4 Shots From 4 Films: Special Chuck Norris Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birthday of Chuck Norris.  It’s time for….

4 Shots From 4 Chuck Norris Films

Silent Rage (1982, dir by Michael Miller, DP: Robert Jessup and Neil Roach)

Missing In Action (1984, dir by Joseph Zito, DP: João Fernandes)

The Delta Force (1986, dir by Menahem Golan, DP: David Gurifinkel)

Invasion USA (1985, dir by Joseph Zito, DP: João Fernandes)

4 Shots From 4 Films: Special Friday The 13th Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

The Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made.  That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry.  Actually, I think you could argue that’s a part of the enduring charm of the series.  Today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th Part II (1981, dir by Steve Miner)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise!  It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

4 Shots From 4 Holiday Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

Three Days of the Condor (1975, dir by Sydney Pollack)

First Blood (1982, dir by Ted Kotcheff)

Invasion USA (1985, dir by Joseph Zito)

Lethal Weapon (1987, dir by Richard Donner)

4 Shots From 4 Films: Special Friday The 13th Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Admittedly, the Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made.  That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry.  That said, today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VI: Jason Lives (1986, dir by Tom McLoughlin)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise!  It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

Live Tweet Alert: Watch The Prowler with #ScarySocial


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1981’s The Prowler!

That’s right!  It’s the most ruthless slasher film ever made, with special death effects from the great Tom Savini!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime, Tubi, and a few other streaming sites.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

8 Shots From 8 Horror Films: 1984 — 1986


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at a very important year: 1984, 1985, and 1986.

8 Shots From 8 Films: 1984 — 1986

A Nightmare on Elm Street (1984, dir by Wes Craven, DP: Jacques Haitkin)

Gremlins (1984, dir by Joe Dante, DP: John Hora)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito, DP: João Fernandes)

Phenomena (1985, dir by Dario Argento, DP: Romano Albani)

Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)

Demons 2 (1986, dir by Lamberto Bava, DP: Gianlorenzo Battaglia)

Witchboard (1986, dir by Kevin S. Tenney, DP: Roy Wagner)

The Fly (1986, dir by David Cronenberg, DP: Mark Irwin)

4 Shots From 4 Films: Special Friday The 13th Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Admittedly, the Friday the 13th films aren’t exactly known for being the most visually impressive horror films ever made.  That’s especially true of the first 8 films, which were all shot on a low budget and in a hurry.  That said, today is Friday the 13th and there’s no way that I, as a lover of the horror genre, couldn’t use the 4 Shots format to pay a little bit of tribute to one of the most successful and influential horror franchises of all time.

So, with that in mind, here are….

4 Shots From 4 Friday the 13th Films

Friday the 13th (1980, dir by Sean S. Cunningham)

Friday the 13th: The Final Chapter (1984, dir by Joseph Zito)

Friday the 13th Part VI: Jason Lives (1986, dir by Tom McLoughlin)

Friday the 13th Part VIII: Jason Takes Manhattan (1989, dir by Rob Hedden)

Back in 2012, I reviewed every single film in the Friday the 13th film franchise!  It was a lot of fun!

My Friday the 13th reviews:

Happy Friday the 13th everyone!

The Prey’s The Thing: THE PROWLER (Sandhurst Films 1981)


gary loggins's avatarcracked rear viewer

While flipping through the channels late one Saturday night, I came across a title called THE PROWLER. It was not a remake of the 1951 film noirdirected by Ida Lupino and starring Van Heflin and Evelyn Keyes, but a slasher shocker with a couple of noir icons in the cast, namely Lawrence Tierney and Farley Granger. Intrigued by this, I decided what the hell, let’s give it a watch! And though Tierney and Granger are in it, their screen time is limited, and I discovered the real star of this film is makeup/special effects wizard Tom Savini.

The plot is your basic “psycho-killer on the loose terrorizing coeds” retread, but the backstory was enough to hook me. We begin with newsreel footage of the troops returning home from WWII in 1945, and a graduation dance at a California college. Pretty young Rosemary Chapman, who wrote her soldier boy…

View original post 1,056 more words

A Movie A Day #135: Missing in Action (1984, directed by Joseph Zito)


Chuck Fucking Norris, man.  Is there anything this man can not do?

In Missing in Action, he plays Colonel James Braddock, an army intelligence officer.  For a career military man, his long hair and his beard are definitely against regulations but who is going to tell Chuck Norris to get a haircut?  Ten years ago, Braddock escaped from a POW camp in North Vietnam.  Haunted by nightmares and still convinced that there are American POWs in Vietnam, Braddock is inspired by an episode of Spider-Man and his Amazing Friends (I am not joking!) to accompany a U.S. Senator on a fact-finding trip to Ho Chi Minh City.  It’s there that Braddock uncovers evidence that American soldiers are being held prisoner by the evil General Trau (James Hong).  With the government refusing to help him, Braddock is forced to go to Thailand, where he hooks up with an old friend, a former soldier turned black marketeer named Tuck (M.  Emmett Walsh).  Braddock and Tuck head into the jungle, to both rescue the POWs and to remind the world that, no matter what a bunch of pointy-headed lefties might say, Americans never lose a war!

A blatant rip-off of the Rambo films, Missing in Action was one of Cannon Films’ most financially successful movies.  Seen today, Missing in Action is borderline xenophobic and it takes forever for the action to really get started.  I was surprised by the number of scenes that were devoted to Braddock looking for evidence that the POWs were still in Vietnam, as if there was ever any real suspense about what Braddock would find.  (No POWs = no movie.)

On the positive side, once it finally starts, the action is exciting.  Joseph Zito was a veteran genre director and he know how to handle a battle scene.  Unfortunately, in this one, Chuck does most of his fighting with a machine gun instead of his hands.  This is also one of the first movies where Chuck Norris has the full beard going.  The beard serves to distract from what a stiff actor Chuck Norris usually was and it does its job in Missing in Action.  When it comes to picking a Chuck Norris film to watch, it’s a good idea to see how much facial hair will be featured.  If Chuck has a beard, definitely watch.  If Chuck only has a mustache, proceed with caution but, if there’s nothing else to watch, give the movie a chance.  If Chuck is clean-shaven and Bruce Lee is nowhere to be seen, throw the movie back and never speak of it again.

Missing in Action was shot back-to-back with what eventually became known as Missing in Action 2: The Beginning.  Originally, The Beginning was meant to be released first and Missing in Action was intended to be a sequel.  However, once the execs at Cannon saw the footage, they deemed The Beginning to be unreleasable and instead sent Missing in Action out to theaters.  (A movie so bad that even Cannon was hesitant to release it?  It boggles the mind.)  Missing in Action was such a box office success and The Beginning was subsequently released as a prequel.  However, when it comes to Norris/Cannon films, Invasion USA is the one to watch.  That one has a bearded Chuck and Richard Lynch!

Horror Film Review: The Prowler (dir by Joseph Zito)


The_Prowler

“A prowler has been seen around the campus and, well … he could be dangerous.”

— Miss Allison (Donna Davis) in The Prowler (1981)

Miss Allison was one of those largely ineffectual authority figures who always seems to turn up in slasher films from the early 80s.  It was easy to be dismissive of her and personally, I can’t get over the fact that she would actually show up for the big graduation dance wearing pantyhose with sandals.  But still, Miss Allison had a point here.  There was a prowler wandering around campus and was he ever dangerous!

Of course, this all could have been avoided if they just hadn’t had a graduation dance to begin with.  Eccentric old Maj. Chatham (Lawrence Tierney) understood that.  He remembered what had happened at the town of Avalon Bay’s graduation dance of 1945, how Rosemary (Joy Glaccum) and her new date where both killed by a pitchfork-wielding maniac.  Chatham had spent the last 35 years protesting any plans to hold another graduation dance.

However, in 1980, one feisty student named Pam (Vicky Dawson) finally convinced the town to allow them to hold a graduation dance.  It probably helped the Pam’s boyfriend, Mark (Christopher Goutman) was a deputy.  The morning of the dance, reports came in that someone had robbed a nearby store, murdered the store owner, and might be heading towards the town of Avalon Bay.

The sheriff (Farley Granger, who played Guy Haines in Hitchcock’s Strangers on a Train) reacted to this news by announcing that he was going fishing and leaving Mark in charge.  And, before the viewer could say, “Wait a minute — how does that make any sense?,” the sheriff was gone, the dance was on, and a maniac in a combat uniform was killing people with a bayonet and a pitchfork.

Yes, Miss Allison, the prowler was quite dangerous.

Having read that plot description, you might have a suspicion as to who the prowler actually was.  But you’re probably thinking to yourself, “No, that is way too obvious a solution!”  Well, no — it isn’t.  You will not learn the Prowler’s identity until the final few minutes of the film but you will have guessed it early on.

The Prowler is not going to win any points for originality.  It’s a slasher film from the early 80s, with everything that implies.  For people who know their horror history, it’s a time capsule of that brief period when slashers were still making an effort to be American gialli, before the genre became dominated by loquacious monsters like Freddy Krueger and postmodern snark.  As a character, the Prowler says next to nothing and really has no personality beyond a few questionable hobbies.  But he certainly does kill a lot of people and seems to truly enjoy it.

And, if you hate these type of films, you’re going to hate The Prowler.  But, that being said, The Prowler is actually one of the better examples of the early 80s slasher genre.  Much as he would do with both Abduction and Friday the 13th — The Final Chapterdirector Joseph Zito keeps the bloody action moving and, though they may be playing stock characters, he gets above average performances from his entire cast.  As opposed to a lot of slasher films of the period, you actually feel bad when these people meet their untimely end.

And finally, the Prowler himself is just scary!  The combination of the Prowler’s menacing appearance and Tom Savini’s relentless gore effects sets this film apart from other contemporary slashers, like Graduation Day.  Even by the standards of slasher psychos, the Prowler is cruel and sadistic.  It’s not just that he kills with a bayonet.  It’s that he obviously get so much enjoyment from doing it.  At its best, The Prowler is pure nightmare fuel.

Finally, on a personal note, I have to admit that it kind of freaked me out that one of the Prowler’s victims was named Lisa.  As I’ve said before, slasher films tend to scare me precisely because I know that there’s no way I’d survive one.  We always tell ourselves that people in slasher movies die because they do unbelievably stupid things but honestly, I think we all do a lot of stupid things every day.  After all, we all behave under the assumption that we’re not on the verge of being attacked by a knife-wielding maniac.  Hence, it’s easy to say, “Don’t go in that room!” but why shouldn’t someone go in that room?  After all, they’re not watching the movie.  They don’t know there’s a killer in that room.  Lisa in The Prowler certainly did some stupid things and what freaked me out was that I could easily imagine myself doing the same stupid things.

(True, unlike the film’s Lisa, I wouldn’t go out by myself in the middle of night, strip down to my underwear, and then jump in a pool but I’m planning on conquering my fear of drowning someday soon and who knows what might then happen!)

Seriously, people — be kind to the Lisas in your life.