Retro Television Review: The Love Boat 6.11 “The Tomorrow Lady/Father, Dear Father/Still Life”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, a man tells a terrible lie, Greer Garson can see the future, and Isaac is losing his hearing!  Come aboard, we’re expecting you….

Episode 6.11 “The Tomorrow Lady/Father, Dear Father/Still Life”

(Dir by Richard A. Wells, originally aired on December 4th, 1992)

This episode of The Love Boat features one of the worst stories ever.  Ken Miller (Lawrence Pressman) wants to date Sarah Curtis (Kim Darby).  However, Sarah is on the cruise as a member of the Single Parents Group and, when Sarah first sees Ken, she assumes that Ken is a single father because he’s standing with Libby McDonald (played by the one-named Louanne), who is the daughter of Ken’s friend, Tom (Jim Stafford).  So, Ken just decides to lie about being a father.

Eventually, Sarah finds out.  When she notices that Libby is spending all of her time with Tom, the gig is up.  Sarah, however, FORGIVES Ken and accepts his marriage proposal!  (“Looks like I won’t be a member of Single Parents anymore….”)  Lady, he lied to you about having a daughter!  He recruited a little girl to pretend to be his daughter!  THIS IS NOT THE WAY TO START A MARRIAGE!

The other two stories were better.  One featured Greer Garson (in her final screen performance before retiring) as a woman who was a self-described “good guesser.”  She met a struggling businessman (Howard Duff) who wanted to use her power to play the stock market but eventually, he fell in love with her for her and not her powers.  Howard Duff’s character was not particularly likable but Greer Garson seemed to be having fun.

The other story featured Isaac struggling with a double ear infection and fearing that he would permanently lose his hearing.  He didn’t, which is good considering that he’s the ship’s head bartender and he’s the guy who everyone comes to with their problems.  (It always amuses me how a passenger will just automatically start talking to Isaac as if they’re best friends when they’ve only been on the boat for a couple of hours.)  What made this story work, though, was the performance of Ted Lange.  He was so believably scared of losing his hearing that you just wanted someone to hug him and reassure him that it would all be okay.  When his hearing finally came back, I breathed a sigh of relief.  Obviously, playing Isaac was probably not the most challenging roll of Ted Lange’s career.  I mean, the man has played Othello!  Still, Lange gave a really good and honest performance in this episode.  He didn’t use the fact that he was acting on The Love Boat as an excuse to just coast.

This cruise …. it was kind of forgettable.  Still, at least Ted Lange got a chance to shine!

Brad’s Scene of the Day – Kim Darby “bargains” with Strother Martin in TRUE GRIT (1969)!


In honor of Kim Darby’s 78th birthday, I’m sharing one of the highlights of her film career. In this scene, young Mattie Ross (Darby) shows Colonel G. Stonehill (Strother Martin) that her bargaining skills are way beyond her years! I especially love TRUE GRIT because the story opens in my home state in Fort Smith, Arkansas, before heading west in search of Tom Chaney! As a matter of fact, the author of the TRUE GRIT novel, Charles Portis, is one of the greatest authors from the state of Arkansas.

Enjoy one of many great scenes from the classic western, TRUE GRIT!

Retro Television Review: Fantasy Island 5.16 “The Challenge/A Genie Named Joe”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, Fantasy Island reminds us why we love this show in the first place.

Episode 5.16 “The Challenge/A Genie Named Joe”

(Dir by Cliff Bole, originally aired on February 13th, 1982)

Now, this is a great episode!

Julie doesn’t appear in this episode, beyond the usual stock footage that appears at the start of every season 5 episode.  In fact, Julie isn’t even mentioned in this episode.  Instead, it’s Roarke and Tattoo all the way.  Roarke and Tattoo greet the visitors together.  Tattoo is the one who helps Roarke put the fantasies together.  Roarke and Tattoo say goodbye to everyone at the end.  In a way, this episode felt like a throwback to the first two seasons of Fantasy Island.

The fantasies feel like throwbacks to the first two seasons as well, with both of them featuring interesting guest stars and just enough twists to keep things interesting.  We’ve got one comedic fantasy and one dramatic fantasy but the comedic fantasy is not too silly and the dramatic fantasy is not too serious.  The episode manages to strike a pretty good balance between the two so, for once, neither fantasy feels rushed or short-changed.

The comedic fantasy features Kim Darby as Rebecca Walters, who wants to find a husband who is courteous and handsome.  Tattoo takes her out to the magical Fantasy Island lagoon, where she meets a genie named …. well, he has a really long genie name but fortunately, he’s happy to be called Joe (Larry Linville).  Joe can grant Rebecca three wishes.  As always happens with genies, Rebecca wastes her first two wishes.  For instance, when she says that it’s a little bit too warm for her, Joe grants her wish and temporarily turns Fantasy Island into a winter wonderland, complete with snow and Christmas music playing.  (Seriously, the sight of snow on Fantasy Island was surprisingly charming, as was Tattoo’s shocked reaction.)  In the end, of course, Rebecca comes to discover that she loves Joe.  Joe transforms from a genie-into-a-man and they leave the Island together.  It was a charming and cute fantasy.  Both Darby and Linville seemed to be having fun with their roles and they had a surprising amount of chemistry together.  This was a fun fantasy.

As for the dramatic fantasy, it allowed us to learn a little about the history of the Island.  Apparently, centuries ago, the Island belonged to a Spanish sea captain.  Ruthless tycoon Douglas Picard (Vic Morrow) came across the deed to the island after he moved into a villa that once belonged to the captain.  Picard claims that the Island is legally his.  Roarke points out that the deed is several centuries old and that it would take years for the legal system to sort out who owned what.  Picard challenges Roarke to three challenges to decide who will own the island, challenges that will test the mind, body, and spirit of the two men.  The person to win two of the matches also wins the Island.  Roarke agrees.

Here’s the thing that I find interesting about all of this.  First off, it’s implied that the Spanish sea captain was a part of the Spanish Armada.  Why would the Spanish Armada have been in the South Pacific?  Even more importantly, though, was the island still capable of granting fantasies when it was owned the Captain?  Are the fantasies created by the Island or by Mr. Roarke?  The case for the Island being magical can be found in this very episode, in which Tattoo takes Rebecca to a lagoon inhabited by a genie.  Throughout the series, there have been many such locations on the Island.  But Roarke himself is clearly more than just the charming owner of a resort.  Ricardo Montalban once said that he felt Roarke was a fallen angel who was doing penance on the Island.  That’s an interesting idea and would certainly explain why Roddy McDowall’s Devil always seemed to want to steal Roarke’s soul.  Of course, the Blumhouse film and the recently-canceled reboot both suggested that Fantasy Island has had many different caretakers but I’m not sure that I consider either one of those to be canonical.  I kind of like the idea Roarke having lived on the Island for centuries, like Richard on Lost.

Anyway, the three competitions are actually pretty interesting.  The first one is a chess match that is won by Roarke.  The second one features Roarke and Picard arm-wrestling over a killer spider.  Roarke is in on the verge of winning that one but allows Picard to have the victory rather than kill him.  The third competition is to do something selfless that improves someone else’s life.  (I’m not sure how the winner would be selected but we’ll just go with it.)  Picard gives money to a charity that he knows little about.  Roarke, however, wins because he made Picard’s sister, Eunice (Jane Powell), happy by choosing not to kill Picard.  Picard is so happy to finally see Eunice happy that he decides he doesn’t need to take ownership of Fantasy Island.  Everyone leaves the Island a better person than they were when they arrived.  Yay!

As I said before, this episode felt like a throwback to the earlier seasons of Fantasy Island.  This was a great trip to the Island!

Retro Television Reviews: The Love Boat 2.18 and 2.19 “Alas, Poor Dwyer/After the War/Itsy Bitsy/Ticket to Ride/Disco Baby”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, it’s disco, high school, and alcoholism on The Love Boat!

Episodes 1.18 and 1.19 “Alas, Poor Dwyer/After the War/Itsy Bitsy/Ticket to Ride/Disco Baby”

(Dir by Roger Duchowny, originally aired on February 3rd, 1979)

It’s time for the Haney High class reunion and one of the school’s most beloved graduate, Julie McCoy, has arranged for her former classmates to celebrate their 10-year reunion on the Pacific Princess!

This was a special double-sized episode of The Love Boat.  (It was split into two episodes for syndication.)  Along with being twice as long, this episode also features twice as many guest stars and a twice as much romance and drama.  It turns out that Haney High’s Class of ’69 was a large one indeed.

(It’s not really made clear as to whether everyone on the cruise is there for the reunion or if there are passengers on the cruise who are just trying to enjoy a vacation.  I have to say that I would be a bit annoyed if I boarded a cruise just to discover that it was being used for someone else’s loud and crowded high school reunion.  Seeing as how the entire boat has been decorated with signs welcoming the “class of Haney High,” I hope that it was just Hany High alumni on the cruise.  Otherwise, some people definitely ended up feeling left out of all the fun.)

Along with being a supersized episode, quite a bit of this episode was filmed while the ship was on an actual cruise.  (The Love Boat would always take one or two actual cruises during each season.  That was one reason why so many actors were eager to be on a show that was never really a critical favorite.)  As a result, the characters in this episode spend far less time in their cabins than usual.  Instead, almost every scene takes place on one of the decks.  The ocean looks lovely.  A scene where Doc talks to Gopher and Isaac features a striking sunset in the background.

As for the storylines, it’s a little bit hard to know where to start with this episode.  Not only did the passengers all get storylines but so did Captain Stubing, Doc Bricker, and Julie McCoy.  I guess as good a place to start as any would be with Malcolm Dwyer (Raymond Burr), the high school’s beloved drama teacher.  Mr. Dwyer boards the ship and, rather than talk to any of his former students, he immediately starts drinking.  It quickly becomes apparent to everyone that Mr. Dwyer has a drinking problem.  He’s haunted by the fact that, rather than becoming a star himself, he instead just became a teacher.  Fortunately, Captain Stubing immediately realizes what is going on with Mr. Dwyer and he takes it upon himself to help.  When Mr. Dwyer demands to know why Stubing cares so much about his drinking, the Captain lets down his guard and reveals that he too is an alcoholic.

This episode was the first time that the show directly acknowledged that Captain Stubing was a recovering alcoholic, though it was something that was occasionally hinted at.  While Raymond Burr occasionally seems to be trying too hard to turn Mr. Dwyer into a grandly tragic figure, the scene where the Captain talks about his alcoholism is still a surprisingly poignant moment.  Gavin MacLeod really captures the vulnerability of the moment as the normally reserved Captain opens up about something in which he takes no pride.  Gavin MacLeod was, himself, a recovering alcoholic and, when he warns Dwyer about his drinking, it’s obvious that it’s not just Captain Stubing talking to a passenger.  It’s also Gavin MacLeod talking to the show’s audience.  It’s a surprisingly poignant moment.

Speaking of poignant moments, Jack Forbes (John Rubinstein) is on the cruise with his wife, Kathy (Judi West).  When Jack sees Mike Kelly (Michael Cole), he freaks out.  Mike was the king of Haney High, the high school quarterback with a bright future ahead of him.  In school, he was Jack’s best friend.  After they graduated, both Jack and Mike received their draft notices.  Mike went to Vietnam and returned in a wheelchair.  Jack fled to Canada with Kathy.  When Jack sees Mike, he feels ashamed of himself and lies about what he did during the war.  Jack worries that, if everyone finds out that he was a cowardly draft dodger, they’ll toss him overboard.

(To be honest, if Jack should be worried about anything, it should be running into the guy who got sent to Vietnam in his place.  When someone dodged the draft, that meant someone else has to go in his place and that person was usually someone who didn’t have the resources to just pick up and leave the country.)

With Kathy’s encouragement, Jack finally confesses to Mike and Mike tells Jack that he already knew.  Mike forgives Jack and, again, it’s a surprisingly poignant moment.  John Rubinstein and Michael Cole both gave heartfelt and committed performances and the show approached the issue with the type of nuance that I don’t most people would necessarily expect from an episode of The Love Boat.

While this is going on, Doc is spending the cruise with Bitsy (Conchata Ferrell).  When Doc saw Bity’s high school yearbook photo, he insisted that Julie sit him up with her.  (Yeah, that’s not creepy at all.)  Doc is shocked to discover that Bitsy has gained weight since high school.  Gopher and Isaac give Doc a hard time for dating Bitsy during the cruise.  After getting to know her and discovering her quick wit, Doc announces that Bitsy is beautiful even if she is “chubby” and, believe it or not, as bad as it is to read about it, the whole thing feels even more cringey and awkward when you watch the episode.  This was another storyline that existed to confirm that Doc and Gopher were walking HR nightmares.

Meanwhile, Wendy (Kim Darby) is trying to figure out which one of her former classmates anonymously paid for her ticket and sent her a love poem.  Was it Ross Randall (Christopher George), who is now a television star?  Was it former class clown Pete DeLuca (Kelly Monteith)?  Or was it the class hippie, Jason Markham (Bob Denver)?  What was odd about this storyline was that the cruise was for Julie’s ten-year class reunion but both Christopher George and especially Bob Denver were obviously quite a bit older than the other members of their class.  (If either one of them was 28, one can only assume they spent the past decade drinking 24/7.)  Ross, at one point, talked about how Mr. Dwyer was the teacher who inspired him but Ross appeared to be roughly the same age as Mr. Dwyer.  It was weird but hey, that’s The Love Boat!

As for who sent Wendy the ticket, it turned out that her secret admirer was her husband, Tom (David Landberg).  Tom and Wendy were separated so Tom decided to send her on the cruise so she could find someone better.  (That’s the saddest thing I’ve ever written.)  In the end, Wendy realizes that she still loves Tom.  Yay!

Finally, Julie is super-excited because her ex-boyfriend, Joey (Michael Lembeck), is on the cruise.  Joey is now a disco instruction (yay!) and he works with Sherry (Lisa Hartman), who was the most popular girl at Haney High.  Julie wants to rekindle her romance with Joey but it soon becomes clear that Sherry has feelings for Joey too.  Sherry even asks Julie to back off a little when it comes to Joey.  However, when Gopher and Isaac take a break from fat-shaming Bitsy and Doc, they encourage Julie to fight for what she wants.  Julie pursues Joey even more aggressively.  In the end, Julie, Joey, and Sherry all realize that Joey and Sherry belong together but it was still interesting to see Julie in a less than heroic role for once.

Of course, the best thing about the Julie/Joey/Sherry love triangle is that it featured disco!  Joey not only taught everyone how to dance but he also turned the ship’s ballroom into a huge discotheque.  By the end of the episode, everyone was dancing while a disco version of the Love Boat theme played.  It was great!

As you may have guessed, I really enjoyed this episode.  Yes, the stuff with Bitsy was cringey and it was annoying that Bitsy never got a chance to really stand up for herself and tell everyone to just accept her for who she was.  (Conchata Ferrell was an actress who was at her best when she was telling people off.)  But the rest of the episode was surprisingly well-written and acted and the fact that the cast and crew went on an actual cruise while filming only added to the fun.  If nothing else, this episode showed why the cruise industry continues to go strong, despite all of the shipwrecks, hijackings, and pandemics that have plagued it for the past few decades.  This was a fun episode, one that definitely made me want to set sail for adventure!

Horror on TV: Circle of Fear 1.15 “Dark Vengeance”


In today’s episode of Circle of Fear, Martin Sheen plays a construction worker who finds a box at a site.  He brings it home to show his wife, Kim Darby.  When they open the box, they discover only a mirror and a toy horse.  Hey, that doesn’t seem too bad, right?  But then Darby starts to have nightmares that indicate that the horse might be cursed!

This episode aired on January 12th, 1973.  It’s always a little bit jarring to see Martin Sheen playing a regular guy, back before The West Wing brought out his pompous side.  Young Martin Sheen was quite a good actor.  His resemblance to Emilio Estevez is uncanny.  I wonder if they’re related.

(That’s a joke, everyone.  Calm down.)

Enjoy!

Norwood (1970, directed by Jack Haley, Jr.)


Norwood Pratt (played by country singer Glenn Campbell) is a just a good old boy who has just returned home from serving in the Marines over in Vietnam.  After saying goodbye to his Marine buddy, Joe William Reese (played by quarterback Joe Namath), Norwood heads to his hometown of Ralph, Texas.  Norwood discovers this his sister (Leigh French) has married an idiot named Bill (Dom DeLuise!)

Norwood gets a job working at the local garage but he’s got his guitar and he’s got his dreams.  All he wants to do is play his music on the Louisiana Hayride radio program.  But with no money and no connections, how is he going to make it there?  When a shady businessman (Pat Hingles) offers to pay him fifty bucks to drive a car and prostitute (Carol Lynley) to New York City, Norwood agrees.  When Norwood discovers the car is stolen, he abandons both the vehicle and the girl but he still heads up to New York City.

Norwood has plenty of adventures and he meets plenty of people, like a hippie (Tisha Stirling) who invites him to open mike night at a coffee house in the Village.  Later, she invites him to join her in a bathtub by asking him if his guitar plays underwater.  “No, ma’m,” Norwood says, “but I do.”  He also meets a pregnant teenager (Kim Darby, Campbell’s co-star from True Grit) and a little person (Billy Curtis) who is traveling with a super intelligent chicken.

There have been a lot of very good films made about the struggle of military veterans to transition back to civilian life after their tour of duty comes to an end.  Unfortunately, Norwood is not one of those films.  Both Norwood and Joe have just returned from Vietnam but neither one of them seems to carry any lingering effects from their time overseas.  Neither of them shares any war stories or any thoughts on war in general.  (Someone does point out that Norwood has a scar.  Norwood says it’s a war wound that he got when he accidentally fell off a water truck.)  There’s no hint that the war itself was not going well for the United States in 1970 or that it wasn’t a popular war and that returning veterans often felt as if they had been rejected by the same country that asked (or forced) them to serve.  Even when Norwood meets the hippies in the Village, there’s no mention of protests.  Instead, Norwood presents 1970 as a time with no real conflicts, which is the perfect era for someone as forgettable as Norwood Pratt to become a star.

Norwood has the same basic and episodic structure as an Elvis movie, except that Elvis could actually act when he wanted to.  No one can deny Glenn Campbell’s talent as a singer but as an actor, he had very little screen presence.  In True Grit and this movie, the best that he could come up with was an amiable dullness.  In True Grit, it didn’t matter because John Wayne was in the movie.  But in Norwood, Campbell had to carry the story and his acting limitations were much more obvious.  Campbell even managed to get outacted by Joe Namath, who, as far as pro football player-turned-actors were concerned, was no Alex Karras.  Wisely, Campbell didn’t further pursue a career as an actor and instead concentrated on singing.  When Campbell died in 2017, he was praised for both his musical legacy and his honesty and courage while facing Alzheimer’s.  He may not have made it as an actor but he still touched a lot of lives.

Back to School #40: Better Off Dead (dir by Savage Steve Holland)


Better-Off-Dead

There’s something really sad about knowing that John Cusack does not like the 1985 teen comedy, Better Off Dead, despite the fact that he himself starred in the film.

Just how much he dislikes the film depends on who you talk to.  I read an interview with the film’s director — the wonderfully named Savage Steve Holland — in which he said that Cusack approached him after a screening of the film and told him that he totally hated the film and would “never trust” Holland again.  (What’s truly sad is that Holland also said that this encounter caused him to momentarily lose all interesting in film making.)  However, a few years ago, Cusack said, while answering questions on Reddit, that he didn’t hate Better Off Dead, he just felt that it could be better and that he was glad that other people still like it.  In another interview, Cusack said that the “absurdist humor” of Better Off Dead just wasn’t his thing.

John, I understand that you’re a serious actor and I’ve always had a lot of respect for the fact that you’re an outspoken liberal who is still intellectually honest enough to hold Obama up to the same standard to which you previously held Bush.  But honestly, John, maybe you should loosen up just a little.  Not all of your movies have to be The Butler!  There’s nothing wrong with enjoying yourself onscreen.  And there’s nothing wrong with entertaining an audience and leaving them happy.  Better Off Dead may be one of more lightweight films that I’m reviewing for this Back to School series but it’s a lot of fun!  It makes people smile.  And you know what?  A lot of those smiling people are going to be more willing to see you in a film like The Butler because they’ve also seen you in films like Better Off Dead.

Add to that, you give a pretty good performance in Better Off Dead.  In fact, you provide the film with a much-needed center.  A lot of the comedy in Better Off Dead may be absurd but John, your performance is so likable and so grounded that you keep the film from getting too weird.  You do such a good job as Lane Myer and are so convincing as a well-meaning but dorky high school student who is trying to win back his ex-girlfriend (Amanda Wyss) by skiing down a mountain that it allows everyone else to be as weird as the film will allow.  Without your excellent performance, John, the film would be a total mess.

BOD

Better Off Dead is essentially a collection of skits.  There’s a plot but the plot is really only there as an excuse for the nonstop jokes.  For instance, there’s Lane’s best friend, Charles (Curtis Armstrong, essentially playing the same character he played in Risky Business) who spends the entire film looking for things to snort and who, when standing atop of snowy mountain, says, “This is pure snow!  Do you have any idea what the street value of this mountain is!?”

And then there’s Monique (Diane Franklin), the foreign exchange student who lives next door to Lane and who pretends that she can’t speak English because she’s trying to avoid being set up with creepy Ricky Smith (Daniel Schneider).

There’s Lane’s mother (Kim Darby), who cooks some of the strangest looking meals ever seen in an American film.  There’s also Lane’s younger brother, who never speaks but who knows how to build a laser gun.  Even Lane’s father (David Ogden Stiers). who seems relatively normal, still manages to destroy the garage door.

There’s the fact that Lane’s romantic rival is named Roy Stalin (Aaron Dozier).  Is that not just the perfect name for a villain?

There’s my favorite scene in the entire film, where a geometry teacher (Vincent Schiavelli) explains a complicated problem to his class and the class responds by cheering him along.  “Who wants to come up here and solve the problem?” the teacher asks.  The entire class raises their hands and goes, “Me!”

There’s quotable and memorable lines like: “I’ve been going to this high school for seven and a half years. I’m no dummy,” ” Now that’s a real shame when folks be throwin’ away a perfectly good white boy like that,” and “Gee, I’m really sorry your mom blow up, Ricky.”

And, of course, there’s that paperboy who wants his two dollars…

Seriously, John, Better Off Dead might not be your favorite movie but it’s really not that bad!

Want to see just how not bad Better Off Dead really is?  Watch it below!

http://www.youtube.com/watch?v=a3Q8oM_AnK8