Late Night Retro Television Review: Highway to Heaven 3.1 and 3.2 “A Special Love”

Posted on November 14, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, we start season 3 of Highway to Heaven!

Episodes 3.1 and 3.2 “A Special Love”

(Dir by Michael Landon, originally aired on September 24th and October 1st, 1986)

The third season of Highway to Heaven opens with a two-parter.

A Special Love is centered around Jonathan and Mark working at the Special Olympics and meeting a developmentally disabled child named Todd Bryant (played by a 15 year-old Paul Walker …. yes, that Paul Walker). Given up by his parents (who only did so when told by their doctors that they would never be able to give Todd the care that he needed), Todd lives in a group home and desperately wants to be a part of a family. Can Mark and Jonathan help Todd find the confidence to compete in the Special Olympics? Can they reunite Todd with his older brother (played by none other than Josh Brolin), who just happens to be a coach with the Special Olympics? And can they make his dream of being adopted come true? You already know the answers. This is Highway to Heaven, after all.

This is also a Scotty episode. Scotty (played by James Troesh) is a paraplegic attorney who is married to Mark’s cousin, Diane (Margie Impert). Scotty and Diane appeared in several episodes during the first three seasons of Highway to Heaven. Every Scotty episode follows the same basic pattern. Mark and Jonathan drop in on Scotty and Diane. Scotty is feeling happy and optimistic about his future. Then, something happens that derails whatever Scotty’s latest plan is. Scotty gets upset and tells everyone to leave him alone. Diane says that she can’t deal with him anymore. While Mark comforts Diane, Jonathan tells Scotty to stop feeling for himself. Scotty eventually apologizes. Everything works out in the end.

Though the Scotty episodes were always predictable, I do think that Highway to Heaven deserved some credit for never turning Scotty into a saint. Too many films and television shows tend to use disabled characters as idealized props who exists only to impress everyone with their upbeat attitude and homespun wisdom. They show up. They say a few words of wisdom that serve to inspire the lead character. And then they’re never seen again. They often exist only to help the star and their lives are never explored beyond how the lead character relates to them. Scotty, on the other hand, was frequently angry about being a paraplegic. Even when his life was going well, Scotty would get understandably frustrated. Scotty was not always perfect. He made mistakes, just like anyone else would have. What’s important is that, in the end, he always tried to do the right thing. James Troesch, a real-life paraplegic, was not the best actor in the world but, as was so often the case with Highway to Heaven, he played the role with such sincerity that it didn’t matter that he often sounded stiff while delivering his lines. He brought a lot of humanity to the role.

In this episode, Scotty is upset because he has just learned that he and Diane will never be able to have children. When both Jonathan and Diane suggest adopting Todd, Scotty bitterly refuses. Scotty claims that, due to his disability, he wouldn’t be able to properly take care of Todd. However, when Todd announces that he’s going to win a race at the Special Olympics to prove that he’s worthy of being adopted, Scotty realizes that he’s just using his disability as an excuse to not face up to his own fears. Scotty and Diane decide to adopt Todd. Unfortunately, Todd’s parents suddenly decide that they don’t want another family to adopt Todd. They want Todd to say in the group home where he is currently living. It leads to a teary-eyed courtroom showdown. It also leads to a happy ending. Again, was there ever any doubt?

The story may have been melodramatic but this was still a touching episode and a good example of how Highway to Heaven‘s earnest sincerity helped the show overcome plot twists that could have been mawkish in the wrong hangs. The first hour is especially touching, as it’s largely a tribute to the Special Olympics and the athletes involved. There’s a lot of negative things that can be said about the Kennedy family and their impact on American political culture but Eunice Kennedy Shriver deserves all of the credit and praise in the world for founding the Special Olympics. This episode did make me cry and it earned every tear.

Late Night Retro Television Review: Highway to Heaven 2.11 “The Monster Part II)

Posted on May 23, 2024 by Lisa Marie Bowman

This week, the story of Julian and Scotty continues!

Episode 2.11 “The Monster Part II”

(Dir by Victor French, originally aired on December 11th, 1985)

This week’s episode of Highway to Heaven begins where last week’s episode ended.

Julian (Jeff Kober) has been charged with attempting to murder Rachel McCullough (Annabella Price) and the whole town is ready to convict him because he has a birthmark on his face and a bratty kid named Ridley (Peter Billingsley) claims that he saw Julian push Rachel. Rachel, having hit her head, is in a coma and not expected to survive. Julian is pressured to accept a plea bargain but he protests that he’s innocent and that he loves Rachel. He would never had hurt her, no matter what the ignorant townspeople believe.

Only Jonathan and Scotty (James Troesch) believe that Julian is innocent. After Jonathan saves the depressed Scotty from drowning in his swimming pool, Scotty agrees to put off suicide so that he can defend Julian at his trial. Scotty does so from his motorized wheelchair and, as he explains to the jury, he knows what its like to be treated a certain way because you look different. With ease, Scotty demolishes Ridley’s testimony and puts the smug prosecutor in his place. All of the reporters in the courtroom are shocked when Julian is acquitted but the prosecution really didn’t have a case, beyond Julian having a birthmark on his face. Scotty gets back together with his wife (Margie Impert) and Rachel not only wakes up but she wakes up with her sight restored. Despite Julian’s fear, Rachel loves him even more when she can see his face.

Awwwwwww!

(Where is Mark during all this? He doesn’t show up until the final few minutes, probably because Victor French was busy directing this episode.)

Even if one sets aside that this episode is nearly 40 years old, it still feels old-fashioned. This is the type of courtroom drama where the trial watchers gasp at each piece of testimony. As far a courtroom procedurals go, this episode went more for melodrama than realism but that’s to expected with this show. It was heartfelt and earnest and Jeff Kober gave a touching performance as Julian.

Probably the most interesting thing about this episode was the number of times Jonathan got mad at people. He got mad at Julian’s original lawyer. He got mad at Scotty for trying to drown himself. He called Scotty’s wife a “jerk” to her face. He gave the prosecutor a dirty look during the latter’s opening statement. He even got annoyed with Julian’s overly protective mother (Ann Doran). Jonathan may be an angel but this episode suggests that even angels lose their patience.

Late Night Retro Television Review: Highway to Heaven 2.10 “The Monster: Part One”

Posted on May 16, 2024 by Lisa Marie Bowman

Scottie returns! Unfortunately, he’s a drunk now.

Episode 2.10 “The Monster: Part One”

(Dir by Victor French, originally aired on December 4th, 1985)

It’s another week and another visit to a small town for Jonathan and Mark.

This time, Mark thinks that they are only in town to visit his cousin, Diane (Margie Impert), and her husband, Scottie (James Troesch), the quadriplegic attorney who appeared in a few episodes during the first season. Mark tells Jonathan that, when he last spoke to Diane, she said that she had something important to talk to him about. Mark assumes that Diane is pregnant but actually, it turns out that Diane and Scottie’s marriage is in trouble. Scottie may be an attorney but he has no clients and Diane has gone back to work to help pay the bills. Feeling like a failure, Scottie has taken to drinking.

While Mark deals with Diane and Scottie, Jonathan has an assignment. He working as a handyman for Ella McCullough (Barbara Townsend) and her blind daughter, Rachel (Annabella Price). At first, Rachel is bitter and stand-offish but Jonathan wins her over by encouraging her to leave her little cottage and explore the world. While relaxing at a nearby creek, Rachel meets a man (Jeff Kober) who is out for a walk. Rachel tells the man that he startled her and then mentions that the neighborhood kids talk about a monster named Julian. Julian lives in the woods and drags off bad kids.

“My name’s Clark,” the man lies.

Actually, the man’s name is Julian but you can understand why he might not want to admit that after listening to Rachel describe him as being a monster. Julian is not a monster, of course. He’s a sensitive sculptor who just happens to have a very large birthmark covering half of his face and neck. Having been ridiculed all of his life, Julian lives with his mom (Ann Doran) and rarely talks to anyone. Still, Julian falls in love with Rachel and Rachel falls in love with …. Clark.

Julian finally finds the strength to visit Rachel at her cottage. However, when she tells him that she will be having an operation to resort her sight, Clark yells that he’s Julian and then he runs back into the woods. Rachel chases after him. When she trips and hits her head on a rock, Julian runs over to her and tries to help. Unfortunately, that’s when the police arrives and promptly arrest Julian for assault.

Julian’s going to court! Hey, does anyone know an attorney who needs a shot of confidence and who has a unique understanding of what it’s like to be an outsider? We’ll find out next week because this is a two-part episode!

Reviewing a two-parter is always difficult. Tonight’s episode ends with the story nowhere close to being finished. I can’t judge the overall story but I can say that Jeff Kober gave a touching performance as Julian and he was the best thing about the first part of The Monster. As for Scottie, he needs to stop blaming everyone else for his own lack of confidence. Hopefully, that’s a lesson he’ll learn during the second part of this episode.

We’ll find out next week!

Late Night Retro Television Reviews: Highway to Heaven 1.19 “A Match Made In Heaven”

Posted on February 1, 2024 by Lisa Marie Bowman

This week, Jonathan and Mark visit their friend, Scotty.

Episode 1.19 “A Match Made In Heaven”

(Dir by Michael Landon, originally aired on February 20th, 1985)

Jonathan and Mark pay a visit to both Mark’s cousin, Diane (Margie Impert), and their friend, Scotty (James Troesch), a quadriplegic attorney. (Scotty previously appeared in the One Fresh Batch of Lemonade double-parter.) Mark is shocked and a little concerned when he discovers that Scotty is also their latest assignment.

However, it turns out that the assignment also involves Diane. Diane, an outspoken architect who quits her job when her chauvinist boss refuses to give her credit for her work, meets and falls in love with Scotty. When Scotty asks her to marry him, she says yes. Mark is concerned that Scotty, as a quadriplegic, won’t be able to take care of his cousin. It’s a concern that Scotty comes to share after they have a car accident and Scotty can only wait helplessly for someone to discover him and Diane.

Fortunately, Jonathan is a bit more open-minded than Mark and he has more confidence in Scotty than Scotty has in himself. Jonathan introduces Scotty to another quadriplegic, one who is married and has a wonderful family as a result. Scotty realizes that it would be foolish for him to give up on his dreams and Mark realizes that Scotty is stronger than he realized.

This was an extremely earnest and well-intentioned episode of Highway to Heaven. You can’t doubt the sincerity of the message, even if the message is often delivered in the most heavy-handed fashion possible. James Troesch was a writer on the show and he and his wife co-wrote this episode’s script with Michael Landon. Troesch was a bit of a stiff actor but you still can’t help but be happy for Scotty at the end of the episode.

Horror Film Review: The Howling (dir by Joe Dante)

Posted on October 30, 2023 by Lisa Marie Bowman

The 1981 film, The Howling, takes place at The Colony.

The Colony is a lovely place, a nice resort out in the middle of the countryside. It’s a place that celebrity therapist George Waggener (Patrick Macnee) sends his clients so that they can recover from trauma. It’s a bit of a grown-up version of the ranch to which Dr. Phil used to send juvenile delinquents. Of course, the Colony is full of adults and they’re an eccentric bunch. I mean, one of them — named Erle Kenton — is actually played by John Carradine! That’s just how eccentric the place is. Sheriff Sam Newfield (Slim Pickens) keeps an eye on the place but everyone knows that there’s nothing to worry about when it comes to The Colony. Dr. Waggner does good work.

Karen White (Dee Wallace) is a Los Angeles news anchor who was held hostage by a serial killer named Eddie Quist (Robert Picardo). While she was with Eddie, she was forced to not only watch videos of Eddie’s crimes but she also saw something happen with Eddie that terrified her to such an extent that she has blocked it from her mind. Karen was rescued by the police but she is haunted by nightmares. Dr. Waggner arranges for Karen and her husband, Bill Neill (Christopher Stone, who was married to Dee Wallace when they co-starred in this film), to spend some time at the Colony.

Bill loves the Colony, especially after he attracts the eye of Marsha (Elisabeth Brooks), the resort’s resident seductress. Karen, however, is less enamored of the place. The Colony feels off to her and she’s not happy about the howling in the distance or the fact that Bill has suddenly started to grow distant from her. Could it be that The Colony is actually crawling with werewolves and that Bill has become one of them? (It’s totally possible and, to The Howling‘s credit, it doesn’t waste any time letting us know that.) Karen’s friend, Terry Fisher (Belinda Balanski), and her boyfriend, Chris Halloran (Dennis Dugan), do some research of their own into Eddie Quist, The Colony, and whether or not werewolves exists and they meet a helpful bookstore owner named Walter Paisley (Dick Miller).

To understand the approach that director Joe Dante and screenwriter John Sayles take to The Howling, one needs to only consider the names of some of the characters. George Waggner. Bill Neill. Terry (which can be short for Terence) Fisher. Fred (or is that Freddie) Francis. Erle Kenton. Sam Newfield. Jerry Warren. All of these characters are named after horror film directors. This is the type of werewolf film where Chris Halloran has a copy of The Three Little Pigs sitting on his desk. Veteran actors like Kevin McCarthy, John Carradine, Slim Pickens, and Kenneth Tobey show up in small roles. Roger Corman mainstay Dick Miller plays yet another character named Walter Paisley and he kicks Forrest J. Ackerman out of his bookstore. Roger Corman himself plays a man making a phone call. After a werewolf is shot on live TV, the program immediately cuts to a dog food commercial and we see a blank-faced child telling his unconcerned parents that someone just turned into a wolf. The Howling was made by people who obviously love B-horror and that love is present in every frame of the film.

Like Dante’s Piranha, The Howling is a film with a sense of humor but it’s not a comedy. The werewolves are still impressive, even forty-two years after the film was first released. The character of Eddie Quist (“I’m going to give you a piece of my mind”) is a terrifying monster and the sight of his signature smiley face will fill you with dread, especially when it shows up in a place where it really shouldn’t be. The film cynically ends on a note of noble sacrifice that will apparently not make much difference, with the suggestion being that human beings are either too distracted or too jaded to realize that there are monsters among them. The Howling is a fast-paced and well-directed homage to B-horror and it’s still terrifically entertaining.