Retro Television Reviews: Fantasy Island 1.4 “Family Reunion/Voodoo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1996.  The entire show is currently streaming on Tubi!

Smiles, everyone!  We have two very strange fantasies this week and a few memorable guest stars!

Episode 1.4 “Family Reunion/Voodoo”

(Directed by George McGowan, originally aired on February 18th, 1978)

Finally!  After four weeks of trying to figure out how exactly the island works, I finally watched an episode that explained what Tattoo’s actual job is.  Apparently, Tattoo is an accountant.  It’s his job to keep track of how much money the island has in its treasury and to order stuff for the resort.  It’s also his job to rent things for the fantasies.  This episode, he mentions that it’s not cheap to rent a bear.  Mr. Roarke gives him a slightly disapproving look but no matter.  Tattoo’s correct.  Bears are not cheap.

As for the fantasies, they’re both kind of strange in this episode.

The more peaceful of the fantasies involves Tony (Tom Fridley) and Ann (Kathy Kurtzman) and their desire for their parents, Harry (John Gavin) and Evelyne (Juliet Mills), to get back together.  The fantasy involves tricking Harry and Evelyne into returning to the summer camp where they first met and having them fall in love all over again.  (Yes, it’s The Parent Trap, all over again.)  Unfortunately, Harry and Evelyne are accompanied by their new significant others, Stuffy McBorington (David Hedison) and Slutty LaGolddigger (Mary Frann.)  Actually, I guess those weren’t really their names but they might as well have been.  Fortunately a sudden rain storm and a visit from the expensive bear convinces Harry and Evelyne to dump Stuffy and Slutty and give love another chance.  Yay!

Meanwhile, on the other side of the island, Mr. Roarke has recreated a Haitian rubber plantation!  Jane Howell (Lauren Tewes, who I’ve also been watching on The Love Boat) is an amnesiac who might be the daughter of the plantation’s owner.  She, her adoptive parents (Howard Duff and Marjorie Lord), and her fiancé (Gary Collins) spend the night at the plantation.  However, it turns out that they’re not alone.  Mr. Roarke has also brought over a voodoo priest (Ernie Hudson!) who is determined to drive Jane mad!  It’s a really weird story that ends with not one twist but two.  It’s also an effectively creepy story, which makes it all the stranger that it’s paired with a light-hearted Parent Trap homage.

To me, the most interesting thing about this episode is that so many of the guest stars were veterans of the horror (or at least, the supernatural) genre.  The Family Reunion storyline features Juliet Mills (Beyond The Door), David Hedison (The Fly), and John Gavin (Psycho).  (Interestingly enough, David Hedison played Felix Leiter in two James Bond films while Gavin would have played Bond in Diamonds are Forever if Sean Connery hadn’t agreed to return to the role.)  Meanwhile, Voodoo features Lauren Tewes (who appeared in Eyes of a Stranger and Twin Peaks: The Return) and Ernie Hudson (Ghostbusters).  It’s an interesting mix of actors and it’s fun to see them all wandering around the island at the same time.

I enjoyed this episode.  Family Reunion was agreeably silly while Voodoo was creepy and melodramatic.  Add to that, Ricardo Montalban seemed to be having a genuinely good time as the mysterious Mr. Roarke.  He made the island seem like a fun place to visit, even with the bears and the voodoo hijinks.

Next week, more fantasies!  And more smiles!

Lisa Reviews An Oscar Nominee: In Which We Serve (dir by Noel Coward and David Lean)


“This is the story of a ship….”

The 1942 British war film, In Which We Serve, opens with footage of the HMS Torrin, a destroyer, being constructed in a British shipyard.  When the Torrin is finally finished, the men who worked on it cheer as it leaves on its maiden voyage.  The film then abruptly jumps forward to the year 1941.  The Torrin is sinking, the victim of German bombers.  The surviving members of her crew float in the ocean, holding onto debris and watching as their home for the past few years capsizes and slowly goes underneath the surface of the water.  Even as the Torrin sinks, German planes continue to fly overhead, firing on the stranded men and killing several of them.

As the men fight to survive both the ocean and the Germans, they remember their time on the Torrin.  Captain Kinross (Noel Coward, who also wrote the script and co-directed the film) thinks back to 1939, when he was first given command of the Torrin.  He remembers the early days of the war and the time that he spent with his wife (Celia Johnson) before leaving to do his duty.  As the captain of the ship, Kinross was a tough but compassionate leader.  He expected a lot out of the men but he also came to view them as his second family.  Meanwhile, Shorty Blake (John Mills) thinks about his wife and his newborn son back in London.  Everyone on the Torrin has left their families behind.  Some of them even lose their loved ones during the war, victims of the relentless German Blitz.  But, even as they float in the ocean, everyone continues to fight on, knowing that there will be bigger ships to replace the Torrin and that Britain will never surrender.

In 1942, British film producer Anthony Havelock-Allan approached Noel Coward and asked him if he would be interested in writing the screenplay for a morale-boosting propaganda film.  Coward agreed, on the condition that he be given complete control of the project and that the film deal with the Royal Navy.  Though one might not immediately think that the author of drawing room comedies like Easy Virtue and Private Lives would be the obvious choice to write a war film, Coward’s family actually had a long tradition of serving in the Navy and Coward based a good deal of the film’s action on the wartime exploits of his friend, Lord Mountbatten.  Though there was initially some concern about Coward’s insistence that he should play the lead role on top of everything else, the Ministry of Information fully supported the production of In Which We Serve.

However, Corward knew that he would need help directing the film.  He asked his friend, John Mills, for advice and Mills suggested that Coward should bring in, as co-director, “the best editor in Britain,” David Lean.  Though Lean was initially only meant to handle the action scenes, Coward quickly discovered that he didn’t particularly enjoy all of the detail that went into directing a film.  As a result, David Lean ended up directing the majority of the film.  This would be Lean’s first film as a director and he would, of course, go one to become one the top British directors of all time.

(Also of note, frequent Lean collaborator Ronald Neame served as the film’s cinematographer.  Neame later went on to have his own career as a director.  In 1972, Neame directed another film about a capsized ship, The Poseidon Adventure.)

As for the film itself, In Which We Serve is an unapologetic propaganda film, carefully crafted to inspire the British people to support the war effort and also to win over the sympathy of American viewers.  (During the film’s production, America had finally entered the war but there were still skeptics, at home and abroad.)  Along with being a war film, In Which We Serve is also a rather touching and heartfelt tribute to the strength and determination of the British people.  Though it’s a rather grim film at times and it doesn’t shy away from the fact that lives are going to be lost in the battle to defeat Hitler, it’s also a rather inspiring film.  The sacrifice will be great, In Which We Serve tells us, but it will also be worth it.  The entire ensemble — including future director Richard Attenborough, making his film debut as a frightened sailor — does an excellent job of creating memorable characters, some of whom only appear for a few fleeting moments before meeting their fate.

In Which We Serve was a box office hit in both the UK and the US.  It was Oscar-nominated for Best Picture of the year, though it ultimately lost to another film about World War II, Casablanca.

6 Trailers To Go On The Road With


This weekend, I’m busy getting ready to go on a road trip with Jeff.  I’ll be away from home for two whole weeks!  However, fear not!  With the help of WordPress and my wonderful, beautiful older sister Erin, I will still be updating and posting even while we’re on the road.  I might even be able to convince my fellow Shattered Lens writer to spend the next two weeks watching the Lifetime Movie Channel and posting “What Lisa Would Have Watched Last Night.”  How about it, guys? *wink wink*

Anyway, while I deal with shopping and packing, why not enjoy the latest entry of Lisa Marie’s Favorite Grindhouse And Exploitation Trailers.

(And by the way, just because I’m going to be out of town next weekend won’t stop me from posting six more trailers next Saturday.  Why?  Because I love you, silly!)

1) The Klansman (1974)

In this infamous little film from the 1970s, Richard Burton, Lee Marvin, and O.J. Simpson fight the Ku Klux Klan in Alabama.  Believe it or not, I’ve actually seen this movie though the copy I saw was one of those public domain DVDs that I think was actually a copy of the edited-for-TV version of this movie.  (I say that because every time someone cursed, there was an awkward silence on the soundtrack.)  Even more odd is the fact that I’ve actually read the old novel that this movie is based on.  Anyway, this movie is pretty bad but the book is okay.  The film was directed by the same guy who directed the first James Bond films.

2) Beyond the Door (1975)

Okay, so this is pretty obviously an Exorcist rip-off but wow, this trailer freaks me out.  Needless to say this is an Italian film.  My favorite part of the trailer, to be honest, is the use of the Ryder truck.  It’s a moment that epitomizes Italian exploitation in that you can tell that the filmmakers really thought that displaying the one word — “Ryder” — would convince viewers that they were watching an American-made film.

3) 2020 Texas Gladiators (1985)

Speaking of Italian exploitation cinema, here we have another example.  I pretty much had to include this trailer because I live in Dallas and 2020 is just 9 years away.  That said, I’m not sure what part of Texas this film is supposed to be taking place in.  I’m guessing by all the shots of boots marching through grass that this is supposed to be up in North Texas but if you can find mountains like that around here then you’ve got far better eyesight than I do.  Add to that, the sudden indian attack seems more like an Oklahoma thing.  Not surprisingly, according to Amazon, this film was not only directed by Joe D’Amato but features both George Eastman and Al Cliver.

4) 1990: The Bronx Warriors (1982)

Apparently, it didn’t start in Texas.  This is also an Italian film.  It was directed by Enzo Castellari and, not surprisingly, George Eastman is in this one as well.

5) Empire of the Ants (1977)

The is the trailer that  dares to ask — who are you going to listen to?  Common sense or H.G. Wells?  I’ll tell you, nothing freaks me out more than when I see  one of those ant lines carrying a dead cricket back to the anthill.  Ants are one thing that I will not allow in the house.  However, I kinda admire them.  They’re so neat and organized.  Plus, males in ant society know their place.

6) Mr. Billion (1977)

“20th Century Fox presents Mr. Billion …. starring Terence Hill, the 5th biggest star in the  world…”  I haven’t seen very many Terence Hill films but I always enjoy seeing him in trailers.  I can’t really say whether he’s a good actor or not because every time I’ve seen him, he’s been dubbed.  But he definitely had a very likable presence.  You wanted him to be a good actor whether he was or wasn’t.  That said, even if I had been alive at the height of Mr. Hill’s fame, it never would have worked out for us as I’m Southern Italian and Hill is quite clearly from the north.  That’s just the way it is.  Anyway, back to Mr. Billion — I’m including two trailers for this one.  The first is the “Prestige” trailer.  The second one is much shorter and features one of those odd little songs that gets stuck in your head.