The Gladiator (1986, directed by Abel Ferrara)


A serial killer known as The Skull is prowling the dark streets of Los Angeles.  Driving a customized death car, he chases down other motorists and forces them into fatal accidents.  Though the police aren’t convinced that the Skull’s real, Rick Benton (Ken Wahl) knows that he’s out there.  Rick was teaching his younger brother (Brian Robbins) how to drive when the Skull chased them down and ran them off the road.  His brother was killed.  Rick spent several days in a coma.  Even after the police try to convince him that he was the victim of a drunk driver, Rick suspects that he and his brother were deliberately targeted.

Rick is a car guy, himself.  After attending a support group for people who have lost loved ones to drunk drivers, Rick decides to take the law into his own hands.  He modifies his pickup truck and then takes to the streets, tracking down drunk drivers and ramming them off of the road.  He then calls the police, letting them know where they can pick up the drunks.  Rick is careful to never actually hurt anyone but Lt. Frank Mason (Robert Culp) still isn’t happy that there’s a vigilante out there, taking the law into his own hands.

With all of Los Angeles wondering about the identity of the vigilante that the media has dubbed “The Gladaitor,” Rick prepares to track down the Skull.

The Gladiator was directed by Abel Ferrara, who brings his trademark style to the film.  Rick is not just a vigilante with a super truck.  He’s also a man who is clearly still in mourning and who deals with his own feelings of guilt by tracking down unsafe drivers.  When he realizes that someone is deliberately killing other drivers, he becomes grimly obsessed with tracking down the Skull and, in typical Ferrara fashion, it often seems as if his quest for vengeance might leave him as unhinged as the man he’s trying to stop.  Though Rick is clearly the fim’s hero and all of the drunks that he stops are obnoxious and deserving of what they get, Ferrara doesn’t blindly celebrate Rick’s actions.  Some of the people who treat the Gladiator as a folk hero are just as dangerous as the ones that Rick is taking off the streets.

It helps the film that both the Skull’s death car and Rick’s vigilante pickup are pretty cool.  Who wouldn’t want to own a truck that can fire projectiles at bad drivers?  In typical Ferrara fashion, almost all of the action takes place at night and the chase scenes are excitingly filmed.  Though the cars and the stunts may be the main reason to watch the film, Ken Wahl still does a good job with the title role and fans of Brian DePalma and RoboCop will enjoy the presence of Nancy Allen, cast here as a radio talk show host who is also Rick’s girlfriend.

The Gladiator is an effective car chase thriller.  Watch it and drive safely.

A Movie A Day #331: The Soldier (1982, directed by James Glickenhaus)


The Soldier is really only remembered for one scene.  The Soldier (Ken Wahl) is being chased, on skis, across the Austrian Alps by two KGB agents, who are also on skis.  The Soldier is in Austria to track down a KGB agent named Dracha (Klaus Kinski, who only has a few minutes of screen time and who is rumored to have turned down a role in Raiders of the Lost Ark so he could appear in this movie).  The Russians want the Soldier dead because they’re evil commies.  While being chased, the Soldier goes over a ski slope and, while in the air, executes a perfect 360° turn while firing a machine gun at the men behind him.  It’s pretty fucking cool.

The Soldier, who name is never revealed, works for the CIA.  He leads a team of special agents.  None of them get a name either, though one of them is played by the great Steve James.  When a shipment of Plutonium is hijacked so that it can be used it to contaminate half of the world’s supply of oil, The Soldier is assigned to figure out who is behind it.  Because terrorists are demanding that Israel withdraw from the West Bank, Mossad assigns an agent (Alberta Watson) to help out The Soldier.  She gets a name, Susan Goodman.  She sleeps with The Soldier because, she puts it, the world is about to end anyway.

The Soldier was obviously meant to be an American James Bond but Ken Wahl did not really have the screen charisma necessary to launch a franchise.  He is convincing in the action scenes but when he has to deliver his lines, he is as stiff as a board.  Fortunately, the majority of the movie is made up of action scenes.  From the minute this briskly paced movie starts, people are either getting shot or blown up.  Imagine a James Bond film where, instead of tricking the bad guys into explaining their plan, Bond just shot anyone who looked at him funny.  That’s The Soldier, a film that is mindless but entertaining.

Ken Wahl may have been stiff and Klaus Kinski may have been wasted but there are still some interesting faces in the cast.  Keep an eye out for William Prince as the President, Ron Harper as the director of the CIA, Zeljko Ivanek as a bombmaker, Jeffrey Jones as the assistant U.S. Secretary of Defense, and George Straight performing in a redneck bar.  Best of all, one of the Soldier’s men is played by Steve James, who will be recognized by any Cannon Films aficionado.

Surprisingly, The Solider is not a Cannon film.  It certainly feels like one.

A Movie A Day #26: The Taking of Beverly Hills (1991, directed by Sidney J. Furie)


After a toxic chemical spill, Beverly Hills is evacuated.  While its citizens wait in a hotel, their mansions and valuables are guarded by the police and agents of the EPA.  Or so they think.  It turns out that the chemical spill was faked and that both the police and the government agents are in on it.  While the town’s deserted, they’re going to rob everyone blind.  The scheme’s mastermind is Bat Masterson (Robert Davi), the owner of L.A. Rams.  What Masterson doesn’t realize is that one citizen of Beverly Hills stayed behind, his own quarterback, Boomer Hayes (Ken Wahl).  Teaming up with Ed Kelvin (Matt Frewer), the last honest cop in town, Boomer sets out to protect Beverly Hills.

It’s just a dumb as it sounds.  In fact, of the many Die Hard ripoffs that came out in the late 80s and the early 90s, The Taking of Beverly Hills is probably the dumbest, which also makes it one of the most entertaining.  Boomer, who has an impressive mullet, can only speak in football analogies, constantly assuring Ed that it’s only the first down and that they can turn things around after halftime.  When Boomer gets serious, he says, “It’s time to play offense.”  One of the stranger things about The Taking of Beverly Hills is that, unlike working class hero John McClane, Boomer is not an outsider.  He’s in Beverly Hills because he’s rich.  The Taking of Beverly Hills is basically about one rich guy trying to keep another rich guy from robbing a bunch of other rich people.  It’s Die Hard if Hart Bochner had been the hero instead of Bruce Willis.

Keep an eye out for Lee Ving, lead singer of Fear, playing one of the corrupt cops and an uncredited Pamela Anderson cast as a cheerleader.  And keep your ears open for songs like Epic by Faith No More because their presence on the soundtrack (and the associated rights issue) is the reason was this stupidly entertaining movie will probably never get a DVD/Blu-ray release in the United States.

It has been released in Germany, where it was retitled Boomer after the lead character.

It has been released in Germany, where it was retitled Boomer after the lead character.