The Films of 2025: Happy Gilmore 2 (dir by Kyle Newacheck)


I love 1996’s Happy Gilmore and, over the past few months, I have very much been looking forward to the release of the long-delayed sequel, Happy Gilmore 2.  Still, I was a bit concerned when I opened the film on Netflix and discovered that the sequel had a nearly two-hour running time.  (The original clocked in at an efficient and fast-paced 90 minutes.)  Comedy is all about timing and, in general, shorter is funnier.  I know that Judd Apatow and Adam McKay might disagree with me on that but let’s be honest.  For all of the acclaim that it was met with, when was the last time you actually felt any desire to rewatch The King of Staten Island?  For that matter, if you have to pick between Anchorman or Anchorman 2, which are you going to pick?  The 90 minute original or the sequel that takes more than two hours to tell essentially the same story?

Having now watched the film, I can say that Happy Gilmore 2 does run a bit too long.  There are a few sequences that could have been trimmed without hurting the film.  I can also say that I thoroughly enjoyed the film.  I laughed more often than not.  It’s a funny film but it’s also a surprisingly touching one.

Taking place 29 years after the first film, Happy Gilmore 2 features an older and slightly more mature Happy.  It also features an older and slightly more mature Adam Sandler and, to its credit, the film acknowledges that.  It doesn’t try to convince us that Sandler and Gilmore are still the young hell-raisers that they once were.  (Happy’s Happy Place has changed considerably.)  I’ve often written that there are two Adam Sandlers.  There’s the youngish Sandler who made silly and often stupid films where he basically just hung out with his friends and didn’t seem to put much effort into anything.  That’s the Sandler who has won multiple Razzie awards.  And then there’s the older and wiser Adam Sandler, the sad-eyed character actor who gives sensitive performances as world-weary characters.  This is the Adam Sandler who seems to be overdue for an Oscar nomination.  If an alien came to Earth and only watched Adam Sandler’s serious films, they would probably think he was one our most-honored actors.  While Happy Gilmore 2 is definitely a comedy, it still features quite a bit more of the serious Sandler than I was expecting.

At the start of the movie, Happy is not in a happy place.  His grandmother has passed away.  His wife, Virginia, was killed by an errant tee shot.  He has four rambunctious sons and a daughter, Vienna (played by Sunny Sandler, who was so good in You Are So Not Invited To My Bat Mitzvah).  After Virginia’s death, Happy gave up golf.  He lost his money.  He lost his grandmother’s house.  Now, he’s working in a grocery store and he’s an almost forgotten figure.  He’s also an alcoholic, keeping bottles of liquor hidden around the house.  (A tiny liquor bottle is hidden in the cuckoo clock.)  And while this film is certainly not Uncut Gems or even The Meyerowitz Stories, Sandler still does a good job of capturing the reality of Happy’s depression.  There’s a true sense of melancholy running through the film’s first hour, as Happy returns to golf to try to make enough money to pay for Vienna to attend a prestigious dance academy.  The second hour, in which Happy leads a team of pro golfers against a team of “extreme” athletes is far more goofier but Happy’s love for his family is a theme that runs through the entire film.

Aging is the other theme that runs through the film.   Forced to play with three younger players (including Eric Andre and Margaret Qualley) at a local golf course, the rusty Happy grimaces when he hears one of them say, “Is he trying to do the Happy Gilmore swing?”  When Happy rejoins the PGA, he discovers that all of the younger players now hit the ball as hard as he used to.  An obnoxious tech bro (Benny Safdie) wants to start a new, extreme golf league, one that will “continue the revolution” that Happy started.  Happy finds himself defending traditional golf and it’s an acknowledgement that both Gilmore and Adam Sandler have grown up and have come to appreciate that not everything needs to change.  Sometimes, you just want to play a nice round of golf on a pretty course without having to deal with the sensory overload of the 2020s.

It’s a funny movie.  Even when he’s playing it straight, Sandler still knows how to deliver a funny line.  Ben Stiller returns as Hal L., who is now an addiction recovery specialist.  (His techniques include ordering people to wash his car.)  Christopher McDonald also returns as Shooter McGavin, having escaped from a mental asylum and now fighting, alongside Happy, to save the game that they both love.  As someone who always felt that Shooter kind of had every right to be upset during the first film, I was happy to see him get a bit of redemption.  Several professional golfers appear as themselves.  A running joke about Scottie Scheffler getting arrested and then forcing all of his cellmates to watch golf made me laugh a lot more than I was expecting it too.

The sequel is full of shout-outs to the first film.  A fight in a cemetery reveals that everyone who died during and after the first film just happens to have a gravestone and it was actually kind of a nice tribute.  (Even the “Get Me Out Of Here” Lady gets a headstone.)  It’s a sequel that truly appreciates and values the legacy and the fans of the first film.  It’s also a sequel that seems to truly love the game of golf, which is not necessarily something that could be said about the first film.

Happy Gilmore 2 is a worthy sequel, even if it is a bit long.  It made me laugh but, at the same time, it was hard not to be touched by the obvious love that Happy had for his family and that they had for him.  (It didn’t hurt that Happy’s daughter was played by Sandler’s daughter.)  In the first film, Happy played golf for his grandmother.  In the second film, he returns to the game for his daughter.  It’s all about family, as Adam Sandler’s unexpectedly heartfelt performance makes clear.

Lisa Marie’s Final 2024 Oscar Predictions


The Oscar nominations are due to be announced tomorrow so I guess I should post my final predictions.  2024 has been a rough year for me and my sisters.  Our Dad was in a car accident in May and, after two months of physical rehab, passed away in August while in home hospice care.  Needless to say, going to the movies was the last thing on my mind for much of 2024.

(I’m very thankful that my fellow contributors who kept the site going during our frequent absences.  Their hard work not only kept TSL alive but it also rekindled my own passion for the Shattered Lens.  I am still very much in mourning but writing for this site and sharing my thoughts with our readers has definitely helped me to regain some semblance of stability.)

So, there’s a lot of Oscar hopefuls that I have not seen.  That’s one reason why I haven’t done a best of 2024 list this year or my usual “If Lisa Marie Had All The Power” posts because there’s still a lot that I need to watch.  (I may publish them at some point in February, by which point everyone will have moved on but it will make me feel happy.)  I’m flying blind here with a lot of the potential nominees.  But I’ve been following the guilds and the critic awards and I feel reasonably confident about the predictions below.

Tomorrow morning, we’ll find out how right or wrong I am.

Best Picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune Part II

The Brutalist

A Real Pain

September 5

The Substance

Wicked

Best Director

Jacques Audiard for Emilia Perez

Sean Baker for Anora

Edward Berger for Conclave

Brady Corbet for The Brutalist

Coralie Fargeat for The Substance

Best Actress

Pamela Anderson in The Last Showgirl

Cynthia Erivo in Wicked

Karla Sofia Gascon in Emilia Perez

Mikey Madison in Anora

Demi Moore for in Substance

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Compete Unknown

Domingo Colman in Sing Sing

Daniel Craig in Queer

Ralph Fiennes in Conclave

Best Supporting Actress

Jamie Lee Curtis in The Last Showgirl

Ariana Grande in Wicked

Margaret Qualley in The Substance

Isabella Rossellini in Conclave

Zoe Saldana in Emilia Perez

Best Supporting Actor

Yura Borisov in Anora

Kieran Culkin in A Real Pain

Edward Norton in A Complete Unknown

Guy Pearce in The Brutalist

Jeremy Strong in The Apprentice

Conclave Wins In North Carolina


The North Carolina Film Critics Association has announced its picks for the best of 2024!

BEST NARRATIVE FILM
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
I Saw the TV Glow
Nickel Boys
Nosferatu
The Substance

BEST DOCUMENTARY FILM
Dahomey
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Transformers One
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine As Light
Emilia Pérez
Evil Does Not Exist
I’m Still Here
The Seed of the Sacred Fig

BEST DIRECTOR
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Daniel Craig – Queer
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS
Cynthia Erivo – Wicked
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Zendaya – Challengers

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande – Wicked
Felicity Jones – The Brutalist
Katy O’Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Isabella Rossellini – Conclave

BEST VOCAL PERFORMANCE IN ANIMATION OR MIXED MEDIA
Kevin Durand – Kingdom of the Planet of the Apes
Lupita Nyong’o – The Wild Robot
Maya Hawke – Inside Out 2
Pedro Pascal – The Wild Robot
Sarah Snook – Memoir of a Snail

BEST ACTING ENSEMBLE
Conclave

Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST ORIGINAL SCREENPLAY
A Different Man
Anora
The Brutalist
Challengers
The Substance

BEST ADAPTED SCREENPLAY
Conclave

Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing

BEST CINEMATOGRAPHY
Challengers
Dune: Part Two
Nickel Boys
Nosferatu
The Brutalist

BEST EDITING
Anora
Challengers
Conclave
Dune: Part Two
Nickel Boys

BEST COSTUME DESIGN
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST HAIR AND MAKEUP
A Different Man
Dune: Part Two
Nosferatu
The Substance
Wicked

BEST PRODUCTION DESIGN
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

BEST SCORE
The Brutalist
Challengers
Conclave
Nosferatu
The Wild Robot

BEST ORIGINAL SONG
“Compress/Repress” – Challengers

“El Mal” – Emilia Pérez
“Harper and Will Go West” – Will & Harper
“Kiss the Sky” – The Wild Robot
“Like a Bird” – Sing Sing

BEST SOUND DESIGN
Challengers
Civil War
Dune: Part Two
Nosferatu
Wicked

BEST SPECIAL EFFECTS
Dune: Part Two

Furiosa: A Mad Max Saga
Kingdom of the Planet of the Apes
Nosferatu
The Substance

BEST STUNT COORDINATION
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II
Monkey Man

DIRECTORIAL DEBUT
Vera Drew – The People’s Joker
Francis Galluppi – The Last Stop in Yuma County
Zoë Kravitz – Blink Twice
Josh Margolin – Thelma
Sean Wang – Dìdi (弟弟)
Malcolm Washington – The Piano Lesson

BREAKTHROUGH PERFORMANCE
Carlos Diehz – Conclave
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Katy O’Brian – Love Lies Bleeding
Adam Pearson – A Different Man

LIFETIME ACHIEVEMENT: Cinematography
Roger Deakins

Christopher Doyle
Greig Fraser
Emmanuel Lubezki
Hoyte van Hoytema

KEN HANKE MEMORIAL TAR HEEL AWARD
Stephen McKinley Henderson – Civil War
Jeff Nichols (Director) – The Bikeriders
Margaret Qualley – The Substance
Hunter Schafer – Cuckoo
Drew Starkey – Queer

The Substance Wins In Kansas City!


Yesterday, The Kansas City Film Critics Circle announced their picks for the best of 2024!

BEST FILM
Anora
Civil War
Conclave
Dune: Part Two
I Saw The TV Glow
Nickel Boys
A Real Pain
Sing Sing
The Substance
Wicked

ROBERT ALTMAN AWARD FOR BEST DIRECTOR
Sean Baker – Anora
Jon M. Chu – Wicked
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

BEST ACTOR
Timothée Chalamet – A Complete Unknown
Timothée Chalamet – Dune: Part Two
David Dastmalchian – Late Night with the Devil
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave

BEST ACTRESS (TIE)
Cynthia Erivo – Wicked
Karla Sofía Gascón – Emilia Pérez
Mikey Madison – Anora
Demi Moore – The Substance
June Squibb – Thelma

BEST SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Chris Hemsworth – Furiosa: A Mad Max Saga
Clarence Maclin – Sing Sing
Adam Pearson – A Different Man
Jeremy Strong – The Apprentice
Denzel Washington – Gladiator II

BEST SUPPORTING ACTRESS
Joan Chen – Didi
Danielle Deadwyler – The Piano Lesson
Ariana Grande – Wicked
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez

BEST ORIGINAL SCREENPLAY
Anora
The Brutalist
Civil War
A Real Pain
The Substance

BEST ADAPTED SCREENPLAY
Conclave
Dune: Part Two
Nickel Boys
Sing Sing
The Wild Robot

BEST CINEMATOGRAPHY
The Brutalist
Civil War
Dune: Part Two
Gladiator II
Nickel Boys
Nosferatu
Wicked

BEST ORIGINAL SCORE
Challengers
Conclave
Dune: Part Two
The Substance
The Wild Robot

BEST ANIMATED FEATURE
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST FOREIGN LANGUAGE FILM
All We Imagine as Light
Emilia Pérez
Flow
I’m Still Here
Kneecap
Twilight of the Warriors: Walled In

BEST DOCUMENTARY
Dahomey
Look Into My Eyes
Seeking Mavis Beacon
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

VINCE KOEHLER AWARD FOR BEST SCIENCE FICTION/FANTASY/HORROR
Dune: Part Two
I Saw The TV Glow
Late Night with the Devil
Nosferatu
The Substance

TOM POE AWARD FOR BEST LGBTQ FILM
I Saw The TV Glow
Emilia Pérez
Love Lies Bleeding
My Old Ass
Will & Harper
Queer

BUSTER KEATON AWARD FOR BEST STUNT ENSEMBLE FILM
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Monkey Man

The Greater Western New York Film Critics Association Honors Challengers


Yesterday, the Greater Western New York Film Critics Association announced its picks for the best of 2024.

BEST PICTURE
Anora
The Brutalist
Challengers
Dune: Part Two
Furiosa: A Mad Max Saga
I Saw the TV Glow
Nickel Boys
No Other Land
Nosferatu
A Real Pain

BEST FOREIGN FILM
All We Imagine as Light (India)
Evil Does Not Exist (Japan)
Kneecap (Ireland)
No Other Land (Israel)
Red Rooms (Canada)

BEST ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

BEST DOCUMENTARY
Daughters
No Other Land
The Remarkable Life of Ibelin
Soundtrack to a Coup d’Etat
Super/Man: The Christopher Reeve Story

BEST DIRECTOR
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
RaMell Ross – Nickel Boys

LEAD ACTOR
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Colman Domingo – Sing Sing
Hugh Grant – Heretic
Keith Kupferer – Ghostlight

LEAD ACTRESS
Pamela Anderson – The Last Showgirl
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Fernanda Torres – I’m Still Here

SUPPORTING ACTOR
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist

SUPPORTING ACTRESS
Monica Barbaro – A Complete Unknown
Joan Chen – Dìdi
Ariana Grande-Butera – Wicked
Natasha Lyonne – His Three Daughters
Margaret Qualley – The Substance

ORIGINAL SCREENPLAY
Anora – Sean Baker
The Brutalist – Brady Corbet & Mona Fastvold
Challengers – Justin Kuritzkes
A Different Man – Aaron Schimberg
A Real Pain – Jesse Eisenberg

ADAPTED SCREENPLAY
Conclave – Peter Straughan
Hit Man – Richard Linklater & Glen Powell
Nickel Boys – RaMell Ross & Joslyn Barnes
Oh, Canada – Paul Schrader
Sing Sing – Clint Bentley & Greg Kwedar / story by
Kwedar, Bentley, Clarence Maclin & John Whitfield

BEST CINEMATOGRAPHY
The Brutalist – Lol Crawley
Challengers – Sayombhu Mukdeeprom
Dune: Part Two – Greig Fraser
Nickel Boys – Jomo Fray
Nosferatu – Jarin Blaschke

BEST EDITING
The Brutalist – David Jancso
Challengers – Marco Costa
Dune: Part Two – Joe Walker
Nickel Boys – Nicholas Monsour
Saturday Night – Nathan Orloff & Shane Reid

BEST ORIGINAL SCORE
The Brutalist – Daniel Blumberg
Challengers – Trent Reznor & Atticus Ross
Conclave – Volker Bertelman
Nosferatu – Robin Carolan
The Wild Robot – Kris Bowers

BREAKTHROUGH PERFORMANCE
Yura Borisov – Anora
Lily Collias – Good One
Clarence Maclin – Sing Sing
Mikey Madison – Anora
Izaac Wang – Dìdi

BREAKTHROUGH DIRECTOR
India Donaldson – Good One
Vera Drew – The People’s Joker
Josh Margolin – Thelma
RaMell Ross – Nickel Boys
Aaron Schimberg – A Different Man

Here Are The 2024 Nominations of the Minnesota Film Critics Association!


The Minnesota Film Critics Association has announced its nominees for the best of 2024.  The winners will be announced on January 10th.

Best Picture
The Brutalist
Challengers
Conclave
Dune: Part Two
The Substance

Best Director
Sean Baker – Anora
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Luca Guadagnino – Challengers
Denis Villeneuve – Dune: Part Two

Best Actor
Adrien Brody as László Tóth – The Brutalist
Timothée Chalamet as Bob Dylan – A Complete Unknown
Daniel Craig as William Lee – Queer
Colman Domingo as John “Divine G” Whitfield – Sing Sing
Ralph Fiennes as Thomas Cardinal Lawrence – Conclave

Best Actress
Cynthia Erivo as Elphaba Thropp – Wicked
Marianne Jean-Baptiste as Pansy – Hard Truths
Mikey Madison as Anora “Ani” Mikheeva – Anora
Demi Moore as Elisabeth Sparkle – The Substance
Zendaya as Tashi Duncan – Challengers

Best Supporting Actor
Yura Borisov as Igor – Anora
Kieran Culkin as Benji Kaplan – A Real Pain
Clarence Maclin as Himself – Sing Sing
Edward Norton as Pete Seeger – A Complete Unknown
Guy Pearce as Harrison Lee Van Buren – The Brutalist

Best Supporting Actress
Ariana Grande as Galinda Upland – Wicked
Felicity Jones as Erzsébet Tóth – The Brutalist
Margaret Qualley as Sue – The Substance
Isabella Rossellini as Sister Agnes – Conclave
Zoe Saldaña as Rita Mora Castro – Emilia Pérez

Best Ensemble
Challengers
Conclave
Dune: Part Two
Saturday Night
Sing Sing

Best Adapted Screenplay
Conclave – Peter Straughan
Dune: Part Two – Denis Villeneuve, Jon Spaihts
Nickel Boys – RaMell Ross, Joslyn Barnes
Sing Sing – Clint Bently, Greg Kwedar
Wicked – Winnie Holzman, Dana Fox

Best Original Screenplay
Anora – Sean Baker
The Brutalist – Brady Corbet, Mona Fastvold
Challengers – Justin Kurtizkes
A Real Pain – Jesse Eisenberg
The Substance – Coralie Fargeat

Best Film Editing
The Brutalist
Challengers
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga

Best Cinematography
The Brutalist
Challengers
Conclave
Dune: Part Two
Nosferatu

Best Music
The Brutalist
Challengers
Conclave
Dune: Part Two
Wicked

Best Costume Design
Conclave
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

Best Makeup and Hairstyling
A Different Man
Furiosa: A Mad Max Saga
Nosferatu
The Substance
Wicked

Best Production Design
The Brutalist
Dune: Part Two
Furiosa: A Mad Max Saga
Nosferatu
Wicked

Best Sound
Challengers
A Complete Unknown
Dune: Part Two
Furiosa: A Mad Max Saga
The Substance

Best Special Effects
Alien: Romulus
Dune: Part Two
Furiosa: A Mad Max Saga
Kingdom Of The Planet Of The Apes
The Substance

Best Stunt Choreography
Deadpool & Wolverine
Dune: Part Two
The Fall Guy
Furiosa: A Mad Max Saga
Gladiator II

Best International Feature
The Beast – France, Canada
Emilia Pérez – France
Evil Does Not Exist – Japan
Flow – Belgium, France, Latvia
The Seed Of The Sacred Fig – Iran, Germany, France

Best Animated Feature
Flow
Inside Out 2
Memoir Of A Snail
Transformers One
The Wild Robot

Here Are The 2024 Nominations of the Music City Film Critics Association!


The Music City Film Critics Association (that’s Nashville) has announced its nominees for the best of of 2024!  The winners will be announced on January 10th.

BEST PICTURE
Anora
Challengers
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
Sing Sing
The Brutalist
The Substance
Wicked

THE JIM RIDLEY AWARD
Close Your Eyes
Eno
Hundreds of Beavers
The People’s Joker
The Substance

BEST DIRECTOR
Brady Corbet – The Brutalist
Coralie Fargeat – The Substance
Denis Villeneuve – Dune: Part Two
RaMell Ross – Nickel Boys
Robert Eggers – Nosferatu

BEST ACTRESS
Cynthia Erivo – Wicked
Demi Moore – The Substance
Lily Rose-Depp – Nosferatu
Mikey Madison – Anora
Nicole Kidman – Babygirl

BEST ACTOR
Adrien Brody – The Brutalist
Colman Domingo – Sing Sing
Ralph Fiennes – Conclave
Sebastian Stan – A Different Man
Timothee Chalamet – A Complete Unknown

BEST SUPPORTING ACTRESS
Ariana Grande – Wicked
Katy O Brian – Love Lies Bleeding
Margaret Qualley – The Substance
Monica Barbaro – A Complete Unknown
Zoe Saldana – Emilia Pérez

BEST SUPPORTING ACTOR
Clarence Maclin – Sing Sing
Denzel Washington – Gladiator II
Guy Pearce – The Brutalist
Jeremy Strong – The Apprentice
Kieran Culkin – A Real Pain

YOUNG ACTRESS
Alisha Weir – Abigail
Alyla Brown – Furiosa: A Mad Max Saga
Ariel Donoghue – Trap
Beatrice Schneider – The Best Christmas Pageant Ever
Maisy Stella – My Old Ass

YOUNG ACTOR
Elliott Heffernam – Blitz
Ethan Herisse – Nickel Boys
Griffin Kramer – The People’s Joker
Ian Foreman – I Saw the TV Glow
Izaac Wang – Didi

BEST ENSEMBLE
Conclave
Dune: Part Two
Saturday Night
Sing Sing
Wicked

BEST MUSIC FILM
A Complete Unknown
Emilia Pérez
Kneecap
Piece by Piece
Wicked

ANIMATED FILM
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

DOCUMENTARY
Daughters
No Other Land
Sugarcane
Super/Man: The Christopher Reeve Story
Will & Harper

INTERNATIONAL FILM
Emilia Pérez
Flow
I’m Still Here
Red Rooms
The Seed of the Sacred Fig

SCREENPLAY
A Real Pain
Anora
Challengers
The Brutalist
The Substance

ORIGINAL SONG
Claw Machine – I Saw the TV Glow
Compress/Repress – Challengers
El Mal – Emilia Pérez
Kiss the Sky – The Wild Robot
Like a Bird – Sing Sing

SCORE
Challengers
Conclave
Dune: Part Two
Nickel Boys
The Brutalist

SOUND
Civil War
Dune: Part Two
Nosferatu
The Substance
Wicked

CINEMATOGRAPHY
Conclave
Dune: Part Two
Nickel Boys
Nosferatu
The Brutalist

PRODUCTION DESIGN
Hundreds of Beavers
Dune: Part Two
Nosferatu
The Brutalist
Wicked

EDITING
Anora
Challengers
Conclave
Dune: Part Two
The Brutalist

STUNT WORK
Dune: Part Two
Furiosa: A Mad Max Saga
Gladiator II
Hundreds of Beavers
The Fall Guy

COMEDY
Deadpool & Wolverine
Hundreds of Beavers
My Old Ass
Saturday Night
Thelma

HORROR
Heretic
Late Night with the Devil
Nosferatu
Smile 2
The Substance

ACTION
Deadpool & Wolverine
Dune: Part Two
Furiosa: A Mad Max Saga
Kill
The Fall Guy

The Substance Wins In Columbus


The Columbus Film Critics Association has named The Substance the best film of 2024!

Best Film
Anora
The Brutalist
Challengers
Civil War
Conclave
Dune: Part Two
Love Lies Bleeding
Nickel Boys
Nosferatu
Sing Sing
The Substance

Best Director
Brady Corbet – The Brutalist
Robert Eggers – Nosferatu
Coralie Fargeat – The Substance
RaMell Ross – Nickel Boys
Denis Villeneuve – Dune: Part Two

Best Lead Performance
Adrien Brody – The Brutalist
Timothée Chalamet – A Complete Unknown
Lily-Rose Depp – Nosferatu
Colman Domingo – Sing Sing
Cynthia Erivo – Wicked: Part I
Ralph Fiennes – Conclave
Marianne Jean-Baptiste – Hard Truths
Mikey Madison – Anora
Demi Moore – The Substance
Sebastian Stan – A Different Man

Best Supporting Performance
Yura Borisov – Anora
Kieran Culkin – A Real Pain
Danielle Deadwyler – The Piano Lesson
Aunjanue Ellis-Taylor – Nickel Boys
Ariana Grande-Butera – Wicked: Part I
Felicity Jones – The Brutalist
Clarence Maclin – Sing Sing
Edward Norton – A Complete Unknown
Guy Pearce – The Brutalist
Margaret Qualley – The Substance
Zoe Saldana – Emilia Pérez
Bill Skarsgård – Nosferatu
Stanley Tucci – Conclave
Denzel Washington – Gladiator II

Best Ensemble
Anora
Challengers
Conclave
Dune: Part Two
The Piano Lesson
Sing Sing
Wicked: Part I

Actor of the Year (for an exemplary body of work)
Timothée Chalamet – A Complete Unknown and Dune: Part Two
Nicholas Hoult – The Garfield Movie, Juror #2, Nosferatu, and The Order
Cailee Spaeny – Alien: Romulus and Civil War
Sebastian Stan – The Apprentice and A Different Man
Zendaya – Challengers and Dune: Part Two

Breakthrough Film Artist
Brady Corbet – The Brutalist – (for directing and screenwriting)
Coralie Fargeat – The Substance – (for directing, film editing, and screenwriting)
Clarence Maclin – Sing Sing – (for acting)
Mikey Madison – Anora – (for acting)
Dev Patel – Monkey Man – (for acting, directing, producing, and screenwriting)

Best Cinematography
Jarin Blaschke – Nosferatu
Lol Crawley – The Brutalist
Greig Fraser – Dune: Part Two
Jomo Fray – Nickel Boys
Benjamin Kracun – The Substance

Best Film Editing
Sean Baker – Anora
Marco Costa – Challengers
Jerome Eltabet, Coralie Fargeat, and Valentin Féron – The Substance
Nick Emerson – Conclave
Dávid Jancsó – The Brutalist
Nicholas Monsour – Nickel Boys

Best Adapted Screenplay
Robert Eggers – Nosferatu
RaMell Ross & Joslyn Barnes – Nickel Boys
Chris Sanders – The Wild Robot
Peter Straughan – Conclave
Denis Villeneuve and Jon Spaihts – Dune: Part Two

Best Original Screenplay
Sean Baker – Anora
Brady Corbet and Mona Fastvold – The Brutalist
Jesse Eisenberg – A Real Pain
Coralie Fargeat – The Substance
Justin Kuritzkes – Challengers

Best Score
Volker Bertelmann – Conclave
Daniel Blumberg – The Brutalist
Kris Bowers – The Wild Robot
Robin Carolan – Nosferatu
Trent Reznor and Atticus Ross – Challengers
Hans Zimmer – Dune: Part Two

Best Documentary
Daughters
No Other Land
Sugarcane
The Remarkable Life of Ibelin
Will & Harper

Best Foreign Language Film
All We Imagine as Light
Emilia Pérez
Evil Does Not Exist
Kneecap
The Seed of the Sacred Fig

Best Animated Film
Flow
Inside Out 2
Memoir of a Snail
Wallace & Gromit: Vengeance Most Fowl
The Wild Robot

Frank Gabrenya Award for Best Comedy
Babes
Hit Man
My Old Ass
A Real Pain
Saturday Night
Thelma

Best Overlooked Film
Didi
His Three Daughters
Hundreds of Beavers
The Last Stop in Yuma County
Snack Shack
Thelma

Film Review: The Substance (dir. by Coralie Fargeat)


Between Revenge and now The Substance, French filmaker Coralie Fargeat is two for two.

If you are a fan of body horror along the lines of most of David Cronenberg’s films (Scanners, Rabid, Videodrome) and have also managed to dodge any information about Coralie Fargeat’s The Substance, stop reading and give it a watch. Easily the best film of 2024 in the “What the hell did I just witness?” category, The Substance is a total experience from start to finish. The winner of Best Screenplay in this year’s Cannes Film Festival, It’s a mix of Death Becomes Her and Multiplicity, but I highly recommend watching it without knowing too much about the film. This makes it hard to write since there are some wild surprises abound and I’m refraining from giving too much away.

Elisabeth Sparkle (Demi Moore, Charlie’s Angels 2) was once a popular star in Hollywood, but that light has faded since she’s grown older. Working in a line of fitness videos isn’t quite the same as making movies, but it helps to keep her afloat. When she overhears her manager, Harvey (Dennis Quaid, The Day After Tomorrow) talking about dropping her for a younger, fresher face, her spirits are hurt. During a doctor’s visit, she is gifted a flash drive labelled “The Substance”, which explains a set of rules to unlock “a better version of yourself”. Elisabeth eventually takes the plunge and as a result, her better version is revealed. The rules for The Substance are as strict as the ones in Gremlins, requiring great care for both bodies to maintain an optimum efficiency for the week each one gets to play.

After giving her new self a name, Sue (Margaret Qualley, Once Upon a Time in Hollywood) decides to take on the duties and auditions that Elisabeth couldn’t get. As Sue’s popularity grows, so does her desire for more time. This leads to changes for both Sue and Elisabeth, as each side fights to hold on to their life (or lives). Can Sue and Elisabeth find a way to coexist without going at each other’s throats?

For The Substance, Fargeat’s filming style is a mix of colorful extreme close shots and fast changes between scenes. At least, this is how I perceived it. Dennis Quaid’s character is made to seem larger than life and repulsive, so we tend to get close ups of him eating and smoking while talking. Sue’s scenes are bright, rich and colorful. Elizabeth’s scenes are more standard. All in all, it gives the whole film a creep factor in that most of the shots feel nearly intrusive on their subjects. The horror starts off small, but escalates quite well. Fargeat has a way of making even the smallest of scenes (like throwing out garbage) something to cringe over. The sound quality in this movie is wild, reminiscent of what Leigh Whannell used for Upgrade. The creaking of bones echo. The voice on the phone feels like it’s right in your ear and fluids are extremely squishy. I winced, I laughed, and most importantly, I found myself muttering “What the hell?!” a few times.

Performance wise, the film belongs to both Moore and Qualley and they carry the film effortlessly. As Elisabeth, Demi is both haunted and courageous. At 62, this is a performance unlike anything I’ve see her do before and it reminded me of Nicole Kidman in The Hours or Charlize Theron in Monster. While her changes might not be as great for the Golden Globes with both Amy Adams, Mickey Madison and Cynthia Erivo in the mix, she deserves the accolades for what she puts herself though. I also wouldn’t be shocked if Moore’s name reaches the Oscars. Qualley is just as great, with Sue equally enjoying her fame and finding herself disgusted with who she’s sharing this life with. Note that there is a lot of nudity in the film, but given the situations both characters are in, I felt it made sense for the film.

Overall, The Substance is a wonderful off-kilter showing by Coralie Fargeat. It makes for a great late night film to watch that may make you wince, shudder and perhaps even cover your mouth once or twice. .

Lisa Marie’s Oscar Predictions For December


With the 2024 coming to a close and awards season in full swing, the Oscar race has become a lot clearer.  For the last time this year, here are my monthly Oscar predictions!

Be sure to check out my predictions for AprilMayJuneJuly, August,  September, October, and November!

Best Picture

Anora

The Brutalist

A Complete Unknown

Conclave

Dune Part Two

Emilia Perez

Nickel Boys

Sing Sing

The Substance

Wicked

Best Director

Sean Baker for Anora

Brady Corbet for The Brutalist

Coralie Fargeat for The Substance

RaMell Ross for Nickel Boys

Denis Villeneuve for Dune Part Two

Best Actor

Adrien Brody in The Brutalist

Timothee Chalamet in A Complete Unknown

Daniel Craig in Queer

Colman Domingo in Sing Sing

Ralph Fiennes in Conclave

Best Actress

Cynthia Erivo in Wicked

Marianne Jean-Baptiste in Hard Truths

Mikey Madison in Anora

Demi Moore in The Substance

Kate Winlset in Lee

Best Supporting Actor

Yura Borisov in Anora

Kieran Culkin in A Real Pain

Edward Norton in A Complete Unknown

Guy Pearce in The Brutalist

Denzel Washington in Gladiator Part II

Best Supporting Actress

Aunjanue Ellis-Taylor in Nickel Boys

Ariana Grande in Wicked

Felicity Jones in The Brutalist

Margaret Qualley in The Substance

Zoe Saldana in Emilia Perez