Horror on the Lens: Curse of the Swamp Creature (dir by Larry Buchanan)


Today’s horror on the lens is 1966’s Curse of the Swamp Creature!

Probably the best thing about Curse of the Swamp Creature is that it was filmed in the town of Uncertain, Texas, which is right near the Texas/Louisiana border.  Uncertain, which sits on the shores of Caddo Lake, was incorporated in 1961.  Reportedly, when filling out the paperwork, the town’s founders wrote “Uncertain” in the blank for the name because they genuinely hadn’t come up with a name.  And …. well, you know what happens when you try to make a joke on an official document.

Anyway, this film was directed by Larry Buchanan and that’s really all you need to know about it.  Buchanan specialized in making low-budget remakes of other films, though he always claimed that Curse of the Swamp Creature was a totally original idea on his part.  The film is about a mad scientist who lives in the swamp and is trying to reverse evolution.  Things don’t always work out the way that they should and occasionally, the mad scientist has to feed his alligators.  John Agar’s in the movie, of course.

Enjoy!

Give The Devil His Due: Hugo Haas’s BAIT (Columbia 1954)


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Every Tuesday during the month of “Noirvember”, I’ll be spotlighting some dark genre gems. Enjoy wandering down the crooked path of film noir!

Welcome to the world of Hugo Haas, King of Low-Budget 50’s Film Noir. I’d heard about producer/director/writer/actor Haas’s films for years through Leonard Maltin’s annual Movie Guide, usually accompanied by a *1/2 to ** (or less!) rating. Of course, being a connoisseur of bad cinema, I was interested, but it wasn’t until recently I viewed my first Hugo Haas epic, 1954’s BAIT, starring Hugo’s screen muse Cleo Moore, who was featured in seven of the  maestro’s movies.

BAIT starts with a unique introduction (and some nice camerawork from DP Eddie Fitzgerald), as an elegantly dressed Sir Cedric Hardwicke plays The Devil Himself delivering a monologue expounding on his evil machinations. Then we get into the story itself (written by Samuel W. Taylor, with “additional dialog”…

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Special Veterans Day Edition: John Wayne in SANDS OF IWO JIMA (Republic 1949)


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Critics of John Wayne gave him a lot of flak for not serving his country during World War II, especially in the turbulent 1960’s, labeling him a phony patriot and celluloid warrior. The truth is Wayne DID try to get into the war, but was stymied in his attempts on two fronts: Republic Studios boss Herbert Yates, who filed for deferments so he wouldn’t lose his cash cow, and Wayne’s first wife Josie, who failed to forward letters from OSS Chief Wild Bill Donovan’s office. Be that as it may, The Duke was no phony, and did what he could on the home front for the war effort.

SANDS OF IWO JIMA was made four years after the war as a tribute to the brave souls of the United States Marine Corps who fought against the Japanese in the South Pacific. Wayne plays the tough top kick Sgt. John Stryker…

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Halloween Havoc!: REVENGE OF THE CREATURE (Universal-International 1955)


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The Gill-Man  made his second appearance in REVENGE OF THE CREATURE, a good-not-great sequel that finds The Creature out of his element and in the modern (well, 1955) world. In fact, The Creature is the most sympathetic character in the film, as he’s hunted, ripped from his home, chained up, tortured, and treated like a freak-show attraction. The humans, with the exception of heroine Lori Nelson, are your basic 50’s sci-fi hammerheads who fear what they don’t understand and try to force The Gill-Man to their will.

Old friend Captain Lucas is once again heading down the Amazon to the Black Lagoon, in his new boat The Rita II. Joe Hayes and George Johnson of Florida’s Ocean Harbor Oceanarium are out to capture The Creature and use him as a theme park attraction. Underwater dynamite charges stun The Gill-Man into a coma, and he’s trussed up and transported stateside. Professor…

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Halloween Havoc!: TARANTULA (Universal-International 1955)


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TARANTULA is a movie that used to scare the bejeezus out of me as a kid, and helped warp my fragile little mind. Watching it again through my so-called “grown-up” eyes, I could sit here and pick at some gaps in logic and bad dialog. But I’m not gonna do that; instead I’ll look at the positives in this still entertaining and fun “Big Bug” movie (okay, maybe I’ll pick at it a little!).

A pre-credits scene shows a deformed looking man in pajamas stumbling across the desert, buzzards circling over his head. He drops in his tracks, then the title appears in big, bold letters: TARANTULA! The credits roll, and we meet Dr. Mark Hastings, who’s “just a country doctor” in the aptly named desert town of Desert Rock. Mark gets a call from Sheriff Jack Andrews to inspect the body, assumed to be scientist Dr. Eric Jacobs. Mark…

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Little Tin God: SHIELD FOR MURDER (United Artists 1954)


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Edmond O’Brien  is big, burly, and brutal in 1954’s SHIELD FOR MURDER, a grim film noir about a killer cop trapped in that ol’ inevitable downward spiral. It’s a good (though not great) crime drama that gave the actor a seat in the director’s chair, sharing credit with another first timer, Howard W. Koch. The film, coming at the end of the first noir cycle, strives for realism, but almost blows it in the very first scene when the shadow of a boom mike appears on an alley fence! Chalk it up to first-timer’s jitters, and a budget that probably couldn’t afford retakes.

O’Brien, noted for such noir thrillers as THE KILLERS , WHITE HEAT, and DOA, stars as crooked cop Barney Nolan, who murders a bookie in that alley I just mentioned and rips him off for 25 grand. Apartently, this isn’t the first time Nolan’s killed, with the…

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Horror On The Lens: Revenge of the Creature (dir by Jack Arnold)


For today’s horror on the lens, we present to you 1956’s Revenge of the Creature!

Revenge of the Creature was the first sequel to The Creature From The Black Lagoon.  It turns out that the Gil-Man didn’t actually die at the end of the last film.  Instead, he’s alive, he’s been captured, and he’s now being displayed in an aquarium.

Now, I’m going to be honest: Revenge of the Creature is not as a good as The Creature From The Black Lagoon.  But it’s still kind of fun in a silly 1950s monster movie sort of way.  And, if you keep your eyes open, you might spot a very young Clint Eastwood, playing a lab technician and sporting a truly impressive head of hair.

Enjoy!

 

Happy Birthday John Wayne: SHE WORE A YELLOW RIBBON (RKO 1949)


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My all-time favorite actor was born Marion Mitchell Morrison on May 26, 1907 in Winterset, Iowa. But John Wayne the movie star was born in 1930 when, after years of bit parts, he landed the lead role in Raoul Walsh’s THE BIG TRAIL. The movie flopped at the box office, but it got Wayne noticed. After scuffling along in low-budget, juvenile B-Westerns for most of the 30’s, Wayne was cast as The Ringo Kid in John Ford’s blockbuster STAGECOACH , and his career took off like a wild stallion.

“The Duke” (a nickname he picked up as a kid) was an A-Lister now, the biggest star at Republic Pictures. Wayne and Ford continued their film collaborations throughout the 40’s. At the end of the decade RKO released the second of the Wayne/Ford “Cavalry Trilogy”, SHE WORE A YELLOW RIBBON. The film was a smash hit, a rousing adventure bolstered by Wayne’s portrayal of…

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My Living Doll: ATTACK OF THE PUPPET PEOPLE (AIP 1958)


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Oh boy. TCM is running a salute to AIP every Thursday this month. Now I’ll never get that DVR cleaned out! American International Pictures released some of my favorite films of the 50’s, 60’s, and 70’s, and TCM’s showing everything from Vincent Price/Roger Corman/Edgar Allan Poe horrors to outlaw biker flicks to Beach Party teen shenanigans. Expect to see lots of AIP posts in the near future, starting right now with 1958’s ATTACK OF THE PUPPET PEOPLE.

One of my earliest movie memories is watching this on the local “Four O’ Clock Movie Matinee” when I was about five years old. For some strange reason, it resonated with me. I haven’t seen it in years, and my recent re-viewing had me wondering just why it did. Maybe I was a strange kid! Anyway, ATTACK OF THE PUPPET PEOPLE was the brainchild of Mr. B.I.G. himself, producer/director/effects wizard Bert I. Gordon. Well, maybe…

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Moon Madness: INVISIBLE INVADERS (1959)


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Edward L. Cahn (1899-1963) was one of those unsung Hollywood minions who had long careers. Beginning as an editor in the waning days of the silent era, Cahn steadily worked his way up to director, helming 26 of MGM’s later Our Gang shorts. Moving from the majors to the seedy world of low-budget filmmaking, Cahn’s feature film output found him at poverty stricken studios like PRC and for a number of years American International Pictures. He worked mainly in the science-fiction realm, but labored on everything from teen delinquency pics (DRAGSTRIP GIRL) to war dramas (SUICIDE BATTALION) to westerns (FLESH AND THE SPUR) and noir (WHEN THE CLOCK STRIKES). Cahn’s features were interesting. Not very good mind you, but interesting.

INVISIBLE INVADERS is a interesting one, in a car wreck sort of way. Atomic radiation from mankind’s nuclear testing has filtered into outer space. The late Dr. Karol Noyman’s corpse (veteran boogieman John Carradine) has been reanimated by an invisible alien from the moon (!) and sent to give his former colleague Dr. Penner a warning: all nations on Earth must surrender or the aliens will take over dead bodies and annihilate the world! Penner’s daughter Phyllis and associate Dr. Lamont are supportive, but the press has a field day scoffing at the old scientist. When the alien zombies go on a destructive, stock footage filled rampage, they start taking the old duffer seriously.

invade2Army Major Bruce Jay is sent to whisk Penner and company to a secret atomic lab. There, the scientists work diligently to figure out a way to stop the zombie invasion. It’s learned that by disrupting the alien’s molecular structure with high pitched sound waves, they leave their host bodies and die. Building a sonic ray gun (and how they built it so fast is beyond me), they successfully knock off a horde of the marauding monsters. Our heroes have the zombie cure and save the world from certain death.

Whew! I laughed out loud at some of the ridiculous situations presented in INVISIBLE INVADERS. The phony special effects and shoddy props would make Ed Wood proud. The cast tries, but are defeated by the ludicrous dialogue forced on them. John Agar (Maj.Jay) starred in way too many of these Grade Z schlockfests to mention here. Agar is clearly trying to emulate his former co-star John Wayne in this one, but falls far short of the mark. Pretty Jean Byron (Phyllis) had much more success as the mom in the mid-60s sitcom THE PATTY DUKE SHOW. Robert Hutton (Lamont) was a Hollywood also-ran who’s career never took off. He later starred in another low-budget masterpiece, 1967’s THEY CAME FROM OUTER SPACE (which I’ll get around to reviewing sooner or later). And Carradine is totally wasted in a role he could play in his sleep…and in this turkey. it looks like he did!

invade3  Despite it all, I still liked INVISIBLE INVADERS. As a connoisseur of bad movies, I thought it was fun in a dopey kind of way. If you’re a fan of stuff like PLAN 9 FROM OUTER SPACE, TEENAGERS FROM OUTER SPACE, BEAST OF YUCCA FLATS, or a die-hard John Agar fan, you’ll enjoy INVISIBLE INVADERS. I did (guess there’s just no accounting for good taste!)