Film Review: The Divide (dir by Xavier Gens)


It seems like whenever there’s any sort of disaster, people are advised to seek shelter.  Often, if the disaster is national news, people are told to take shelter in their basement, as if everyone in the world has a basement.  This is a bit of a pet peeve of mine because I live in North Texas, where the land is completely flat and no one has a basement, a cellar, or any other sort of underground shelter.  (We also don’t have mud rooms and, in fact, I’m not even sure what a mud room is.)

That said, there’s a part of me that’s glad that it would be impossible for me to take shelter because, from what I’ve seen in the movies, it appears that spending months in a shelter can actually be worse than dying in a disaster.

Take the 2011 film, The Divide, for instance.

The Divide opens with several people watching while a mushroom cloud blooms over New York City.  Eight of those people all end up taking shelter in the same basement.  While that means that they don’t get incinerated by the nuclear blast, it also means that they now have to figure out how to live together.  That’s not going to be easy because it doesn’t take long to realize that none of these people should be anywhere near each other.

For instance, there’s Mickey (Michael Biehn).  Mickey’s the one who built the shelter.  He says that he specifically built it so that, in case of a nuclear war or a terrorist attack, he could safely sit underground and laugh at everyone dying above him.  That’s not a nice sentiment but Mickey is played by Michael Biehn so he’s still one of the more likable characters in the film.

There’s Josh (Milo Ventimiglia) and his brother Adrien (Ashton Holmes) and their friend Bobby (Michael Eklund), three idiots who are clearly destined to end up going crazy before the ordeal is over.

There’s Eva (Lauren German) and her boyfriend, Sam (Ivan Gonzalez), who are both obviously destined to be the voices of reason to which no one is going to listen.

And then there’s Marilyn (Rosanna Arquette) and her daughter (Abby Thickson), who are there because it’s not a shelter-movie without a child being put in jeopardy.

Lastly, there’s Devlin (Courtney B. Vance), who is there to be the older authority figure who ultimately fails to exercise much authority.

After an effectively chilling scene where the basement is briefly invaded by some mysterious men in Hazmat suits, The Divide settles down to be a fairly predictable and, to be honest, rather unpleasant examination of a group people going crazy from the stress of being trapped together.  It may seem odd to complain that a film about the aftermath of a nuclear apocalypse was unpleasant and I guess it is.  But The Divide runs a little over two hours and it’s so relentlessly bleak and everyone is ultimately so nasty that it becomes a bit of a chore to sit through.  By the time the torture scenes begin, The Divide has slipped into Hostel territory and it’s hard not to feel that the film is being grotesque simply for the sake of being grotesque.

That said, the film does have its strength.  The shelter is an effectively claustrophobic location and Michael Biehn does what he can with the role of Mickey.  When some of the characters end up getting radiation sickness, it creates some effectively scary visuals.  I mean, if you ever thought it would be cool to poison yourself with radiation, this film will change your mind.  That’s a good thing, I suppose.

The Divide is a very long movie about some very unpleasant people in an even more unpleasant situation.  It’s well-made but not particularly entertaining to watch.  In the end, it’s easy to feel that everyone would have been better off just staying above ground and getting it over with.

A Few Thoughts on … Lucifer 1.1 (“The Pilot”)


Lucifer

So, earlier tonight, I watched the first episode Lucifer.  Lucifer is the new cop show on Fox.  It’s about an eccentric crime solver who uses unorthodox methods to solve crimes and his partner, with whom he shares sexual tension and the occasional sardonic aside.  It sounds a lot like Elementary, Castle, the X-Files revival, and a whole lot of other TV shows of the past, present, and future as well.

The main difference between Lucifer and those other shows is that the title character is the Devil.  That’s right.  The Devil has gone from starring in Milton’s Paradise Lost to working with the LAPD to solve crimes.

(In high school, one of my best friends read Paradise Lost and ended up getting a huge crush on Satan.  I wonder if she watched Lucifer tonight.)

From what I understand, Lucifer is loosely based on a comic book series in which Lucifer gets bored with ruling Hell and comes to Los Angeles, where he runs a piano bar and spends a lot of time considering whether or not there really is such a thing as free will.  And that actually sounds pretty interesting.  That sounds like it would make for an edgy, thought-provoking series.

What is not particularly interesting is the idea that Lucifer would come to Los Angeles, open a piano bar, and then decide to spend his time helping the LAPD solve crimes.  It really sounds like the punchline to an overtold joke, doesn’t it?  “She’s a non-nonsense detective.  He’s the Prince of Darkness.  Together, they fight crime.”

There were a few things that I did like about the pilot.  I liked the fact that it opened and closed with No Rest For The Wicked, even though that song’s going to be stuck in my head for the next few days.  I thought Lauren German did a pretty good job as Detective Chloe Dancer.  There were a few scenes — mostly the ones that featured Lucifer hanging out at his piano bar — that were shot and acted in a entertainingly over-the-top style.  I like the idea that Lucifer can terrify people whenever he feels like it.  I think Tom Ellis could be really good in the title role but not if the series insists on straight-jacketing him into a typical “eccentric detective” role.

My advice to this show?  Get Chloe Dancer out of the LAPD as quickly as possible.  The character has potential and I can easily imagine Lauren German and Tom Ellis developing a really amazing chemistry but having to deal with a case-a-week format is going to rob this show of everything that could potentially make it special.  So, get Chloe off of the LAPD.  Have her work as a head of security for Lucifer’s bar or something.  Keep them together but forget about solving crimes.  Instead, allow Lucifer to truly explore the philosophical and theological concepts that were merely hinted at in the pilot.  It might not win the show a huge audience but it will win it a loyal and intelligent audience.  At the very least, it should be enough to score 6 seasons and a movie.

Lucifer has potential but not as a cop show.

Insomnia File #9: Born Killers (dir by Morgan J. Freeman)


What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable? This feature is all about those insomnia-inspired discoveries!

Born Killers 2

If you were suffering insomnia at around 2:30 this morning, you could have turned over to ActionMax and watched the 2005 film Born Killers.

Now, probably the first thing that you noticed about this film is that the director is named Morgan J. Freeman.  That J is there for a reason.  In no way is Morgan J. Freeman the director related to Morgan Freeman the actor.  Instead, Morgan J. Freeman is a director who has done a few indie films and who will probably never live down the fact that he directed American Psycho II: All-American Girl.  According to the imdb, Freeman is also an executive producer on Teen Mom.

In other words, Morgan J. Freeman has been involved with a lot of crap.

However, Born Killers is actually a fairly good film.  It’s certainly far better than anything you would expect to see from the director of American Psycho II.

Born Killers tells the story of two brothers, John (Jake Muxworthy) and Michael (Gabriel Mann).  John and Michael are both killers.  They call other human beings “piggy banks” and they spend all of their time murdering innocent people and then robbing them.  For the wild and unpredictable Michael, it’s fun.  For the coolly calculating John, it’s strictly business.  They’re both sociopaths but, as quickly becomes apparent, Michael is the only one who is having any fun.

Through flashbacks, we discover that Michael and John never really had a chance to be anything other than what they eventually became.  From an early age, their father (Tom Sizemore, who is absolutely chilling) taught them how to kill and steal.  After their father’s violent death, John and Michael go on their own killing spree.

And everything seems to be going well for them, until John ends up shooting Michael.  Why did John kill him?  Even though John is narrating the story, he doesn’t seem to be sure.  He admits that his memory may be fooling him.  He thinks that it might have something to do with a woman named Archer (Kelli Garner), who the brothers reluctantly murdered.

With his brother now dead, John tracks down his half-sister, Gertle (Lauren German).  John hasn’t seen Gertle in years and, when he first approaches her, he pretends to be a Mormon missionary.  Gertle responds by leading him into her house and, after they have sex, she tells him that she knows that he is her half-brother.

Though John was originally planning on murdering her, he instead finds himself falling in love with her and even feeling that maybe his love for her would redeem him for all of his past crimes.  When she tries to warn him that she has issues of her own, John replies that he knows they are meant to be together.  He begs her to take a chance on him.

But Gertle, as you’ve probably guessed, has secrets of her own…

At first, I wasn’t expecting much from Born Killers.  And, for the first 30 minutes or so, it plays out like your typical serial killer road film.  I kept watching because of the performances but I didn’t think much of the story.  However, as soon as John tracks down his sister, the entire movie changes direction and it actually starts to catch you off guard.  Suddenly, you’re no longer sure just what exactly is going to happen or how it’s going to end.  During the final half of the film, Lauren German and Jake Muxworthy give such good and compelling performances that you forget about the shaky first half.  Even if the film’s ending is a little bit too twisted for its own good, it’s still an interesting journey.

All in all, Born Killers is not at all bad for a low-budget serial killer film airing on Cinemax at two in the morning!

born killers

Previous Insomnia Files:

  1. Story of Mankind
  2. Stag
  3. Love Is A Gun
  4. Nina Takes A Lover
  5. Black Ice
  6. Frogs For Snakes
  7. Fair Game
  8. From The Hip