. The version that I saw, on VHS, was barely 90 minutes long so obviously, the version I saw was heavily edited. (In the 70s, it was common for made-for-TV movies to be reedited for both syndication and overseas theatrical release.) Maybe that explains why Ruby and Oswald felt do disjointed. In the version I saw, most of the emphasis was put on Jack Ruby running around Dallas and getting on people’s nerves. Very little time was devoted to Oswald and the film was almost entirely stolen by Lerner. Michael Lerner is a familiar character actor. You may not know his name but you will definitely recognize his face. Lerner was convincing and sometimes even sympathetic as the weaselly Ruby. Ruby and Oswald supported the Warren Commission’s findings, that Oswald killed Kennedy and Ruby shot Oswald out of a sense of loyalty to Jackie Kennedy. Michael Lerner’s performance was so good that he almost made that theory plausible.

One final note, for fans of WKRP in Cincinnati: Gordon Jump and Richard Sanders, best known as Arthur Carlson and Les Nessman, were both in Ruby and Oswald, though they did not share any scenes together.

Embracing the Melodrama Part II #40: One Is A Lonely Number (dir by Mel Stuart)

Posted on April 22, 2015 by Lisa Marie Bowman

You’ve probably never heard of the 1972 film One Is A Lonely Number. I certainly hadn’t until, a few weeks ago, I happened to come across it on TCM. Like a lot of films that have apparently been forgotten by history, One Is A Lonely Number is one that deserves to be remembered.

One Is A Lonely Number opens with the end of a marriage. James Brower (Paul Jenkins), an arrogant college professor, coldly packs his collection of vinyl records into a box and tells his wife, Amy (Trish Van Devere), that he’s filing for divorce and that he’s leaving her. She asks him why. He coolly mentions something about her throwing out a prized copy of Paradise Lost and then leaves the apartment.

Shocked, Amy goes to the college and asks her husband’s students if they’ve seen him. They tell her that James canceled his final exam and has since disappeared. At first, Amy insists that James is going to come back and denies that they’re getting a divorce. When she finally does accept that her marriage is over, Amy is forced to be independent for the first time.

What she quickly discovers is that the world is full of people who are looking to take advantage of both her vulnerability and her naiveté. When she goes to an employment agency, she explains that she has a degree in Art History and that she minored in Philosophy. Frighteningly (especially in the eyes of this particular holder of a degree in Art History), all this gets Amy is a job as a lifeguard at the local pool. When she finally find herself attracted to another man, she doesn’t discover that he’s married until the morning after. And when she finally discovers why her husband actually left her, she discovers that he was even more of a stranger to her than she realized.

Fortunately, there are a few good spots in Amy’s life. Her best friends Madge (Jane Elliott) and Gert (Janet Leigh) provide support. (“Men are shit,” Gert explains at one point.) And she strikes up a poignant friendship with a widowed grocer (Melvyn Douglas).

There are so many scenes in One Is A Lonely Number that ring true, even when viewed today. Amy finally realizes that her marriage is over while trying on clothes and ends up sobbing by herself. Amy, Gert, and Madge get drunk and talk about their exes, laughing away their shared pain. Amy discovers that the man from the employment agency (played, as a disturbingly plausible creep, by Jonathan Goldsmith who is best known for being the Most Interesting Man In The World for Dos Equis) expects her to “repay” him for his help in getting her a demeaning job as a lifeguard. Amy panics when she can’t find what’s happened to that kindly grocer.

One Is A Lonely Number moves at its own deliberate pace but it’s still one that you should watch and stick with until the end. It’s an intelligent and well-acted movie and the film’s poignant final scene will fill you with hope. Watch it the next time that it shows up on TCM.