The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer)

Posted on April 21, 2025 by Lisa Marie Bowman

2001’s Strange Frequency is an anthology film. Usually, I hate anthology films because it always seems like the viewer ends up with one good story and three mediocre ones. As well, the anthology format is one that sometimes seems to be specifically designed to bring out the worst tendencies in otherwise talented directors. Often times, they seem to treat the anthology format as a lark, an excuse to show off their technical mastery without really paying much attention to anything else. The results often feel thematically shallow.

Well, guess what? I liked Strange Frequency. It was a lot of fun. Each of the four stories mixed horror with music. The first story features two heavy metal fans (Erik Palladino and Danny Masterson) who, after a car accident, find themselves in a club where disco is played nonstop. For them, it’s Hell. For me, it sounds like a fun afterlife. (Yes, it’s not easy to watch Danny Masterson nowadays but he does suffer in this story.) The second story is about a middle-aged serial killer (Eric Roberts) who targets younger hitchhikers, specifically because he dislikes their taste in music. However, when he picks up a young grunge fan (Christopher Kennedy Masterson), he suddenly finds himself being targeted. It turns out that this hitchhiker targets old people who won’t shut up about Woodstock. They then meet an older man who has never forgiven the baby boomers for rejecting big band music. In the third story, a rock star (John Taylor) who enjoys destroying hotel rooms is confronted by a maid (Holland Taylor) who can literally clean up any mess. (“I want my headlines!” the rock star shouts as he realizes he’s never going to get credit for destroying his current room.) Finally, the fourth story stars Judd Nelson as an A&R man who has the ability to find up-and-coming stars but whose discoveries inevitably end up dying.

All three of the stories were well-done and genuinely clever. My favorite was the second story, which featured Eric Roberts giving an enjoyably unhinged performance as the Woodstock refugee with a hatred for Lollapalooza. The story was both clever and suspenseful and it actually had something to say about the cultural differences between the generations. As you get older, you really do come to hate whatever music came after the artists you grew up listening to. Eventually, all the Swifties will be in their 40s and 50s, wondering why the younger generation doesn’t appreciate good music about feelings.

Strange Frequency was a pilot for a series that aired on VH-1 in 2001. How come I don’t remember this show? The pilot was actually really good! Thank you to Australia’s own Mark V for telling me about this pilot and letting me know that it was on YouTube! Check it out if you get a chance.

Previous Eric Roberts Films That We Have Reviewed:

Music Video Of Day: Another Rainy Night With You by Queensryche (1993, directed by Mary Lambert)

Posted on September 10, 2022 by Jedadiah Leland

There are actually two music videos for this song by Queensryche. The first one was a black-and-white version that featured a ghostly bride. I shared that one last week. The second one is the one that I’m sharing today, which features a woman floating space and the band performing in front of various city scenes.

This version of directed by Mary Lambert, of Pet Semetary fame.

Enjoy!

Music Video of the Day: Another Rainy Night Without You By Queensryche (1991, directed by Matt Mahurin)

Posted on September 1, 2022 by Jedadiah Leland

“Sometimes rockers have to pretend to be all sensitive like that to get chicks.”

When Butt-Head uttered those words of wisdom, he was talking about the Red Hot Chili Peppers’s Under the Bridge but he could have just as well been talking about Queensryche and Another Rainy Night Without You. Of course, Queensryche was always more given to emotion than some of the other prominent metal groups of the era.

~~The most interesting thing about this black-and-white video is that it was directed by Mary Lambert,~~ who also directed both the original Pet Semetary and it’s sequel. Lambert also directed the music video for Queensryche’s Empire.

Update (9/9/22) — Actually, there are two videos of this version. One of them was directed by Mary Lambert. However, the video at the top of this post was directed by Matt Mahurin, who has been directing music videos since the late 80s and who has also worked with everyone from Peter Gabriel to R.E.M. to Metallica.

Enjoy!

Music Video of the Day: I Think We’re Alone Now by Tiffany (1987, dir. George E. Tobin)

Posted on July 13, 2016 by Valerie Troutman

Now for something completely different and not serious at all. Despite it being established several years prior by Rockwell that somebody is indeed watching you, Tiffany went ahead and covered Tommy James & The Shondells to create the definitive 80’s mall music video. Is there much to say about this? It’s so 80s it hurts. I think the only way this could be more 80s is if this were a post for The Go-Go’s Our Lips Are Sealed.

Yes, I do prefer this version to the original one. Mony Mony and Crimson and Clover are good both ways, but I really do like this one better. As for Tiffany and her sparing partner Debbie Gibson, I prefer Debbie Gibson. Something that is funny about this whole Tiffany and Debbie Gibson nonsense is that Mary Lambert who directed Mega Python vs. Gatoroid (2011) with both of them also directed a few music videos you might know such as Material Girl for Madonna. In other words, we’ll see her again. That, and “Baggage” is spelled “Bag”. You don’t need the rest of the letters any more than Tiffany needs a last name.

Now because there is no good reason that I have it, here is Tiffany’s 1990 appearance on a favorite childhood sitcom of mine called Out Of This World.

This is from the same episode where Maureen Flannigan performs Belinda Carlisle’s Leave a Light On, but that’s for a different post.

Halloween Film Review: Halloweentown II: Kalabar’s Revenge (2001, dir. Mary Lambert)

Posted on October 19, 2015 by Valerie Troutman

First off, let me say that this is better than the first one. Also, while I still refer to it as a Halloween Film Review rather than Children’s Horror, this one is scarier than the original. The movie begins with a little recap of the first, but kept quite short, and in no time we already see something scarier than anything in the first film.

Forget about being paranoid about your kids using the Internet, there’s a literal face in a wall watching your daughter. That’s Marnie Piper (Kimberly J. Brown) back a little older and with certainly more knowledge about magic this time around. Her grandma played by Debbie Reynolds now lives with them. They are holding a Halloween party at the house.

That’s when Kal and his Dad enter the party. Basically, Marnie is turned on, shows him the magic room, and he steals a spell book. Then he returns back to Halloweentown. When Reynolds and Marnie go decide to take a quick trip to Halloweentown they find out that Bela Tarr has taken over the place.

Just kidding, there’s no whale around, but there is this.

Kal turns out to be the son of the villain from the first film. He has cast a spell on Halloweentown that turns the creatures there into caricatures of human beings. To fix this Reynolds and Marnie need to find something that Reynolds has lost. This means going to see a guy named Mr. Gort who apparently receives everything that is lost elsewhere.

The spell has already taken Mr. Gort and soon takes Reynolds as well. Basically, it’s the same setup as the first film again. It’s up to Marnie to find a spell that can undo all this and defeat Kal. This involves a lot of jumping around in time and practically torturing poor Mr. Gort.

While this is going on we find out that Kal’s dad is really just a bunch of frogs somehow put together using a spell. They refer to him as a golem.

Of course it all comes down to a standoff between Marnie and Kal at the party.

Then everything is restored in Halloweentown. Thankfully, that includes making the cab driver all bones again.

Better than the first, but still on the lackluster side. It kind of feels like a poor man’s Harry Potter. I have a feeling the two remaining films in the series are going to get worse.

4 Shots From 4 Films: Stephen King Edition

Posted on September 21, 2015 by Arleigh

With just minutes left til the end of the day I thought it was time to wish one of my favorite a happy birthday.

I pretty much spent my junior high and high school years reading everything that Stephen King had written and published up to that point. The habit followed me after high school graduation and I’ve picked up on other authors since.

While Stephen King has slowed down some when it comes to the amount of novels he has released in the last decade or so, he is still one of the few authors whose books I will buy without even knowing what it’s about.

Here are just four films adapted from his stories that I consider favorites of mine. They’re just stories about a boy’s first car, a man waking up from a long sleep, a cat named Church and a grocery store full of people.

4 SHOTS FROM 4 FILMS