Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!
This week, Sonny falls for a madame.
Episode 3.20 “By Hooker by Crook”
(Dir by Don Johnson, originally aired on March 20th, 1987)
Here I am, halfway through the third season of Miami Vice and it still amuses the Heck out of me how shocked Crockett and Tubbs are whenever their cover gets blown.
As far as I can tell, neither Crockett nor Tubbs make much of an effort at maintaining their cover, beyond using the names Burnett and Cooper. (Tubbs occasionally uses a fake Jamaican accent.) They dress exactly the same as cops as they do when they’re criminals. They hang out, in public, with the other members of the Vice Squad. They occasionally respond to “all unit” calls, which means that anyone in the area at the time will recognize them as being cops. Add to that, Crockett is supposedly a minor Florida celebrity, a former football star who went to Vietnam. In short, these two have the worst covers ever but they’re still stunned when the criminals see through their “Burnett and Cooper” identities …. even though it happens in every episode!
This time, it’s George Takei, playing a viscous crime lord, who sees through their cover and orders his men to attack. It leads to a shoot-out, much of which is filmed in slow motion. It would be pretty exciting and dramatic, except for the fact that one of Takei’s henchmen is played Captain Lou Albano, the rubber band-wearing wrestler. It also doesn’t help that Takei is …. well, he’s Takei. He camps up his villain role to such an extent that it’s impossible to take him seriously as any sort of threat. Even though he orders his men to kill an escort played by Vanity, he still comes across as being flamboyant, eccentric old George.
This episode was directed by Don Johnson and, as often happens when a cast member first tries his hand at directing, it’s filled with shots that are supposed to make you go, “Hey, this guy’s got a vision!” The slow motion gunfight is an example of this. An extended scene that is filmed with a fish-eyed lens (the better to represent Izzy’s point of view as he looks through a peephole) is another example. A sex scene between Crockett and a madame who is played by Melanie Griffith is filmed in soft focus and lit in such a way that it looks like the entire set is about to burst into flame from the heat. Johnson the director seems to be saying, “Dang, Don Johnson’s hot!”
At the time of this episode, Melanie Griffith was divorced from Don Johnson and married to Steve Bauer. Later, she would divorce Bauer and remarry Johnson. Johnson and Griffith do have amazing chemistry in this episode so kudos to Johnson the Director for making a good casting choice. Johnson the actor owes him one.
Through the Shattered Lens 