18 Days of Paranoia #12: Best Seller (dir by John Flynn)


The 1987 film, Best Seller, tells the story of two men, both equally capable of violence but with two very different moral codes.

Dennis Meechum (Brian Dennehy) is a cop who also writes true crime.  In the early 70s, he was the one of several cops who were attacked by a group of gunmen who were all wearing Richard Nixon masks.  Though he was shot, Meechum survived and he even managed to stab one his assailants.  15 years later, Meechum is still haunted by the incident.  Meechum is a brawler who doesn’t have much time for nonsense but he also has a strong moral code (or so he thinks).

Cleve (James Woods) talks fast and always seems like he’s a little bit nervous.  He has a quick smile and a joke for almost every occasion.  He’s also a professional assassin, a sociopath who is very interested in Dennis.  Cleve has spent the majority of his life working for a powerful businessman named David Madlock (Paul Shenar) but he’s recently been laid off.  Cleve wants revenge and he thinks that Dennis can help him get it.

Together …. THEY FIGHT CRIME!

Well, actually, they kind of do.  Madlock’s done a lot of illegal stuff and Cleve and Dennis are exposing him, his crooked corporation, and all of his powerful connections.  However, what Cleve really wants is for Dennis to write a best seller about his life.  Cleve wants Dennis to write his story and most importantly, he wants Dennis to make him the hero.  Dennis is still a cop and says that once all this is over, he’s going to have to arrest Cleve.  Of course, eventually, he discovers that Cleve was the man who shot him 15 years earlier.  At that point, Dennis says that he’s going to have to kill Cleve once all of this is over.

As a crime thriller, Best Seller hits all of the expected beats.  As soon as we find out that Dennis is a widower and that he has a teenage daughter, we know that she’s eventually going to be taken prisoner by the bad guys.  For that matter, we can also guess that there will be a few scenes where Cleve insists that Dennis is just like him.  When Cleve starts telling people that Dennis is his brother, it’s a fun scene because it’s well-acted by both Woods and Dennehy but it’s not exactly surprising.

But no matter!  Though the the overall plot may be predictable, there’s enough clever little twists and details that the film holds your interest.  For instance, there’s an extended sequence where Dennis insists that Cleve introduce him to his family.  For the next few minutes, the film stops being an action thriller and instead becomes a bit of a domestic comedy as Dennis meets Cleve’s friendly family, none of whom are aware that Cleve is a ruthless killer.  The stuff with Cleve’s family doesn’t move the plot forward but your happy it’s there because 1) James Woods gives a great performance in those scenes and 2) it suggests that the film (which was written by Larry Cohen and directed by John Flynn, who was previously responsible for the brilliant Rolling Thunder) has more on its mind than just shooting people.

The main reason why Best Seller works so well is because the two leads are perfectly cast.  Brian Dennehy was born to play tough cops while James Woods gives one of his best performances as the unstable but likable Cleve.  I’ve actually had people get made at me for saying that James Woods is a good actor, simply because they disagree with his politics.  But, when it comes to art and talent, I don’t care about anyone’s politics.  (I mean, if I only watched movies starring people whose politics where approved by Film Twitter, I would end up spending the entire pandemic watching romantic comedies starring Alec Baldwin and Rosie O’Donnell and why should I suffer like that?)  James Woods is a good actor and he’s great in Best Seller.

Other Entries In The 18 Days Of Paranoia:

  1. The Flight That Disappeared
  2. The Humanity Bureau
  3. The Private Files of J. Edgar Hoover
  4. The Falcon and the Snowman
  5. New World Order
  6. Scandal Sheet
  7. Cuban Rebel Girls
  8. The French Connection II
  9. Blunt: The Fourth Man 
  10. The Quiller Memorandum
  11. Betrayed

A Movie A Day #245: The Missouri Breaks (1976, directed by Arthur Penn)


After Tom Logan (Jack Nicholson) and his gang of rustlers (played by Randy Quaid, Frederic Forrest, and Harry Dean Stanton) rob a train, Logan uses the money to buy a small ranch.  Their new neighbor is Braxton (John McLiam), a haughty land baron who considers himself to be an ambassador of culture to the west but who is not above hanging rustlers and hiring gunmen.  One such gunman is the eccentric Robert E. Lee Clayton (Marlon Brando), a “regulator” who speaks in a possibly fake Irish brogue, is a master of disguise, and uses a variety of hand-made weapons.  Braxton hires Clayton to kill Logan and his men, despite the fact that his daughter (Kathleen Lloyd) has fallen in love with Logan.

A flop that was so notorious that it would be five years before Arthur Penn got a chance to direct another film, The Missouri Breaks is best remembered for Marlon Brando’s bizarre performance.  Brando reportedly showed up on the set late and insisted on largely improvising his part, which meant speaking in a comical Irish accent, singing an impromptu love song to his horse, and disguising himself as an old woman for one key scene.  (According to Patrick McGilligan’s Jack’s Life: A Biography of Jack Nicholson, co-star Harry Dean Stanton grew so incensed at Brando’s behavior that he actually tried to rip the dress off of Brando, saying that he simply would not be “killed’ by a man wearing a dress.)  Brando’s later reputation for being a disastrously weird performer largely started with the stories of his behavior on the set of The Missouri Breaks.

I had heard so many bad things about Brando and The Missouri Breaks that I was surprised when I finally watched it and discovered that it is actually a pretty good movie.  For all of his notoriety, Brando does not enter this leisurely paced and elegiac western until after half a hour.  The majority of the movie is just about Jack Nicholson and his gang, with Nicholson giving a low-key and surprisingly humorous performance that contrasts well with Brando’s more flamboyant work.  While Arthur Penn may not have been able to control Brando, he still deftly combines moments of comedy with moments of drama and he gets good performances from most of the supporting cast.  Quaid, Stanton, Forrest, and Nicholson are all just fun to watch and the rambling storyline provides plenty of time to get to know them.  Whenever Brando pushes the movie too close to self-parody, Nicholson pulls it back.   The Missouri Breaks may have been a flop when it was released but it has aged well.

Horror Film Review: The Car (dir by Elliot Silverstein)


The_Car_movie_poster

“THE CAR IS IN THE GARAGE” 

— Captain Wade Parent (James Brolin) in The Car (1977)

Yes, that’s right!  The car is in the garage and it’s hunting for blood!

The Car is a pretty stupid movie that doesn’t really work but at least it’s enjoyably stupid.  From the minute I started watching this movie, I knew that the only way I could recommend it would be if James Brolin shouted, “The car is in the garage!” at some point.  When he did, I had to cheer a little.  I love being able to recommend a movie.

The Car takes place in the small desert town of Santa Ynez.  Nothing much ever seems to happen in Santa Ynez, which perhaps explains why the police force is so large.  (Why wouldn’t you want to be a police officer in a town with no crime?  It wouldn’t be a very demanding job.)  Sheriff Everett Peck (John Marley) keeps the peace and sends his time talking about how much he hates bullies.  Wade Parent (James Brolin) is his second-in-command and has a 70s pornstache.  Wade’s best friend is Deputy Luke Johnson (Ronny Cox), a recovering alcoholic with impressive sideburns.  And then there’s a few dozen other cops.  Seriously, this tiny town has a HUGE police force.

One day, however, the police finally get something to do.  A black Lincoln Continental has suddenly appeared, stalking the roads around the town.  It doesn’t have a licence plate and the windows are tinted a dark red so it’s impossible to see who — if anyone — is driving.  Stranger still, the car’s doors have no handles.  When the car does show up, it seems to appear out of nowhere and once it’s run someone over, it seems to vanish just as quickly.

When the car first appears, it runs down two cyclists.  A few hours later, it kills an obnoxious hippie hitchhiker (John Rubinstein).  The only witness was alcoholic wife beater Amos Clements (R.G. Armstrong).  When Amos goes to the police, the car tries to run him over as well but instead, it ends up killing Sheriff Peck.

Now, Wade is in charge and he has to do something about the car.  Unfortunately, Wade’s girlfriend, Lauren (Kathleen Lloyd), made the mistake of screaming insults at the car when the car attempted to run down the school marching band.  Now, the car is stalking her.  Meanwhile, Luke is convinced that the car is being driven by none other than devil.  Wade says that’s impossible.  Luke points out that the car refuses to drive through consecrated ground.

And eventually, the car does show up in the garage…

The Car is one of the stupider of the many Jaws ripoffs that I’ve seen.  You’ll be rooting for the car through the entire film, which is good since the car kills nearly everyone in Santa Ynez.  (If any of them were likable, The Car wouldn’t as much fun to watch.)  It’s dumb but the film does have an appropriately silly ending and James Brolin does get to yell, “The car is in the garage!”

So, there is that.