Quick Review: Brave (dir. by Mark Andrews & Brenda Chapman)


Brave already has a great review by Lisa Marie, check it out to get another insight into the film. One of the great things about the Shattered Lens is that even if a movie’s been reviewed once, another review can create a review as well.

Before Brave starts, Pixar presents their Oscar Nominated short film, La Luna, directed by Enrico Casarosa. La Luna is a simple piece about a little boy (Bambino) on a tiny boat who is taking on the Family Business. Sitting with his father and grandfather, they watch as a full moon rises high in the sky above them. Setting up a ladder, Bambino heads up to the moon, to find it littered with tiny glowing stars. The trio act as cleaners of the Moon. It’s a cute little story that for me, anyway, makes me smile when I look up at the Moon. I’m hoping Pixar maybe considers making a best of video with all their mini stories.

Brave is the story of Merida (brilliantly voiced by Boardwalk Empire’s Kelly MacDonald), a young princess in what appears to be Scotland, who is due to be married off to one of the children of her area’s neighboring lands. Granted, this isn’t something she’s looking forward to, as the wedding plans are being set up by her mother. Honestly, in watching Brave, I got the feeling that Merida really wasn’t into any of the Princess things she was supposed to be following (“No weapons on the table.”, “A princess is proper”, etc.), she seemed to just enjoy her freedom of being a young woman, of just living her life.

Brave marks the second film that wasn’t directed by one of the Pixar Majors (Pete Doctor of Monsters Inc., John Lassiter of Toy Story and Cars, Andrew Stanton of Wall-E, Finding Nemo and John Carter, and newcomer Brad Bird  of Ratatouille and The Incredibles), the first being Toy Story 3. With all of the staff that Pixar has, it makes sense that eventually, the Pixar Babies would have to step up and try their hand at feature films – even if this means that Pixar breaks their streak of great animation and filmmaking.

If Brave is any indication, Pixar is in very good hands. Directors Brenda Chapman and Mark Andrews carry Chapman’s story far better than Lassiter did with Cars 2. It’s the story of a daughter, her mother and the connection between them. It’s of wanting to follow your own path vs. the paths that others want us to follow, and it manages to do all of this effortlessly. Like Tangled, our heroine takes charge of her own path, even if it means stumbling here and there. What makes Brave even better (and what my Mom would personally enjoy) is that Merida, much like Drew Barrymore’s character in Ever After, doesn’t need any guys rescuing her from her situation, save for perhaps one key moment that doesn’t count only because it’s family oriented anyway. There’s a great sense of strength in the character.

When Merida decides to fight for herself in an Archery test to ward off the would be suitors,  she gets into a huge argument with her mother (Emma Thompson), that ends up with some harsh things being said. Merida eventually finds her way to a witch who lets her change her fate. Like Disney’s Brother Bear, the change in question is that her mother is turned into a bear. With Merida’s father (voiced by The Boondock Saints’ Billy Connolly) swearing vengeance against the black bear that took of his leg, Merida and her mother have to both keep away from him as well as fix the relationship between them or else the mother will stay a bear, forever.

This is where Brave shines. Between the communications between the Mama Bear and Merida and the gravity of their situation, Chapman creates some great emotional opportunities for them. An added touch was the notion that the longer the mother stays a bear, the more she loses her humanity and becomes a real bear. I took this to be similar to someone suffering from dementia or Alzheimer’s in a way, and that was where Pixar really got me on this one.

If there’s anything about Brave that I would change, it would be that there could have been a bit more back story on the legend that the mother told Merida (on the villain). I would have liked to know more about all of that, but in hindsight, the movie tells you all you really need to know, because the focus is still just on Merida and her Mother. There’s also just a hint of nudity, nothing terrible at all, but it’s a different route than other Pixar films have went. Additionally, kids may also find that the bear attack sequences may be a little too scary (at least the younger viewers might).

Overall, Brave’s a wonderful film and I’m ready to pick up the Blu-Ray the moment it comes out.

Lisa Marie Gets Brave (dir. by Mark Andrews)


I want to make one thing very clear before I start this review:

I LOVED BRAVE!

Okay, now that that’s out of the way…

2011 was something of a disappointing year for me because it was the year that I discovered that the people at Pixar Studios are as fallible as any other filmmaker.  Cars 2 was cute but, ultimately, rather forgettable and it was the first Pixar movie that failed to move me tears.  Certainly, Cars 2 was not a terrible film but, when it comes to Pixar, moviegoers just naturally expect more and it was difficult to watch those expectations dashed.

Well, last night, I saw this year’s offering from Pixar, a little film called Brave. I’m happy to say that Pixar has redeemed itself from Cars 2.  I loved Brave.  It not only kept me entertained but it made me cry as well.  In short, Brave is a film that earns its place in the Pixar library.

Set in a beautifully animated version of the Scottish highlands, Brave tells the story of Merida (voiced, quite brilliantly, by Kelly MacDonald), the red-haired daughter of King Fergus (Billy Connolly) and Queen Elinor (Emma Thompson).  Merida takes after her extroverted, stubborn father and can’t understand why her refined mother isn’t as enthusiastic as Merida is about things like archery, hunting, and exploring the wilderness. 

When Merida finds that, by tradition, she is to be married off to the first-born son of one of the kingdom’s three lords, she devises a plan to prove just how unfair this practice is to her.  She announces that the winner of an Archery competition shall be her suitor,  However, during the actual competition, Merida announces that she will compete “for her own hand” and proceeds to out-shoot all three of her moronic suitors.  After an argument with an enraged Elinor, Merida flees the castle in tears. 

Merida eventually meets a witch (voiced in perfect busy-body style by Julie Walters) who offers to cast a spell that will change Elinor.  Merida impulsively agrees and then returns to the castle where Elinor is eventually transformed into a gigantic bear.

I have to admit that Brave nearly lost me when Elinor turned into that bear.  Pixar’s trademark has always been that they make animated films that feel like live-action films and Elinor’s transformation felt almost too predictably cartoonish.  However, as close as the film came to losing me at that moment, the important thing is that it didn’t.  That’s due to both the impeccable animation (which managed to give the bear some very recognizable Elinor-like facial expressions) and the strength of Kelly MacDonald’s  vocal performance, which brings a true sense of reality to a very unreal situation.

(Perhaps my favorite moment was when Merida hastily explained to her three younger brothers, “Mum’s turned into a bear but it’s not my fault!”  That’s exactly the same thing I would have said if I had been responsible for turning my mom into a bear.  And yes, I have to admit that as a stubborn redhead, I very much identified with Merida throughout the entire film.)

Merida and the Elinor Bear flee from the castle (and from King Fergus who doesn’t know that the bear is actually Elinor and who is known as the Bear-killer) and start to bond as Merida tries to find a way to turn Elinor back into a human being.  It was here that Brave turned into a rather emotional experience for me and it didn’t take long for the tears to come.  (What’s a Pixar film without plenty of tears?)  So much of Brave hit home for me, from Merida’s desire to be independent to her complicated relationship with her mom and the fear and regret that she feels when she realizes that she might lose her mom forever.  Like the best fairy tales, Brave uses a fantastic situation to tell a story about some very basic and simple human truths. 

Whenever you review an animated film, there always seems to be one question that has to be answered: will boring old adults get as much out of the film as kids?  Well, I know that I certainly enjoyed it but I’m not sure if I’m ready to admit to being an adult.  The main thing to remember about Brave is that it’s not Toy Story 3 and it’s not Up.  At the same time, it’s not Cars 2 either.  Instead, it’s a heartfelt film for kids (and girls, especially) that won’t transform adults into bears. 

Finally, I have to note that between Brave and the Hunger Games, 2012 is turning out to be a pretty good year for girl power.  For once, we’re actually seeing films where girls can be heroes without being cast as either emotionally damaged refugees (like in the David Fincher version of The Girl With The Dragon Tattoo) or as perpetual virgins just waiting for the right man to come along and give their life meaning (like in just about every other movie that comes out of Hollywood).  This is a good trend and I hope it continues.

Trailer: John Carter (Official)


Walt Disney Pictures has finally released the first official trailer for their upcoming sci-fi, action-adventure film John Carter (film was originally titled John Carter of Mars). The film is based on the Edgar Rice Burroughs novel, A Princess of Mars, which would go one to become the first in Burroughs’ Barsoom series.

The film will star Taylor Kitsch (last seen in X-Men Origins: Wolverine as Gambit) in the title role and Lynn Collins (also from Wolverine as Silver Fox) as the aforementioned princess from the original novel. John Carter looks to be a mixture of live-action and fully-realized CGI characters who make up some of the inhabitants of Mars.

It will be interesting how Disney will market this film with little to no big stars and with a director more known for directing Pixar animated films like Finding Nemo and Wall-E in Andrew Stanton.

John Carter is set to have a March 9, 2012 release date.